Tesis sobre el tema "MolQCA"
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Paluš, Viktor. "Moloch". Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2013. http://www.nusl.cz/ntk/nusl-232368.
Texto completoRojas, Valdez Kelly, Caparó Carlos Tamayo y Peralta Krizzy Tamayo. "Plan estratégico de La Molina". Master's thesis, Pontificia Universidad Católica del Perú, 2011. http://tesis.pucp.edu.pe/repositorio/handle/123456789/4549.
Texto completoTesis
Franco, de Souza Ferreyra Lorena María. "Centro cultural de La Molina". Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2015. http://hdl.handle.net/10757/582775.
Texto completoArnscheidt, Gero. "Schreiben für den Markt : der Erfolgsautor Antonio Muñoz Molina im spanischen Kulturbetrieb /". Frankfurt am Main : Vervuert, 2005. http://www.gbv.de/dms/sub-hamburg/482834773.pdf.
Texto completoMichael, Larenas Paz. "Edificio consistorial Ilustre Municipalidad de Molina". Tesis, Universidad de Chile, 2008. http://www.repositorio.uchile.cl/handle/2250/115797.
Texto completoGin, Tamashiro Shirley y Ventocilla Américo Villalva. "Condominio La Pradera de la Molina". Universidad Peruana de Ciencias Aplicadas - UPC. Escuela de Postgrado, 2010. http://hdl.handle.net/10757/274022.
Texto completoLinero-Molina, Cynthia [Verfasser]. "Vulkanische Ascheböden als Straßenbaustoff / Cynthia Linero-Molina". Hannover : Technische Informationsbibliothek und Universitätsbibliothek Hannover (TIB), 2012. http://d-nb.info/1021186635/34.
Texto completoAguilar, Plaza Milagros y Del Aguila Ellen Reyes. "Lotización en Condominio La Pradera- La Molina". Master's thesis, Pontificia Universidad Católica del Perú, 2017. http://tesis.pucp.edu.pe/repositorio/handle/123456789/11632.
Texto completoTesis
Zevallos, Luna Korali Myriam. "Clínica general con centro geriátrico La Molina". Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2013. http://hdl.handle.net/10757/273298.
Texto completoTesis
Cox, Joseph M. "MOLOCH: Developing a German Expressionist Puzzle Game". Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1492777907436196.
Texto completoBersett, Jeffrey Thomas. ""El Burlado de Sevilla" : nineteenth-century theatrical appropriations of "Don Juan Tenorio /". Newark : J. de la Cuesta, 2003. http://catalogue.bnf.fr/ark:/12148/cb39276193z.
Texto completoSaavedra, Guevara Winston Alberto. "Construcción del proyecto las terrazas distrito la Molina". Universidad de San Martín de Porres. Programa Cybertesis PERÚ, 2003. http://cybertesis.usmp.edu.pe/usmp/2003/saavedra_wa/html/index-frames.html.
Texto completoau, karen payne@perthzoo wa gov y Karen Louise Payne. "Hepatitis B Virus in Silvery Gibbons (Hylobates moloch)". Murdoch University, 2004. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050204.154840.
Texto completoGuo, Shengjun. "Structural studies of saponins from Quillaja saponaria Molina /". Uppsala : Swedish Univ. of Agricultural Sciences (Sveriges lantbruksuniv.), 2000. http://epsilon.slu.se/avh/2000/91-576-5786-6.pdf.
Texto completoIdelfonso, Rodriguez Tatiana. "Centro Empresarial para el Emprendedor en la Molina". Bachelor's thesis, Universidad Ricardo Palma, 2017. http://cybertesis.urp.edu.pe/handle/urp/1104.
Texto completoFlorez, Villalobos Luz Esther y Valdiviezo Josabely Giselle Paz. "Centro de Rehabilitacion Fisico-Terapeutico en la Molina". Bachelor's thesis, Universidad Ricardo Palma, 2017. http://cybertesis.urp.edu.pe/handle/urp/998.
Texto completoAlbornoz, Rojas Abel Guillermo, Caparó Miguel Angel Escobar, Harada José Alberto Sialer y Carrasco Mario Ernesto Vidal. "Planeamiento estratégico del Distrito de La Molina - Lima". Master's thesis, Pontificia Universidad Católica del Perú, 2017. http://tesis.pucp.edu.pe/repositorio/handle/123456789/9631.
Texto completoThe district of La Molina was created in 1962, has an area of 65.75 km2 and counts with 171,646 inhabitants with a population density of 2,534 hab / km2. It borders on the north with the district of Ate Vitarte, on the east with the district of Pachacamac and Cieneguilla, on the south with the districts of Pachacámac and Villa Maria del Triunfo, and on the west with the district of Santiago de Surco. It is predominantly residential where 64.67% of its urban land is occupied by housing estates. This strategic plan for the district of La Molina was developed based on the sequential model of D'Alessio's strategic process in the year of 2013 and projected to be completely finish by the year 2030. The PESTEC and AMOFHIT analyzes were used for the development of this plan. The EFE matrix concludes that La Molina is not responding well to the opportunities and threats of the environment. For its part, the EFI parent concludes that La Molina is not stronger than weak, therefore, it must improve its weaknesses and turn it in to oportunities to get even better results at the end. Likewise, the proposed vision seeks to make La Molina a leading district in ecology and services in Peru and one of the five best districts in South America. To achieve the proposed vision, six long-term objectives have been formulated as well as 14 strategies from which nine have been retained. To achieve the long-term objectives, 24 short-term objectives have been defined. Finally, this document focuses on transforming the present situation of La Molina with a vision of growth to improve the quality of life of its residents and visitors. This through innovation and specialization of public management leveraged in public and private investment
Tesis
Durand, Solaligue Valeria Carla. "Complejo Veterinario para animales menores en La Molina". Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652507.
Texto completoThe Veterinary Complex for minor animals project in La Molina is developed due to the lack of an adequate infrastructure for the care and treatment of domestic animals in the city of Lima. Its purpose is to show a prototype of a veterinary complex that can meet the needs of the client and their pet. The project has an emphasis on permeability which shows the importance of having pets as users together with their owners, they should not feel "prisoners" but rather, have as much contact as possible with green areas for recreation. The program is organized according to needs and flows: The public is at the front of the project and the semi-public at the back. It consists of five functional packages: Veterinary Clinic, Adoption Center, Pet Lodging, SUM or training area and the service package located in the basement.
Trabajo de investigación
Rodríguez, Pinedo Carmen Rosa. "Construcción del Gasocentro GNV- GLP “Energigas” La Molina". Bachelor's thesis, Universidad Ricardo Palma, 2010. http://cybertesis.urp.edu.pe/handle/urp/1166.
Texto completoPayne, Karen Louise. "Hepatitis B virus in silvery gibbons (Hylobates moloch)". Thesis, Payne, Karen Louise (2004) Hepatitis B virus in silvery gibbons (Hylobates moloch). Masters by Research thesis, Murdoch University, 2004. https://researchrepository.murdoch.edu.au/id/eprint/248/.
Texto completoPayne, Karen Louise. "Hepatitis B virus in silvery gibbons (Hylobates moloch)". Payne, Karen Louise (2004) Hepatitis B virus in silvery gibbons (Hylobates moloch). Masters by Research thesis, Murdoch University, 2004. http://researchrepository.murdoch.edu.au/248/.
Texto completoDamian, Adriana Lopes. "Técnicas para inspeção de diagramas MOLIC". Universidade Federal do Amazonas, 2016. http://tede.ufam.edu.br/handle/tede/5126.
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CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
Interaction models specify the structure and behavior of the user with the interface. They refer to the interface commands that the user can perform and the corresponding system responses. The use of interaction models in the design stage is important due to the user's perspective since problems in the user-system interaction can be mitigated. In this context, MoLIC (Modeling Language for the Conversation Interaction) allows the development of interaction solutions. The diagrams modeled with MoLIC can be used as a basis for the development of other artifacts. However, in a preliminary study regarding the use of MoLIC diagrams, we identified different types of defects, such as Omission, Incorrect Fact, Inconsistency, Ambiguity and Extraneous Information. These results indicate that there is a need to inspect MoLIC diagrams in order to avoid the propagation of these defects to other artifacts. Also, the sooner a defect is discovered, the lower the cost to repair it. This thesis presents the proposed techniques for MoLIC diagrams inspection: MoLVERIC Cards and MoLVERIC Check. To motivate the inspection of MoLIC diagrams, the MoLVERIC Cards employs gamification elements. On the other hand, MoLVERIC Check is a checklist-based inspection technique. The verification items of both techniques evaluate the consistency of MoLIC diagrams with the interaction scenario/system requirements, as well as the notation employed in the MoLIC diagrams. The techniques had their construction and evaluation supported by experimentation. The results of both techniques have provided evidence of their feasibility to inspect MoLIC diagrams.
Modelos de interação especificam a estrutura e o comportamento do usuário com a interface. Referem-se aos comandos de interface que o usuário pode executar e as correspondentes respostas do sistema. O uso de modelos de interação na etapa de design é importante devido às perspectivas do usuário, pois problemas na interação usuário-sistema podem ser mitigados. Neste contexto, a MoLIC (Modeling Language for Interaction as Conversation) proporciona o desenvolvimento de soluções de interação. Os diagramas modelados com a MoLIC podem ser usados como base para o desenvolvimento de outros artefatos. No entanto, em um estudo preliminar realizado com o objetivo de analisar o uso de diagramas MoLIC, diferentes tipos de defeitos foram identificados, tais como Omissão, Fato Incorreto, Inconsistência, Ambiguidade e Informação Estranha. Estes resultados indicam que existe a necessidade de inspecionar os diagramas MoLIC, pois evita-se a propagação destes defeitos para outros artefatos. Além disso, quanto mais cedo for detectado um defeito, menor será o custo para repará-lo. Esta dissertação apresenta as técnicas específicas para a inspeção de diagramas MoLIC, chamadas MoLVERIC Cards e MoLVERIC Check. Para motivar a inspeção dos diagramas MoLIC, a MoLVERIC Cards emprega elementos de gamificação. A MoLVERIC Check é uma técnica de inspeção baseada em lista de verificação. Os itens de verificação das duas técnicas avaliam tanto a consistência dos diagramas MoLIC com o cenário de interação/ requisitos do sistema, como a notação usada nos diagramas MoLIC. As técnicas tiveram sua construção e avaliação apoiadas por experimentação. Os resultados de ambas as técnicas forneceram evidências de viabilidade para inspecionar diagramas MoLIC.
Rivera, Sánchez Adán Esteban, Segura Javier Marcelino Valderrama, Mita Redy Ronal Álvarez y Sandoval William Javier Querevalu. "Índice del progreso social del distrito de La Molina". Master's thesis, Pontificia Universidad Católica del Perú, 2018. http://tesis.pucp.edu.pe/repositorio/handle/123456789/12698.
Texto completoThe present thesis has as purpose analyze the Index of the Social Progress [IPS] of the district of The Molina 2017, which appears with social and environmental indicators that the well-being and the social progress allows to measure in the district of the Molina, this indicator measures results of the municipal and regional policies and is not focused in measuring the size of the executed investment. It focuses on three dimensions; the first dimension, they are the human basic needs with four components; the second dimension, they are the foundations of well-being with four components and finally the opportunities, with four components. The research is of quantitative approach, descriptive scope, not experimental design and transactional type. The instrument used in the research is the summary of the information by means of questionnaires, which are based on 58 questions of between opened and closed. The model of Index of Social Progress was designed to describe 12 components in his three dimensions. The internal consistency of the model measured up by means of the calculation of Cronbach's Alfa to the purpose of evaluating the reliability of the adjustment between the indicators of each one of twelve components, obtaining bigger values than 0.7. There were analyzed the results of the IPS of the Molina and were compared with the IPS of Lima Metropolitana - 2017 and Santiago de Surco - 2017. The district of The Molina obtained 81.01 locating it in a High Level of social progress and over the results obtained in Lima Metropolitana and Santiago de Surco; the recommendations are orientated to check the dimensions which components have reached the qualification Mid-High of social progress in: (a) personal safety, (b) environmental sustainability, and (c) personal rights. The mentioned components must be analyzed with the purpose of obtaining the motives for which they obtained the lowest values, so prepare a plan of work in the short and medium term, which will have to be executed for the Municipality of the Molina.
Tesis
Scheelje, Carrión Stefano. "Centro Residencial para el Adulto Mayor en La Molina". Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/655921.
Texto completoBy identifying a growing need for care for the elderly, corroborated by national statistics where their working, health, social, and other conditions are studied, the creation of a new space dedicated exclusively to the elderly population in Lima can be easily seen as of utmost importance. The building must be designed specifically for them, since the actual elderly centers spotted in Lima are mainly adaptations of old houses that originally had other uses, and therefore the architecture does not respond directly to the required functions. Likewise, this new building must provide the following 4 essential services: housing and basic housing services, geriatric medical care, areas for the development of cognitive and psychological functions, and finally the design of social and recreational areas. The project therefore seeks to gather in a building the necessary spaces for the elderly to receive, in addition to accommodation, a comprehensive and multidisciplinary care of triple aspect: physical, mental and social; with the purpose of promoting in them healthy habits that increase their quality of life, sense of belonging, mental and physical health and especially their re-integration with society.
Tesis
Ibáñez, Isabel. ""La Santa Juana" de Tirso de Molina : étude monographique". Pau, 1997. http://www.theses.fr/1997PAUU1004.
Texto completoThe comparison of the different variants of tirso de molina's trilogy la santa juana, proposed by the manuscript (madrid's national library) and by the 1636 princeps edition, reinforced by the comparison with the two text-sources for the three plays, i. E. The biography of jane of the cross by the franciscan monk daza, edited in 1610 and edited again after corrections and amendments in 1614, shows that these plays had undergone several processes of rewriting which had themeselves been conditioned by censorship. It also shows they had been redesigned later on in a way more in keeping with the theological approach of a work which from the very start had probaly been an hagiographic play made up of two parts and had benefited from considerable technical and economical support. The text on the manuscript provides us on its very makeup with a riding-guide in the form of a dynamic representation. The structural links (verbal or non verbal signs) that are variously stressed by the autograph text reveal a whole network of superimposed speeches - hagiographic, theological and metaspeech - which turn out to be but parts of one single federative speech, the dramatic speech. The contradictory constraints which the texte of the trilogy finds itself indebted to make the structural elements highlight preoccupations that are at times hardly compatible. Thus the various processes of oversemiotisation, the different intra-textual references that contribute to highlighting these preoccupations, all bring to the fore dramatic structure that is constantly " en abyme ". The dramatic speech thus becomes its own object. Such a process is made manifest through a use of polymetry. The form makes up signifiers which are then integrated into a dynamic process, thus creating a linear and oriented speech. Thence, it creates and imposes a dynamic and intra-dramatic space, which is a secret challenge to the attempt to translate the aspiration to eternity which any hagiographic history aims at
Meggiolaro, Anna <1989>. "Los objetos en las novelas de Antonio Muñoz Molina". Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4364.
Texto completoPrat-Steffen, Isabelle. "L'écriture du quotidien : une convergence entre journalisme et roman : Antonio Muñoz Molina de 1990 à 1999". Paris 4, 2002. http://www.theses.fr/2002PA040149.
Texto completoAntonio Muñoz Molina is an alert witness to the world around him, but his sensuous, memory-filled everyday-reality writing, alien to the genre system, can only unfold thanks to the reader. The writing of everyday reality is, first of all, the writing of external reality, of simultaneity and habit: it's conveyed to the reader by means of description and the play on tenses. This instinctive reading easily reveals a writing whose harmony and clarity are common to the El País chronicles and the novels. It's a reassuring writing which makes the reader feel part of a human community, as it's based on recognition. Once the writing of external reality is mastered, the reader, thanks to a diachronic reading, can unveil a writing of internal everyday reality, composed of reiterations, echoes and reminiscences, an impressionistic even pointillistic writing. Since the internal writing of Antonio Muñoz Molina aims to ponder over time, invite others, but also believe in literature, its requires a profound empathy on the part of the diachronic reader. Indeed, external and internal writings cannot merge unless the reader captures, corrects and extends the enlighteners woven in by Antonio Muñoz Molina: memory, imagination and dream. From this close correspondence between writer and reader arises a unified, cathartic, original, memory-filled writing. This rich, vibrant writing unfolds in journalism and the novel alike: thus, it's a point of convergence between the two genres
Knobbe, Thorsten. "Spektakel Spitzensport der Moloch aus Stars, Rekorden, Doping, Medienwahn, Sponsorenmacht /". [S.l. : s.n.], 2000. http://deposit.ddb.de/cgi-bin/dokserv?idn=961903023.
Texto completoDulanto, Sangalli Martín y Universidad Peruana de Ciencias Aplicadas (UPC). "Facultad de Veterinaria de la Universidad Nacional Agraria La Molina". Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2015. http://hdl.handle.net/10757/577436.
Texto completoSmallman, Margaret Helen. "Memory and creativity in the novels of Antonio Munoz Molina". Thesis, King's College London (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362885.
Texto completoSantonocito, Daniela [Verfasser]. "Gonzalo Argote de Molina, editor de textos medievales / Daniela Santonocito". Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2020. http://d-nb.info/1223310698/34.
Texto completoArancibia, Quelempán Samuel. "La representación del cuerpo en el abate Juan Ignacio Molina". Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/130578.
Texto completoEl presente trabajo se dispondrá de la siguiente manera: en el capítulo uno, analizaremos el contexto dentro del cual escribe Juan Ignacio Molina: el siglo XVIII y, específicamente, los debates en torno a la inferioridad del continente americano y la expulsión jesuita, para ir adentrándonos poco a poco en la escritura del abate. En el segundo capítulo, estudiaremos la noción de historia en la obra del abate Molina. El tercer capítulo se adentra en el análisis de la primera parte del Compendio, la historia geográfica y natural, para delimitar el lugar donde está situado el cuerpo: la naturaleza. En el cuarto capítulo estudiaremos el cuerpo, centro de este trabajo.
Vasconcellos, Caio Eduardo Teixeira. "O Moloch do presente: Adorno e a crítica à sociologia". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-30112009-021007/.
Texto completoThis text is a interpretation of the essays in which Theodor Adorno criticizes classic authors of sociology and discusses the sociological problems of his time. This investigation dont have the aim of to detect the influences that certain authors by chance would have over the Theodor Adornos thoughts, but to show how his social theory can be rebuilt starting from his criticism of the sociological tradition. I intend to show that, by dealing with the sociologys history, positioning himself before the scientific polemics and controversies, Adorno perform a widening the comprehension of the sociological experience leading to the last consequences the project of understanding of the social processes through the criticism to modern sociological thought.I can assert that Adorn, in the polemics against the positivism in German sociology, in his analysis about the Auguste Comtes work, in the interpretation of Émile Durkheims works, through of immanent criticism, seeks to build a critical theory, which constitutes itself starting from the criticism to sociological tradition.
CARNEIRO, Jeferson Costa. "Filogenia e história biogeográfica do grupo Callicebus moloch (Primates, Pitheciidae)". Universidade Federal do Pará, 2015. http://repositorio.ufpa.br/jspui/handle/2011/8306.
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CNPq - Conselho Nacional de Desenvolvimento Científico e Tecnológico
Callicebus é um gênero de primata neotropical pertencente à família Pitheciidae, atualmente com 32 espécies reconhecidas. Estas espécies estão organizadas em grupos supraespecíficos, sendo dois subgêneros (Torquatus e Callicebus) e cinco grupos de espécies: C. torquatus, C. moloch, C. cupreus, C. donacophilus e C. personatus. A organização dos grupos foi realizada com base em dados morfológicos e de distribuição geográfica. Nesta dissertação de mestrado, fizemos inferências a partir de dados moleculares. No primerio capítulo, apresentamos uma introdução geral sobre a problemática taxonômica de Callicebus. No segundo capítulo realizamos inferências filogenéticas com base na presença e ausência de uma região molecular conhecida como elemento Alu, um transposon do genoma de primatas. Com base na análise desses marcadores Alu, descobrimos que os grupos C. moloch e C. cupreus são estreitamente relacionados e que C. torquatus é o grupo basal no gênero. No terceiro capítulo, a partir de uma abordagem multilocos investigamos as relações filogenéticas do grupo C. moloch e aplicamos o tempo de diversificação entre as espécies para testar a hipótese de formação das bacias hidrográficas da Amazônia durante o Plio-Pleistoceno. Nossos resultados corroboram a hipótese de formação dos rios amazônicos nos últimos 3 Ma. No entanto, nem todos os eventos de diversificão em Callicebus podem ser explicados pela teoria dos rios. Além disto, verificamos que os diferentes grupos de espécies de Callicebus são todos derivados de radiações na região Amazônica em diferentes momentos durante o Mioceno superior. Nossos resultados também sugerem que o conhecimento atual da diversidade de Callicebus está subestimado, e que espécies que diversificaram recentemente estão negligenciadas taxonomicamente.
Callicebus is a genus of Neotropical primate of the family Pitheciidae. Thirty-two species are currently recognized. They are classified in two subgenera, Torquatus and Callicebus, and five species groups: C. torquatus, C. moloch, C. cupreus, C. donacophilus and C. personatus. The arrangement of subgenera and groups is based on morphology and geographic distributions. The first section, we is introduction to the taxonomy of Callicebus. In the second section, I present an article for submission to the jounrla Primates concerning the chapter presence or absence of a molecular region known as an Alu element. An Alu element is a transposon in the genome of primates Because of this particular characteristic of Alu insertion, I discovered that the C. moloch and C. cupreus groups are closely related and that C. torquatus is the basal group in the genus. In the third section , from a multilocus approach I investigated the phylogenetic relationships of the C. moloch group and the time of diversification between the species, in order to test the hypothesis of formation of the Amazon River basin during the Plio-Pleistocene. Our results support the hypothesis of origin of Amazonian rivers in the last 3 Ma. However, not all diversification events in Callicebus can be explained by the theory of rivers. the results also indicate that the different species groups are derived from a radiation in the Amazonian region at different times during the upper Miocene. The phylogenetic analysis identified a number of potentioal taxa that a number of taxa which the current knowledge of species diversity in Callicebus is underestimated, and that recently diversified species are taxonomically neglected.
Santos, Leonardo Biral dos. "Sistemática e filogenia de Maytenus Molina (Celastraceae) na região neotropical /". Rio Claro, 2016. http://hdl.handle.net/11449/141965.
Texto completoBanca: Rafaela Campostrini Forzza
Banca: André Olmos Simões
Banca: Fabio Pinheiro
Banca: Pedro Luis Rodrigues de Moraes
Resumo: Celastraceae sensu lato (incluindo Hippocrateceae) é basicamente uma família pantropical, com um menor número de espécies ocorrendo nas regiões subtropicais e temperadas, abrangendo aproximadamente 1200 espécies de árvores, arbustos, lianas lenhosas, e, mais raramente, herbáceas. Maytenus é o maior gênero da família no Novo Mundo com entre 120 e 140 espécies, ca. de 90 delas presentes na América do Sul, seu centro de diversidade. As espécies ocorrem nos mais variados tipos de vegetação, do nível do mar à 3900 m de altitude. O gênero apresenta uma baixa variabilidade morfológica nos caracteres reprodutivos e a identificação das espécies é, na maioria das vezes, feita com base em caracteres vegetativos de ramos e folhas, o que torna difícil a caracterização de algumas delas. Aqui é apresentada uma sinopse das espécies ocorrentes na América do Sul, incluindo informações à respeito de: tipificação, sinonímias, distribuição geográfica, caracteres diagnósticos e demais comentários considerados pertinentes, bem como uma lista de material selecionado examinado e uma descrição sucinta para cada táxon. Um checklist das espécies com distribuição na América do Norte, Central e Caribe é provido representando uma compilação inicial para estudos taxonômicos mais aprofundados. Por fim, uma filogenia baseada em dados morfológicos e moleculares para quatro regiões genômicas (26S rDNA, ITS, matK e trnL-F) é apresentada, baseada no princípio da parcimônia, na qual se discutem ... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: Celastraceae sensu lato (including Hippocrateaceae) is primarily a pantropical family, with several subtropical and fewer temperate members, comprising ca. 1,200 species of trees, shrubs, woody lianas, and rare herbs. Maytenus is the largest genus in the New World, bearing between 120 and 140 species with 90 of them occurring in South America, the center of diversity. The species are widely distributed among almost all types of vegetation from sea level to an elevation of 3,900 m on Andes. Maytenus species show low variation of reproductive characters and recognizing most of them is commonly based on their vegetative attributes, such as young twigs and leaves, which makes difficult to characterize some of them. A synopsis of species existing in South America is presented here, providing information related to: typification, synonyms, geographical distribution, diagnostic characters, and comments considered relevant, as well as a list with selected examined material and a short description of each taxa. A checklist comprising the species occurring in North and Central America and the Caribbean is provided, representing an initial effort to compile data for taxonomic studies in the future. Finally, a phylogeny based on morphological and molecular data of four genomic regions (26S rDNA, ITS, matK and trnL-F) is presented relying on the principle of parsimony, in which we discusse the results that will lead to a new circumscription of the genus, in order to ... (Complete abstract click electronic access below)
Doutor
Gonzalez, Arce Teresa Georgina. "L'apprentissage du regard : l'expérience herméneutique dans l'oeuvre d'Antonio Muñoz Molina". Montpellier 3, 2001. http://www.theses.fr/2001MON30024.
Texto completoPennanguer, Anne. "Le discours moralisateur dans l'oeuvre théâtrale de Tirso de Molina". Rennes 2, 2001. http://www.theses.fr/2001REN20010.
Texto completoThe playwright Tirso de Molina, the pen-name of Fray Tellez, a member of the order of Merci, produced a body of work which faithfully reflects the society of his time. In his many plays the audience could actually see their own behaviour. Man is weak and surrounded by temptations : whether they are rich or poor, commoners or nobles, princes or bishops, all eventually yield. . Tirso was a subtle observer of Spain's rigid class system and a society influenced by the ideas and practises of the Counter Reformation. Through this sacred and profane theatre he presents the contradictions and hesitations of seventeenth century Spaniards who feared divine punishment and the sufferings of eternal damnation but still lusted after pleasure and power. However let us not be mistaken. Tirso is not a spiritual adviser to speak : he records facts and situations and offers solutions but it is up to his audience to refuse or accept them. Rather than a sermon the "Comedia" is above all a eulogy to the theatre. Tirso liked to write and even censorship did not stop him from continuing his work
Galoppe, Raúl A. "Género y confusioń en el teatro de Tirso de Molina /". free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9953859.
Texto completoLangberg, Pinzás José Alfonso y Arroyo Christian Vladimir Montes. "Proyecto inmobiliario Strip Center "MoliSol" en el distrito de La Molina". Master's thesis, Pontificia Universidad Católica del Perú, 2016. http://tesis.pucp.edu.pe/repositorio/handle/123456789/7497.
Texto completoTesis
Basave, Benítez Agustín Francisco. "A current of Mexican nationalism : Andrés Molina Enriquez's theory of miscegenation". Thesis, University of Oxford, 1991. http://ora.ox.ac.uk/objects/uuid:323ace75-06f1-4a41-a284-645f3375db5f.
Texto completoRobledo, Tranchino Paulina Alejandra. "Fragmentos : vida y obra de la poeta Paz Molina: amada subversión". Tesis, Universidad de Chile, 2011. http://repositorio.uchile.cl/handle/2250/135183.
Texto completoEstoy completamente obsesionada, esa es mi verdad. Su historia me intriga y me apasiona hasta el punto de haberla convertido en objeto de estudio. Elegí hacer de ella y de sus momentos una historia que se paseara por distintos escenarios, pero siempre teniéndola como protagonista, sin olvidar el curso de la realidad. Quería contarle su propia vida para que vuelva a visitarla cada vez que se pierde, porque lo hace y se va lejos. Y cada vez que se escapa se hace más difícil su regreso. Somos varios los que tratamos de tomarle la mano y acercarla a su camino. Este es un intento más. Van sesenta y seis años encima, no parece mucho en cifra, pero hubo días duros, durísimos que intentaron hacerla pedazos. Se ha desgastado un poco, pero se mantiene ahí. Sí, hubo momentos en los que se transformó en diminutas partículas; había que pegarla de nuevo, coserla, atarla y entregarle significado a su significante. Saussure estaría orgulloso. Por eso, recrear su historia. Por eso, hablarle directamente, para que entienda que es para ella y por ella. Para que le quede claro que lo vivido no ha sido en vano. La huella y la herida están presentes, pero sigue adelante, perpetua, dura, condicionada a la creación, porque ese es su margen, ese es su designio. Siempre busqué una excusa para escribir sobre su vida, para evocar sus aristas, para despojarla de su rol que nos une por sangre y permitirle que se mostrara con honestidad. No me servían las etiquetas ni tratos que se mantuvieran encasillados en roles. Son años de intentos y de entrar a laberintos los que finalizan con esta publicación. Ella, mi abuela. Amada de la Paz Molina Venegas. Poeta, dibujante, escritora, mujer, amiga, hija, hermana, nieta, esposa, madre y abuela. Tantos roles y tantos días que pasaron y siguen pasando por y a través de su figura. Desde mi vereda la observé y tomé nota. Señora literata de silenciosa trayectoria, pero de profunda huella entre los entendidos. Su pertenencia al círculo cerrado de los intelectuales de la prosa me causaba irritación. De ese espacio era de donde la quería sacar. Sí, porque ese juego del tipo “el que sabe, sabe”, roza lo absurdo cuando sus creaciones y las historias que la llevaron a ellas merecen ser gritadas. Lo que pasa es que ella, con su intrínseca timidez, sólo ruge desde las entrañas cuando está armada con un lápiz y una hoja. A rostro descubierto le da pudor, le da vergüenza, pero no hay nada de qué esconderse. La empujé para que hablara, que revolviera su pasado. Fui injusta, fui incisiva. Por momentos me sentí culpable, muy culpable. Quise deshojarla, quise absorber cada detalle de su biografía. Quise tantas cosas que mi ambición me llevó por caminos equivocados, paraderos -nunca irrelevantes- algo desiertos, algo confusos, algo olvidados. Recomponer – reconstruir fue un proceso lento. Quise hundirme es su prosa críptica, en sus historias ocultas para dar sentido a la construcción literaria-femenina-nacional que ayudó a cimentar. Defensora indomable del género cuando nadie se atrevía a sacar la voz. Gracias a ella y sus compañeras escritoras es posible GRITAR que “(…) el feminismo está vigente hoy, aunque el lenguaje del poder y sus sometidos/as, lo quieran desconocer. Está vigente en la práctica, en la teoría, con todas sus modalidades, contradicciones, dudas, interrogaciones y afirmaciones, en su inmensa diversidad. La memoria, el cuerpo, la palabra madre, la práctica cotidiana, la realidad circundante, la resistencia en diferentes ámbitos de la vida cotidiana y del pensamiento, me lo confirman a diario” . Paz es una de las voces que rompió con los esquemas del verso delicado-rosado-romántico. Fue parte del movimiento narrativo de la década de los ochenta que se impuso a la mordaza y censura cultural que implantó la dictadura, y logró darle sentido a los signos femeninos que se caracterizan por su corrosiva potencia. Como parte del contingente contestatario escribió los libros de poemas Memorias de un pájaro asustado (1982), Noche Valleja. (1989), Neruda aparta de mí esta sombra (1996), Cantos de ciega (1994), La boca del miedo (2002) y Verbosa dama súbita (2004). Con ellos entrecrucé la realidad de su historia. Tomé sus versos para completar la atmósfera de las escenas que constituyen sus momentos expuestos. Armé un puzzle de fragmentos; aquí el lector es bienvenido a visualizar la apuesta realizada. Considero con egoísmo que su vida no debe quedar anónima, me tiré de cabeza a remover letras. La desarmé sílaba a sílaba para descubrir su fondo y su forma, para así compartir los resultados de mi cacería donde entrelacé la voz de Paz y del resto de los entrevistados con poemas y cuentos. Me vi en la necesidad de crear un relato donde la tensión se viera complementada por creaciones ajenas, juegos literarios que acompañarán el viaje que ha significado su vida. “La recuperación del lenguaje lírico, a favor de una subjetividad dolida y deseosa de ser, ha sido una tentativa constante en la trayectoria de Paz Molina” . Mujer-palabra. Deseosa, explosiva. Este proyecto es un catalizador de sus experiencias que se desprenden en una narrativa en ocasiones caótica, en ocasiones fotográfica, por momentos de voz que apela y otras veces un testigo ajeno que permite el curso de la historia. Mi búsqueda era continua, obligada. Desde la muerte de su esposo, mi abuelo Flavio Carmelo Tranchino Rodríguez, comencé a tantear el terreno de sus pensamientos porque no podía aceptar que su compañero falleciera sin que yo nunca hubiese podido descubrir la historia tras el pintor de naturalezas muertas. Tenía 15 años y una amargura profunda. Desde ahí comencé a acechar a esta mujer para poder extraer pedazos de su vida y saber quién es. Hasta que, once años después, llegué a esto. Su voz es la que me llevó a recrearla. Mi objetivo era plantear a Paz como protagonista de su propia memoria. Gabriel García Márquez tenía razón. El epígrafe de su libro autobiográfico Vivir para contarla lo dice clarito: “La vida no es la que uno vivió, sino la que uno recuerda, y cómo la recuerda para contarla”. Paz evoca su propia historia como se le antoja hacerlo y quién soy yo para poner en duda sus palabras. “Es obvio que cada individuo atesora una serie de experiencias, pero aquellas que son significativas, aquellas que merecen ser rememoradas y el propio modo en que se rememoran, están marcadas culturalmente” . Es la memoria y no el documento mi principal arma de trabajo. Un elemento que puede ser difuso y traicionero, poco preciso quizás. Pero es ahí, en lo que queda alojado, donde se mueven todas las piezas que dan vida a la presencia del individuo. Eso era lo que estaba buscando. Traer al presente personajes y sensaciones que se mueven en los recovecos del subconsciente. De poco me servían los papeles timbrados si en ellos no hay vida, si en ellos no hay reflexión alguna. De ellos, a mi parecer, no se obtienen sensaciones palpables. Fui terca. No quise caer en el abuso de los registros formales o documentación histórica. Su presencia era para el contexto y detalle de los períodos en las que se enmarcaron sus vivencias. “Ningunear por sistema aportaciones que la desvirtúen, desoír pareceres que la contradigan, escamotear documentos que evidenciarían sus supercherías son quizás las más inquietantes peculiaridades de la Historia Oficial. Inquietantes, pues las más de las veces el fraude se perpetra descaradamente, sin tapujos, con perfidia, sin atenuantes de ningún tipo y con un solo propósito, nos maliciamos, confirmar que el poder del poder es tan colosal que le permite tergiversar la actualidad y, así mismo, el pasado” . Confiar en los elementos externos para ubicar la temporalidad fue una relación hecha con plena consciencia de los quiebres narrativos que podrían presentarse. Ésa era la idea.
Béziat, Florence. "Le thème du silence dans le théâtre de Tirso de Molina". Toulouse 2, 1996. http://www.theses.fr/1996TOU20080.
Texto completoThis study is concerned with tirso de molina's theatre and the particular use of theme of theatrical silence : the truncation of speech and dialogue - where no words are spoken (explicit silences) and where something is silenced through the use of words (implicit silences). About twenty plays presenting several aspects of silence are analysed, after being classified into four different categories : saintliness, power, honour, and love. Afterwards, i try to determine the ethical values of silence in the chosen plays, in order to establish if the playwright offers us a positive or a negative vision of silence. According to my studies ot these plays, i have been able to ascertain that, in the four categories concerned, the silence, generally speaking, has a positive value in tirso's theater and that it appears to be an attribute specific to characters of rank. A brief chapter on the history of ideas will lead to a better understanding of these findings. Last of all, i consider the theme of silence from the point of view of the playwright, focussing on his use of it as a dramatic technique. This last chapter is only a first incursion, where i study some types of stagecraft like delayed action, interruption, withholding of information, in order to discover the different functions of silence in this theatre. A comparative study between two honour plays, one written by tirso, the other by calderon, reveals that, in tirso's theatre and in this type of plays, the silence is useful for isolating the tragic dimension from the rest of the action and for preserving the possibility of a happy ending
Lamari, Naima. "Le personnage du père dans l'oeuvre théâtrale de Tirso de Molina". Amiens, 2007. http://www.theses.fr/2007AMIE0015.
Texto completoGarcía, Padilla Melissa Andrea, Tamariz Massiel Alejandra Mestanza, Gallegos Sonia Lucila Sayas y Vásquez Miguel Giancarlo Vera. "Consultoría en institución educativa pública en el distrito de La Molina". Master's thesis, Pontificia Universidad Católica del Perú, 2020. http://hdl.handle.net/20.500.12404/16405.
Texto completoThis research is based on a consultancy service done in a public educational institution in La Molina district, focused on management and leadership. Its purpose is to diagnose the main problem in that area and propose an improvement plan based on the results obtained. The participants of the consultancy are the management team, teachers and administrative staff, students and parents of the institution mentioned. In order to carry out this work, qualitative and quantitative instruments were used, such as an interview based on the McKinsey 7 S model, and the instrument of the Ministry of Education that values the leadership and management of the management team. It consists of interviews, observations and surveys. To comply with this, informed consent was requested, and the required sample sizes were accomplished. The main finding is that the educational institution has a key problem to address: the lack of monitoring teacher’s work in the classroom, which is part of the leadership and management system. In order to solve it, the present consultancy determined seven initiatives, nine short-term and four long-term objectives. These initiatives are: (a) the development of inter-learning groups, (b) change in the organizational chart, (c) the improvement in efficient time management, (d) the conduction of a conference based on the importance of teacher’s monitoring, (e) the implementation of GSuite, (f) the conduction of workshops about leadership and coaching aimed to the pedagogical leaders, and (g) the use of the balance scorecard for strategic planning. In addition, resources are proposed for the development of these initiatives, as well as a monitoring system and a sequence of activities for their implementation. All this is integrated into an implementation plan to address the problem diagnosed.
Tesis
Bouchiba-Fochesato, Isabelle. "La poétique de l'interlocution dans les "Comedias" de Tirso de Molina". Bordeaux 3, 2006. http://www.theses.fr/2006BOR30070.
Texto completoThe author of this thesis aims, in the first part, at proving there are specific conversational codes in the plays both bound to the sociodramatic status of the characters concerned (kings and queens) and to their poetic status (gallants/paramours and ladies). Starting at the top of the dramatis personae pyramid (the royals) down to its basis (the rustics), each occurrence of abords and pronouns is analysed / deciphered to show how far they participate in the construction of an inner hierarchy of exchanges - both sociodramatic and aesthetic. In the second part, the object under study is how far these codes can resist or be adapted when various statuses come to meet. Every case in point that appears in Tirso's plays is examined and it thus blatantly appears that when pronouns and abords vary in turn, it is always in accordance with a logic that has little to do with sociohistorical verisimilitude. Quite on the contrary, it answers a poetic and aesthetic demand, which puts the reader-audience in the position of the privileged addressee of the dialogues and the speech variations that structure them. Eventually, the third part deals with a study specifically concentrated on the secret/hidden structuring relationship that exists between Tirso's personal conventions in exchanges and the building of a recurring - and fascinating, too - character: the man behind a mask. It appears yet again that pronouns and abords will work at two levels of dramatic exchange: the dialogue that the characters have and the dialogue the playwright initiates with his audience. The pronouns used in the abords are at the same time a confirmation of the wearing of a mask - the character, when he addresses others, will speak a language that suits the mask he has donned and, by the same token, will follow the adapted code in the exchanges - and a sign of the masquerade, dramatic as well, thanks to subtle variations and undermining perversions of the code the masked man, willingly or unwillingly, will create
Meunier, Philippe. "Stratégies onomastiques et poétiques dans le theâtre de Tirso de Molina". Bordeaux 3, 1995. http://www.theses.fr/1995BOR30002.
Texto completoThree comedias serve as reading model of the tirsian onomastic; they reveal that the disguise in clothes and name of the main female character finds its foremost justification in the original christian name : i. E. "juana" and "petronila",two referents formed after a masculine,and "ana"which is a masculine name according to covarrubias. Owing to its extraordinary etymological meaning, "ana" also appears in tirso's dramatic discourse, as the founding referent and along with its poetical avatars "ju ana" (io-ana") and "di-ana", it always names the character of the "mujer varonil". This concept develops into the one of the "mujer andariega" in an onomastic configuration (christian names,surnames,nicknames and toponyms)of the christian warlike epic ; and then,in an amusing and transgressive way into the one of the "mujer libre". Indeed,for tirso,to name means to rehabilitate what is trivially materialistic. The first name, particularly the noble villano's catalyses all the emblematical figures of twinship contained in this theatrical work. To read the name also means to read the number,two and three,which is illustrated by the threefold reading,either morphological or referential,of two names of the tirsian dramatic trinity,"juana" and "magdalena"
Sperber, Richard. "Modernism and mass culture in Botho Strauss and Antonio Muñoz Molina /". Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/6619.
Texto completoChavez, Analize. "Relaciones y autoidentidad en En silencio, la lluvia de Silvia Molina". BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2643.
Texto completoFlamini, Francesco. "Studio e realizzazione di una molla in carbonio". Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2021.
Buscar texto completoMolleda, Román Mónica Magaly y Román Mónica Magaly Molleda. "Frecuencia de enterobacterias en queso fresco, carne molida y fresa en el mercado mayorista “La Parada”". Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2016. http://cybertesis.unmsm.edu.pe/handle/cybertesis/4645.
Texto completo--- The microbiological quality of food is essential to ensure the availability of an innocuous and high quality product to the consumer. Vended foods with high pollution; as a result of various factors such as improper handling at various stages, converted to dairy like cheese, meat products such as ground beef and creeping fruits like strawberries; in highrisk foods associated with outbreaks of diarrhea. Among the pathogens that may be carried by foods include Enterobacteriaceae of the gender Escherichia, Salmonella, Shigella among the most frequent. El present research had as objective to determine the frequency of Enterobacteriaceae in fresh cheese, ground beef and strawberry in the wholesale market La Parada in the period March - June 2012, determine the percentage of coliforms and no coliforms Enterobacteriaceae; and determine in the analyzed samples the food in that prevail Escherichia coli. Has been colleted a total of 50 samples, 17 of fresh cheese, 17 of ground beef and 16 of strawberry (Fragaria vesca) from La Parada. The samples were analyzed according to the methodology of the ICMSF (International Commission on Microbiological Specifications for Foods) and biochemistry tests. In the study has been found that total of analyzed samples 66% have Escherichia coli, 12% Enterobacter, 4% Shigella and 18% others Enterobacteriaceae. In adittion, of the total of Enterobacteriaceae found in the samples 78% are coliforms and 22% no coliforms. Regarding the prevalence of Escherichia coli in the analyzed samples, has been found 82% de Escherichia coli in ground beef.
Tesis