Literatura académica sobre el tema "Motion picture audiences"
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Artículos de revistas sobre el tema "Motion picture audiences"
Smith, Jeffery A. "Hollywood Theology: The Commodification of Religion in Twentieth-Century Films". Religion and American Culture: A Journal of Interpretation 11, n.º 2 (2001): 191–231. http://dx.doi.org/10.1525/rac.2001.11.2.191.
Texto completoWang, Yan, Jingjing Han y Songzhu Zheng. "Measure audiences' satisfaction through user generated content-satisfaction research in motion picture industry". International Journal of Arts and Technology 10, n.º 4 (2017): 285. http://dx.doi.org/10.1504/ijart.2017.092496.
Texto completoHan, Jingjing, Songzhu Zheng y Yan Wang. "Measure audiences' satisfaction through user generated content-satisfaction research in motion picture industry". International Journal of Arts and Technology 10, n.º 4 (2017): 285. http://dx.doi.org/10.1504/ijart.2017.10013815.
Texto completoWang, Yan, Mimi Zhang, Songzhu Zheng, Jianping Chai y Bo Li. "Measure Audiences’ Satisfaction through User Generated Content–Satisfaction Research in Motion Picture Industry". International Journal of Multimedia and Ubiquitous Engineering 12, n.º 1 (31 de enero de 2017): 69–78. http://dx.doi.org/10.14257/ijmue.2017.12.1.06.
Texto completoChen, Man, Xiaomin Han, Xinguo Zhang y Feng Wang. "The business model of Chinese movies". Journal of Contemporary Marketing Science 2, n.º 3 (17 de diciembre de 2019): 246–61. http://dx.doi.org/10.1108/jcmars-02-2019-0015.
Texto completoStamm, Michael. "Watching News in Public: The Rituals and Responses of Newsreel Theater Audiences". JCMS: Journal of Cinema and Media Studies 63, n.º 2 (enero de 2024): 96–118. http://dx.doi.org/10.1353/cj.2024.a919193.
Texto completoZweig, Noah. "Foregrounding Public Cinema and Rural Audiences: The USDA Motion Picture Service as Cinematic Modernism, 1908–38". Journal of Popular Film and Television 37, n.º 3 (16 de noviembre de 2009): 116–25. http://dx.doi.org/10.1080/01956050903218091.
Texto completoWei, Yating. "Deep-Learning-Based Motion Capture Technology in Film and Television Animation Production". Security and Communication Networks 2022 (11 de febrero de 2022): 1–9. http://dx.doi.org/10.1155/2022/6040371.
Texto completoGutzeit, Lilly Joan y Victor Tiberius. "Business and Management Research on the Motion Picture Industry: A Bibliometric Analysis". Journalism and Media 4, n.º 4 (14 de diciembre de 2023): 1198–210. http://dx.doi.org/10.3390/journalmedia4040076.
Texto completoAziz al-Quraishi, Zuhair Abbas y Shaker Nima Harz Alaak. "The role of television in activating the behavior of recreational tourists in the city of Baghdad". Iraqi Administrative Sciences Journal 1, n.º 1 (30 de marzo de 2017): 246–84. http://dx.doi.org/10.33013/iqasj.v1n1y2017.pp246-284.
Texto completoTesis sobre el tema "Motion picture audiences"
Carboni, Camilla. "Film spectatorship and subjectivity : semiotics, complications, satisfactions". Thesis, Link to the online version, 2007. http://hdl.handle.net/10019/1671.
Texto completoMatzkin, Rosalie Greenfield. "The film encounter in the life-world of urban couples : a uses and gratification study /". Access Digital Full Text version, 1985. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10538483.
Texto completoZhao, Meng. "Understand the misunderstanding a study incorporating uses and gratifications theory on why Chinese film audiences see America the way they do /". Lynchburg, Va. : Liberty University, 2008. http://digitalcommons.liberty.edu.
Texto completoHuggett, Nancy. "A cultural history of cinema-going in the Illawarra (1900-50)". Connect to this title online, 2002. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050317.111523/.
Texto completoTitle from PDF title page (viewed on Aug. 14, 2005). Ill. in print version lacking in electronic version. Includes bibliographical references (p. 285-301).
Athique, Adrian Mabbott. "Non-resident cinema transnational audiences for Indian films /". Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060511.140513/index.html.
Texto completoLupton, David y emaylus@hotmail com. "Prolegomena to reflective film study : a Bourdieusian analysis of the economy of cinematic exchange". Swinburne University of Technology, 2004. http://adt.lib.swin.edu.au./public/adt-VSWT20050708.092149.
Texto completoLupton, David. "Prolegomena to reflective film study a Bourdieusian analysis of the economy of cinematic exchange /". Australasian Digital Thesis Program, 2004. http://adt.lib.swin.edu.au/public/adt-VSWT20050708.092149.
Texto completoTypescript. Submitted in fulfillment of the requirements for the degree of Doctor of Philosophy, Faculty of Life and Social Science, Swinburne University of Technology, 2004. Bibliography: p. 275-284. Also available on cd-rom.
Phiri, Diana. "An investigation into the popularity of Nigerian movies in Zambia: a reception study of Lusaka viewers". Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1007615.
Texto completoRutherford, Anne. "'What makes a film tick?' : cinematic affect, materiality and mimetic innervation". Thesis, View thesis, 2006. http://handle.uws.edu.au:8081/1959.7/20720.
Texto completoHuggett, Nancy. "A cultural history of cinema-going in the Illawarra (1900-1950)". Communication and Cultural Studies - Faculty of Creative Arts, 2002. http://ro.uow.edu.au/theses/246.
Texto completoLibros sobre el tema "Motion picture audiences"
A, Austin Bruce, ed. Current research in film: Audiences, economics and law. Norwood, N.J: Ablex Publishing Co., 1985.
Buscar texto completo1952-, Maltby Richard, ed. Hollywood abroad: Audiences and cultural exchange. London: BFI, 2004.
Buscar texto completoKomitet Rossiĭskoĭ Federat︠s︡ii po kinematografii y Nauchno-issledovatelʹskiĭ institut kinoiskusstva (Russia), eds. Ispytanie konkurent︠s︡ieĭ: Otechestvennoe kino i novoe pokolenie zriteleĭ. Moskva: Izdatelʹskai︠a︡ firma IBB, 1997.
Buscar texto completoGuillén, Fedro Carlos. La sala oscura: Sobre cine, películas y espectadores. México: Paidós, 2002.
Buscar texto completoI, Zhabskiĭ M. y Nauchno-issledovatelʹskiĭ institut kinoiskusstva (Russia), eds. Pod znakom vesternizat͡s︡ii: Kino-publika-vozdeĭstvie. Moskva: Nauchno-issl. in-t kinoiskusstva, 1995.
Buscar texto completoPāṣa, Abdul Rehamān. Sinimā mattu prēkṣaka. Beṅgaḷūru: Navakarnāṭaka Prakāśana, 1987.
Buscar texto completoDonev, Aleksandŭr. Pomosht ot publikata: Bŭlgarskite igralni filmi ot nachaloto na XXI vek i tekhnite zriteli v kinata. Sofii︠a︡: Fŭn tezi, 2018.
Buscar texto completoCancela, Lorena. Estado transitorio: Cinefilia en el siglo XXI. Buenos Aires, Argentina: Djaen, 2012.
Buscar texto completoSaidi, Mpungu Mulenda. Un regard en marge: Le public populaire du cinéma au Zaire. Louvain-la-Neuve: Université catholique de Louvain, 1987.
Buscar texto completoMelvyn, Stokes y Maltby Richard 1952-, eds. American movie audiences: From the turn of the century to the early sound era. London: BFI Pub., 1999.
Buscar texto completoCapítulos de libros sobre el tema "Motion picture audiences"
Dixon, Shane M. y Tim Gawley. "Screening Workplace Disaster: The Case of Only the Brave (2017)". En Visualising Safety, an Exploration, 101–10. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33786-4_12.
Texto completoHoggan, Michael. "The Motion Picture Editor and the Audience". En The Art and Craft of Motion Picture Editing, 139–49. 2a ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003099765-10.
Texto completoMolenda, Michael H. "History and Development of Instructional Design and Technology". En Handbook of Open, Distance and Digital Education, 1–18. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0351-9_4-1.
Texto completoMolenda, Michael H. "History and Development of Instructional Design and Technology". En Handbook of Open, Distance and Digital Education, 57–74. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-2080-6_4.
Texto completoLomax, Cathy. "Dorothy Dandridge the Invisible Star: Racial Segregation in Hollywood Fan Magazines in the 1950s". En Stars, Fan Magazines and Audiences, editado por Tamar Jeffers McDonald, Lies Lanckman y Sarah Polley, 75–94. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399505901.003.0005.
Texto completoWaddell, Calum. "The Body is Everything: Sexploitation Spectacle". En The Style of Sleaze, 74–96. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474409254.003.0006.
Texto completo"1. Songs of the Sonic Body: Noise and the Sounds of Early Motion Picture Audiences". En Static in the System, 15–52. University of California Press, 2019. http://dx.doi.org/10.1525/9780520971196-004.
Texto completoMiklitsch, Robert. "The Big Caper". En I Died a Million Times, 182–217. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043611.003.0009.
Texto completoFreiberg, Freda. "China Nights (Japan, 1940): The Sustaining Romance of Japan at War". En World War II, Film, and History, 31–46. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195099669.003.0003.
Texto completoStokes, Melvyn. "Thomas Dixon Jr." En D. W. Griffith’s The Birth of a Nation, 27–54. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195336788.003.0003.
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