Tesis sobre el tema "Medtner"
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Kalendarev, Natalya. "Medtner : his beliefs, influences and work /". Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11435.
Texto completoChernaya-Oh, Ekaterina. "The Skazki (Fairy tales) of Nikolai Medtner the evolution and characteristics of the genre with compositional and performance aspects of selected fairy tales /". Thesis, Recital, recorded Sept. 25, 2006, in digital collections. Access restricted to the University of North Texas campus. connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9115.
Texto completoSystem requirements: Adobe Acrobat Reader. Accompanied by 3 recitals, recorded Nov. 3, 2003, Sept. 25, 2006, and Nov. 26, 2007. Includes bibliographical references (p. 53-56).
Choi, Hanna. "Documenting developing performance : rethinking Nikolai Medtner at the piano". Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/16528.
Texto completoKarpeyev, Alexander. "New light on Nikolay Medtner as pianist and teacher". Thesis, City University London, 2014. http://openaccess.city.ac.uk/13011/.
Texto completoPitts, James L. "Symmetrical features of Medtner's language the Grozovaya sonata, opus 53, no. 2 /". view full-text document. Access restricted to the University of North Texas campus, 1999. http://www.library.unt.edu/theses/open/19993/pitts%5Fjames%5Fl/index.htm.
Texto completoTauscheck, Jonathan Paul. "A performance guide to two fairy tales of Nickolai Medtner". Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3544.
Texto completoGavel, Leo. "Nikolai Medtner Sonata Reminiscenza Op. 38 no. 1 : analys av form och musikaliskt innehåll". Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1834.
Texto completoHsu, Shu-Hao. "Nicolai Medtner's Piano concerto no. 3, op. 60: musical style and performance strategies". Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3469.
Texto completoPonomarchuk, Aleksandr. "Tempo and rhythmical principles al rigore and flessibile in selected works by Nikolai Medtner: a study and recording". Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6486.
Texto completoKoh, Min Yu. "Medtner's Acht Stimmungsbilder, Op. 1: A Pedagogical Guide with Analysis". OpenSIUC, 2011. https://opensiuc.lib.siu.edu/theses/748.
Texto completoPitts, James L. "Symmetrical Features of Nikolai Medtner's Language: The Grzovaya Sonata, Opus 53 No. 2". Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2271/.
Texto completoKafarova, Saida Allen Gregory Pearsall Edward. "An introduction to Nikolai Medtner and performance analysis in dialogue form of his works for two pianos - Russian round dance and Knight errant". 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3110726.
Texto completoszu-en, Chen y 陳思恩. "A Study of “Sonata minacciosa” by Nicolai Medtner". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/4z33fd.
Texto completo國立高雄師範大學
音樂學系
99
Among modern Russian musicians, Medtner did not acquire apparent status in the international music status. Although Medtner, born in Russia, had identities of both pianist and composer, he hardly performed in public. Instead, Medtner was devoted to composing pianistic pieces and received high praise from some composers. He worshiped L. v. Beethoven all his life, and his pianistic compositions had usually followed traditional forms which was different from either Nationalism composing techniques or Modernism prevailing at that time. Therefore, Medtner was unable to be widely recognized then. Medtner’s “Grozovaya Sonata”, composed in 1931, is presented in Sonata form of single movement. This piece has a neat structure and is divided in three main parts: Exposition – Development – Recapitulation. Moreover, there are some specialties such as fugue added in the Development and cadenza inserted in the Recapitulation. With strong rhythm and rich techniques, its musical style is much different from other lyric pieces Medtner had ever made. This thesis is divided in four chapters. Chapter I is the introduction which presents research motivation, extent, and literature review. Chapter II shows the origin of musical style and brief background, which briefly introduces the lifetime of Medtner, situation of composing, and the background of this piece. Chapter III is the form analysis of “Grozovaya Sonata”, which looks in depth at the structure, materials, and form of this piece. Chapter IV is the conclusion which sums up all the researcher’s discoveries and analyses.
Yeh, Huey-jing y 葉惠菁. "A Research and Interpretation of Piano Sonata “Reminiscenza” by Nikolai Medtner". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/86947111484437813808.
Texto completo東吳大學
音樂學系
97
Medtner is a composer who was almost forgotten by the people in the music world. He was born in Russia and studied at the Moscow Music Conservatory. He got the highest honor, the “Golden Medal” when he was graduated from the piano department in the school. As being a composer and pianist of exceptionally high caliber, all of his compositions involve the piano, including the piano concerto, piano sonata, piano pieces, vocal pieces and chamber music. He is expecially known by his characteristic music- the fairy tales. Although his compositions relied totally on traditional forms, his clever pianistic writing and distinctive harmony and use of rhythm makes his works unique. Rachmaninoff, who had great respect for Medtner as a pianist and composer, said: “ Medtner is too much an individual to bear resemblance to anyone except the Russian composer Medtner.” The sonata “Reminiscenza” is the first piece in Medtner’s suite for piano entitled “Forgotten Melodies”, Opus38. This sonata was structured in sonata form, and contains a single movement. Because of the highly lyrical and poetic nature of the work, “Reminiscenza”, Medtner stated, was the most favorite all his piano sonatas. This thesis has a total of five chapters. Chapter one is the introduction. Chapter two contains the life and the music of Medtner. Chapter three and four focus the analysis and the performing practice of the “Reminiscenza”, including the background of this piece, the form, the elements of the melody, the mode, the harmony, and the rhythm. The last chapter is the conclusion of this thesis.
"The Opus 41 Vocalises of Nikolai Medtner: Background, Analysis, and Performer's Guide". Doctoral diss., 2017. http://hdl.handle.net/2286/R.I.44157.
Texto completoDissertation/Thesis
Doctoral Dissertation Music 2017
Hou, Yi-Wen y 侯依妏. "An Analysis and Interpretation of Sonata Triad Op.11 by Nikolai Medtner". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/24616197683299548722.
Texto completo輔仁大學
音樂研究所
101
Russian composer Nikolai Karlovich Medtner (1880 - 1951) studied composition and piano at the Moscow Music Conservatory. He won the Glinka Prize twice in his career. He was not only a composer, but also a distinguished pianist. Piano music and songs are the most representative in his works. Medtner admired Beethoven very much. His compositions relied on classical tradition form, attached importance to the structure, and followed out the Romanticism style. Medtner wrote 14 piano sonatas, which have very important position in his creations. Sonata Triad (Opus 11) was completed in 1904 - 1907, it was a group of three one-movement sonatas. This work demonstrates the characteristics of Medtner’s music style, and it is also quite favorite work of composer himself. This thesis has total of five chapters. Chapter one is the introduction. The second chapter outlined Medtner’s life and works, including the compositional artifice and style. Chapter three and four are depth discussion of analysis and interpretation of Sonata Triad. The last chapter is the conclusion of this thesis.
Kafarova, Saida. "An introduction to Nikolai Medtner and performance analysis in dialogue form of his works for two pianos - Russian round dance and Knight errant". 2003. http://hdl.handle.net/2152/11980.
Texto completoKuan, Ta-Wei y 官大為. "An Interpretation and Analysis on Nikolai Medtner''s "Forgotten Melodies I, Op. 38"". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/4duybp.
Texto completoLu, Yi-Chen y 呂宜蓁. "An Analysis and Interpretation of Fairy Tales, Op.14, 26, 48 by Nikolai Karlovich Medtner". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/nr7szb.
Texto completo國立臺灣師範大學
音樂學系
106
The Russian composer N. K. Medtner’s works mainly include piano music. One of his greatest contributions to the art of music is the creation of a new piano genre—“Skazki”. Medtner’s compositional career is divided into five periods, and his Skazki pieces were written in his golden age. In this thesis, one piece of Medtners’ Skazki music produced in each of the three periods is respectively selected for further analysis, namely Op. 14, Op. 26 and Op. 48. This thesis consists of six chapters. Chapter One is an introduction of the current study. The second chapter introduces the biography and works of the composer, followed by the origin as well as the application of Skazki. Chapter Three to Chapter Five present the analyses of the three Skazki pieces, and individually discuss the differences of interpretation among these works. The last chapter unfolds the conclusion of this study. Results of the current study reveal that Medtner’s Skazki works fuse traits of both traditional and modern music. The traditional traits are demonstrated in the tonality and composition techniques. For instance, the pieces of Medtner’s Skazki often conform to tonal music theory and adapt traditional composition techniques. The rhythm of Skazki music, however, resembles more to modern music rather than traditional one. Accents are more often put on weak beats or irregularly placed. These characteristics evidently display Medtner’s creative inspiration in Skazki music. In spite of Medtner’s contribution to the art of music, his works have received less attention than they do now, and research into his work is relatively scant. It is thus expected that this thesis could draw more people’s attention to Medtner and his Skazki works.
Tseng, Shao-Wen y 曾劭玟. "Analysis and Interpretation of 2 Fairy Tales, Op. 20 by Nikolai Karlovich Medtner/Shao-Wen Tseng Piano Recital". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/69814348235536563568.
Texto completo東吳大學
音樂學系
100
At the end of 19th century to the early 20th century, under the influence of political background, States the rise of nationalism, all nationalist strong-rich Western music music appeared in color, this article is intended to take a short work of the two fairy tales (Two Fairy Tales) to explore the Russian composers in this period Methner (Nikolai Karlovich Medtner, 1880-1951) composed of features and style. Russian composers of the period with Methner Rachmaninoff (Sergey Rachmaninoff, 1873-1943) on the writing techniques and Methner different, through the analysis and comparison of works in both of their styles. This study would start with literature study, through Methner wrote to friends in letters, websites, biography described in records, and correspondence of Rachmaninov's forth And so on, learn about life; through analysis to verify documents recorded in the composition of the music style features finally depend on Rachmaninov's comparison of composition techniques, understanding their different writing styles. The full text is divided into six chapters: Chapter one: introduction, Chapter two: biography and musical style of Methner, Chapter three: piano pieces to the fairy tale musical style, Chapter four: music analysis, Chapter five: musical interpretation, Chapter six: conclusion. Hope the study will lead the reader to Methner a further understanding./Shao-Wen Tseng Piano Recital 1.Ludwig Van Beethoven:Piano Sonate Op.2 Nr.3 in C Major 2.Nicolai Karlovich Medtner:2 Fairy Tales, Op. 20 3.Domenico Scarlatti:Sonaten k.135 in E major/ k.67 in f# minor 4.Frederic Chopin:Nocturnes Opus 55Nr.1 in f minor 5.Franz Liszt:Ungarische Rhapsodien Nr.11
Shin, Haeshin. "Nikolai Medtner's Forgotten Melodies, op. 38: sources, analysis, and interpretation". Thesis, 2018. https://hdl.handle.net/2144/30197.
Texto completoBitzan, Wendelin. "The Sonata as an Ageless Principle: Nikolai Medtner’s Early Piano Sonatas: Analytic Studies on their Genesis, Style, and Compositional Technique". 2018. https://slub.qucosa.de/id/qucosa%3A35073.
Texto completoDie Dissertation widmet sich den frühen Klaviersonaten des russischen Komponisten Nikolaj Karlovič Metner (1880–1951), die im Kontext ihrer Gattungsgeschichte und im Vergleich mit Musik anderer Urheber betrachtet werden. Ein Hauptanliegen der multiperspektivischen Analysen ist es, den Werkkorpus in ästhetische Kontexte der Entstehungszeit einzubetten und die Einzelwerke als Spezialfälle des ›Sonatenprinzips‹, eines zeitlosen Formkonzepts, darzustellen. Die Studie gliedert sich in drei Sektionen, deren erste die Entwicklungen des Sonatenkomponierens vor Metner zusammenfasst und Traditionslinien in Westeuropa und Russland nachzeichnet. Der zweite Teil ist eine Darstellung der Tonsprache Metners und ihrer stilistischen Merkmale. Der dritte und umfangreichste Teil präsentiert Detailanalysen von acht Klaviersonaten Metners und untersucht die Notentexte mit Hilfe aktueller Analysemethoden.
Smith, Gregory Michael. "Performance Practice Issues in Russian Piano Music". Thesis, 2003. http://hdl.handle.net/1959.13/24961.
Texto completoMasters Thesis
Smith, Gregory Michael. "Performance Practice Issues in Russian Piano Music". 2003. http://hdl.handle.net/1959.13/24961.
Texto completoMasters Thesis