Literatura académica sobre el tema "Mise en scène d’opéra"
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Artículos de revistas sobre el tema "Mise en scène d’opéra":
McKinley, Maxime. "Des premières années de Circuit à la mise en scène d’opéra : entretien avec Jean-Jacques Nattiez". Circuit: Musiques contemporaines 30, n.º 3 (2020): 93. http://dx.doi.org/10.7202/1073933ar.
Gaudreault, André y Philippe Marion. "Du filmage au tournage : débrayer l’effet-archives de l’enregistrement cinématographique 1". Cinémas 23, n.º 1 (21 de diciembre de 2012): 93–111. http://dx.doi.org/10.7202/1013370ar.
Chéreau, Patrice. "Metteur en scène de cinéma, de théâtre et d’opéra". Études théâtrales N° 35, n.º 1 (2006): 101. http://dx.doi.org/10.3917/etth.035.0101.
Morgan, Speer. "Mise-en-scène". Missouri Review 40, n.º 4 (2017): 5–9. http://dx.doi.org/10.1353/mis.2017.0063.
Singleton, Brian. "Mise en scène". Contemporary Theatre Review 23, n.º 1 (febrero de 2013): 48–49. http://dx.doi.org/10.1080/10486801.2013.765116.
Irvine, Jaki. "Mise en Scène". Third Text 9, n.º 30 (marzo de 1995): 101–6. http://dx.doi.org/10.1080/09528829508576535.
De Bovis, Camille, Caroline Hussler y Anne-Sophie Barbe. "De l’idée du créatif à la production par le collectif". Revue Française de Gestion 47, n.º 296 (abril de 2021): 165–91. http://dx.doi.org/10.3166/rfg.2021.00527.
Müller, Winfried. "L’Université mise en scène". Revue d'histoire des sciences humaines, n.º 36 (23 de septiembre de 2020): 43–62. http://dx.doi.org/10.4000/rhsh.4549.
Mills, Liz. "Vocal Mise en Scène". Voice and Speech Review 4, n.º 1 (enero de 2005): 268–72. http://dx.doi.org/10.1080/23268263.2005.10739479.
David, Gilbert. "La mise en scène actuelle : mise en perspective". Études littéraires 18, n.º 3 (1985): 53. http://dx.doi.org/10.7202/500718ar.
Tesis sobre el tema "Mise en scène d’opéra":
Perovic, Sofija. "Déplacements spatio-temporels dans le spectacle lyrique contemporain". Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080076.
This thesis focuses on space and time displacements in contemporary opera productions in all its forms and expressions and seeks to offer a panorama of exemplary lyrical works (and their stage interpretations) through the prism of displacement. The opera scene today is a scene in movement, it is globalized, international, intercultural and intergenerational. Given this richness and diversity, several different methodologies were applied and crossed in order to question the nature of the link between the operatic fictions of displacement and their material realities. Displacement by means of transport or simply in spirit is sometimes already present in the libretti of operatic works, but it can also be imagined by the stage directors. The second part of the thesis deals with the new and different contexts to which the actions of opera performances can be moved and focuses on the transpositions imagined by directors in works that make no reference to travel, or to displacement, in their libretti.The third part addresses the complex relationship between opera and the media and shows that displacement in contemporary opera is not restricted to what can be seen on stage.Given the ephemeral nature of live performance, this thesis does not claim to be exhaustive, as the task of gathering and creating a kind of archive of contemporary operatic performances that have travel as their subject or are the object of various displacements would be an impossible task
Roche, Thierry. "Du cinéma comme de l'anthropologie : le pouvoir de la mise en scène, mise en scène du pouvoir". Paris, EHESS, 2000. http://www.theses.fr/2000EHESA074.
Daunais, Isabelle. "Flaubert et l'art de la mise en scène". Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39412.
Chevalier, Sandy. "La mise en scène de la mort aujourd'hui". Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27814/27814.pdf.
Martin, Andrée. "Pour une mise en scène chorégraphique de l'image". Paris 1, 1997. http://www.theses.fr/1997PA010525.
Adhering to a phenomenological approach, this research consists of both a reflection on and analysis of dance images : static images (photography) and moving images (film, video). I focused primarily on the place where dance and image intersect, as well as on the structure leading to a dance image, and not only on the final result, that is, the work itself. Photography, video and film produced since the beginning of the century have been immersed in complex, but for the most part poorly defined, even underexploited relationships. At the outset, my research concentrates on revealing the historical facts and events that brought these media together, as well as on the various creative tangents pursued. Following this historical (re) positioning, it was critical to conduct a brief overview of the nature of dance, the dancing body, and my perception thereof as a spectator. From here, the transition that occurs when creating an image of dance, the relationship between image and dance, the nature of this image of dance, as well as its various identities, constitute the heart of this study. Finally, the extension of a choreographic approach applied to photographic, cinematographic and video images, is offered as possible evolution in our notion of the relationship between dance and image. The first part of this research thus presents the image of dance as an impure art form resulting from the phenomenon of hybridization inherent in the artistic process in the twentieth century. The second part explores four personal creative experiences : two photographic sequences, flore. . . Ou te caches-tu? and la mort d'Anna, a short video ssss. . . , and a film bice
Hernúñez, Pollux. "La mise en scène dans la Rome antique". Paris 4, 1987. http://www.theses.fr/1987PA040038.
For eight centuries roman drama has evolved in all its forms: farce, comedy, tragedy, mime, pantomime. The plays that have come down to us (Plautus, Terence, Seneca) and other evidence, either written or archeological, allow us to recreate the particular nature of the different elements of production: the stage, the sets, the machines, masks, costumes, props, acting, speech, song, music. Modern drama can only profit from the archeological re-production of roman plays
Côté, Annie. "La mise en scène téléromanesque d'un récit de fait". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ38053.pdf.
Junior, Luiz Carlos Gonçalves de Oliveira. "O cinema de fluxo e a mise en scène". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-30112010-164937/.
My dissertation is divided in two parts. The first one investigates the concept of mise-enscène as applied to film practice, taking as reference its theatrical origins and some of its extensions to film theory and criticism. My approach privileges the essentialist definitions presented by a group of French critics, focusing on two reviews, Cahiers du Cinéma and Présence du Cinéma, covering their issues published in the 1950s and 1960s. The second part, concentrated on film analysis, discusses some aesthetic features of contemporary cinema such as the notion of cinema of flux, which refers to a set of films located at a blind spot when we look at cinema styles from the standpoint of the classical definition of mise-en-scène discussed in Part I. The intruder (Claire Denis, 2004), Shade (Philippe Grandrieux, 1998), The voyage of the red balloon (Hou Hsiao-hsien, 2007) and Gerry (Gus Van Sant, 2002) are among the films.
Tina, Yvan calvin. "Les théâtres artificiels : mise en scène, biotechnologie, intelligence artificielle". Thesis, Aix-Marseille, 2018. http://theses.univ-amu.fr.lama.univ-amu.fr/180316_TINA_197j265t589t189bgt_TH.pdf.
The use of artificial intelligence and biotechnology in art has led to a radical reformulation of theater as living performance. These technoscientific practices have displaced the subject of performance and produced various new discourses: In this study, I propose to make use of these discourses to expand the frame of theatricality to the realm of artificial life art. The displacements operated by means of theatricality in the artistic field are taking place both on the level of the artworks and the level of discourse. In light of such operations, we see the potential of transformation relying on the use of these materials in theatrical aesthetics, as well as the obstacles found in them. Taking place between the arts and the technosciences, the study proves that the theatricality of technological works relies on the artifice of language
Fernandes, Marie-Pierre. "Marguerite Duras : écriture et mise en scène au théâtre". Paris 3, 1987. http://www.theses.fr/1987PA030232.
This research is divided into two parts which are at the time separate and complementary. - the book travailler avec duras tells about the story of how la musica deuxieme was produced in 1985 by marguerite duras at the rond-point theater, starring miou miou and sami frey. The book provides a look at a creative process which mixes writing staging and the relationships in a working theater group. Included in the book are interviews with the author, the actors, the set designer, r. Plate and the lighting designer, g. Soubirou. The musica deuxieme is the revival of the 1965 musica transformed and extended to a second act. - the second part of the work describes the january 1984 experience at the same theater of m. D's lectures. M. D. Staged the reading of her recent literary texts (l'homme assis dans le couloir, l'homme atlantique, aurelia,la jeune fille et l'enfant, le dialogue de rome, cesaree) read by c. Sellers, n. Hiss, g. Desarthe. The second part also analyses m. D's staging instructions for the reading of her novel les yeux bleus cheveux noirs, written in 1986. It appears that the staged reading is a way for m. D to reconcile pure literature and theater, both the impact of the book and the picture in the living space of the theater house
Libros sobre el tema "Mise en scène d’opéra":
Ritzer, Ivo. Medialität der Mise-en-scène. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-13570-6.
Picard, Timothée. Opéra et mise en scène. Paris: Éditions Premières loges, 2015.
Avril, Nicole. Dernière mise en scène: Roman. Paris: Plon, 2004.
Elchardus, M. La démocratie mise en scène. Bruxelles: Labor, 2004.
Elchardus, Mark. La démocratie mise en scène. Bruxelles: Labor, 2004.
World Congress of the International Federation for Theatre Research (10th 1985 University of Glasgow). 40 years of mise en scène: 40 ans de mise en scène : 1945-1985. Dundee: Lochee, 1986.
Sermain, Jean-Paul. Marivaux et la mise en scène. Paris: Éditions Desjonquères, 2013.
Mourlet, Michel. La mise en scène comme langage. Paris: H. Veyrier, 1987.
Büchi, Martina, Monica Stadler, Miriam Koban y Selina Lauener. Holzer Kobler Architekturen: Mise en scène. Editado por Holzer Kobler Architekturen. Sulgen: Niggli, 2010.
Rouassi, Juliane, Émeline Chauvet y Muriel Cunin. La mise en scène du corps. Limoges: PULIM, 2014.
Capítulos de libros sobre el tema "Mise en scène d’opéra":
kydd, Elspeth. "Mise-en-Scène". En The Critical Practice of Film, 143–65. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34527-0_7.
Munari, Alberto. "Mise en Scène". En The Future of Piagetian Theory, 1–17. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4684-4925-9_1.
Evans, Peter William. "Mise en scène". En Written on the Wind, 29–49. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-84457-866-5_4.
Kirsten, Guido. "Mise en Scène". En Handbuch Filmanalyse, 65–81. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-13339-9_9.
Kirsten, Guido. "Mise en Scène". En Handbuch Filmanalyse, 1–17. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-13352-8_9-1.
Danielian, Jeff, Uriah Donnelly y William Schaff. "Mise-en-Scène". En The Reel Classroom, 19–25. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003238881-3.
Kulkarni, Nayan. "Mise-en-Scène". En Mediated Identities in the Futures of Place: Emerging Practices and Spatial Cultures, 57–74. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-06237-8_4.
Benyahia, Sarah Casey, John White y Freddie Gaffney. "Mise en scène". En A Level Film Studies, 17–30. London; New York: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429324628-1.
Hale, Heather. "Mise en Scène 1". En How to Work the Film & TV Markets, 77–80. New York: Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315755359-11.
D’Arcy, Geraint. "Mise en Scène and Décor". En Mise en scène, Acting, and Space in Comics, 17–56. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51113-5_2.
Actas de conferencias sobre el tema "Mise en scène d’opéra":
Deldjoo, Yashar, Mehdi Elahi, Massimo Quadrana, Paolo Cremonesi y Franca Garzotto. "Toward Effective Movie Recommendations Based on Mise-en-Scène Film Styles". En CHItaly 2015: 11th biannual Conference of the Italian SIGCHI Chapter. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2808435.2808460.
Klein, Étienne. "La mise en scène des sciences par temps de Covid-19". En Ruptures des pratiques et dynamique du débat. Les SHS face à la crise Covid-19. MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/aiqf6260.
Kvisgaard, Adam, Sune Ollgaard Klem, Thomas Lund Nielsen, Eoin Ivan Rafferty, Niels Christian Nilsson, Emil Rosenlund Hoeg y Rolf Nordahl. "Frames to Zones: Applying Mise-en-Scène Techniques in Cinematic Virtual Reality". En 2019 IEEE 5th Workshop on Everyday Virtual Reality (WEVR). IEEE, 2019. http://dx.doi.org/10.1109/wevr.2019.8809592.
Guthrie, Jason. "“You’re Tearing Me Apart”: Deconstructing Mise-en-Scène in Rebel Without A Cause". En MEIEA Educators Summit 2019. Music and Entertainment Industry Educators Association, 2019. http://dx.doi.org/10.25101/19.13.
Wulandhani, Dominick y Andika Wijaya. "Mise-en-Scène Analysis on Heteronormativity in Queer Narrative “San Junipero” from Black Mirror". En International University Symposium on Humanities and Arts (INUSHARTS 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200729.028.
Yudiaryani y Hirwan Kuardhani. "The Performance of Theatre Mixed Text “Pembayun”: Open Boundary of Mise Ēn Scène and Its Meaning". En 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008763602920295.
Khadda, Naget. "Mise en scène de l’Histoire, représentation du temps et poétique de la modernité dans Nedjma de Kateb Yacine". En Kateb Yacine, Nedjma. Fabula, 2009. http://dx.doi.org/10.58282/colloques.1212.
Delormas, P. "Reconditionnement énonciatif et reconfiguration discursive dans les discours de la mise en scène de soi : l'exemple de JJ Rousseau." En Congrès Mondial de Linguistique Française 2008. Les Ulis, France: EDP Sciences, 2008. http://dx.doi.org/10.1051/cmlf08217.
Stasilo, Miroslav. "Activites theatrales chez l’apprenant de FLE dans le contexte de COVID-19". En Language for International Communication. University of Latvia Press, 2023. http://dx.doi.org/10.22364/lincs.2023.18.
Perrin, Climène. "« La colonisation n’est pas finie. » Écopoétique postcoloniale et catastrophe écologique dans Selve, création documentaire et interdisciplinaire mise en scène par Christophe Rulhes". En Écocritique(s) et catastrophes naturelles : perspectives transdisciplinaires / Ecocriticism(s) and Natural Catastrophes: Transdisciplinary Perspectives. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7956.