Bibliografías temáticas / Modernizem

Literatura académica sobre el tema "Modernizem"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 27 de julio de 2024

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Artículos de revistas sobre el tema "Modernizem"

1

Stefanija, Leon. "The Routledge Research Companion to Modernism in Music". Musicological Annual 56, n.º 1 (30 de junio de 2020): 243–50. http://dx.doi.org/10.4312/mz.56.1.243-250.

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Urediti zbornik na takó izmuzljivo temo, kot je »modernizem v glasbi«, je precej zahtevna naloga, ki sta ji bila urednika Björn Heile in Charles Wilson več kot kos z delom The Routledge Research Companion to Modernism in Music. Še zmeraj pertinenten pojem, o katerem se v muzikoloških praksah pogosto razpravlja, sta urednika predstavila kot kompleksno tonsko lestvico perspektiv in vprašanj, ki »nenehno terja teoretsko podlago za svoj obstoj.« (str. 3) Avtorja spretno nakažeta na plejado glasov, zbranih v tem zborniku, pri čemer pojasnjujeta razlike med »modernizmom v glasbi« kot »splošnim kulturnim in umetniškim pojavom«, »modernistično glasbo« z »modernističnimi atributi ali modernističnimi vidiki v glasbi, pri katerih pa se vendarle zaustavimo, predem bi jih označili kot modernistične« in označbo »glasbeni modernizem« za vse pojave, ki sodijo nekako med oba termina.« (str. 4) Koristna diferenciacija teoretičnega okvira sopostavlja prakse, ki se nanašajo na pojav z dvoumnimi pomeni in časovnimi spremenljivkami (npr. »nedavno« ali »pravkar«), kot tudi z metodološkimi (npr. »modus«). Na hitro bi lahko dejali, da avtorja avtoritativno obravnavata koncept, ki »nenehno terja teoretsko podlago za svoj obstoj.« (str. 3)
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2

Pompe, Gregor. "Nekaj nastavkov za razumevanje postmodernizma kot slogovne usmeritve". Musicological Annual 38, n.º 1 (1 de diciembre de 2002): 31–42. http://dx.doi.org/10.4312/mz.38.1.31-42.

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Članek skuša odgovoriti na vprašanje, kaj naj bi bile glavne poteze glasbenega postmodernizma, in odkriva, zakaj prihaja v njegovem razumevanju v muzikološki literaturi zadnjih dvajsetih let do tako diametralno nasprotnih pogledov. Ti izvirajo iz spisov najzgodnejših teoretikov postmodernizma: medtem ko je za J.–F. Lyotarda postmodernizem pravzaprav radikalizirani podaljšek modernizma, v katerem dokončno "umrejo" vse "velike zgodbe", izpostavlja J. Habermas negativistično plat postmoderne kot moderni sovražnega, "neokonservativnega" obdobja. Konstrukcija pojma (post + modernizem) nakazuje, da mora obstajati aktivna zveza med modernizmom in postmodernizmom, zato so izpostavljene osrednje teorije modernizma in nato še postmodernizma (F. Jameson, J.Baudrillard, J.–F. Lyotard, C. Jencks, J. Kos) – slednje v luči sprememb postmoderne družbe (informacijska sprepletenost, razmah medijev, monopolni kapitalizem, globalizacija). Izkaže se, da je mogoče skupno točko vseh teorij postmodernizma najti v misli B. McHalea, ki je prepričan, da je za postmodernizem značilna ontološka dominanta, ki se kaže kot sopostavljanje različnih svetov. "Sopostavljanje" je mogoče razbrati tudi iz drugih teorij postmodernizma: iz Baudrillardovih razmišljanj o simulakrih, Jencksove teze o "dvojnem kodiranju", Jamesonovega raziskovanja heterogene alegorije in dekonstruktivistične metode iskanja aporij. S "sopostavljanjem" pa so povezani tudi vsi osrednji postmodernistični postopki – simulacija, imitacija, palimpsest, pastiš, citat –, ki postmodernistični glasbi podeljujejo semantične vrednosti. Zadnji del članka opozarja na terminološko nedorečenost v slovenski muzikološki literaturi (D. Cvetko, I. Klemenčič, L. Stefanija), kjer se izraza postmodernizem in postmoderna uporabljata skoraj sinonimno. Zato je predlagano natančno ločevanje med postmodernizmom kot slogovnim obdobjem in postmoderno kot zgodovinsko epoho, taka distinkcija pa omogoča razlikovanje med skladatelji, ki skušajo osmisliti novo "glasbeno gramatiko" (L. Lebič) na ozadju izkušnje modernizma, in tistimi, ki se v luči postmoderne zahteve po komunikativnosti prosto predajajo aplikaciji historičnih, že znanih modelov.
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Florjanc, Ivan. "Kogojeva inovativna iznajdba ‘akordnih permutacij’ v operi Črne maske". Musicological Annual 56, n.º 1 (30 de junio de 2020): 167–201. http://dx.doi.org/10.4312/mz.56.1.167-201.

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Dekodiranje Kogojevega zagonetnega številčnega načina označevanja akordov je pomemben korak naprej pri poznavanju Kogojeve iznajdbe t. i. akordnih permutacij. Uporaba teh je potrjena in umeščena v estetsko-dramski kontekst na ključnih mestih opere Črne maske (po drami L. Andrejeva), kjer se vežeta klasičnost in modernizem v skladno celoto. V tem predstavlja inovativen glasbenoteoretični in kompozicijski prispevek v slovenski operi v začetku 20. stoletja.
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Alves Vieira, Lucas Levino, Helena Joseane Raiol De Souza y Clayton Marcello Furtado. "A digitalização de quatro herbários da Amazônia e seus equipamentos, processos e atual situação". Heringeriana 12, n.º 1 (21 de enero de 2019): 20–27. http://dx.doi.org/10.17648/heringeriana.v12i1.917847.

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O herbário é uma coleção botânica destinada a catalogação de materiais botânicos e auxiliar estudos referentes a estes. Nos dias atuais, faz-se necessário que essas instituições se modernizem, de modo a fazer fluir o conhecimento concentrado nas coleções para o resto da sociedade. Uma das maneiras é a digitalização das coleções, transformando o material antes apenas em formato físico, agora também em formato digital. O trabalho que se segue aplicou um questionário para quatro herbários na região amazônica, com o intuito de recolher informações sobre os processos aplicados na digitalização de suas respectivas coleções. Notou-se a diversidade de equipamentos utilizados, variando de acordo com o tamanho das coleções e o investimento que as mesmas recebem, assim como os processos envolvidos.
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Jensterle-Doležal, Alenka. "Prevod kot kulturni in literarni artefakt. Primerjava dveh čeških prevodov Prešernove pesmi Slovo od mladosti". Przekłady Literatur Słowiańskich 11, n.º 1 (6 de diciembre de 2021): 1–15. http://dx.doi.org/10.31261/pls.2021.11.01.10.

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V prispevku analiziram dva prevoda Prešernove pesmi Slovo od mladosti kot kulturna in literarna artefakta: prevod Františka Ladislava Čelakovskega (1799—1852) iz leta 1832 (izdan v časopisu Časopis českého Muzea) kot tipičen prevod romantičnega ustvarjalca in enega od začetnikov prevajanja umetniških del na Češkem ter prevod taiste Prešernove pesmi Josefa Hiršala (1920—2003), ki je bil izdan v knjigi France Prešeren, Můj sen šel po hladině, 1978. Pri analizi drugega prevoda ugotavljam, kako se izraža modernizem v prevajalski strategiji. Prevod je primer jezikovne mojstrovine slavnega pesnika eksperimentalne poezije in znanega prevajalca (zaradi političnih razmer se je pod prevod podpisal urednik knjige Viktor Kudělka). V primerjavi me zanimajo tako jezikovne in stilistične rešitve kot tudi kulturološka vprašanja in vprašanje zgodovinskega konteksta. Hiršalov modernistični prevod je izhajal iz razvoja čeških pesniških norm v šestdesetih in sedemdesetih letih 20. stoletja.
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Clemente, Felippe y Viviani Silva Lírio. "Evidências internacionais de sonegação fiscal: uma análise a partir do modelo de Graetz, Reinganun e Wilde". Estudos Econômicos (São Paulo) 47, n.º 3 (julio de 2017): 487–507. http://dx.doi.org/10.1590/0101-41614732fcv.

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Resumo O propósito desse artigo é parametrizar o modelo seminal de Graetz, Reinganun e Wilde (1986) para dois grupos de países: G1 com baixa evasão fiscal e G2 com alta evasão fiscal. Os principais resultados mostram uma forte correlação entre a carga tributária, o custo de fiscalizar e a evasão fiscal dos países. A multa parece ter pouca eficácia na mitigação da sonegação. Os resultados possuem implicações tanto do ponto de vista teórico quanto prático. Este é o primeiro estudo que se parametriza o modelo de Graetz, Reinganun e Wilde como forma de explanar a diversidade da evasão fiscal internacional e desenvolver uma estrutura internacional de conformidade fiscal. Assim, políticas que revisem a estrutura fiscal dos países bem como modernizem os órgãos fiscalizadores de forma a reduzir os seus custos, poderão ter efeitos positivos sobre a evasão de impostos.
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Strohm, Reinhard. "Postmoderni problemi v evropskem glasbenem zgodovinopisju". Musicological Annual 36, n.º 1 (1 de diciembre de 2000): 5–15. http://dx.doi.org/10.4312/mz.36.1.5-15.

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Razprava se ukvarja s vprašanjem, kaj vse se lahko glasbeno zgodovinopisje nauči od postmodernega diskurza, ki se odvija okoli nas. Splošne zgodovinske implikacije koncepta »postmodernizma« kot izboljšave in napredka glede na »modernizem« se kažejo kot protislovje lastnemu sporočilu o nezaupljivosti do progresističnih meta-pripovedi. Opravljena je bila primerjava med negativnim odnosom do srednjeveške preteklosti, kakršnega je najti v okviru renesančnega humanizma (»razcepljena retrospekcija«), in postmodernimi diskurzi, ki naravnavajo isto optiko na zadnjih 200–250 let zahodne kulture. Upoštevanih je nekaj postmodernih pripovedi, ki zadevajo glasbo: antimodernizem, gibanje za baročno in zgodnjo glasbo, recepcija zgodnje opere in razprave o konceptu umetniškega dela, njegovi avtonomiji in avtorstvu. Razprava opozarja na nevarnost žrtvovanja Lyotardove definicije postmodernizma kot »nezaupanja meta-pripovedim« v korist nove meta-pripovedi, ki uvaja razdvojeno retrospekcijo, s katero se ločuje zavrnjena modernistična preteklost od »šele pred kratkim« doseženega preboja ali »morskih sprememb« v kulturoloških raziskavah.
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Oftestad, Bernt Torvild. "Modernitet, katolisisme og modernisme". Tidsskrift for Teologi og Kirke 82, n.º 01 (15 de marzo de 2011): 40–50. http://dx.doi.org/10.18261/issn1504-2952-2011-01-04.

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Bira, Alwen. "Pengetahuan Ditinjau dalam Perspektif Posmodernisme". Philoxenia: Jurnal Teologi dan Pendidikan Kristiani 2, n.º 1 (1 de diciembre de 2023): 45–51. http://dx.doi.org/10.59376/philo.v2i1.24.

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Postmodernism cannot be separated from modernism. Modernism's paradigm that science is absolute and objective means that humans cannot judge it. This is where a new thought called postmodernism was born which became a continuation of modernism which gave a new view of science. This study uses a type of qualitative research with hermeneutic methods, descriptions and comparisons to answer the problem. The conclusion of this study shows that postmodernism is a movement that criticizes science for the tradition of modernism whose influence on rationalism, materialism and capitalism is supported by science and destroys human dignity. Postmodernism emerged due to the failure of modernism which raised human dignity and failed to bring human life to a better direction, free from violence.AbstrakPostmodernisme tidak dapat dipisahkan dari pemikiran modernisme. Pemikiran modernisme menekankan ilmu pengetahuan yang bersifat mutlak dan objektif yang berarti manusia tidak dapat menilainya. Dari sinilah awal mula lahir pemikiran baru yang disebut postmodernisme yang menjadi keberlanjutan dari modernisme yang memberi pandangan baru tentang ilmu pengetahuan. Penelitian ini menggunakan jenis penelitian kualitatif dengan metode penelitian yang digunakan untuk meneliti pada kondisi obyek yang alamiah, deskripsi dan komparasi untuk menjawab masalah. Kesimpulan dari penelitian ini bahwa posmodernisme merupakan gerakan kritik ilmu pengetahuan atas tradisi modernisme yang pengaruhnya pada rasionalisme, materialisme dan kapitalisme yang didukung oleh ilmu pengetahuan dan menghancurkan martabat manusia. Muncul Postmodernisme disebabkan karena gagalnya modernisme yang mengangkat harkat dan martabat manusia
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Chudzikiewicz, A. y R. Bogacz. "THE PROCESS OF STUDY IN THE FIELD OF TRAMS’ MODERNIZATION". Science and Transport Progress, n.º 5 (25 de diciembre de 2004): 220–26. http://dx.doi.org/10.15802/stp2004/20680.

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The main purpose of the article is to show the accepted assumptions and the investigation process necessary to modernize the tram of type 805Na. The modernization process is one of the elements of the tram renovation strategy in Poland [1]. One to the complexity of the task the investigation started after the tram to be modernized had been chosen and finished when the modernized tram went into operation. The above mentioned modernization concerns the complete modernization and means the creation of a modern design tram of type 805Na, that meets the current requirements of both the transportation service and passengers.
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Más fuentes

Tesis sobre el tema "Modernizem"

1

Molina, Robles José Luis. "Poetics in translation : "make it new" by Ezra Pound and "transcreation" by Haroldo de Campos". Thesis, Perpignan, 2017. http://www.theses.fr/2017PERP0009/document.

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Le but de ce travail est de présenter comment la traduction est devenue une poétique pour le poète américain Ezra Pound et le poète brésilien Haroldo de Campos. Les deux poètes ont utilisé la traduction pour élargir leur compréhension de la poésie mais, en même temps, créer une nouvelle approche du phénomène littéraire en rassemblant des œuvres d'auteurs de différentes régions, époques et langues différentes. Pound a commencé à écrire de la poésie au rythme de l'anglo-saxon, puis il a pris une direction différente en produisant des livres avec des commentaires sur ses traductions comme les troubadours provençaux et la poésie chinoise. Il a passé presque 25 ans à traduire l'ensemble du travail de Confucius et, après cette période, il a publié ses dernières traductions de poèmes grecs et égyptiens. Haroldo était un admirateur de Pound et il a partagé sa passion de traduction. Il a fondé le mouvement avant-gardiste de la poésie concrète au Brésil et il a fait des traductions collectives avec les membres du mouvement. Sa spécialisation dans les langues l'a amené à traduire la poésie d'avant-garde de plusieurs langues différentes, puis il s'est déplacé vers les classiques comme Dante, Goethe, Homer et la Bible. De Campos a bénéficié de son poste universitaire pour obtenir des conseils spécialisés pour ses traductions. En outre, il a élaboré une théorie sur la traduction après des textes philosophiques, qu'il appelait «la transcreation». Il était convaincu que la meilleure poésie en tout temps était essentiellement d'avant-garde
The aim of this work is to present how translation became a poetics for the American poet Ezra Pound and the Brazilian Poet Haroldo de Campos. Both poets employed translation to expand their understandings about poetry but, at the same time, to create a new approach to the literary phenomenon by bringing together works of authors from many different geographies, epochs and languages. Pound started to write poetry following the rhythm of the Anglo-Saxon and then he took a different direction producing books with comments on his translations like Provençal troubadours and Chinese poetry. He spent almost 25 years translating the entire work of Confucius and after that period he published his last translations of Greek and Egyptian poems. Haroldo was an admirer of Pound and he shared his translation passion. He founded the Avant-garde movement of Concrete Poetry in Brazil and he did collective translations with the members of the movement. His specialization in languages prompted him to translate Avant-garde poetry from many different languages and then he moved to the classics like Dante, Goethe, Homer and the Bible. De Campos benefited from his academic position to obtain specialized advising for his translations. Furthermore, he elaborated a theory on translation following philosophical texts, that he called “transcreation.” He was convinced that the best poetry in all times is essentially Avant-garde
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2

Zasina, Jakub. "Gdy przypadek staje się regułą. Wariantowanie przekształceń elewacji zabytkowego modernistycznego osiedla ZUS w Łodzi z wykorzystaniem modelowania proceduralnego i badań sondażowych". Thesis, Uniwersytet Łódzki, Wydział Ekonomiczno-Socjologiczny, Instytut Gospodarki Przestrzennej, 2013. http://hdl.handle.net/11089/29149.

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Problem, jaki podjęto w niniejszej pracy, dotyczy społecznego przekształcania modernistycznych osiedli mieszkaniowych wybudowanych w dwudziestoleciu międzywojennym. Procesowi dziedziczenia architektury modernizmu przyjrzano się na przykładzie osiedla mieszkaniowego ZUS w Łodzi. Po 80 latach od momentu zaprojektowania i wybudowania osiedla poddano analizie zaistniałe w tym czasie przekształcenia elewacji jego bloków. Analizę tę poszerzono terenowym badaniem sondażowym oraz wywiadami pogłębionymi przeprowadzonymi z mieszkańcami osiedla. Ich przedmiotem była percepcja architektury modernizmu wśród lokalnej społeczności, identyfikacja tożsamości z miejscem oraz preferencji mieszkańców w zakresie dalszych prac remontowych przy elewacjach osiedlowej zabudowy. Aby uchwycić proces przekształcania elewacji zabytkowego osiedla posłużono się nową technologią, jakim jest modelowanie proceduralne. W oparciu o wyniki przeprowadzonych badań i analiz opracowano sześć eksperymentalnych wariantów elewacji jednego z tamtejszych bloków – znajdującego się w Łodzi przy ulicy Bednarskiej 26. Zachowania i preferencje mieszkańców ujęto w komputerowe reguły. Umożliwiły one wygenerowanie wizualizacji cyfrowych bloku, które stały się swoistymi wykresami, obrazującymi dziedziczenie spuścizny modernizmu.
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Bouchon, François. "GRILLE ET COMPLEXITE. : Analyse de l'entrecroisement régulier de lignes dans l'histoire de l'art". Phd thesis, Université Jean Monnet - Saint-Etienne, 2011. http://tel.archives-ouvertes.fr/tel-00690877.

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La grille tient une place problématique dans l'histoire de l'art. Le critique y voit une structure abstraite, un signe pictural, une originalité recouvrant la rupture posée début xxème entre peinture et histoire. Or, le cubisme, sensément initial, se montre pluriel et perclus de résonances classiques. D'où, ressortent l'idée de charnière et la nécessité de définir d'abord la grille comme forme, possibilité de structure et qui peut faire sens. Mondrian retourne le tableau brunelleschien puis, fort de Braque, tente de mettre en phase représentation plane et plan de représentation. Par son œil, l'objet devient ainsi << division du mur" et, poussée l'outrance, la grille se réduit à un modèle architectural. Ceci dit, son ultime période suggère que la forme sait autrement répondre d'un modèle textile (le tressage). Matisse, lui, emprunte au tapis qui privilégiele nœud, le module, non la ligne. La grille textile revêt trois variantes, étrangères en termes d'extension et de processus. Le modèle architectural reconnaît ces versions. Un cas unique favorisant le nœud fait ressurgir un troisième modèle: cartographique. Sa variante nodale (le marteloire) se retrouve chez Mondrian (en écho à l'histoire de la peinture hollandaise) et chez Braque (sans plus de raison que formelle). La relation à l'œuvre d'art, propice au<< fictionnement ", et son anachronisme expliquent la qualité anhistorique de la forme. Psychologie et anthropologie aidant, une stratégie émerge, permettant (selon certains critères dont le marteloire pour schème) de l'étudier à l'œuvre scientifiquement (non seulement pour document), tel un complexe production-réception duquel la rencontre se rejoue indéfiniment.
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Beynel, Julie. "Jeux de miroirs et dédoublements dans Sodome et Gomorrhe et Le Temps retrouvé de Marcel Proust, et dans Orlando de Virginia Woolf : modernisme et "baroquisme"". Thesis, Lyon, 2018. http://www.theses.fr/2018LYSEN050/document.

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Dans des contextes communs de guerres et de révolutions scientifiques, les représentations qui fondent, et parfois hantent, l’imaginaire d’auteurs de l’époque baroque et du début du vingtième siècle présentent des similitudes. Images d’un monde renversé, où les espaces, les êtres et les instants se reflètent, où l’instabilité et la mutabilité sont des lois régissant toute chose, les scènes et décors des trois œuvres du corpus se substituent à l’harmonie du monde, celle du Créateur, telle que la Bible la décrit. Espace, personnages, temps vécu apparaissent à travers un prisme qui renvoie à leurs doubles, diffractés, reflétés d’abord dans la machine de la mémoire involontaire. La réalité se change dès lors en réalités, les lieux en impressions d’un ailleurs, les amis en chimères, tous faisant l’objet d’études et d’interprétations sans cesse réévaluées. Dans une écriture où les vues s’accumulent et se superposent, Marcel Proust et Virginia Woolf n’en finissent pas de prolonger les impressions, circonvolutions, arabesques qui diffèrent sans cesse la conclusion du récit, au profit du spectacle d’événements sensibles et de voyages de héros à travers les strates du temps vécu. Personnages en mouvement, Orlando et le Narrateur courent à la recherche de la chair du temps, qu’ils semblent trouver dans leur ombre et dans le frisson d’un instant, selon des modalités extatiques que Le Bernin ou Le Caravage ont représentées dans leur art respectif. Faits de mondes d’apparences, d’illusions, Sodome et Gomorrhe, Le Temps retrouvé ou Orlando ne sont pourtant pas des textes faisant l’apologie du scepticisme et du renoncement à une certaine forme d’essence : encore faut-il qu’elle soit éclatante et advienne dans la beauté d’une image qui traduise la coïncidence d’une vision éphémère et d’une création poétique offerte aux temps à venir
In common contexts of wars and scientific revolutions, the representations that melt, and sometimes haunt, the imaginary of writers of the Baroque and early twentieth century are similar. Images of an inverted world, where spaces, beings and moments are reflected, where instability and mutability are laws governing everything, the scenes and scenery of the three works of the corpus replace the harmony of the world that of the Creator, as the Bible describes it.Space, characters, lived time appear through a prism that refers to their double, diffracted, reflected first in the machine of involuntary memory. Reality is then changed into realities, places into impressions of an elsewhere, friends in chimeras, all subject to studies and interpretations constantly reevaluated.In a writing where views accumulate and overlap, Marcel Proust and Virginia Woolf endlessly prolong the impressions, convolutions, arabesques that constantly differ the conclusion of the story, in favor of the spectacle of sensitive events and hero journeys through the strata of lived time.Characters in motion, Orlando and the Narrator run in search of the flesh of time, which they seem to find in their shadow and in the thrill of a moment, according to ecstatic modalities that Bernini or Caravaggio represented in their art respective.Facts of worlds of appearances, of illusions, Sodom and Gomorrah, The Time found or Orlando are not however texts making the apology of the skepticism and the renunciation of a certain form of essence: it is still necessary that it be brilliant and come into the beauty of an image that reflects the coincidence of an ephemeral vision and a poetic creation offered to the times to come
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Massu, Claude. "Modernité et post-modernité architecture et urbanisme à Chicago /". Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37607787w.

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Elnerud, Max. ""Mer bio än bibliotek" : Klassifikation och medieuppställning i det senmoderna samhället". Thesis, Uppsala universitet, Institutionen för ABM, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-225610.

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This case study examines the new media presentation system in Alby public library. The aim is to explore if the contemporary Zeitgeist, wich according to the sociologist Zygmunt Bauman, could be described as liquid modernity, has affected how the system was formed. The purpose is to find out how that would affect users and staff of public libaries of the contemporary. Interviews were conducted with the library staff, and plans and documents concerning the media presentation system was examined. The empirical part of this thesis starts with a study of the process that resulted in the new presentation system while the second part examines the system as such. I discovered that both the media presentation system, and the process which preceded it, contained aspects that could be traced to liquid modernity. However, I also found lingering signs of solid modernity, wich is the term Bauman uses to denote the modern era. The media presentation system could thus be described as a combination of solid and liquid modernity. I argued that the new media arrangment is a compromise with several disadvantages for both users and the library staff. The interplay between solid and liquid modernity in the contemporary public library results in a divergent situation for users and staff. On the one hand, it gives more freedom to use the library according to their own ideas. However, old structures, such as classification systems, sets limits for this development.
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Legierski, Michał. "Modernizm Witolda Gombrowicza wybrane zagadnienia /". Doctoral thesis, Stockholm, Sweden : Almqvist & Wiksell, 1996. http://catalog.hathitrust.org/api/volumes/oclc/34830473.html.

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Sullivan, Kelly Elissa. "Epistolary Modernism". Thesis, Boston College, 2014. http://hdl.handle.net/2345/bc-ir:104185.

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Thesis advisor: Marjorie Howes
Epistolary Modernism reads British and Irish writing of the 1920s through the 1950s with a focus on the way authors use fictional letters and verse epistles to communicate a renewed sense of literature as public speech, even as they saw privacy curtailed and surveillance increased. Letters enable late modernist writers to call attention to the way literature straddles the gap between private experience and public declaration. Virginia Woolf, W.H. Auden, Louis MacNeice, Graham Greene and Elizabeth Bowen all use letters to reveal a late modernist belief in literature as an exchange between an author and a reader -- a bridge between times and perspectives -- even as they trouble the possibility of any clear communication or meaning. The implied exchange in letters requires a sense of correspondence: a letter demands both interpretation and a reply. But a letter is always already too late. Epistolary Modernism reads letters as a stand-in for the literary period of late modernism itself, an epoch of writing characterized by a sense of coming too late to history and to literary tradition. The project considers fiction and poetry published in the 1920s through the 1950s in relation to historical and cultural events of the period, arguing that the sense of belatedness and temporal disjuncture letters create fundamentally links the structure and materiality of the text to the social and political concerns of its author. These writers composed literature attuned to historical events and the simultaneously occurring ordinary moment, leading to an increasingly interconnected, and socially-responsible art borne from the historical impasse of the thirties, the Second World War and its political legacy. Letters enable these writers to continue aesthetic experiments while simultaneously addressing politics, society, and the purpose of literature itself
Thesis (PhD) — Boston College, 2014
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English
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Derouin, Jason. "Staging Modernism". ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/117.

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This thesis, which supports an exhibition of visual art, develops from Jean Baudrillard's philosophy of seduction. I have focused on the representation of the bachelor and his pad in American men's magazines from the mid-twentieth century. During this period, magazines such as Playboy, Escapade and Rogue created features on modern living to reassure an independent and affluent man that a dwelling with style and taste would ensure a happy bachelor life and facilitate intimacy. My photographs and collages add complexity to this portrait by framing this unique space as a stage where an unmarried man encircled by his lusty decor acted to entrance a woman.
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Angelella, Lisa. "Alimentary modernism". Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/225.

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Modernism often reveled in the loss of control, the permeation of personal boundaries, the introduction of ambiguity, that evocation of the senses brings about. It strove to loosen the structures and categories culture inscribes. In this dissertation, I argue that food scenes constitute the crux of many pivotal moments in Modernist fiction and express a philosophy of the human subject. Modernists argue that, in eating, a person takes the outside world into him or herself. The senses that precede, imbue and follow eating threaten and transcend the integrity of the subject. I argue that by foregrounding such moments, Modernists posited a phenomenological view of subjectivity, one which can best be illuminated by the work of Maurice Merleau-Ponty. Guided by his theory of intersubjectivity, I explore the phenomenological presentation of particular sensual encounters with food in the work of Ernest Hemingway, Katherine Mansfield, Virginia Woolf, James Joyce and Willa Cather. I show how characters, in their encounters with sensual otherness, feel themselves overcome in poignant moments of ecstasy, disgust, or revelation of self-constitution through the alimentary. I also argue that Modernist fiction does not only display Merleau-Ponty's phenomenology, but also nuances his timeless and placeless presentation of the encounter between a universal subject and any object, by considering the sensual eating experience within various historical food conditions, such as the explosion of the canned food industry and the gradual dissolution of the formal meal, and from various subject positions, based on gender, ethnicity or relative political empowerment. In engaging phenomenology, my project deviates from the long tradition in scholarship of considering symbolic and structural meanings to the occlusion of sense. In each eating scene I explore I consider how gustatory, haptic, and aromatic properties of food objects--such as liquidness, sweetness, bloodiness and lightness--intervene in more cerebral human relations. Fundamental to the fascinating Modernist depictions of food and eating, is the idea that the senses have an undeniable impact on human affairs in their own right.
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Libros sobre el tema "Modernizem"

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Tekeli, İlhan. Modernizm, modernite ve Türkiye'nin kent planlama tarihi. Eminönü, İstanbul: Tarih Vakfı Yurt Yayınları, 2009.

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Juszkiewicz, Piotr. Cień modernizmu: The shadow of modernism. Poznań: Wydawnictwo Naukowe UAM, 2013.

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Cʻicʻišvili, Maia. Georgian Modernism 1900-1930: K'art'uli modernizmi 1910-1930. Tbilisi: Goethe-institut Tbilisi, 2006.

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Randi, Godø y Yvenes Marianne, eds. Aase Texmon Rygh: Modernisme for alltid! = Modernism forever! Oslo: Nasjonalmuseet for kunst, arkitektur og design, 2014.

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Cʻicʻišvili, Maia. K'art'uli modernizmi 1910-1930 = Georgian Modernism 1910-1930. Tbilissi: Goethe-institut Tbilissi, 2006.

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Serraino, Pierluigi. Modernism rediscovered =: Die wiederentdeckte Moderne = La redécouverte d'un modernisme. Köln: Taschen, 2000.

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Richard, Leydier, Galerie Pictura (Cesson-Sévigné France) y Bernard & Gwénolée Zürcher Galerie, eds. Fragments d'un modernisme aléatoire =: Fragments of a random modernism. Montreuil-sous-Bois: Lienart, 2010.

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author, Serraino Pierluigi 1965, ed. Modernism rediscovered: Die wiederentdeckte Moderne / La redécouverte d'un modernisme. Köln, Deutschland: TASCHEN, 2017.

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1932-, Bradbury Malcolm y McFarlane James Walter, eds. Modernism: 1890-1930. Harmondsworth [Middlesex]: Penguin, 1986.

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Nilsson, Magnus. Den moderne Ivar Lo-Johansson: Modernisering, modernitet och modernism i statarromanerna. Hedemora: Gidlunds Fo˜rlag, 2003.

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Capítulos de libros sobre el tema "Modernizem"

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Cărăbaş, Irina. "Modernism versus Modernism". En Periodization in the Art Historiographies of Central and Eastern Europe, 248–62. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003178415-20.

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McDermott, Kevin. "Moderniser". En Stalin, 64–87. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-20478-2_4.

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Valeri, Marco. "Modernism and Neo-Modernism". En Contributions to Management Science, 61–83. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-87148-2_4.

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Mcleod, Mary. "Modernism". En Forty Ways To Think About Architecture, 185–92. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118822531.ch27.

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Roe, Michael. "Modernism". En Maritime Governance and Policy-Making, 255–93. London: Springer London, 2012. http://dx.doi.org/10.1007/978-1-4471-4153-2_6.

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Haynes, Kenneth. "Modernism". En A Companion to the Classical Tradition, 101–14. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996775.ch9.

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Spurr, Barry. "Modernism". En Studying Poetry, 267–96. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1057/978-0-230-80275-9_11.

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Filipová, Marta. "Modernism". En Modernity, History, and Politics in Czech Art, 23–55. New York: Routledge, 2019. | Series: Routledge research in art and politics: Routledge, 2019. http://dx.doi.org/10.4324/9780429505140-2.

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Adlington, Robert. "Modernism". En The Routledge Research Companion to Modernism in Music, 216–38. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315613291-10.

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Spurr, Barry. "Modernism". En Studying Poetry, 225–58. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-14557-7_11.

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Actas de conferencias sobre el tema "Modernizem"

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Ploumen, P. J. y J. J. Veenema. "Dutch Experience With Hot Windbox Repowering". En ASME 1996 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/96-gt-250.

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The combination of a topping Brayton (gas turbine) cycle with an existing Rankine (boiler-steam turbine) cycle for improved overall cycle heat rate has been very successful in the Netherlands. In the years 1985–1989 10 gas-fired power plants with a capacity of nearly 4000 MW were substantially modernized by adding a gas turbine topping cycle. In all these cases the Hot Wind box repowering or Windbox repowering with a supplementary boiler option was chosen. Besides the improvement of the heat rate it was remarkable that a NOx-emission reduction was achieved between 50 and 85%. So far more than 500,000 hours experience with hot windbox is available. If NOx-reduction becomes very important windbox repowering is the best option to modernize power plants.
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Laurijssen, Dennis, Toon Stas, Rens Baeyens, Kris Ides, Peter Delputte, Stijn Verhulst, Walter Daems y Jan Steckel. "ModAu: Modernized Auscultation". En 2023 IEEE SENSORS. IEEE, 2023. http://dx.doi.org/10.1109/sensors56945.2023.10325258.

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Khmelev, Vladimir N., Sergey N. Tsyganok, Ilia A. Skabelin, Daria E. Shumkova, Yuriy M. Kuzovnikov y Sergey V. Levin. "Modernized piezoelectric receiving transducer". En 2016 17th International Conference of Young Specialists on Micro/Nanotechnologies and Electron Devices (EDM). IEEE, 2016. http://dx.doi.org/10.1109/edm.2016.7538731.

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Buzi, Erjola, Huseyin Seren, Thomas Hillman, Timothy Thiel, Max Deffenbaugh, Ahmed Bukhamseen y Mohamed Larbi Zeghlache. "Sensor Ball: Modernized Logging". En SPE Middle East Oil & Gas Show and Conference. SPE, 2021. http://dx.doi.org/10.2118/204791-ms.

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Abstract The latest development in the electronics and manufacturing industry has enabled work towards the modernization of oil-field instruments. As a part of this trend, it is the time to invent and design small size oil-field instruments that could be much more practical to handle, easy to use, and less costly. High temperatures and pressures of the downhole environment make it very challenging to design and further develop such downhole instruments. To create such apparatuses, a thorough study of downhole conditions needs to be done upfront. This study will further help to define the design specifications and requirements. By targeting liquid wells in Saudi Arabia, we have overcome the challenges posed by the harsh downhole environment and managed to design and manufacture a hand-held device called ‘Sensor Ball’ and tested it in the field.
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Matthews, Dale E., Ralph S. Hill y Charles W. Bruny. "2025 Nuclear Code: The Vision for the Future of ASME Nuclear Codes and Standards". En ASME 2018 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/pvp2018-84031.

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ASME Nuclear Codes and Standards are used worldwide in the construction, inspection, and repair of commercial nuclear power plants. As the industry looks to the future of nuclear power and some of the new plant designs under development, there will be some significant departures from the current light water reactor (LWR) technology. Some examples are gas-cooled and liquid metal-cooled high temperature reactors (HTRs), small modular reactors (SMRs), and fusion energy devices that are currently under development. Many of these designs will have different safety challenges from the current LWR fleet. Variations of the current LWR technology are also expected to remain in use for the foreseeable future. Worldwide, many LWRs are planned or are already under construction. However, technology for construction of these plants has advanced considerably since most of the current construction codes were written. As a result, many modern design and fabrication methods available today, which provide both safety and economic benefits, cannot be fully utilized since they are not addressed by Code rules. For ASME Nuclear Codes and Standards to maintain and enhance their position as the worldwide leader in the nuclear power industry, they will need to be modernized to address these items. Accordingly, the ASME Nuclear Codes and Standards organizations have initiated the “2025 Nuclear Code” initiative. The purpose of this initiative is to modernize all aspects of ASME’s Nuclear Codes and Standards to adopt new technologies in plant design, construction, and life cycle management. Examples include modernized finite element analysis and fatigue rules, and incorporation of probabilistic and risk-informed methodology. This paper will present the vision for the 2025 ASME Nuclear Codes and Standards and will discuss some of the key elements that are being considered.
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Wu, Chao y Chun He. "Interference analysis among modernized GNSS". En 2011 International Conference on Computational Problem-Solving (ICCP). IEEE, 2011. http://dx.doi.org/10.1109/iccps.2011.6089765.

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Storchun, Eugen, Konstantin Yangurski, Larisa Glinenko y Irina Atamanova. "The Modernized Complex of Pulse Diagnostics". En 2006 International Conference - Modern Problems of Radio Engineering, Telecommunications, and Computer Science. IEEE, 2006. http://dx.doi.org/10.1109/tcset.2006.4404663.

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Kastelan, Ivan, Bogdan Pavkovic, Mario Vranjes y Miroslav Popovic. "Modernized Courses in Automotive Software Engineering". En 2020 43rd International Convention on Information, Communication and Electronic Technology (MIPRO). IEEE, 2020. http://dx.doi.org/10.23919/mipro48935.2020.9245181.

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Gao, Hongjie. "Medical Equipment Maintenance under Modernized Management". En 2015 International Conference on Management Science and Innovative Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/msie-15.2015.90.

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Stanić, Mladen. "Internet i nastava književnosti: digitalni modernizam". En Nauka, nastava, učenje u izmenjenom društvenom kontekstu. University of Kragujevac, Faculty of Education in Uzice, 2021. http://dx.doi.org/10.46793/nnu21.371s.

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The wide range of questions that this topic raises lead us to think about the training of teachers, their continuous work and improvement. Following this paragraph, we conclude that a textbook/manual, which would deal with the relationship between the Internet and teaching, or the continuous organization of seminars and trainings, is a necessity for literature teachers. In addition to the teacher's knowledge of the coexistence of literature and new media, it is necessary to pay special attention to the critical attitude of students towards Internet content and to point out the purposeful use of newspapers in the teaching process. The role of teachers in modern timesis not favorable because things related to their profession are rapidly developing: new genres appear, tendencies in study and creation change, communication media are continuously changing, and on the other hand teaching it self must undergo changes and transformations. Nevertheless, proven methodological principles always exist, at least as the essence of teaching, regardless of which teaching aids were used and in what way in class. The Internet content and the opportunities it provides have proven to be stimulating and close to the students, so the teacher can use them, with the awareness that the teaching aid must not overshadow the content that is being processed.
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Informes sobre el tema "Modernizem"

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Funk, Kellen y Lincoln Mullen. Legal Modernism. Roy Rosenzweig Center for History and New Media, 2022. http://dx.doi.org/10.31835/legalmodernism.

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Chrzanowski, P. The cost effectiveness of modernized US strategic forces. Office of Scientific and Technical Information (OSTI), septiembre de 1989. http://dx.doi.org/10.2172/5569539.

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Bane, Scott Campbell. Modernize Enduring National Security Nuclear Material Production Facility (MENSNMPF). Office of Scientific and Technical Information (OSTI), abril de 2019. http://dx.doi.org/10.2172/1511214.

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Warkander, Dan E., David J. Doolette y Paul C. Algra. Manned Certification Tests of the Modernized MK 16 MOD 1. Fort Belvoir, VA: Defense Technical Information Center, noviembre de 2013. http://dx.doi.org/10.21236/ad1003210.

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Buxton, Robin. The American efforts to modernize the Egyptian Army under Khedive Ismail. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.3047.

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Nallar, Melisa, Shelia Barnett, Edith Martinez-Guerra, Jamie Potter y Christina Rinaudo. Investigation of steam adsorption chillers to modernize existing central steam plant systems. Engineer Research and Development Center (U.S.), noviembre de 2023. http://dx.doi.org/10.21079/11681/47914.

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This report investigates the integration of steam adsorption chillers as a modernization strategy for conventional central steam plant systems. Our objective is to assess the feasibility, advantages, and challenges of incorporating steam adsorption chillers into existing steam plant setups to enhance energy efficiency and cooling capabilities. Central steam plant systems have historically been used for steam-based heating but often lack cooling capabilities, necessitating additional cooling infrastructure. Steam adsorption chillers offer a potential solution by using waste steam for cooling, optimizing energy utilization and reducing reliance on traditional cooling methods. Through a comprehensive analysis, this report evaluates the technical compatibility and potential cost implications of implementing steam adsorption chillers. It explores factors such as system integration, operational dynamics, and maintenance requirements to provide a holistic view of the feasibility and benefits of this modernization approach. The findings aim to offer valuable insights to decision-makers and Army facility managers seeking innovative ways to upgrade central steam plant systems. By considering the technical and economic aspects of adopting steam adsorption chillers, this report contributes to the knowledge base for sustainable and efficient energy utilization in central plant operations.
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Catlin, Daniel D. The Haunted Inkbottle: Problems of Artistic Communication in Modernism. Fort Belvoir, VA: Defense Technical Information Center, julio de 1989. http://dx.doi.org/10.21236/ada216263.

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Prihadi, Cahyo. How workforce training is helping Indonesia modernise its economy. East Asia Forum, diciembre de 2023. http://dx.doi.org/10.59425/eabc.1702634432.

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Mahaffy, J., B. E. Boyack y R. G. Steinke. Application programming interface document for the modernized Transient Reactor Analysis Code (TRAC-M). Office of Scientific and Technical Information (OSTI), mayo de 1998. http://dx.doi.org/10.2172/307941.

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Record, Jeffrey. Ready for What and Modernized Against Whom? A Strategic Perspective on Readiness and Modernization. Fort Belvoir, VA: Defense Technical Information Center, abril de 1995. http://dx.doi.org/10.21236/ada295651.

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