Tesis sobre el tema "Modernism"
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Carrasco, André de Oliveira Torres. "Os limites da arquitetura, do urbanismo e do planejamento urbano em um contexto de modernização retardatária: as particularidades desse impasse no caso brasileiro". Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-02022012-101349/.
Texto completoThe research subject of this doctoral thesis was the crisis scenario that involves the development of architecture, urbanism and urban planning in Brazil in the period between the second half of the twentieth century and the early years of Century XXI. This finding originated in the analysis of the contradictions between the goals envisioned by the Brazilian Modern Architecture, a school that would define the course of this production, and its results. One of the main points of its central program was the defense of human emancipation through the transformation of its space. However, its production would express critical limits from the time when the characteristics assumed by the modernization of Brazil, resulting from its way of development at the present stage of capitalism, would make the desired emancipation and would have cities marked by material and social precariousness. The central hypothesis developed in this thesis deals with the relations between the critical nature - to manifest itself as a perennial state of crisis - of the architecture, urbanism and urban planning production in Brazil and the particular forms of the modernization crisis development in the country.
Broad, Leah. "Nordic incidental music : between modernity and modernism". Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:8a2b5571-4bbc-4bed-9b99-4b66dbd1e12d.
Texto completoCRUZ, ALINE DUARTE DE OLIVEIRA. "MODERNITY AND MODERNISM IN LUIZ EDMUNDO´S MEMOIRE". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9345@1.
Texto completoModernidade e modernismo nas memórias de Luiz Edmundo tem como objetivo analisar a vida de Luiz Edmundo e sua relação como jornalista e cronista com o desenvolvimento histórico da cidade do Rio de Janeiro a partir de suas memórias. Para isto, o trabalho analisa, tomando como base o material anteriormente citado, o que o autor entende como modernidade e quais foram as conseqüências sentidas pela cidade carioca e pela sua geração por conta da criação de uma mentalidade, referente aos períodos históricos nacionais entendidos pelo autor como colonial e imperial, e que seria responsável pelo atraso cultural nacional. O presente trabalho avalia, ainda, como o autor percebe o movimento de modernização da cidade, qual é a responsabilidade de sua geração literária em relação a este e, sobretudo, que relação se estabelece entre o autor e o mundo ocidental civilizado, através do conceito de cosmopolitismo.
Modernity and Modernism in Luiz Edmundo´s memoire has as principal object to show how a writer that was born in Rio de Janeiro, named Luiz Edmundo, in 1878, thinks about the historical process which was responsible for the colonial image of the city of Rio de Janeiro in his days of youth. In those days, working as a reporter and going to places in the town when most of the young people went for discuss about the most modern literature´s tendencies, Luiz Edmundo develops a way to understand the modern days and how his generation should act socially for embrace the cause of de Modernity in Rio de Janeiro. As principal concepts, the presented work talks about life and literature, Rio de Janeiro city before and after it´s modernization process and what for the author means being a modern man and a cosmopolitan.
Teixeira, Ana Lucia de Freitas. "Modernidades em confronto: as literaturas modernistas brasileiras e portuguesa". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-19022010-154219/.
Texto completoThis thesis investigates the reasons of the dialogue interruption or at least the silence between Brazilian and Portuguese modernist authors. Engaged to a common problematic, the renovation of artistic languages, both Brazilian and Portuguese authors were situated in a shared level to establish a more direct confrontation towards a renewed language that had effects which exceeded the limits of literature. The project developed in Brazil and in Portugal combined the renovation of the artistic language and the modernization of each nation, thus articulating the modernist movement to a modernity proposition. Consequently, the idea of modernity that could emerge of both modernist movements presents a nationalist aspect that is absent in the modernism developed in central Europe. Considering the social specificities in which each one of these movements were inserted, the nationalist aspect is mobilized in the perspective of the multiple Modernities that could be formulated by each one of these modernist projects. Despite the shared problematic that has concerned both movements, the textual solutions found by each one of them were different. The Brazilian case was based on the affirmation of the national autonomy by erasing its past and constituting a structured autonomous literary canon, as if the Brazilian culture had been originated in itself in an autochthonous perspective. In the Portuguese case, authors abdicated the denial of the past as one of the most fundamental aspects of Modernism. It was through past that the image of a modernized Portugal arose. Hence, the incompatibility that prevented the establishment of a proficuous intellectual debate among those authors was originated precisely from these different solutions managed by each one of the movements to compass themselves to other central European vanguards: as part of the past denied by Brazilian modernism, Portugal is considered obsolete and left aside, despite the anteriority of its modernist movement; as a figure that disregards the myth of the Portuguese heroism in exploring and tracing the modern world map, Brazil becomes a less important interlocutor. Thus, this thesis discusses the proximity and distancing of these two movements.
Evans, Victoria Louise y n/a. "Douglas Sirk, aesthetic modernism, and the culture of modernity". University of Otago. Department of Media, Film and Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080707.122544.
Texto completoKassab, Maroun Ghassan. "Beirut modernism: theoretical framework and case study". Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/13371.
Texto completoOliveira, Isabel Cristina de. "Do Orpheu ao Dândi: os contos de Sá Carneiro e as crônicas de João do Rio". Universidade do Estado do Rio de Janeiro, 2010. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2084.
Texto completoThis dissertation studies two important authors from portuguese language at modern literature: Mário de Sá Carneiro (portuguese) and João do Rio (brazilian). Both of them have lived the many changes suffered by ocidental society in the end of 19Ћ century and the beggining of the 20Ћ century. At this time the relations between Brazil and Portugal were disturbed, but there were an approach movement between these countries, but Portugal would never let being the birthplace of Brazil, there was no reason to deny the affinities. What seems approach the written of Sá Carneiro and Joao do Rio are the changes, in general scope, suffered in the mentioned time. Both were influenced by tendencies that were originated in the cultural center of that period: France. These tendencies called vanguards, they gave origin to the Modernist Movement in Brazil and Portugal. In Portugal, Mario de Sá Carneiro participated of the creation of this new literary movement with the magazine Orpheu. In Rio de Janeiro, there was a growing modernization at politics, social and cultural life, was the real belle époque of the city, wich Joao do Rio participated, helping the growing of the criticism and journalism in general. We analyze here some tales from Sa Carneiro and some chronicles from Joao do Rio. We find into them lot from the modern crisis lived by them, produce through that corpus approaches between both authors. In this process of comparison, we emphasize some modernists aspects, making troubles with the differences and the similarities, intending to identify the influences and the circumstances that took those writers to written the way they saw and lived the city, the life, the history from their countries as background, presenting wich way these two contemporary characters of cultural artistic life introduced in their papers the presence of the routine, the day by day of the city, and the contradiction with the currents of that period
Sullivan, Kelly Elissa. "Epistolary Modernism". Thesis, Boston College, 2014. http://hdl.handle.net/2345/bc-ir:104185.
Texto completoEpistolary Modernism reads British and Irish writing of the 1920s through the 1950s with a focus on the way authors use fictional letters and verse epistles to communicate a renewed sense of literature as public speech, even as they saw privacy curtailed and surveillance increased. Letters enable late modernist writers to call attention to the way literature straddles the gap between private experience and public declaration. Virginia Woolf, W.H. Auden, Louis MacNeice, Graham Greene and Elizabeth Bowen all use letters to reveal a late modernist belief in literature as an exchange between an author and a reader -- a bridge between times and perspectives -- even as they trouble the possibility of any clear communication or meaning. The implied exchange in letters requires a sense of correspondence: a letter demands both interpretation and a reply. But a letter is always already too late. Epistolary Modernism reads letters as a stand-in for the literary period of late modernism itself, an epoch of writing characterized by a sense of coming too late to history and to literary tradition. The project considers fiction and poetry published in the 1920s through the 1950s in relation to historical and cultural events of the period, arguing that the sense of belatedness and temporal disjuncture letters create fundamentally links the structure and materiality of the text to the social and political concerns of its author. These writers composed literature attuned to historical events and the simultaneously occurring ordinary moment, leading to an increasingly interconnected, and socially-responsible art borne from the historical impasse of the thirties, the Second World War and its political legacy. Letters enable these writers to continue aesthetic experiments while simultaneously addressing politics, society, and the purpose of literature itself
Thesis (PhD) — Boston College, 2014
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English
Derouin, Jason. "Staging Modernism". ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/117.
Texto completoAngelella, Lisa. "Alimentary modernism". Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/225.
Texto completoChambouleyron, Ingrid Cyfer. "A tensão entre modernidade e pós-modernidade na crítica à exclusão no feminismo". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8131/tde-03022010-122141/.
Texto completoThe subject of this thesis is Nancy Frasers attempt to overcome the tension between post-modernism and modernism in the feminist political theory, known as the paradigm war. This attempt is analysed though her debate with Judith Butler and Seyla Benhabib about the theoretical consequences of dealing with the problem of exclusion within the feminist movement. Nancy Fraser intends to combine Judith Butlers conception of the subject with Benhabibs conception of equality. For her, this is the only way to integrate power and autonomy in feminist political theory. This discussion leads to three theoretical tensions: contextualization of the subject and autonomy; identity and recognition of difference, and equality and plurality. My conclusion is that this combination is not possible because the post modern subjet challenges any conception of autonomy that is strong enough to explain and motivate social criticsm. Nevertheless, in Benhabibs conception of self narrative, inspired in the reluctant modernism of Hannah Arendt, we can find a theoretical model that is more adequate to fight the exclusion in feminist movement without abandoning its colletive identity.
Timmer, Cornelis, University of Western Sydney, of Performance Fine Arts and Design Faculty y School of Design. "Modernism and fragmentation". THESIS_FPFAD_SD_Timmer_C.xml, 1998. http://handle.uws.edu.au:8081/1959.7/547.
Texto completoMaster of Arts
Medalie, David. "E.M.Forster and modernism". Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316896.
Texto completoCostello, Diarmuid. "Aesthetics after modernism". Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395872.
Texto completoKelly, Theresa. "Pilgrimage and modernism". Thesis, University of York, 1987. http://etheses.whiterose.ac.uk/9834/.
Texto completoWayland, Ted. "High risk modernism /". Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/9343.
Texto completoTimmer, Cornelis. "Modernism and fragmentation". Thesis, View thesis, 1998. http://handle.uws.edu.au:8081/1959.7/547.
Texto completoTimmer, Cornelis. "Modernism and fragmentation /". View thesis, 1998. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030908.132615/index.html.
Texto completoSalvati, Gerardo. "Modernism on Air". Doctoral thesis, Universita degli studi di Salerno, 2016. http://hdl.handle.net/10556/2460.
Texto completoLa tesi di dottorato, intitolata “Modernism on Air” si articola in quattro capitoli, preceduti da un’introduzione in cui si dà conto di quello che gli studiosi hanno definito il Great Divide nei rapporti tra Modernismo e cultura di massa. Nel primo capitolo, vengono presentate le principali teorie che sostengono l’impossibilità di trovare un punto di raccordo tra Modernismo e cultura di massa. Nello specifico vengono analizzate le teorie di Huyssen che afferma l’esistenza di un ‘unbridgeable’ gap tra i suddetti movimenti culturali. Viene dato spazio anche all’analisi del pensiero di quei pensatori, Walter Benjamin e Theodor Adorno su tutti, che sono alla base della teorizzazione della divisione dicotomica tra Modernismo e cultura di massa. Vengono poi presi in esame gli studi sul Modernismo dell’ultimo decennio che, invece, danno di quest’ultimo una lettura più democratica e collaborazionista con la cultura di massa. La seconda parte del presente lavoro descrive, invece, i punti di contatto che importanti esponenti del Modernismo hanno avuto con la cultura di massa attraverso la collaborazione con riviste di moda ed emittenti radiofoniche. Sono stati oggetto di analisi gli articoli che Virginia Woolf scrisse per Vogue e le trasmissioni radiofoniche che tenne per conto della BBC. La terza parte della ricerca ha invece preso in analisi i possibili effetti della radio sulla parola scritta. Partendo dal concetto di crisi della tradizione oculocentrica, che basava sul senso della vista il metodo principale di conoscenza, vengono presi in esame una serie di estratti dei romanzi di James Joyce e Virginia Woolf per dimostrare come gli artisti modernisti depotenziano la vista in favore dell’udito nella narrazione della realtà. In tal modo la percezione come modalità conoscitiva non viene più solo affidata all’occhio ma anche e soprattutto all’udito. L’ultima parte si concentra sull’inglobamento volontario della radio nell’opera d’arte attraverso l’analisi dei testi di Samuel Beckett e Dylan Thomas. A differenza del passato, il testo non viene più pensato prima per la pagina scritta e poi ‘adattato’ per la radio ma quest’ultima diventa da subito la matrice principale che da forma e sostanza al testo. Ne emerge, in tal modo, un nuovo tipo di testo i cui personaggi hanno una forte valenza ‘radiofonica’ per come sono creati e per come agiscono. [a cura dell'autore]
The thesis is entitled “Modernism on Air” and is structured into four chapters, preceded by an introduction, which focuses on the notion of The Great Divide between Modernism and mass culture. The first chapter analyses the main theories which claim there is no connection between Modernism and mass culture. Specifically, it is taken into account Huyssen’s thought that affirms the existence of an ‘unbridgeable gap’ between the above-mentioned movements. Moreover, Walter Benjamin’s and Theodor Adorno’s theories, that form the basis of the dichotomy between Modernism and mass culture, have been object of investigation. In addition, the Modernist studies of the last decade, that claim Modernism was not an elitist movement, have been investigated. The second chapter of the present work describes the intersections between Modernism and mass culture by fashion magazines and radio stations. Virginia Woolf’s contributions to Vogue and the BBC have been analysed. The third part of the research pays attention to the effects of radio and sound on the written word. Starting from the notion of ocularcentrism, that considered the eye the main tool to know the world, and its subsequent crisis, several excerpts from Joyce’s and Woolf’s novels have been examined in detail in order to demonstrate that Modernists disempowered vision in favour of hearing. In this way perception, as a knowing mode of the world, is not provided exclusively by the eye but also by the ear. The last chapter is devoted to the intentional incorporation of radio into the work of art. Samuel Beckett’s and Dylan Thomas’ radio texts have been studied. Unlike in the past, a text is no more thought for the page and then adapted to radio but the latter becomes the matrix that gives form and substance to the text. In this way a new kind of artistic work is created in which its characters have a strong ‘radiophonic’ valence because of the way they are brought into existence and act. [edited by author]
XIV n.s.
Melberg, Arne. "Sara Danius, The Senses of Modernism. Technology, Perception, and Modernist Aesthetics. Uppsala 1998". Uppsala : Svenska Litteratursällskapet, 1999. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-200754.
Texto completoWaddell, Nathan Joseph. "Modernism and utopia, 1900-1920 : politics and social betterment in early modernist writing". Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/1377/.
Texto completoTorres, Maria do Socorro [UNESP]. "Magma: 80 anos de poesia". Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/146691.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Magma, gênese poética do escritor João Guimarães Rosa, constitui-se a base sólida desta tese de doutoramento, em Teoria da Literatura. Tem-se como corpus os poemas da coletânea que apesar de premiada em, 1937, não obteve a recepção merecida, em virtude do autor não ter publicado a obra. O estudo aprofundado dos poemas mostra que o lirismo voltado para os rios, a água e as cores é aspecto crucial em sua composição. Não é novidade vincular a produção rosiana ao Modernismo, o que é novo é abordar uma obra inicial como Magma, tendo em vista os aspectos anteriores. Optamos por realizar uma abordagem que contempla (i) a análise da fortuna crítica; (ii) o contexto de produção, relacionando a gênese poética de João Guimarães Rosa às demais produções poéticas do Modernismo, sobretudo, do primeiro e do segundo momentos; (iii) a análise dos poemas. Para a construção da tese partimos do estudo da fortuna crítica de Magma, atendo-nos à recepção da mesma e às análises que da coletânea foram feitas. O suporte teórico e crítico para a realização desta tese ateve-se a estudos acerca do Modernismo brasileiro, entre eles Affonso Ávila (2013), José Guilherme Merquior (1965), aos estudos voltados para a compreensão do texto poético como Octavio Paz (1982). Além disso, buscamos contextualizar Magma no universo do Modernismo brasileiro, de modo a estabelecer pontos de aproximação e distanciamento entre o que faz João Guimarães Rosa e o que fazem os modernos. Em seguida, organizamos os poemas da obra em vertentes, apoiando-nos em parte nos trabalhos de Maria Célia Leonel. As fronteiras entre tais vertentes não são firmemente delimitadas, porém, acreditamos que há um ganho analítico na organização do livro segundo essa perspectiva, pois, são temas que percorrem toda a coletânea, também, toda a obra subsequente do autor. Por fim, coube investigar em que medida, tais temas, que se apresentam na obra com fronteiras pouco fluidas, se articulam, a partir de um discurso moderno que os aproxima. Ou seja, a partir dos instrumentos fornecidos pelas etapas anteriores procuramos responder à seguinte pergunta: em que medida aspectos do Modernismo articulam-se em Magma, para garantir o diálogo entre as vertentes apontadas e, para, além disso, garantir a originalidade e a riqueza da obra poética de João Guimarães Rosa?.
Magma, poetic genesis of the writer João Guimarães Rosa, constitutes the solid foundation of this doctoral thesis in Literary Theory. There have as corps poems that make up the collection, which despite awarded in 1937, did not get the deserved reception, and this, perhaps, hindered the development of researches on / from it, that situated within the context of Brazilian Modernism. Researches that show at the same time, the extent to which collection moves away from that same literary context, since the poems are linked by a discourse that tenses the very idea of Modernism, responsible for ensuring the originality of the work. The in-depth study of the poems shows that primitivism / nationalism, playful, philosophical, lyrical are crucial aspects in its composition. Unsurprisingly link to Rosa's production to Modernism, what is new is to approach an initial work as Magma, in view of the previous aspects. We decided to use an approach that includes (I) the analysis of the critical fortune; (II) the context of production, linking the poetic genesis of João Guimarães Rosa to other modernist poetic productions, especially the first and second times; (III) the analysis of poems. For the construction of the thesis we start from the study of criticism of Magma fortune, especially the study of Maria Célia Leonel (2000), being guided by the receipt of the same and the analyzes of the work they were made. The theoretical and critical support for the realization of this thesis it is adhered to studies of Brazilian modernism, including Affonso Avila, studies aimed at understanding the poetic text as Octavio Paz (1982). In addition, we seek to contextualize Magma in the universe of Brazilian modernism, in order to establish points of approximation and distancing between what is João Guimarães Rosa and what do the Modernists. Then we organized the poems of the work areas: primitivist / nationalist, lyrical, playful and philosophical. The boundaries between the strands are not firmly defined, but we believe that there is an analytical gain in book organization according to this view, because the themes run throughout the collection, too, all the subsequent work of the author. Finally, we investigate to what extent these issues, which are present in the work with little fluid boundaries, articulate, from a modernist discourse approaching them. That is, from the tools provided by the previous steps seek to answer the following question: to what extent modernist aspects are articulated in Magma to ensure dialogue between the identified aspects and to also ensure the originality and richness of work poetic of João Guimarães Rosa?.
Peter, Bruce. "Form follows fun : modernism and modernity in British pleasure architecture, 1925-1940". Thesis, Glasgow School of Art, 2005. http://radar.gsa.ac.uk/4064/.
Texto completoGarcia, Luiz Fernando. "O idílio entre a tradição e a modernidade : uma releitura de Amar, verbo intransitivo, Mário de Andrade /". Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/152709.
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Partindo de pressupostos teóricos do Comparatismo como forma de investigação que se situa "entre" os objetos que analisa, e dos conceitos de releitura tão característicos da Modernidade, este trabalho propõe o estabelecimento de relações entre o romance Amar, verbo intransitivo (1927) de Mário de Andrade (1893-1945), que tem como subtítulo a designação de "Idílio" e obras de Teócrito, Gessner e B. de Saint-Pierre, pertencentes ao mesmo gênero literário, tomando como ponto de partida a questão do gênero. Este procedimento tem como objetivos verificar não somente a procedência do ceticismo da crítica literária em relação a este subtítulo, como também as razões que levaram o autor a utilizá-lo e a mantê-lo até mesmo na versão final da obra. Neste percurso, o próprio gênero literário "Idílio" também se constitui como objeto de estudo deste trabalho, pois as obras acima citadas revelam não somente um gênero literário ativo e em evolução desde a Antiguidade greco-romana até o Sec. XX, mas também um gênero que se manifesta tanto na poesia quanto na prosa, mais especificamente , no gênero romance.
Based on postulates of comparative literature, that places itself between the objects analyzed, and new readings of traditional works, so dear to Modernity, this thesis aims at establishing relations between Mario de Andrade's (1893-1945) novel "Amar, verbo intransitivo" (1927), subtitle "Idílio", and works from Teocritus, Gessner and B. de Saint Pierre belonging to the same literary gender, at the same time that considers the questions involving this specific gender. This procedure aims at verifying not only why literary criticism has been so skeptical in relation to the subtitle "Idílio", but also the author's reasons in giving and mantaining it even in the final version of the work. In this way, also the literary gender "Idyll" becomes the object of study of the present thesis, as the works cited above reveal not only an active gender evolving from the Antiquity until the XXth century, but also a gender represented both in poetry and prose, in this case in the novel.
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Pacano, Fábio Augusto. "O forjar da modernidade: Piracicaba e a Belle Époque caipira (1889-1930)". Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154554.
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Este é um estudo sobre Piracicaba/SP, entre os anos de 1889 e 1930, período em que a cidade experimentou um processo de mudanças físicas e sociais conhecidas como “Belle Époque Caipira”. Tais mudanças decorreram do desenvolvimento da economia cafeeira e das características econômicas e sociais específicas do município, que em conjunto conferiram certas particularidades ao desenvolvimento urbano local. Sob estas circunstâncias, o texto parte das definições de modernização, modernidade e modernismo, buscando relacionar tais conceitos ao processo histórico de organização do espaço urbano, com destaque para a constituição da rede de abastecimento de água e escoamento de esgoto, para o sistema elétrico e o funcionamento das linhas do sistema de bondes, demonstrando seus efeitos no processo de valorização e apropriação do espaço a partir da densidade técnica instalada, revelando seu processo de modernização conservadora. Analisa também como os monumentos modernos (igrejas, escolas e fábricas) emanavam monumentalidades a partir das quais o espaço se transmutou em lugares que passaram a ser ocupados e frequentados por parcelas da população, ao mesmo tempo em que outras parcelas eram deles excluídas. Por fim, o texto trata do processo civilizatório que se operou no sentido de estabelecer uma convivência citadina pautada na polidez e na urbanidade, típicas da modernidade, quer isso se tenha dado pela violência ou pela educação.
This researchis a study about the city of Piracicaba, from 1889 to 1930, a period in which this city experienced a process of physical and social changes known as “Belle Époque Caipira”. These shifts derived from the coffee economy development and from some specific economic and social characteristics present in this municipal, and how those characteristics together added certain particularities to the local urban development. Under these circumstances, this study starts with definitions of modernization, modernity and modernism, in order to relate such concepts to the historical process of organization in urban space, highlighting the constitution of water supply system, sewage drainage, electrical system as well as the functioning of tramway line, showing their effects in the process of valorization and appropriation of areas fromthe technical density installed, revealinga process of prudential modernization. There is also analysis of how modern monuments (such as churches, schools and factories) emerged monumentalities and how these places transmuted themselves in places that became to be occupied and frequented by part of the population, on the other hand,another part of the population was excluded from these places. To conclude, the text deals with the civil process which was applied in the sense of stablish a civilized interaction based on politeness and urbanity, which are typical in modernity, has it be derived from violence or from education.
Arbelius, Sofi. "Skandinavisk modernism i USA". Thesis, Södertörn University College, School of Business Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1173.
Texto completoRozmovits, Linda 1959. "A.M. Klein and modernism". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64004.
Texto completoKeane, Stephen. "Modernism and body politics". Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239051.
Texto completoBlack, Tim. "The ideology of modernism". Thesis, University of Sussex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421505.
Texto completoHiggott, Andrew. "Architectural modernism in Britain". Thesis, University of East London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.536638.
Texto completoLong-Innes, Francis. "Freud : moments of modernism". Master's thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/22126.
Texto completoHarty, John Francis. "Oscillation in literary modernism". Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2007. http://d-nb.info/994987064/04.
Texto completoPaul, Mumme. "The Absurd beyond Modernism". Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16599.
Texto completoIvanova, Tsvétélina. "Littérature et paysage mondial". Thesis, La Rochelle, 2017. http://www.theses.fr/2017LAROF002.
Texto completoThe doctoral thesis proposes to effectuate an analytical and comparative reading of the literary production that took place during the first and second modernist globalization in the Late modern period. According to the logic of the world economic evolution of Kondratiev wave, it would be the period of modern aesthetic and literary creation between 1850 and 1920, postmodern between 1950 and 1990, and hypermodern from 2000 onwards. In order to ascertain whether the modernist, post- and hyper- modernist, colonial and postcolonial novel could acquire the status of world literature (Weltliteratur) based on the dualistic unity of the capitalist world-system theory and on the idea of modern anti-modernism ; as Baudelaire defined it in 1863 in The Painter of Modern Life (Le peintre de la vie moderne). The thesis proposes to explain the antagonistic unity of the notion of world literature and to affirm it as a modern "total work of art" (Gesamtkunstwerk), through the parallel verification of the existence of a literary world landscape. The latter, also based on a dualistic approach - aesthetic /stylistic and phenomenological - would be the (anti)modernist product of the two periods of capitalist globalization
Ribeiro, Monica Cristina. "Arqueologia modernista : viagens e reabilitação do primitivo em Mario e Oswald de Andrade". [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281514.
Texto completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Este trabalho pretende desvendar a importância das viagens na vida e na obra de Mário e Oswald de Andrade na década de 1920. Mais ainda, como as viagens mostraram-se uma importante força formadora e transformadora do modernismo desses dois autores ¿ e na verdade do modernismo paulistano e brasileiro ¿ no mesmo período e como foram determinantes para os rumos de Mário e Oswald na década seguinte. Estas questões são alinhavadas a partir do delicado acontecimento do contato com o outro ¿ entendido aqui, fundamentalmente, como possibilidade de reavaliação e de contato consigo mesmo. A análise é feita a partir das cartas trocadas entre Mário de Andrade e Carlos Drummond de Andrade, Manuel Bandeira e Câmara Cascudo, e também a partir de artigos e entrevistas de Oswald de Andrade. Os depoimentos dos dois modernistas são cruzados com as obras de sua autoria concebidas na década de 1920, tudo isso analisado à luz das viagens e das tentativas de reabilitação do primitivo empreendidas pelo modernismo
Abstract: This work intends to unmask the importance of the trips in the life and the workmanship of Mario and Oswald de Andrade in the decade of 1920. Even more, as the trips had revealed to an importante formation and transforming force of the modernism of these two authors ¿ and in fact the paulistano and Brazilian modernism ¿ in the same period and how they had been determinative for the ways of Mario and Oswald in the following decade. These questions are tacked from the delicate event of the contact with the other ¿ understood here, basically, as reevaluation possibility and contact with oneself. The analysis is made from letters changed between Mario de Andrade and Carlos Drummond de Andrade, Manuel Bandeira e Camara Cascudo, and also from articles and interviews of Oswald de Andrade. The depositions of the two modernists are crossed with the workmanship of its authorship conceived in the decada of 1920, everything analyzed to the light of the trips and the attempts of whitewashing of primitive elements undestaken by the modernism
Mestrado
Mestre em Antropologia Social
Oliveira, Giceli Portela Cunico de. "Restauro de duas casas modernistas como subsídio para um método". Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-08032016-155650/.
Texto completoYou can trace back the theory of architecture restoration to Winckelmann: his \"Art History\", published in Dresden in 1764, presents a level of detail in the descriptions and even about the Greek and Roman construction processes, transcending the explicit concern with Art History. His thinking is that the remainings are the documents necessary to tell the evolution of architecture - in between the lines, stays the need for its preservation. However, Ruskin is accepted as the starter of the reflection and theorization. He practiced during his days a preservation without insurance criteria that in his understanding compromised the documentary and historical value of monuments: the ruins were preferable to those works, bringing an obvious and strong component of the current romanticism. In this sense, his thoughts were opposed to Violet-le-Duc who advocated for the theoretical proposal of the the stylistic restoration. Camillo Boito is who actually started the theory that, evolving, is the one accepted today: it formulates criteria and guidelines to think about the restoration process. His ideas are developed by G.Giovanoni, preparing the way for the letters of Athens and finally to Venice, even the restores \"spelling book\". These ideas that have their theoretical formulation more precise and developed in Cesare Brandi, in his \"Theory of Restoration.\" The rapid technological developments of the 20th century - as well as the entry of the Modernism works in the list of assets - made it necessary to extend the application of theoretical concepts to new technologies: - Which principles should guide the restorative interventions in Modern Architecture, when it is focused as cultural heritage? - What are the theoretical positions, which reflections must structure the thoughts before the technical procedures by the architect before the new problems posed by the expansion of the assets universe, encompassing the modernist architecture? In this paper, we try to contribute to these reflections and theories, leading to a method we have deemed necessary before the restoration work approach. While befitting that the works from any period or technology have a priority individuality, there is always a common basis that should be considered and from which the architect procedures evolve. It is for training / formatting of that common ground we want to contribute our experience in two important works of the net assets of Brazilian modernism.
Alves, Leonardo. "A profusão metapoética em Faustino". reponame:Repositório Institucional da FURG, 2009. http://repositorio.furg.br/handle/1/2923.
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Nesta dissertação, realizo uma análise da obra poética do autor piauiense Mário Faustino, à luz de textos teóricos que tratam de questões relacionadas à lírica. Dessa forma, busco destacar as temáticas e os procedimentos mais significativos adotados em sua consecução artística. Além do exame do conjunto de sua produção, constituída de O homem e sua hora e Outros Poemas, traço um levantamento de sua fortuna crítica e o recorte temático da metalinguagem, uma configuração recorrente na sua produção.
Analysis of the work of brazilian poet Mário Faustino from Piauí, in the light of theoretical texts that deal with the issue of aiming to highlight the lyrical and thematic procedures adopted in its artistic achievement. In addition to considering all of its production consisting of O Homem e sua Hora e Outros Poemas, We also consider his critical fortune and thematic focus of the metalanguage, recurring process in his production.
Vishwanathan, Kedar Shrinivas. "Re-thinking Indian Modernism: the endogenous aspects of Indian modernism c. 1890-1947". Thesis, The University of Sydney, 2012. https://hdl.handle.net/2123/28759.
Texto completoCarney, Jason R. "The Shadow Modernism of Weird Tales: Experimental Pulp Fiction in the Age of Modernist Reflection". Case Western Reserve University School of Graduate Studies / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=case1396650887.
Texto completoToivonen, Pirjo-Maija. "Aila Meriluodon varhaislyriikan modernismi ja sen tausta tekstianalyyttinen tutkimus modernismin estetiikasta ja historiasta /". Jyväskylä : Jyväskylän yliopisto : Jakaja, Jyväskylän yliopiston kirjasto, 1986. http://catalog.hathitrust.org/api/volumes/oclc/16467820.html.
Texto completoThomas, Chloé. "Gertrude Stein : une poétique du réalisme". Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA090/document.
Texto completoGertrude Stein (Allegheny, Pennsylvania, 1874 – Paris, 1946) is a central figure of American modernism. She is celebrated for the radical experiments with language and grammar she conducted throughout a literary career in which she tried her hand at all genres: novels, novellas, long and short poems, essays, conferences, plays, opera librettos, biographies and autobiographies. The present dissertation analyzes the connections of Stein’s language to realism. The notion will be understood, first, as a literary tradition, which Stein reinterprets by americanizing it (through the replacement of Claude Bernard by William James as her mentor in the experimental method); second, as a displacement of the “real” within language itself, despite its consistent failure to become just a thing among others; third, as a call to veracity, in later works of fiction which stage their own disingenuousness and make America the ideal territory of the unreal. It will be argued that this constantly evolving conversation between Stein’s work and realism also implies a renewal of generic issues: each shift within an unstable generic system is a new way to test the ability of language to account for the world. Focusing on two early works (the three novellas of Three Lives and the long novel The Making of Americans), pieces of “descriptive” poetry (the “portraits”), the Stanzas in Meditation and two later prose works (Four in America) and (Ida a Novel), this dissertation will try to show how Stein understood generic boundaries, including that between poetry and prose, and what part they played in her aesthetic development
Wahlqvist, Mats. "Traditionell modernism eller modern traditionalism?" Thesis, Stockholm University, Department of Cinema Studies, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-811.
Texto completoDenna uppsats fokuserar på King Hus actionestetik och den montagekonstruerade rörelsen, enligt en konkret syftesformulering som lyder: Att öka förståelsen för King Hus estetiska val genom att belysa vissa rytmiska rörelsetendenser, såsom en konstruktion av filmens montage, och dess relation till två vitt skilda konstyttringar, med dessa avses Pekingoperan och cinéma pur. Ledande tes genom uppsatsen är att Hus visuella stil visserligen är starkt präglad av ett personligt intresse och en djup förståelse för estetiska normer i Pekingoperan, men att han samtidigt genom ett skickligt utnyttjande av cinematiska tekniker skapar en alldeles unik version av kinesisk estetik, som måste förstås som specifik för filmmediet. Sammantaget är förhoppningen att resultatet skall bidra till avmarginaliseringen av Hu som förvaltare till en förment essens av traditionell kinesisk kultur. Metoden består i en jämförande analys av rörligt bildmaterial i två steg, som illustrativ modell och teoretisk ingång till rörelsebegreppet tillämpas Heinrich von Kleists marionett och i dess förlängning även Sergei Eisensteins biomekaniska rakurs.
Min analys leder mig till slutsatsen att den rytmiska rörelsen i Hus actionscener har starka likheter med såväl Pekingoperan som cinéma pur, och jag vill på grundval av detta föreslå att Hu snarare bör förstås som en nyskapare av kinesisk estetik, då han positionerar sig någonstans mellan traditionalism och modernism genom att skapa en estetisk jämvikt mellan teater och film där ingenderas legat går förlorad.
Romedahl, Stjernquist Johanna. "Skärholmen centrum - modernism as found". Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-222140.
Texto completoThis thesis investigates the urban fabric and built structures of Skärholmen Centrum. By preserving the existing characteristics of the plan, this proposal aims to create new movements through the city landscape and to develop its program with housing, workplaces and recreational spaces. Skärholmen is a modernist commercial center in south west Stockholm, an area now subject to large scale infrastructure projects and housing densification. Since the center was built in the late 1960s, the city plan has undergone few changes, with exception from the transformation of two of the main streets into an indoor galleria. Apart from the lively main square by the subway entrance, there are few well functioning public outdoor spaces. A multi-storey car park dominates the east part of the center. My proposal is to open up parts of the shopping mall and to create new connections between the car park, the center and the surrounding landscape. By adding new housing blocks and new functions to existing buildings, the city center of Skärholmen could become a living place, also after the shops closed at 20.00.
Latour, Philippe. "Charles Mingus, Jazz and Modernism". Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=117176.
Texto completoL'objectif de ce mémoire est d'explorer les différents discours sur le modernisme et le jazz des années 1950 et 1960 en relation avec l'œuvre de Charles Mingus. Que signifiait le terme modern jazz à l'époque de Mingus? Comment la musique de ce dernier, ainsi que sa carrière comme musicien de jazz et compositeur, furent affectées par les discours sur le modernisme? Ces discours furent utilisés dans le monde du jazz pour légitimer celui-ci en tant que forme artistique. Dans son passage de la musique « sérieuse » européenne au jazz afro-américain, la notion de modernisme artistique a conservé la majeure partie de sa signification : association avec les idées de progrès, d'avant-gardisme, et aussi de militantisme politique. Toutes ces idées se retrouvent sous différentes formes dans l'œuvre de Mingus. Ce mémoire définit le concept de modern jazz tel qu'il était utilisé dans le discours journalistique des années 1950 et 1960, et y relie le discours académique sur le modernisme afro-américain, afin d'évaluer comment Mingus interagit avec ceux-ci.
Charles, Alec. "James Joyce, modernism and postmodernism". Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284287.
Texto completoStevenson, Lesley. "Still life, modernism and Cézanne". Thesis, Courtauld Institute of Art (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367941.
Texto completoCosgrove, Mary. "Paul Henry and Irish modernism". Thesis, University of Ulster, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243622.
Texto completoQuick, Miriam Siân. "Performing modernism : Webern on record". Thesis, King's College London (University of London), 2011. https://kclpure.kcl.ac.uk/portal/en/theses/performing-modernism(feb4a628-fe15-4834-8cb8-ba4da3126b10).html.
Texto completoGrinchtein, Olga. "Portraits of Sculptors in Modernism". Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-443240.
Texto completoYarygina, Tatiana. "Women's Pseudonyms in Russian Modernism". Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18349.
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