Bibliografías temáticas / Motion picture

Literatura académica sobre el tema "Motion picture"

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Publicado: 4 de junio de 2021
Última modificación: 30 de julio de 2024

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Artículos de revistas sobre el tema "Motion picture"

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Verberck, Bart. "Motion picture". Nature Physics 10, n.º 5 (30 de abril de 2014): 332. http://dx.doi.org/10.1038/nphys2971.

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Kubota, Toshihiro y Yasuhiro Awatsuji. "Femtosecond motion picture". IEICE Electronics Express 2, n.º 9 (2005): 298–304. http://dx.doi.org/10.1587/elex.2.298.

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Smallridge, Rachel. "A motion picture". Nature Reviews Molecular Cell Biology 3, n.º 4 (abril de 2002): 228. http://dx.doi.org/10.1038/nrm786.

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Boegner, Ray F. "Motion-Picture Projectors". Scientific American 279, n.º 4 (octubre de 1998): 134–35. http://dx.doi.org/10.1038/scientificamerican1098-134.

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Offit, Paul. "Motion picture sickness". New Scientist 230, n.º 3070 (abril de 2016): 20–21. http://dx.doi.org/10.1016/s0262-4079(16)30705-9.

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Jeffries, Judson L. "Jordan Peele (Dir.), Us (Motion Picture), Universal Pictures". Journal of African American Studies 24, n.º 2 (14 de abril de 2020): 288–96. http://dx.doi.org/10.1007/s12111-020-09470-x.

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Trotto, Paul A. y Robert J. Tracy. "The Effect of Implied Motion on the Recall of Interactive Pictures". Imagination, Cognition and Personality 13, n.º 3 (marzo de 1994): 249–58. http://dx.doi.org/10.2190/xmb4-47dd-ceth-xuh9.

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The literature has customarily defined interaction between pictured objects in two ways. First, interaction has been defined as simply a conjoined union or physical touching of objects within a given picture scene. The second definition portrays interaction as predetermined action or implied motion between the pictured objects. Researchers typically assume these two modes of defining interaction as essentially equivalent. Generally stated, the purpose of this study was to uncover the effect that implied motion has on the processing of visual information. A factorial design was conducted with dependent variables being imageability, nameability, and recall of pictured objects. Independent variables were implied motion and viewing time. Results showed that implied motion pictures presented at a short viewing time were more nameable and better recalled than stationary pictures presented at a short viewing time. But when subjects were given more time to view visual information, implied motion and stationary pictures were equally nameable and recalled. The results indicate that when visual information is presented for a sufficiently short time, implied motion heightens the availability of a verbal code.
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Christopherson, S. y M. Storper. "The City as Studio; The World as Back Lot: The Impact of Vertical Disintegration on the Location of the Motion Picture Industry". Environment and Planning D: Society and Space 4, n.º 3 (septiembre de 1986): 305–20. http://dx.doi.org/10.1068/d040305.

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Motion picture production is currently carried out by small firms under contract to an independent producer rather than in large integrated firms, the major studios. In this paper the emergence of this vertically disintegrated industry is traced and its impact on the location of the motion picture industry is analyzed. Vertical disintegration has led to a reagglomeration of motion picture employment and establishments in Los Angeles, despite the dispersal of film shooting throughout the world. The processes that are shaping the present-day organization of motion pictures can be observed across a range of industries. An examination of these processes in motion pictures suggests that their association with reagglomeration in urban centers could have an important impact on patterns of urbanization.
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Watt, Fiona M. y Richard Sever. "Consortia – the motion picture". Journal of Cell Science 118, n.º 21 (1 de noviembre de 2005): 4915. http://dx.doi.org/10.1242/jcs.118.21.4915.

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Fovet, Frederic. "120 BPM [Motion Picture]". Journal of Homosexuality 66, n.º 11 (18 de octubre de 2018): 1626–28. http://dx.doi.org/10.1080/00918369.2018.1517498.

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Tesis sobre el tema "Motion picture"

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Kokaram, Anil Christopher. "Motion picture restoration". Thesis, University of Cambridge, 1993. https://www.repository.cam.ac.uk/handle/1810/256798.

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This dissertation presents algorithms for restoring some of the major corruptions observed in archived film or video material. The two principal problems of impulsive distortion (Dirt and Sparkle or Blotches) and noise degradation are considered. There is also an algorithm for suppressing the inter-line jitter common in images decoded from noisy video signals. In the case of noise reduction and Blotch removal the thesis considers image sequences to be three dimensional signals involving evolution of features in time and space. This is necessary if any process presented is to show an improvement over standard two-dimensional techniques. It is important to recognize that consideration of image sequences must involve an appreciation of the problems incurred by the motion of objects in the scene. The most obvious implication is that due to motion, useful three dimensional processing does not necessarily proceed in a direction 'orthogonal' to the image frames. Therefore, attention is given to discussing motion estimation as it is used for image sequence processing. Some discussion is given to image sequence models and the 3D Autoregressive model is investigated. A multiresolution BM scheme is used for motion estimation throughout the major part of the thesis. Impulsive noise removal in image processing has been traditionally achieved by the use of median filter structures. A new three dimensional multilevel median structure is presented in this work with the additional use of a detector which limits the distortion caused by the filters . This technique is found to be extremely effective in practice and is an alternative to the traditional global median operation. The new median filter is shown to be superior to those previously presented with respect to the ability to reject the kind of distortion found in practice. A model based technique using the 3D AR model is also developed for detecting and removing Blotches. This technique achieves better fidelity at the expense of heavier computational load. Motion compensated 3D IIR and FIR Wiener filters are investigated with respect to their ability to reject noise in an image sequence. They are compared to several algorithms previously presented which are purely temporal in nature. The filters presented are found to be effective and compare favourably to the other algorithms. The 3D filtering process is superior to the purely temporal process as expected. The algorithm that is presented for suppressing inter-line jitter uses a 2D AR model to estimate and correct the relative displacements between the lines. The output image is much more satisfactory to the observer although in a severe case some drift of image features is to be expected. A suggestion for removing this drift is presented in the conclusions. There are several remaining problems in moving video. In particular, line scratches and picture shake/roll. Line scratches cannot be detected successfully by the detectors presented and so cannot be removed efficiently. Suppressing shake and roll involves compensating the entire frame for motion and there is a need to separate global from local motion. These difficulties provide ample opportunity for further research.
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Schweitzer, Dennis C. "Ton & traum : a critical analysis of the use of sound effects and music in contemporary narrative film /". Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1108483481.

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Huggett, Nancy. "A cultural history of cinema-going in the Illawarra (1900-50)". Connect to this title online, 2002. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050317.111523/.

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Thesis (Ph. D.)--University of Wollongong, 2002.
Title from PDF title page (viewed on Aug. 14, 2005). Ill. in print version lacking in electronic version. Includes bibliographical references (p. 285-301).
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Su, Xinxin. "Genesis : a feature screenplay /". Online version of thesis, 2009. http://hdl.handle.net/1850/8692.

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Carter, Sandra Gayle. "Moroccan cinema : what Moroccan cinema? /". Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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McKenzie, Jordi. "An economic analysis of motion pictures in the Australian cinema industry, 1997-2000". Connect to full text, 2005. http://hdl.handle.net/2123/1794.

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Thesis (Ph. D.)--Discipline of Economics, University of Sydney, [2006?].
Title from title screen (viewed 27th June, 2007). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Discipline of Economics, University of Sydney. Degree awarded 2006?; thesis submitted 2005. Includes bibliographical references. Also issued in print.
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Melville, Andrew. "Exegesis and screenplay for a film entitled Mangrove a thesis submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Communication Studies), August 2004". Full thesis. Abstract, 2004.

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Exegesis (MA--Communication Studies) -- Auckland University of Technology, 2004.
Title page and table of contents missing from e-thesis. Also held in print (14 p., 30 cm.) in Wellesley Theses Collection (T 791.4372 MEL)
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Matzkin, Rosalie Greenfield. "The film encounter in the life-world of urban couples : a uses and gratification study /". Access Digital Full Text version, 1985. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10538483.

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Carboni, Camilla. "Film spectatorship and subjectivity : semiotics, complications, satisfactions". Thesis, Link to the online version, 2007. http://hdl.handle.net/10019/1671.

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Gunckel, Colin. ""A theater worthy of our race" the exhibition and reception of Spanish language film in Los Angeles, 1911-1942 /". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1997008061&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Libros sobre el tema "Motion picture"

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Kokaram, Anil C. Motion Picture Restoration. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5.

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Congress, Library of, ed. Motion picture agreement. [Washington, D.C.?]: Library of Congress, 1985.

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S, Quigley Eileen, ed. International motion picture almanac. 7a ed. Groton, MA: Quigley, 2004.

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Johnston, Andrew James, Margitta Rouse y Philipp Hinz, eds. The Medieval Motion Picture. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137074249.

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Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division, ed. Motion picture agreement information. [Washington, D.C.?: Library of Congress, Motion Picture, Broadcasting, and Recorded Sound Division], 1987.

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Tracy, Stevens, ed. International motion picture almanac. 7a ed. La Jolla, CA: Quigley, 2005.

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Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division., ed. Motion picture agreement information. [Washington, D.C.?: Library of Congress, Motion Picture, Broadcasting, and Recorded Sound Divison], 1987.

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Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division., ed. Motion picture agreement information. [Washington, D.C.?: Library of Congress, Motion Picture, Broadcasting, and Recorded Sound Divison], 1987.

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Nash, Jay Robert. The motion picture guide. Chicago: Cinebooks, 1987.

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Edmond, Grant, ed. The motion picture guide. New York: CineBooks, 1998.

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Capítulos de libros sobre el tema "Motion picture"

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Kokaram, Anil C. "Introduction". En Motion Picture Restoration, 1–11. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_1.

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Kokaram, Anil C. "Noise Reduction for Image Sequences". En Motion Picture Restoration, 241–60. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_10.

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Kokaram, Anil C. "Using Colour". En Motion Picture Restoration, 261–67. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_11.

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Kokaram, Anil C. "Parting Remarks". En Motion Picture Restoration, 269–72. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_12.

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Kokaram, Anil C. "Motion Estimation for Image Sequence Processing: An Overview". En Motion Picture Restoration, 13–46. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_2.

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Kokaram, Anil C. "Three Dimensional Autoregressive Modelling for Image Sequences". En Motion Picture Restoration, 47–83. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_3.

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Kokaram, Anil C. "Image Sequence Restoration: A Review". En Motion Picture Restoration, 85–97. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_4.

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Kokaram, Anil C. "Line Registration for Jittered Video". En Motion Picture Restoration, 99–118. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_5.

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Kokaram, Anil C. "Heuristics for Reconstructing Missing Data". En Motion Picture Restoration, 119–50. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_6.

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Kokaram, Anil C. "Model Based Reconstruction for Missing Data". En Motion Picture Restoration, 151–200. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_7.

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Actas de conferencias sobre el tema "Motion picture"

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Tok, Michael, Volker Eiselein y Thomas Sikora. "Motion modeling for motion vector coding in HEVC". En 2015 Picture Coding Symposium (PCS). IEEE, 2015. http://dx.doi.org/10.1109/pcs.2015.7170066.

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Tok, M., A. Krutz, A. Glantz y T. Sikora. "Lossy parametric motion model compression for global motion temporal filtering". En 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213354.

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Hyungjun Lim, Dong Yoon Kim, Hyun Wook Park, Jun Ho Cho, Se Hyeok Park y Jae Hyun Kim. "Motion estimation with adaptive block size for motion-compensated frame interpolation". En 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213358.

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Aoshima, Kenichi, Hidekazu Kinjo, Kenji Machida, Daisuke Kato, Kiyoshi Kuga, Tomoyuki Mishina, Hiroshi Kikuchi y Naoki Shimidzu. "Three dimensional motion picture technologies". En 2014 IEEE Industry Applications Society Annual Meeting. IEEE, 2014. http://dx.doi.org/10.1109/ias.2014.6978440.

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Hillman, P. M. "Segmentation of motion picture images". En International Conference on Visual Information Engineering (VIE 2003). Ideas, Applications, Experience. IEE, 2003. http://dx.doi.org/10.1049/cp:20030496.

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Okade, M. y P. K. Biswas. "Fast camera motion estimation using discrete wavelet transform on block motion vectors". En 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213314.

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Drury, Gordon M. "Picture Quality Assessment in Video Compression". En SMPTE Advanced Motion Imaging Conference. IEEE, 1996. http://dx.doi.org/10.5594/m00473.

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Mao, Jue, Hualong Yu, Xiaoding Gao y Lu Yu. "Complementary Motion Vector for Motion Prediction in Video Coding with Long-Term Reference". En 2019 Picture Coding Symposium (PCS). IEEE, 2019. http://dx.doi.org/10.1109/pcs48520.2019.8954511.

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Krutz, A., A. Glantz, M. Tok y T. Sikora. "Adaptive global motion temporal filtering". En 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213349.

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Xu, Rui, Aous Thabit Naman, Reji Mathew, Dominic Rufenacht y David Taubman. "Motion estimation with accurate boundaries". En 2015 Picture Coding Symposium (PCS). IEEE, 2015. http://dx.doi.org/10.1109/pcs.2015.7170072.

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Informes sobre el tema "Motion picture"

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Smith, J. A Uniform Resource Name (URN) Namespace for the Motion Picture Experts Group (MPEG). RFC Editor, septiembre de 2003. http://dx.doi.org/10.17487/rfc3614.

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Hanson, Gordon y Chong Xiang. Testing the Melitz Model of Trade: An Application to U.S. Motion Picture Exports. Cambridge, MA: National Bureau of Economic Research, octubre de 2008. http://dx.doi.org/10.3386/w14461.

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Gharai, L., C. Perkins, G. Goncher y A. Mankin. RTP Payload Format for Society of Motion Picture and Television Engineers (SMPTE) 292M Video. RFC Editor, marzo de 2003. http://dx.doi.org/10.17487/rfc3497.

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Labosier, James. Motion Picture Exhibition and the Development of a Middle-class Clientele: Portland, Oregon, 1894-1915. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.6828.

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Edwards, T. A Uniform Resource Name (URN) Namespace for the Society of Motion Picture and Television Engineers (SMPTE). RFC Editor, febrero de 2008. http://dx.doi.org/10.17487/rfc5119.

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Downs, J. y J. Arbeiter, eds. RTP Payload Format for Society of Motion Picture and Television Engineers (SMPTE) ST 336 Encoded Data. RFC Editor, abril de 2012. http://dx.doi.org/10.17487/rfc6597.

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Edwards, T. RTP Payload for Society of Motion Picture and Television Engineers (SMPTE) ST 291-1 Ancillary Data. RFC Editor, febrero de 2018. http://dx.doi.org/10.17487/rfc8331.

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Edwards, T. Media Type Registration for the Society of Motion Picture and Television Engineers (SMPTE) Material Exchange Format (MXF). RFC Editor, mayo de 2006. http://dx.doi.org/10.17487/rfc4539.

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Kiv, A. E., T. I. Maximova y V. N. Soloviev. Microstructure of the relaxed (001) Si surface. [б. в.], diciembre de 1999. http://dx.doi.org/10.31812/0564/1245.

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We have applied molecular dynamics method and semi-empirical potential [1] to obtain the realistic picture of Si surface layers relaxation.The starting configuration was taken as a parallelepiped containing 864 atoms. There were 12 layers with 72 atoms in each one. Periodic boundary conditions were used in two dimensions. At first all atoms were in normal lattice positions. The relaxation of Si surface, which corresponds to (001) plane was investigated. MD method was applied in its standard form i.e. the equations of motion were solved by using of the central difference scheme. The time-step was 10-14s.
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Koschmann, Anthony y Yi Qian. Latent Estimation of Piracy Quality and its Effect on Revenues and Distribution: The Case of Motion Pictures. Cambridge, MA: National Bureau of Economic Research, agosto de 2020. http://dx.doi.org/10.3386/w27649.

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