Literatura académica sobre el tema "Monuments italiens"
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Artículos de revistas sobre el tema "Monuments italiens"
Caponigri, Felicia. "Malleable monuments and comparative cultural property law: The Balbo monument between the United States and Italy". International Journal of Constitutional Law 19, n.º 5 (1 de diciembre de 2021): 1710–37. http://dx.doi.org/10.1093/icon/moab136.
Texto completoBovo, Martine. "Igiaba Scego’s Roma negata: The ethical nomadism of a second generation migrant writer". Letras de Hoje 54, n.º 4 (31 de diciembre de 2019): 512. http://dx.doi.org/10.15448/1984-7726.2019.4.33259.
Texto completoChamoux, Par F. "La Cyrénaïque, des origines à 321 a.C., d'après les fouilles et les travaux récents". Libyan Studies 20 (enero de 1989): 63–70. http://dx.doi.org/10.1017/s0263718900006592.
Texto completoMonteiro, Michelli Cristine Scapol. "A América como consagração". Revista de História, n.º 178 (10 de julio de 2019): 1–41. http://dx.doi.org/10.11606/issn.2316-9141.rh.2019.141992.
Texto completoVadimovich Griger, Maxim, Enzhe Midhatovna Dusaeva y Igor Vladimirovich Vostrikov. "CREATING A MEMORY OF A SAINT: FRANCIS OF ASSISI IN ITALIAN MONUMENTAL PROPAGANDA OF THE 19TH-21ST CENTURIES". Humanities & Social Sciences Reviews 7, n.º 5 (19 de octubre de 2019): 663–66. http://dx.doi.org/10.18510/hssr.2019.7578.
Texto completoRamos, Eloisa Helena Capovilla da Luz. "As cidades e seus monumentos: um estudo sobre a imigração italiana em Buenos Aires e Caxias do Sul 1910 - 1954 - 2016". Almanack, n.º 17 (diciembre de 2017): 224–27. http://dx.doi.org/10.1590/2236-463320171708.
Texto completoBaldassar, Loretta. "Migration Monuments in Italy and Australia: Contesting Histories and Transforming Identities". Modern Italy 11, n.º 1 (febrero de 2006): 43–62. http://dx.doi.org/10.1080/13532940500492241.
Texto completoZamparutti, Louise. "The Basovizza monument: Constructing memory and identity". Research in Social Change 11, n.º 3 (1 de septiembre de 2019): 25–38. http://dx.doi.org/10.2478/rsc-2019-0013.
Texto completoGuarrera, Fabio. "El Monumento como instrumento de identidad nacional". Arquitextos, n.º 33 (17 de febrero de 2019): 49–60. http://dx.doi.org/10.31381/arquitextos.v0i33.1859.
Texto completoGuarrera, Fabio. "monumento como instrumento de identidad nacional". Arquitextos, n.º 33 (28 de febrero de 2023): 49–60. http://dx.doi.org/10.31381/arquitextos33.1859.
Texto completoTesis sobre el tema "Monuments italiens"
Schwarz, Martina. "Tumulat Italia tellus : Gestaltung, Chronologie und Bedeutung der römischen Rundgräber in Italien /". Rahden/Westfalen : M. Leidorf, 2002. http://catalogue.bnf.fr/ark:/12148/cb39277742z.
Texto completoMichalsky, Tanja. "Memoria und Repräsentation : die Grabmäler des Königshauses Anjou in Italien /". Göttingen : Vandenhoeck & Ruprecht, 2000. http://catalogue.bnf.fr/ark:/12148/cb372150781.
Texto completoVidor, Gian Marco. "Biografia di una necropoli italiana del XIX secoloBiographie d'une nécropole italienne du XIXe siècle : il cimitero della Certosa di Bologna : le cimetière de la Chartreuse de Bologne : thèse en co-tutelle". Versailles-St Quentin en Yvelines, 2008. http://www.theses.fr/2008VERS022S.
Texto completoFounded in 1801, the Certosa cemetery is not a simple application of Enlightenment reforms regarding sepulchres. In certain aspects, it constitutes a unique example in the Italian and European panorama. A large necropolis, almost completely closed off from the exterior world, the cemetery is conceived as a sort of museum of contemporary funerary art. It is also a village where lives, not always peacefully, a small community, composed of employees and their families. The history of the Certosa of Bologna highlights the polymorphous nature of necropolises of the nineteenth century and shows a complex hierarchical organization of sepulchres based on plurisecular categories of separation, marginalization, and exclusion of the cadavers. Fundamental location for the constitution of urban identity and national identity, the cemetery presents an interaction between the elements of the Middle Ages burial ground with those of the necropolis imagined and projected by eighteenth century culture
Pinon, Pierre. "Pierre-Adrien Pâris (1745-1819), architecte, et les monuments antiques de Rome et de la Campanie /". Rome : [Paris] : École française de Rome ; [diff. de Boccard], 2007. http://catalogue.bnf.fr/ark:/12148/cb41083614b.
Texto completoBibliogr. p. 417-420. Index.
Mason, David Robert. "'New lamps for old' : English responses to the restoration of monuments in Italy, ca. 1860-1890". Thesis, De Montfort University, 1997. http://hdl.handle.net/2086/4115.
Texto completoFerrante, Roselene de Souza 1979. "Entre "deuses de bronze" e "homens de papel" : análise das obras do escultor italiano Pasquale De Chirico em Salvador (1906-1944)". [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279637.
Texto completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-25T20:50:00Z (GMT). No. of bitstreams: 1 Ferrante_RoselenedeSouza_M.pdf: 9510528 bytes, checksum: 95280e4b6a8d1824700b011e2d599b55 (MD5) Previous issue date: 2014
Resumo: Esta dissertação aborda a produção artística de Pasquale De Chirico em Salvador, Bahia, no período de 1906 a 1944. A pesquisa encadeia fontes documentais inéditas, quer a respeito de sua trajetória biográfica, quer no tocante às suas obras, destinadas tanto ao âmbito público quanto privado. Aqui, há um mapeamento da inserção dos monumentos escultóricos na malha urbana de Salvador, a exemplo de Castro Alves ¿ obra que marcou a consagração do artista. De modo paralelo à produção de monumentos públicos, Pasquale De Chirico elaborou um amplo conjunto de registros em papel e bronze de "tipos humanos", em especial de afrodescendentes; são homens e mulheres mergulhados em seu anonimato sob cânones acadêmicos que configuram uma iconografia de negros
Abstract: This dissertation approaches the artistic work by Pasquale De Chirico in Salvador, Bahia, Brazil, within the period from 1906 to 1944. The research links unpublished documentary sources, either about his biographical path or regarding his works, aimed both at the public and private spheres. Here, there is a mapping of the insertion of sculptural monuments in the urban area of Salvador, such as Castro Alves ¿ work that marked the artist¿s consecration. Parallel to the production of public monuments, Pasquale De Chirico prepared a wide range of records in paper and bronze of "human types", especially of Afro-descendants; they are men and women immersed in their anonymity under academic canons that set an iconography of black people
Mestrado
Politica, Memoria e Cidade
Mestra em História
Caillet, Jean-Pierre. "L'évergétisme monumental chrétien en Italie et à ses marges : d'après l'épigraphie des pavements de mosaïque (IVe-VIIe s.)". Paris 4, 1989. http://www.theses.fr/1988PA040118.
Texto completoMarlier, Thomas. "Tradition grecque et innovation romaine dans l'architecture en Cyrénai͏̈que à l'époque impériale: les monuments publics". Paris 4, 2004. http://www.theses.fr/2004PA040096.
Texto completoWhat is the part of Greek tradition and roman innovation in the architecture of an ancient Greek city during the High Empire ? The case of Cyrene and others cities of the region - Apollonia, Ptolemai͏̈s, Taucheira and Berenike - shows that hellenism and romanity are often joint: the great majority of the buildings preserves Greek techniques of construction, but a great part of news or restored edifices on this period recovers roman types, like the theatres, the temples and the monumental arches. The type of roman theater takes the place of the Greek type, the cyrenaean temples imitate the forms of the roman temple with podium and frontal staircase, the Propylaea evolves to the monumental arch, types completely news as the amphitheatre or the basilica appear, and several monumental complexes adopt a roman configuration: the forum of Cyrene, for example, associates a quadriportico with a temple and a basilica. It is not in the political, demographic or social situation that the explications of the roman innovations will be found. It appears that the conservatism of the manners of construct doesn't explain itself by an inertia of know-how : the craftsmen and the architects reproduce simply their customs by using the technical system which they already know. The roman innovation seems to fall within the scope of a simple fashion where the news architectural types are imitated " to seems roman " without new roman customs corresponding to them ; or, more rarely, by diffusion of roman customs : in this case, new types of buildings are necessary: the apparition of the amphitheatre, for example, explains itself by the diffusion of hunts and gladiators spectacles on this area
Thoraval, Fanch. "Curarum dulce lenimen. Du document musical au monument dévotionnel : Innocentius Dammonis et le Laude libro primo, Venezia, 1508". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040254.
Texto completoThe Laude libro primo is a well known document which has retained scholarship's attention since the beginning of the last century. Quite exceptionally for a collection of polyphonic laude of that period, it contains a repertoire composed by a single musician, a regular canon whose belonging to the congregation of San Salvatore is the only biographical known fact. The compositions by Innocentius Dammonis have been considered a typical product of the musical devotional culture from north-eastern Italy that was intended either for the use of the congregation's members or for that of some venetian confraternities. The observation of the musical, theological and literary culture recorded in this document allows to shed a new light on these laude. The distinction between the responsibility of the printer and the author for its editorial conception makes it possible to understand by which means these laude were intended to be presented. An onomastical study has given some evidence that this musician, who lived in various monasteries of the congregation, was probably born in northern Europe. The Laude libro primo appears to be the product of an individual project, the congregation of San Salvatore being partly its intellectual background, rather than the expression of a local (venetian) tradition. This observation suggests another approach to the canon's compositional choices that are sometimes unusual in that kind of repertoire. They don't seem to be the result of the opposition art/popular music (or its corollary complex/simple) which is the most used analytical framework for the study of polyphonic laude. On the contrary, they appear to serve a devotional project carried out by a specialist (a cleric) who mixes moral arguments with bucolic and petrarchan references
Malone, Hannah Olivia. "Nineteenth-century Italian cemeteries : the social and political basis of funerary architecture". Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648217.
Texto completoLibros sobre el tema "Monuments italiens"
Dante Alighieri als nationales Symbol Italiens (1793-1915). Tübingen: M. Niemeyer, 2005.
Buscar texto completoGiovannetti, Bruno. Artistas italianos nas praças de São Paulo =: Artisti italiani nelle piazze di San Paolo. São Paulo: Empresa das Artes Projetos e Edições Artísticas, 1992.
Buscar texto completoSchianchi, Lucia Fornari. Parma: History, art and monuments. Bologna, Italy: Italcards, 1989.
Buscar texto completoParma: History, art, and monuments. Bologna, Italy: Italcards, 1991.
Buscar texto completoSchianchi, Lucia Fornari. Parma: History, art and monuments. Bologna: Editions Italcards, 1989.
Buscar texto completoPaolo, Liaci y Diakrona (Firm), eds. Milan: History, art, monuments. Bologna, Italy: Italcards, 1990.
Buscar texto completoSgarbi, Vittorio. Dizionario dei monumenti italiani e dei loro autori. Milano: Bompiani, 1991.
Buscar texto completoKongress, "Scultura e. monumento sepolcrale del tardo medioevo a. Roma e. in Italia (1985 Rome Italy). Skulptur und Grabmal des Spätmittelalters in Rom und Italien: Akten des Kongresses "Scultura e monumento sepolcrale del tardo medioevo a Roma e in Italia (Rom, 4.-6. Juli 1985) : veranstaltet vom Historischen Institut beim Österreichischen Kulturinstitut in Rom und vom Istituto della Enciclopedia Italiana. Wien: Verlag der Österreichischen Akademie der Wissenschaften, 1990.
Buscar texto completoGalmozzi, Luciano. Monumenti alla libertà: Antifascismo, resistenza e pace nei monumenti italiani dal 1945 al 1985. Milano: La Pietra, 1986.
Buscar texto completoI monumenti Spinola. Genova: Sagep editori, 2018.
Buscar texto completoCapítulos de libros sobre el tema "Monuments italiens"
Jones, Kay Bea. "Monuments across the fascist divide". En The Routledge Companion to Italian Fascist Architecture, 507–20. Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429328435-47.
Texto completoPazzaglia, Paola y David Scaradozzi. "Escape from Tolentino During an Earthquake Saving as Many Lives and Cultural Objects as You Can". En Makers at School, Educational Robotics and Innovative Learning Environments, 275–82. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77040-2_37.
Texto completoBarisione, Silvia. "The reception of World War I monuments". En The Routledge Companion to Italian Fascist Architecture, 346–58. Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429328435-33.
Texto completoRossetti, Edoardo. "Le dinamiche del mecenatismo signorile negli spazi sacri: un percorso per riconsiderare le geografie e le gerarchie del patronage artistico in Italia?" En La signoria rurale nell’Italia del tardo medioevo. 4. Quadri di sintesi e nuove prospettive di ricerca, 81–110. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0187-2.05.
Texto completoViggiani, Carlo. "The Leaning Tower of Pisa". En Case Studies on Failure Investigations in Structural and Geotechnical Engineering, 173–96. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2023. http://dx.doi.org/10.2749/cs004.ch14.
Texto completoDogliani, Patrizia. "Constructing Memory and Anti-Memory: the Monumental Representation of Fascism and its Denial in Republican Italy". En Italian Fascism, 11–30. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27245-7_2.
Texto completoFabozzi, S., M. Moscatelli, F. de Silva, L. Starita y E. Bilotta. "Probabilistic evaluation of the seismic vulnerability of rock cavities in a historical Italian site". En Geotechnical Engineering for the Preservation of Monuments and Historic Sites III, 1184–92. London: CRC Press, 2022. http://dx.doi.org/10.1201/9781003308867-95.
Texto completoZurlo, R. y R. Sorbello. "Florence high-speed railway underpass – Preservation of the Italian Renaissance pre-existing structures and historical sites". En Geotechnical Engineering for the Preservation of Monuments and Historic Sites III, 977–88. London: CRC Press, 2022. http://dx.doi.org/10.1201/9781003308867-76.
Texto completoRuberto, Laura E. y Joseph Sciorra. "‘Columbus Might Be Dwarfed to Obscurity’: Italian Americans’ Engagement with Columbus Monuments in a Time of Decolonization". En Public Memory in the Context of Transnational Migration and Displacement, 61–93. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41329-3_3.
Texto completoGoldhahn, Almut. "Kunst im Dienst der Propaganda. Die Photoausstellung im Palazzo Vecchio in Florenz 1917 und Ugo Ojettis Monumentalwerk „I monumenti italiani e la guerra“". En Apologeten der Vernichtung oder »Kunstschützer«?, 61–82. Wien: Böhlau Verlag, 2017. http://dx.doi.org/10.7788/9783412508340.61.
Texto completoActas de conferencias sobre el tema "Monuments italiens"
Benito Vozza, Vito Maria. "Three italian monuments: mass and material". En The 5th International Virtual Conference on Advanced Scientific Results. Publishing Society, 2017. http://dx.doi.org/10.18638/scieconf.2017.5.1.412.
Texto completoDe Marco, Paolo y Antonino Margagliotta. "La construcción del lenguaje en el Teatro Popular de Sciacca de Giuseppe y Alberto Samonà. *** The construction of language in the Sciacca popular Theatre by Giuseppe and Alberto Samonà." En 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7580.
Texto completoCAROTTA, M. C., E. FERRARI, S. GHERARDI, C. MALAGÙ, M. PIGA y C. VACCARO. "A MULTIDISCIPLINARY STUDY ON STONE MONUMENTS DAMAGE". En Proceedings of the 9th Italian Conference. WORLD SCIENTIFIC, 2005. http://dx.doi.org/10.1142/9789812701770_0025.
Texto completoANA, J. CALVO QUINT, S. PERMARINI, P. ALBERTANO, G. PALLESCHI y D. MOSCONE. "POTENTIOMETRIC MICROSENSORS FOR CYANOBACTERIAL BIOFDLMS MONITORING IN HYPOGEAN MONUMENTS". En Proceedings of the 7th Italian Conference. WORLD SCIENTIFIC, 2002. http://dx.doi.org/10.1142/9789812776457_0044.
Texto completoНосов, Константин Сергеевич. "KREMLINS IN ITALIAN STYLE: STATISTICA LAPPROACH TO THE ITALIAN INFLUENCE". En Международная научно-практическая конференция «Музеефикация фортификационных сооружений. проблемы и пути их решения». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.59.23.018.
Texto completoStochino, Emanuele. "THE CONCEPTS OF NATIONALISM AND PATRIOTISM IN THE ITALIAN COMMEMORATIVE MONUMENTS OF FIRST WORLD WAR". En 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s15.034.
Texto completoAbos, Ileana Ana. "CULTURAL HERITAGE AT THE CROSSROADS: THE RENAISSANCE CASTLES OF THE MURE? VALLEY, TRANSYLVANIA, ROMANIA IN THE 20TH-21ST CENTURIES". En 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs05.06.
Texto completoCartiaux, François-Baptiste, Gian Carlo Olivetti, Valeria Fort y Patrice M. Pelletier. "Preserving the heritage of world’s monuments through Structural Health Monitoring – A case study: the Garisenda Tower". En 5th Joint International Symposium on Deformation Monitoring. Valencia: Editorial de la Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/jisdm2022.2022.13787.
Texto completoCereti, Carlo, Luca Colliva, Gianfilippo Terribili y Massimiliano Vassalli. "The Monument of Paikuli: the Activities of the Italian Archaeological Mission in Iraqi Kurdistan, Past and Present." En 3rd ISCAHKRD 3rd International Scientific Conference under slogan Archaeology and Heritage of Kurdistan – Erbil. Salahaddin University-Erbil, 2019. http://dx.doi.org/10.31972/iscahkrd19.007.
Texto completoSilva, Maria do Carmo Couto da. "O Cristo e a mulher adúltera, de Rodolfo Bernardelli e a escultura italiana do século XIX". En Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3689.
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