Literatura académica sobre el tema "Motion pictures - Aesthetics"
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Artículos de revistas sobre el tema "Motion pictures - Aesthetics"
Khrenov, Nikolai Andreyevich. "S.M. Eisenstein’s Aesthetics in Semiotic Perspective". Journal of Flm Arts and Film Studies 7, n.º 1 (15 de marzo de 2015): 8–25. http://dx.doi.org/10.17816/vgik718-25.
Texto completoKhorob, S. I. "THE CREATION OF A CINEMA WORLD AS A FICTIONAL PROCESS (ON THE MATERIAL OF FILMS OF UKRAINIAN “POETIC CINEMA”)". PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, n.º 2(54) (22 de enero de 2019): 288–97. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-288-297.
Texto completoADAMS, BRETT, CHITRA DORAI y SVETHA VENKATESH. "FINDING THE BEAT: AN ANALYSIS OF THE RHYTHMIC ELEMENTS OF MOTION PICTURES". International Journal of Image and Graphics 02, n.º 02 (abril de 2002): 215–45. http://dx.doi.org/10.1142/s0219467802000573.
Texto completoViernes, Noah Keone. "Restricted vision: Censorship and cinematic resistance in Thailand". Journal of Southeast Asian Studies 52, n.º 4 (diciembre de 2021): 634–57. http://dx.doi.org/10.1017/s0022463421000990.
Texto completoOliveira Lopes, Rui. "A New Light on the Shadows of Heavenly Bodies". Religion and the Arts 20, n.º 1-2 (2016): 160–96. http://dx.doi.org/10.1163/15685292-02001008.
Texto completoWu, Hui. "Shakespeare in Chinese Cinema". Multicultural Shakespeare: Translation, Appropriation and Performance 10, n.º 25 (31 de diciembre de 2013): 71–81. http://dx.doi.org/10.2478/mstap-2013-0006.
Texto completoHasan, Haris. "The Depiction Of Rape Scenes In Popular Hindi Cinema : A Critical Examination Of Representation Of Gender In Media". Journal of Women Empowerment and Studies, n.º 12 (27 de octubre de 2021): 42–46. http://dx.doi.org/10.55529/jwes.12.42.46.
Texto completoBraiko, Oleksandr. "Cinematographic coloring of open space in Volodymyr Drozd’s short prose from 1960s". Слово і Час, n.º 3 (26 de mayo de 2020): 28–47. http://dx.doi.org/10.33608/0236-1477.2020.03.28-47.
Texto completoMenshikov, Leonid A. "DECONSTRUCTION OF CINEMA IN THE NEO-DADA PROJECT: THE FLUXFILM ANTHOLOGY IN THE ANTI-AESTHETICS CONTEXT". Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, n.º 39 (2020): 79–92. http://dx.doi.org/10.17223/22220836/39/8.
Texto completo김지은. "Aesthetic Extension of Motion Picture via Digital Multi-channel Sound". journal of the moving image technology associon of korea 1, n.º 19 (diciembre de 2013): 5–22. http://dx.doi.org/10.34269/mitak.2013.1.19.001.
Texto completoTesis sobre el tema "Motion pictures - Aesthetics"
Ming, Kee-ying Thomas. "An analysis of the filmic : a philosophical grounding for film aesthetics /". [Hong Kong] : University of Hong Kong, 1993. http://sunzi.lib.hku.hk/hkuto/record.jsp?B15949941.
Texto completoCossar, Harper. "Snakes and funerals aesthetics and American widescreen films /". unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-03162007-175907/.
Texto completoTitle from file title page. Greg M. Smith, committee chair; Matthew Bernstein, Kathy Fuller-Seeley, Jack Boozer, Angelo Restivo, committee members. Electronic text (349 p. : ill. (some col.)) : digital, PDF file. Description based on contents viewed June 4, 2007. Includes bibliographical references (p. 342-348).
Udden, James. "Hou Hsiao-hsien and the aesthetics of historical experience". access full-text online access from Digital dissertation consortium, 2003. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3089679.
Texto completo明奇英 y Kee-ying Thomas Ming. "An analysis of the filmic: a philosophical grounding for film aesthetics". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31212578.
Texto completoWilliams, Tami Michelle. "Beyond impressions the life and films of Germaine Dulac from aesthetics to politics /". Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467886421&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texto completoRassos, Effie School of Media Film & Theatre UNSW. "Everyday narratives - reconsidering filmic temporality and spectatorial affect through the quotidian". Awarded by:University of New South Wales. School of Media, Film & Theatre, 2005. http://handle.unsw.edu.au/1959.4/25717.
Texto completoPang, Lai Kwan. "China's left-wing cinema movement, 1932-1937 history, aesthetics, and ideology /". online access from Digital Dissertation Consortium access full-text, 1997. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9807778.
Texto completoYang, Julianne Qiuling Ma y 楊秋凌. "Towards a cinema of contemplation: Roy Andersson's aesthetics and ethics". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50162810.
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Comparative Literature
Master
Master of Philosophy
Isaacs, Bruce. "Film Cool: Towards a New Film Aesthetic". Thesis, The University of Sydney, 2006. http://hdl.handle.net/2123/1156.
Texto completoIsaacs, Bruce. "Film Cool: Towards a New Film Aesthetic". English, School of Letters, Art and Media, 2006. http://hdl.handle.net/2123/1156.
Texto completoThe influential theorist, David Bordwell, talks about various modes of watching film: the intellectual, the casual, or the obsessive interaction with cinema practiced by the film-buff. This thesis is an attempt to come to terms with film and film culture in a number of ways. It is first an attempt at reinscribing a notion of aesthetics into film studies. This is not an easy task. I argue that film theory is not adequately equipped to discuss film in affective terms, and that instead, it emphasises ways of thinking about film and culture quite removed from the act of film ‘spectating’ – individually, or perhaps even more crucially, collectively. To my mind, film theory increasingly needs to ask: are theorists and the various subjectivities about whom they theorise watching the same films, and in the same way? My experience of film is, as Tara Brabazon writes about her own experience of film, a profoundly emotional one. Film is a stream of quotation in my own life. It is inextricably wrapped up inside memory (and what Hutcheon calls postmodern nostalgia). Film is experience. I would not know how to communicate what Sergio Leone ‘means’ or The Godfather ‘represents’ without engaging what Barbara Kennedy calls the ‘aesthetic impulse.’ In this thesis, I extrapolate from what film means to me to what it might mean to an abstract notion of culture. For this reason, Chapters Three and Four are necessarily abstract and tentatively bring together an analysis of The Matrix franchise and Quentin Tarantino’s brand of metacinema. I focus on an aesthetics of cinema rather than its politics or ideological fabric. This is not to marginalise such studies (which, in any case, this thesis could not do) but to make space for another perspective, another way of considering film, a new way of recuperating affect.
Libros sobre el tema "Motion pictures - Aesthetics"
Aesthetics and film. London: Continuum, 2008.
Buscar texto completoJ, Aumont, ed. Aesthetics of film. Austin: University of Texas Press, 1992.
Buscar texto completoSight, sound, motion: Applied media aesthetics. 5a ed. Belmont, CA: Thomson/Wadsworth, 2008.
Buscar texto completoFurniss, Maureen. Art in motion: Animation aesthetics. Eastleigh, UK: John Libbey, 2007.
Buscar texto completoFurniss, Maureen. Art in motion: Animation aesthetics. Eastleigh, UK: John Libbey, 2007.
Buscar texto completoArt in motion: Animation aesthetics. London: John Libbey, 1998.
Buscar texto completoSight, sound, motion: Applied media aesthetics. 2a ed. Belmont, Calif: Wadsworth Pub. Co., 1990.
Buscar texto completoSight, sound, motion: Applied media aesthetics. 4a ed. Belmont, CA: Thompson/Wadsworth, 2005.
Buscar texto completoThe unmaking of fascist aesthetics. Minneapolis: University of Minnesota Press, 2001.
Buscar texto completoSight, sound, motion: Applied media aesthetics. 6a ed. Boston, MA: Wadsworth Cengage Learning, 2011.
Buscar texto completoCapítulos de libros sobre el tema "Motion pictures - Aesthetics"
Klevan, Andrew. "Aesthetic Criticism". En The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 409–39. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_18.
Texto completo"Vision in Motion: Defining the Dimension of Movement in Television Pictures". En Television Aesthetics, 52–70. Routledge, 2013. http://dx.doi.org/10.4324/9780203811030-10.
Texto completoErish, Andrew A. "Conclusion". En Vitagraph, 219–20. University Press of Kentucky, 2021. http://dx.doi.org/10.5810/kentucky/9780813181196.003.0008.
Texto completoMathias, Nikita. "The Sublime in Disaster Cinema". En Disaster Cinema in Historical Perspective. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463720120_ch07.
Texto completoO’brien, Charles. "Dubbing in the early 1930s: An improbable policy". En The Translation of Films, 1900-1950, 177–90. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266434.003.0010.
Texto completoSundmark, Björn. "Uppståndna igen ifrån de döda: Kristna motiv i nyare skandinavisk barnlitteratur". En Oppvekst og livstolkning, 95–119. Cappelen Damm Akademisk/NOASP, 2020. http://dx.doi.org/10.23865/noasp.107.ch4.
Texto completoErish, Andrew A. "1909–1913". En Vitagraph, 58–110. University Press of Kentucky, 2021. http://dx.doi.org/10.5810/kentucky/9780813181196.003.0004.
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