Literatura académica sobre el tema "Music and cinema"
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Artículos de revistas sobre el tema "Music and cinema":
Allan, Blaine. "Musical Cinema, Music Video, Music Television". Film Quarterly 43, n.º 3 (1990): 2–14. http://dx.doi.org/10.2307/1212631.
Allan, Blaine. "Musical Cinema, Music Video, Music Television". Film Quarterly 43, n.º 3 (abril de 1990): 2–14. http://dx.doi.org/10.1525/fq.1990.43.3.04a00020.
Hubbert, Julia Bess. "Music and Cinema (review)". Notes 58, n.º 2 (2001): 337–39. http://dx.doi.org/10.1353/not.2001.0202.
Powrie, Phil. "Music in French cinema". French Screen Studies 20, n.º 3-4 (1 de octubre de 2020): 151–57. http://dx.doi.org/10.1080/26438941.2020.1744342.
Humfrey, Peter, John G. Bernasconi, John Rosselli, Zygmunt G. Barański y Robert Gordon. "ART, MUSIC & CINEMA". Italian Studies 48, n.º 1 (enero de 1993): 125–32. http://dx.doi.org/10.1179/its.1993.48.1.125.
Rain, B. "RELEVANCE OF CLASSICAL MUSIC IN CINEMA MUSIC". International Journal of Research -GRANTHAALAYAH 3, n.º 1SE (31 de enero de 2015): 1–2. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3465.
Yunyk, Tetiana y Mykola Tsarev. "Soundtrack in Modern Cinema". Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, n.º 1 (30 de junio de 2021): 67–77. http://dx.doi.org/10.31866/2617-2674.4.1.2021.235086.
Humfrey, Peter, Michael Bury, John G. Bernasconi, Iain Fenlon, Bojan Bujic, Christopher Cairns, Cecil H. Clough, Kate Flint y Philip Cooke. "ARCHITECTURE, ART, MUSIC & CINEMA". Italian Studies 49, n.º 1 (enero de 1994): 146–56. http://dx.doi.org/10.1179/its.1994.49.1.146.
Aditama, Muhammad Reza. "BIOSKOP DAN MASYARAKAT KOTA PALU, 1950-1998". Manaqib: Jurnal Sejarah Peradaban Islam dan Humaniora 1, n.º 1 (7 de diciembre de 2022): 57–75. http://dx.doi.org/10.24239/manaqib.v1i1.1199.
Saini, Aarti. "Role of film music in the development of music in global perspective". RESEARCH REVIEW International Journal of Multidisciplinary 7, n.º 5 (16 de mayo de 2022): 158–61. http://dx.doi.org/10.31305/rrijm.2022.v07.i05.023.
Tesis sobre el tema "Music and cinema":
Trainer, Adam. "Rock'n'roll cinema". Thesis, Trainer, Adam (2005) Rock'n'roll cinema. PhD thesis, Murdoch University, 2005. https://researchrepository.murdoch.edu.au/id/eprint/364/.
Trainer, Adam. "Rock'n'roll cinema". Trainer, Adam (2005) Rock'n'roll cinema. PhD thesis, Murdoch University, 2005. http://researchrepository.murdoch.edu.au/364/.
Donnelly, Kevin J. "Pop music in British cinema : a chronicle /". London : Bristish Film Institute, 2001. http://catalogue.bnf.fr/ark:/12148/cb40204857z.
my, a. trainer@curtin edu y Adam Trainer. "Rock n Roll Cinema". Murdoch University, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20061019.151505.
Fisher, Alexander. "Music and modes of address in African Cinema". Thesis, Ulster University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529563.
Su, Yen-ying. "Music and sound in post-1989 Taiwan cinema". Thesis, Royal Holloway, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.588761.
Miranda, Suzana Reck. "Filmando a musica : uma interpretação do cinema de François Girard". [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284771.
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Esta tese propõe uma análise da relação música/cinema fundamentada em discussões que demandam uma interface entre a Musicologia e a Teoria do Cinema. O objeto de estudo é o filme Thirty Two Short Films about Glenn Gould (1993), do canadense François Girard. O universo musical do filme sugere uma análise específica, muito além da mera funcionalidade da música em relação à diegese. O objetivo é evidenciar como Girard executa cinematograficamente uma leitura sobre posicionamentos estéticos do pianista Glenn Gould e, com isto, ampliar a reflexão em torno da interface música/cinema. A metodologia adotada dialoga, em parte, com a abordagem de cunho fenomenológico de Michel Chion. Entretanto, pelo fato de ser um filme no qual a presença da música, além de assunto, constitui o principal modo de expressão, optou-se por estabelecer, sempre que necessário, aproximações entre a teoria do cinema e da música
Abstract: This thesis proposes an analysis of the film/music relationship through discussions at the interface between Musicology and Film Theory. The chosen subject is François Girard¿s film Thirty-two short films about Glenn Gould (1993). A specific approach is required in order to study the music in this film because of the musical world interpreted here by Girard. The idea is to show how Girard gives a cinematic reading of Glenn Gould¿s aesthetical position and, through this reflection, to provide a contribution to the field of Film Music. The theoretical support for this thesis comprises a number of influential authors on music and cinema theory, with focus on Michel Chion¿s phenomenological orientation
Doutorado
Doutor em Multimeios
Morcom, Anne Frances. "Hindi film songs and the cinema". Thesis, SOAS, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268674.
Maciel, Katia Augusta. "Film, popular music and television : intertextuality in Brazilian cinema". Thesis, University of Southampton, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494969.
Eikmeier, Martin. "A música de Remo Usai no cinema brasileiro". [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284921.
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Remo Usai foi o compositor que mais produziu na história do cinema brasileiro; e o único profissional especializado de sua época. Este trabalho investiga sua trajetória ao longo de 4 décadas, concentrando-se nas suas atividades durante os anos 60, período em que compôs para filmes ligados ao projeto do cinema novo e de uma produção politicamente engajada. O foco do texto se deu na aderência de seu projeto musical a filmes cujo enredo exigia formas de diálogo entre música e narrativa distintas de sua formação, que se deu nomeadamente na tradição do cinema americano e na lógica do melodrama. Deste modo, investigou-se, em primeiro lugar, quais os caminhos que levaram um profissional, identificado com um projeto de cinema - a chanchada - combatido elos artistas com os quais se associou na década de 60, a compor para estes filmes. Em segundo, as diferenças entre a maneira de lidar com o material musical em cada um destes projetos de cinema, procurando encarar tanto suas disposições estéticas, quanto o seu modo de produção e a maneira pela qual um e outro afetaram o trabalho de composição de Remo Usai
Abstract: Remo Usai was the most productive composer of our cinema history, and the only professional specialized in the art of film music of its time. This work investigates his career over four decades by focusing on his activities during the 60, period in which he composed for films related to the cinema novo project and politically engaged productions. The focus of the text is the adherence of his musical project to movies in which the plot demanded forms of dialog between music and narrative other than its formation could provide, which occurred particularly in the tradition of American cinema and the logic of melodrama. Thus, the text investigates, at the outset, what where the paths that lead a professional identified with a film project - the chanchada - opposed by the artists with whom he joined in the 60s, to compose for these films. Secondly, the differences between the way of dealing with the musical material in each of this film projects, trying to face both its aesthetic provisions, as its mode of production, and the way that either affect the composition of Remo Usai
Doutorado
Doutor em Multimeios
Libros sobre el tema "Music and cinema":
Tonno, Sergio Di. Cinema & musica. [Busalla, Italy]: La lontra, 2006.
Powrie, Phil. Music in Contemporary French Cinema. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-52362-0.
Graham, Rodney. Rodney Graham: Cinema music video. Wien: Kunsthalle Wien, 1999.
Gómez, Lidia López. Popular Music in Spanish Cinema. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003194347.
Simon, Dwyer, ed. Rapid eye: Art, occult, cinema, music. Brighton: Rapid Eye, 1989.
Cano, Cristina. Michael Nyman: Ascoltare il cinema. Milano: F. Angeli, 2004.
Venice (Italy). Assessorato alla cultura e alle belle arti. y Teatro La Fenice, eds. Cinema & jazz. [Venezia]: Comune di Venezia, Assessorato alla cultura, 1985.
Mendes, Gilberto. Música, cinema do som. São Paulo: Perspectiva, 2013.
Cano, Cristina. Michael Nyman: Ascoltare il cinema. Milano: FrancoAngeli, 2004.
Pozzo, Diego Del, Antonio Tricomi, Vincenzo Esposito, Fabio Maiello y Corrado Morra. Il cinema secondo Springsteen. Atripalda (AV) [i.e. Avellino, Italy]: Mephite, 2012.
Capítulos de libros sobre el tema "Music and cinema":
Blumenthal-Barby, Martin. "Counter-Music". En Cinema and Surveillance, 17–45. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003229834-2.
Mühlenfeld, Daniel. "Cinema, Art, and Music". En A Companion to Nazi Germany, 385–98. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118936894.ch23.
Van Order, M. Thomas. "Italian Film Music". En The Italian Cinema Book, 142–48. London: British Film Institute, 2014. http://dx.doi.org/10.1007/978-1-349-92642-8_18.
D’Lugo, Marvin. "Music in Latin American cinema". En The Routledge Companion to Latin American Cinema, 329–43. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315720449-23.
Lluís i Falcó, Josep y Yaiza Bermúdez Cubas. "Canción española in cinema". En Popular Music in Spanish Cinema, 120–30. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003194347-13.
Pérez-Colodrero, Consuelo. "Cinema and national imaginary". En Popular Music in Spanish Cinema, 13–25. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003194347-3.
Wierzbicki, James. "Cult soundtracks (music)". En The Routledge Companion to Cult Cinema, 307–14. London; New York: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-38.
Letcher, Christopher. "Post-Apartheid Cinema". En The Routledge Companion to Screen Music and Sound, 318–27. New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315681047-26.
Pontara, Tobias. "Interpreting Tarkovsky’s Cinema Through Its Music". En Andrei Tarkovsky’s Sounding Cinema, 1–19. New York : Routledge, 2020. | Series: Music and sound on the international screen: Routledge, 2019. http://dx.doi.org/10.4324/9780429297618-1.
Windisch, Anna K., Claus Tieber y Phil Powrie. "From Unheard to Meaningful: When Music Takes Over in Film". En When Music Takes Over in Film, 1–11. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-89155-8_1.
Actas de conferencias sobre el tema "Music and cinema":
Leembruggen, G. "TEMPORAL STRUCTURE OF THE SPECTRAL LEVELS WITHIN PRE-RECORDED SPEECH, MUSIC AND CINEMA MATERIAL". En REPRODUCED SOUND 2020. Institute of Acoustics, 2020. http://dx.doi.org/10.25144/13370.
Leembruggen, G. "TEMPORAL STRUCTURE OF THE SPECTRAL LEVELS WITHIN PRE-RECORDED SPEECH, MUSIC AND CINEMA MATERIAL". En REPRODUCED SOUND 2020. Institute of Acoustics, 2020. http://dx.doi.org/10.25144/13370.
Trifan, Aurelia. "Socialist modernism – a way of disseminating a new ideology in the architecture of entertainment buildings". En Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.14.
Costalonga, Leandro, Daniel Coura, Marcus Vinícius Das Neves, Fabiano Costa y Helder Rocha. "NESCoM Research Report (2019)". En Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10437.
Olărescu, Dumitru. "The evolution of the documentary film, dedicated to popular music performers". En Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.17.
Margineanu, Virgiliu. "The trend of the film industry in the Republic of Moldova during the 30 years of independence". En International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.25.
Āboliņa, Daira. "Television-Commissioned Films in the History of the Riga Film Studio. Cinematic Language and Genesis of Stylistics". En International scientific conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/ms22.01.
Fischer, Andre. "New transmedia design for traditional film festivals". En LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.121.
DOSPINESCU, Liviu. "Present-Day Trends in the Research and Creation of Living Arts in the Academia: A North American Model". En The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0011.
Babu, Devi y Supriya P. "Music Emotion Recommender System using Spectral Features-a Malayalam cine music deployment". En 2021 Second International Conference on Electronics and Sustainable Communication Systems (ICESC). IEEE, 2021. http://dx.doi.org/10.1109/icesc51422.2021.9532821.