Literatura académica sobre el tema "Museum phenomenon"
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Artículos de revistas sobre el tema "Museum phenomenon"
Anisimova, Margarita Vyacheslavovna. "The Phenomenon of Leningrad Military Museum in the first decades of the Soviet era". Исторический журнал: научные исследования, n.º 5 (mayo de 2023): 127–37. http://dx.doi.org/10.7256/2454-0609.2023.5.43662.
Texto completoHerczyńska, Sara. "Paradoks Kasztanki. Fantazmatyczne eksponaty w domach-muzeach". Czas Kultury XL, n.º 2 (17 de junio de 2024): 189–200. http://dx.doi.org/10.61269/kmmy4710.
Texto completoGerasimov, Grigoriy I. "Museum as an idealistic phenomenon". Issues of Museology 11, n.º 1 (2020): 119–32. http://dx.doi.org/10.21638/11701/spbu27.2020.112.
Texto completoKlimaszeweski, Cheryl. "Towards a Typology of an Emergent Museum Form". Martor. The Museum of the Romanian Peasant Anthropology Review 23 (15 de noviembre de 2018): 121–40. http://dx.doi.org/10.57225/martor.2018.23.07.
Texto completoXue, Yuchen. "Research on Museum Brand Building under the New Media Environment". Highlights in Art and Design 2, n.º 3 (5 de mayo de 2023): 101–4. http://dx.doi.org/10.54097/hiaad.v2i3.8094.
Texto completoMastenitsa, E. N. y L. M. Shlyahtina. "School museum in social and cultural spatium of megalopolis". Vestnik of Saint Petersburg State University of Culture, n.º 1 (30) (marzo de 2017): 107–11. http://dx.doi.org/10.30725/2619-0303-2020-3-107-111.
Texto completoRosso, Aluminé. "The cinefication of museums: from exhibitions to films. The case of Tate Modern". Digital Age in Semiotics & Communication 5 (30 de diciembre de 2022): 35–61. http://dx.doi.org/10.33919/dasc.22.5.3.
Texto completoLoder-Neuhold, Rebecca. "The “Missions-ethnographische Museum” of St Gabriel as an Example for European Mission Museums". Anthropos 114, n.º 2 (2019): 515–30. http://dx.doi.org/10.5771/0257-9774-2019-2-515.
Texto completoEstudiantin, Nusi Lisabilla. "Transformation in the National Museum of Indonesia: Never-ending decolonisation". Decolonizing academic disciplines and collections 52-1 (2024): 114–23. http://dx.doi.org/10.4000/11zlx.
Texto completoMelnikova, Ekaterina A. "From “vernacular museums” to the “do-it-yourself past”". Etnograficheskoe obozrenie, n.º 1 (17 de febrero de 2024): 60–76. http://dx.doi.org/10.31857/s0869541524010033.
Texto completoTesis sobre el tema "Museum phenomenon"
Guiragossian, Olivia. "Représenter le phénomène muséal et son évolution. Approche statistique et compréhensive de la notion de musée". Electronic Thesis or Diss., Paris 3, 2024. http://www.theses.fr/2024PA030024.
Texto completoHow many museums are there in the world? Based on a numerical approach to the museum world, this question raises a number of issues about what museums represent, how they develop, and the knowledge and understanding we have of them. However, museums do not benefit from a satisfactory quantitative approach, and no research to date has addressed the issues involved in the construction and significance of these figures for a representation of the museum phenomenon.This work develops as the successive opening of several black boxes, exploring in turn the issues of the definition of the museum, the methods of census and observation, and the means of expressing its diversity. It is based in particular on fieldwork devoted to census strategies around museums in France, questioning the possibility of differentiated museum landscapes and perimeters and raising a constitutive tension between recognition and invisibilisation. This reflection is related to the challenges of European statistics in the formation of a Europe of museums, based on the analysis of its actors and their productions. Finally, the debates led by ICOM around the definition proposed in 2019 at the Kyoto Conference highlight the creation of an international consensus, confronted with specific visions of museums around the world. In this way, I hope to bring to light the dynamics of the structures of information systems dedicated to the museum, to objectify the different visions of the museum throughout the world, and to initiate new methods that can contribute to the development of museology
Ehrmantraut, Adam. "Phenomenon of adolescent prayer| Christian, Jewish, and Muslim perspectives". Thesis, Saint Mary's University of Minnesota, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3711542.
Texto completoThis study explored one aspect of religious life, prayer, at a dynamic time in human development, adolescence. This phenomenology examined the experience of adolescent prayer among those who subscribed to Islam, Christianity, and Judaism. Eighteen high school seniors from two Minnesota high schools, six from each religious group, completed a 7-day journal identifying and explaining their prayer experiences. After, each adolescent participated in a conversational interview with the researcher further exploring their individual prayer experiences. Journal and interview data were analyzed according transcendental phenomenology methods to create a synthesis of the adolescent prayer experience. Five themes of adolescent prayer were identified in the differing categories of human experience: (a) fitting prayer into adolescent life, (b) prayer's connection with the divine, (c) building identity through prayer, (d) emotional transitions from prayer, and (e) prayer as a coping method. In the end, a cyclical model of the adolescent prayer experience was created describing how prayer leads to the solidification of identity, emotional change, and a readiness to cope during everyday life.
Hardy, Alexandra Joy. "The "new phenomenon" an examination of American media portrayal of Muslim female suicide bombers /". Connect to Electronic Thesis (CONTENTdm), 2010. http://worldcat.org/oclc/642701035/viewonline.
Texto completoCozien, Christine. "Code-Switching among Bilingual Speakers of Cape Muslim Afrikaans and South African English in the Bo-Kaap, Cape Town". Master's thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/32559.
Texto completoDeLosso, Lisa Christine. "A phenomenon of thought : liminal theory in the museum". Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-1298.
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Wu, Dai-Rong y 吳岱融. "The Phenomenon of Independent Curators in Taiwanese Arts Museums". Thesis, 2001. http://ndltd.ncl.edu.tw/handle/44277685060543514142.
Texto completo臺南藝術學院
博物館學研究所
89
Museums are indexes of a culture level of a state; among them, the arts museums are notable for exhibiting their research achievements to the public. Above all, the very critical people who put the exhibitions into practice are defined as curators in this article. The outsets of Taiwanese Arts Museums just began in no more than two decades, and the motif of their foundation was deeply related with the state political policies. In the past, the exhibitions held by the public arts museums were the representation of the state’s propaganda; the seriousness, creativeness, and the knowledge behind the exhibitions had been ignored over a long period of time. Thus, while the power of curating exhibitions is transferred to the independent curators outsides the arts museums, the legitimacy of it is still a questionable issue and being discussed among the Museology Field in Taiwan. In 1990s, a phenomenon of independent curators has appeared in Taiwanese Arts Museums. There is no exaggeration of naming this situation as a phenomenon, for the press enormously advocate and focus on it, and thus makes the independent curators the novel art nobles in the world of Taiwanese Arts. These independent curators do mitigate the awkward situation of the limitation of in-house curators; however, their intervention symbolizes that the culture hegemony shaped by the arts museum has been collapsed. According to my observation to the museum improving process, the appearance of independent curators is inevitable; however, their existence has significant influence on Taiwanese Arts Museums. Hence, I bring up four types of independent curators, “Dragonfly type”, ”Ant type”, “Turtledove type”, and “Butterfly type”, to describe the interaction between independent curators and arts museums in Taiwan. We are now at the interchange of centuries, and we do have some pioneers in Taiwanese Arts Museums, such as the first college museum of arts, the first BOT museum of arts and so on. What we can foresee is that Taiwanese Arts Museums are trying to find out their own way to the museum world. Thus, how to deal with independent curators and well digest them into their own mechanism should be the next issue to consider in the near future.
Chen, Bi-Syuan y 陳苾瑄. "An Analysis of the Chinese Tourists Phenomena in the National Palace Museum". Thesis, 2014. http://ndltd.ncl.edu.tw/handle/41612394888533834082.
Texto completo國立臺灣師範大學
社會教育學系
102
At the year of 2008, Taiwan open the gate for Chinese tourists. Afterwards, the amount of PRC travelers increased rapid, especially the number of the tourists in National Palace Museum (NPM), as NPM is widely regarded as one of the must-see spots. Facing the huge amount of Chinese tourists, NPM also encountered great impacts and many disputes, which shows the insufficiency of space at the present stage. Therefore, in order to redefine the role in the world stage, NPM started to introspect itself for tourism by resetting the tourist strategies. This study hopes to explore not only the tourist gaze of those Chinese tourists in Taiwan, but also the phenomena caused by Chinese tourists in NPM. With deep interviews and document analysis, we hope to understand not only the tourist gaze of those Chinese tourists who come to visit Taiwan, but also the responses from the NPM administration for those phenomena at present stage. For those Chinese tourists, they have been holding a lot of illusions for Taiwan when expecting and planning their visits here. They become modern pilgrims, with the mood of pilgrimage to come to Taiwan. NPM becomes one stop in this pilgrimage. At the same time, they try to gather different symbols during the trip and make it objectify. Facing the huge amount of Chinese tourists, NPM also encounters a great impact and many disputes. It engages in introspection by positioning the character in the world, resetting the tourism strategies and working out the counter-measures such as extending the opening hours and controlling the amount of people. In the future, NPM also wishes to become an international museum by regarding tourist reflectivity as self-improvement criteria.
Huang, Yu-Ting y 黃鈺婷. "Phenomenal Perception as a Design Strategy in Steven Holl's Museum Architecture". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/69997437467682923399.
Texto completo國立臺灣科技大學
建築系
104
The objective of phenomenology is to investigate the direct description of phenomena as consciously experienced. Influenced by the ‘body-subject’ proposed by Maurice Merleau-Ponty(1908-1961), the American architect Steven Holl further developed his own theory and based his practice on ‘phenomenal zones’ corresponding to different perceptual phenomena explored in his writings. His works skillfully combined light, color, etc. and created space full of perceptual and sensual experience. This research attempts to summarize Holl’s ideas on phenomena from his publications and writings, and focuses on the perceptual aspects of Holl’s design in his museum architecture. It investigates how his phenomenological design methods inform design concepts, and how the museum space can be experienced by users through multiple perceptions, creating unique space and bodily perceptions. The generic phenomenal zones, which are categorized in this research into external and internal forms as well as into direct and indirect factors, are investigated in each case study to understand Holl’s ideas and the relationship between different perceptions. The results of the analysis are as follows: (1) Among Holl’s generic phenomenal zones, five external perceptions relate to each other, and they respond subjectively and objectively to two perceptual items: ‘site circumstance and idea’ and ‘time duration and perception.’ (2) Static and dynamic bodily perception is caused by ‘form’, ‘light and shadow’, ‘material’ and ‘detail’ simultaneously; ‘color’ is seldom used in the exhibition room. ‘Enmeshed experience’ combines each external perception, and is created by means of the unique formal design of ‘areas’ and ‘paths’ of the exterior space and the lobby, as well as the emphasis of the ‘material’, ‘detail’, and ‘light and shadow’ of ‘edges’ and ‘areas’ between, and of exterior and interior parts. The fusion of the visual and the haptic realm is the main purpose. (3) Concepts are mainly fulfilled by the external and internal Form. In addition to responding to these concepts, Holl also responds to the exclusive ‘site circumstance and idea’ through ‘material’, ‘light and shadow’, and ‘form’, creating the indirect perception and both the direct and indirect ‘time duration and perception.’
Li, Feng-yi y 李鳳儀. "A Research on the Phenomena and Theories of the Art Museum Visitors'' Abnormal Behaviorism". Thesis, 2005. http://ndltd.ncl.edu.tw/handle/82957289247900711424.
Texto completo南華大學
美學與藝術管理研究所
93
The thesis contains five chapters. Chapter 1 (The Introduction) states the research motive, purpose, method, structure, scope, limits, literature review, and term explanation, and so on, of the thesis. Chapter 2 (The Theory on the Museum Visitors'' Abnormal Behavior) states that a visit to the museum is a trend and then discusses if the museum visitors'' abnormal behavior, including hallucination, fantasy, self-infliction, and even self-murder, violates the law, and how the museum staff should take emergency measures towards this kind of behavior. It further analyzes the psychological factors of the aggressive and unaggressive abnormal behavior, using the National Taiwan Museum of Fine Arts as an example. Chapter 3 (A Study of the Theory on the Showing of the Visitors'' Abnormal Behavior in the Museum) discusses the relationship between family concern and the showing of the abnormal behavior, and it also looks into the theoretical foundations of the abnormal behavior from the aspects of social psychology, educational psychology, normal and abnormal psychological states. Finally it sets the handling mode for the abnormal behavior from the viewpoint of psychiatry. Chapter 4 (The Prevention, Cure, and facilitation of the Museum Visitors'' Abnormal Behavior) states that after research, we should start preventing and curing the visitors with abnormal behavior by the guidance of family and educational system, supported by art therapy such as music and artistic creation. The social concern can also be shown through the help of the community and the administration of the sanitation system. Chapter 5 (Conclusion and Suggestion) shows the research reveals that with the rapid development of society, more and more people with mental illness live together with people with mental health in our society, but we have no idea when the abnormal behavior will show up. So, it concludes: first, much abnormal behavior does exist in the broad courtyard of the museum; second, the museum visitors'' abnormal behavior comes about as a result of the change of the structure of our society and the mind of the public being in conflict, contradiction, and discordance; third, to ensure the safety of the people, the matters, and the objects, the museum should set up a reasonable mode to handle the museum visitors'' abnormal behavior. Lastly, the thesis offers suggestions and issues derived from this thesis for further research.
Wreford, Liz. "Field works: explorations in the tall grass prairie landscape". 2007. http://hdl.handle.net/1993/324.
Texto completoMay 2007
Libros sobre el tema "Museum phenomenon"
Mare, Joonsalu, Talvistu Tiiu, Jürma Halliki, Haugas Siiri, Talvistu Enriko y Tartu Kunstimuuseum, eds. Elmar Kitse fenomen, 1913-1972: Näitus Tartu Kunstimuuseumis, 2. märts-20. mai 1994 : kataloog, Tartu Kunstimuuseum, Eesti = Phenomenon of Elmar Kits, 1913-1972 : exhibition in the Tartu Art Museum, March 2nd-May 20th, 1994 : catalogue, Tartu Art Museum, Estonia. Tartu: Kunstimuuseum, 1994.
Buscar texto completoMarion Koogler McNay Art Museum., ed. Collecting: A Texas phenomenon. San Antonio, Tex: Marion Koogler McNay Art Museum, 1986.
Buscar texto completoKits, Elmar. Elmar Kitse fenomen, 1913-1972: Näitus Tartu Kunstimuuseumis, 2. märts-20. mai 1994 : kataloog = Phenomenon of Elmar Kits, 1913-1972 : exhibition in the Tartu Art Museum, March 2nd-May 20th, 1994 : catalogue. Tartu: Tartu Kunstimuuseum, 1994.
Buscar texto completoTraviglia, Arianna, Lucio Milano, Cristina Tonghini y Riccardo Giovanelli. Stolen Heritage Multidisciplinary Perspectives on Illicit Trafficking of Cultural Heritage in the EU and the MENA Region. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-517-9.
Texto completoWacker, Christian, ed. Sport im Museum. Ergon – ein Verlag in der Nomos Verlagsgesellschaft, 2022. http://dx.doi.org/10.5771/9783956508448.
Texto completoOpen 16: The Art Biennial as a Global Phenomenon. NAi Uitgevers / Publishers Stichting, 2009.
Buscar texto completoWatson, Nicola J. The Author's Effects. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198847571.001.0001.
Texto completoIrland, Basia. Inscriptions: Stars, tides, and ice : [exhibition] University of New Mexico Art Museum, Albuquerque, New Mexico, February 6-March 25, 2001 (Water library ... into the phenomenon of water / Basia Irland). The Museum, 2001.
Buscar texto completoYstehede, Per Jørgen. Contested Spaces. Editado por Paul Knepper y Anja Johansen. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199352333.013.17.
Texto completoSkovgaard-Petersen, Jakob y Bettina Graf. Global Mufti: The Phenomenon of Yusuf Al-Qaradawi. C. Hurst and Company (Publishers) Limited, 2008.
Buscar texto completoCapítulos de libros sobre el tema "Museum phenomenon"
Simpson, Pat. "Lysenko’s “Michurinism” and Art at the Moscow Darwin Museum 1935–1964". En The Lysenko Controversy as a Global Phenomenon, Volume 1, 129–75. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-39176-2_5.
Texto completoO’Sullivan, Emer. "Chapter 10. Make it Irish!" En Children’s Literature, Culture, and Cognition, 226–49. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.15.10osu.
Texto completoDivjak, Helen y Christina Ferwerda. "Why So Serious? Harnessing the Phenomenon of Fun in Museums". En Flourishing in Museums, 215–22. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003281351-36.
Texto completoDesmond, Adrian. "26. Provisions for the Afterlife". En Reign of the Beast, 503–30. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0393.26.
Texto completoYakubovych, Mykhaylo. "4. The King Fahd Complex for the Printing of the Qur’an". En The Kingdom and the Qur’an, 89–146. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0381.04.
Texto completoBean, Jessica R. "Instructional Strategies for Climate Education in the Classroom: Storytelling about Our Place in the Earth System". En Storytelling to Accelerate Climate Solutions, 399–420. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-54790-4_19.
Texto completoShaw, Ian. "10. Cultural heritage". En Ancient Egypt: A Very Short Introduction, 141–52. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780198845461.003.0010.
Texto completoNolin, Heather R. y Amy C. Whitaker. "Non-Fungible Tokens and Nonprofit Management". En The Oxford Handbook of Arts and Cultural Management, C59P1—C59N25. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197621615.013.59.
Texto completoNørskov, Vinnie. "Introduction: When is a Collection a Collection? Provenance Studies and the Role of Dealer’s Collections". En Collecting Antiquities from the Middle Ages to the End of the Nineteenth Century: Proceedings of the International Conference Held on March 25-26, 2021 at the Wrocław University Institute of Art History, 9–28. Ksiegarnia Akademicka Publishing, 2021. http://dx.doi.org/10.12797/9788381385862.00.
Texto completoMassi, Marta, Chiara Piancatelli y Piergiacomo Mion. "Boosting Football Club Brands Through Museums". En Advances in Marketing, Customer Relationship Management, and E-Services, 110–28. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7617-4.ch006.
Texto completoActas de conferencias sobre el tema "Museum phenomenon"
Krasnova, E. L. "Museum phenomenon: system approach". En Культура, наука и искусство - современные векторы развития вуза культуры. Орел: Орловский государственный институт культуры, 2021. http://dx.doi.org/10.53722/9785905436499_156.
Texto completoSpiridonova, Anna. "VIRTUAL MUSEUM AS PHENOMENON OF POST-POSTMODERNISM". En SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s13.027.
Texto completoKhrustova, Elena V. "Recreational and educational potential of St. Petersburg and Leningrad region small museums". En Seventh World Professional Forum Sudak-Sochi-Transit «Sochi-2023». Russian National Public Library for Science and Technology, 2023. http://dx.doi.org/10.33186/978-5-85638-261-6-2023-189-195.
Texto completoStrizhkova, Natalia. "Museum as an Institutional Form of Personal & Social Experiments: Project of Russian Avantgardism Artists". En The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-10.
Texto completoDrossinou-Korea, Maria. "Targeted, individually structured special education and training intervention programs and pedagogical applications in museum". En 7th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2021. http://dx.doi.org/10.32591/coas.e-conf.07.11107d.
Texto completoBorsotti, Marco. "From the invisible from the everyday, the unmentionable towards narrative strategies to explain, understand, remember. New Perspectives on Cultural Preservation." En Systems & Design: Beyond Processes and Thinking. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3211.
Texto completoFedorchuk, Evgenia. "SONGS AND POEMS OF PARTISANS WRITTEN BEHIND ENEMY LINES. SMOLENSCHINA - BELARUS, 1942-1944 (FROM THE FOUNDATIONS OF THE BYKHOV MUSEUM OF LOCAL HISTORY)". En FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3638.khmelita-19/160-174.
Texto completoMeškova, Sandra. "THE SENSE OF EXILE IN CONTEMPORARY EAST CENTRAL EUROPEAN WOMEN’S LIFE WRITING: DUBRAVKA UGREŠIČ AND MARGITA GŪTMANE". En NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/22.
Texto completoJan, Šejbl. "Hříšná exotika A. V. Nováka Literární obraz cesty do Asie v letech 1926–1927". En Orientalia antiqua nova XXI. Západočeská univerzita v Plzni, 2021. http://dx.doi.org/10.24132/zcu.2021.10392-120-144.
Texto completoKavetskaya, Vera. "POSSIBILITIES OF THE COLLECTION OF THE MUSEUM OF THE HISTORY OF THE FAR EAST NAMED AFTER V.K. ARSENYEV IN THE REPRESENTATION OF PHENOMENON OF THE FAR EASTERN REPUBLIC AND THE CIVIL WAR". En История Гражданской войны на Дальнем Востоке и история русской эмиграции. Благовещенск: Благовещенский государственный педагогический университет, 2021. http://dx.doi.org/10.48344/bspu.2021.23.52.013.
Texto completoInformes sobre el tema "Museum phenomenon"
Butyrina, Maria y Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, febrero de 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.
Texto completoKerrigan, Susan, Phillip McIntyre y Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Geelong and Surf Coast. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206969.
Texto completoIhsan, Yilmaz y Raja Ali M. Saleem. The nexus of religious populism and digital authoritarianism in Pakistan. European Center for Populism Studies (ECPS), diciembre de 2022. http://dx.doi.org/10.55271/pp0016.
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