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1
Kernbach, Anna, Lenka Panušková y Daniel Soukup. Reflecting Jerusalem in Medieval Czech Lands. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2024. https://doi.org/10.5117/9789463729291.
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Reflecting Jerusalem in the Medieval Czech Lands maps the reception, reflection, and translation of Jerusalem in medieval Czech lands. The volume deals with Jerusalem as an idea and traces it not only in time but in various forms of art as well - such as architecture, book and wall-painting, and different literary genres - with the aim of covering the whole spectrum of Jerusalem images in medieval Czech lands. Special attention is paid to the interim period, when the Czech lands “lost” direct contact with the Holy Land and the idea of Jerusalem was mediated through Western European and Italian sources.
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Fernando Martínez de Toda Fernández. Estudio de los efectos del despunte en la vid mediante la utilización de radisotopos. Logroño: Comunidad Autónoma de La Rioja, 1985.
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3
Aghib Levi D’Ancona, Flora. La Nostra Vita con Ezio e Ricordi di guerra. Editado por Luisa Levi d'Ancona Modena. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-273-7.
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Our life with Ezio and Memories of War, written by Flora Aghib Levi D’Ancona traces the life of her husband Ezio Levi, a Jewish Italian philologist and hispanist, their experiences of exile in the US where the couple fled after the racial laws. Completed with a historiographical introduction and an appendix of unpublished letters, the volume traces Ezio’s path as a Jewish intellectual in Fascist Italy, his role as a cultural mediator of Spanish contemporary literature to Italy, the trauma of the racial laws, and the challenges of the American exile. Expression of a women’s exile literature, the pages reflect the authors experience as a mother writing for her children left in Italy and of an intellectual Italian Jewish woman dealing with the challenges of exile and memory.
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Stack, Mike. Doctor Who and Gay Male Fandom. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2024. https://doi.org/10.5117/9789463727570.
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Doctor Who is a BBC transmedia franchise that has lasted over sixty years. Its fanbase boasts a substantial following of gay men. This book asks why this should be. Through examining four core components – the Doctor, the TARDIS, the companion and the Daleks – this book traces the trajectory of queerness from wider culture to paratextual media and finally into the parent text, resulting in an inclusive brand. In doing so, it argues that fandom provides a space to mediate between personal identities and the wider world. Drawing from interviews with fans, the book demonstrates the complexities and contradictions of queerness, and proposes an alternative theory of gay cultural formation. This is the first book-length study to use queer theory to understand Doctor Who. It will be of interest to students and teachers of media theory and fan studies, psychosocial studies, queer theory and history, as well as Doctor Who fans.
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Rippa, Alessandro. Borderland Infrastructures. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463725606.
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Across the Chinese borderlands, investments in large-scale transnational infrastructure such as roads and special economic zones have increased exponentially over the past two decades. Based on long-term ethnographic research, Borderland Infrastructures addresses a major contradiction at the heart of this fast-paced development: small-scale traders have lost their historic strategic advantages under the growth of massive Chinese state investment and are now struggling to keep their businesses afloat. Concurrently, local ethnic minorities have become the target of radical resettlement projects, securitization, and tourism initiatives, and have in many cases grown increasingly dependent on state subsidies. At the juncture of anthropological explorations of the state, border studies, and research on transnational trade and infrastructure development, Borderland Infrastructures provides new analytical tools to understand how state power is experienced, mediated, and enacted in Xinjiang and Yunnan. In the process, Rippa offers a rich and nuanced ethnography of life across China’s peripheries.
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1615-1662, Biddle John y Farrington John fl 1682, eds. The Faith of one god: Who is only the Father, and of one mediator between God and men who is only the man Christ Jesus, and of one Holy Spirit the gift (and sent) of God, asserted and defended in several tracts contained in this volume ... and after that a preface to the whole or an exhortation to an impartial and free enquiry into the doctrines of religion. London printed: [s.n.], 1985.
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7
Carlson, Amy. Reading Mediated Life Narratives. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350324695.
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Calling attention to the unseen mediation and re-mediation of life narratives in online and physical spaces, this ground-breaking exploration uncovers the ever-changing strategies that authors, artists, publishers, curators, archivists and social media corporations adopt to shape, control or resist the auto/biographical in these texts. Concentrating on contemporary life texts found in the material book, museums, on social media and archives that present perceptions of individuality and autonomy, Reading Mediated Life Narratives exposes the traces of personal, cultural, technological, and political mediation that must be considered when developing reading strategies for such life narratives. Amy Carlson asks such questions as what agents act upon these narratives; what do the text, the creator, and the audience gain, and what do they lose; how do constantly evolving technologies shape or stymie the auto/biographical “I”; and finally, how do the mediations affect larger issues of social and collective memory? An examination of the range of sites at which vulnerability and intervention can occur, Carlson does not condemn but stages an intercession, showing us how it is increasingly necessary to register mediated agents and processes modifying the witnessing or recuperation of original texts that could condition our reception. With careful thought on how we remember, how we create and control our pictures, voices, words, and records, Reading Mediated Life Narratives reveals how we construct and negotiate our social identities and memories, but also what systems control us.
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Lewis, Hannah. “The Music Has Something to Say”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.003.0007.
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Chapter 6 focuses on a well-known case of conflict surrounding a film’s music: the beloved 1934 film L’Atalante. The second collaboration between experimental filmmaker Jean Vigo and film composer Maurice Jaubert, L’Atalante had a disastrous initial release. In an attempt to make the film more broadly accessible, the producers edited the film substantially, replacing parts of Jaubert’s score with the popular song “Le Chaland qui passe.” In altering the soundtrack, they altered an important narrative subtext: a reflexive fixation on synchronized sound film, expressed through a focus on the magic of musical playback technologies. This chapter traces the differences between the two versions of L’Atalante, arguing that Vigo’s fascination with mediated music, and the producers’ attempt to fit the film’s music into a commercially successful paradigm, reflects continuing concerns from both sides about how mediated sound would affect French cinema in the mid-1930s.
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Burnim, Mellonnee. Tropes of Continuity and Disjuncture in the Globalization of Gospel Music. Editado por Jonathan Dueck y Suzel Ana Reily. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.16.
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This chapter tracks the global circulation of gospel music, a movement enabled in part by the transnational record industry, noting in particular the ways some audiences in the African Diaspora receive and participate in the music in continuity with African American religious practice in the United States. A key interest is the way gospel music reflects religiosity and cultural experience and the transformations that can disrupt the link between these elements in global performances. The chapter traces performances and historical moments that show an encounter with the global in the careers of pioneering gospel performers, including Mahalia Jackson and Rosetta Tharpe. It then describes and analyzes the author’s experience as “performer and culture bearer” of gospel music in two transnational sites: collaborative performances in Malawi and Cuba. The author concludes that the comprehensive integrity of gospel music is presented most coherently when the music is mediated through the lens of both cultural and religious identity.
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Chaudhari, Pia Sophia. Dynamis of Healing. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823284658.001.0001.
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This work is an exploration of possible experiential traces of Orthodox Christian ontology and soteriology in the healing of the psyche as known and experienced through depth psychology. It explores a possible relationship between theology and depth psychology as mediated through a lens of the sacramentality of creation. Using a variety of patristic soteriological images, all of which converge around the central theme of “that which is not assumed is not healed,” it then goes on to offer a possible psychological exegesis of that key patristic maxim, seeking to understand how this might be experienced psychologically. This is done through the lens of the assumption of being qua being as explored through insights into the natural healing impetus of the psyche qua psyche. The exploration then turns to the ontological energies of eros, desire, and will and looks for traces of the assumption of eros in psychological healing, as seen primarily through the lens of object-relations theory.
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Tulloch, John y Belinda Middleweek. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0001.
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This introduction traces the book’s origins across three significant dialogical moments. First is the mediated moment of television producer Middleweek interviewing the 7/7 survivor Tulloch, followed by their intertextual engagement with two texts of intimacy, Chéreau’s film and Giddens’s book. Second is an interdisciplinary dialogue employing feminist mapping theory to forge a “bridging” and “rainbow” scholarship between disciplinary fields that provide ways of seeing real sex films, including risk sociology, feminist psychoanalytical theory, and critical geopolitical theory, in combination with concepts of genre, authorship, production, stardom, social audience, and spectatorship. Third is a dialogue within theories of risk modernity exploring the tension between the “demand for constant emotional closeness” and the quest for “confluent love” in real sex film as the utopia and dystopia of love are played out through cinema.
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Sng, Zachary. Middling Romanticism. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288410.001.0001.
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The book examines the “middling” work performed by writers of the Romantic period such as Lessing, Kleist, P. B. Shelley, and Hölderlin. It traces their attempts to re-imagine the middle as a constitutive principle, which begin with dislodging terms such as medium, moderation, and mediation from their conventional roles as self-evident, self-effacing tools that conduct from one pole to another or provide a compromise between two extremes. What they offer instead is a dwelling in and with the middle: an attention to intervals, interstices, and gaps that recognize their centrality to the concept of relation. This produces a profound medial ambivalence that underpins romanticism’s re-writing of conceptual pairs such as origin and destination, speaker and addressee, deficit and surplus, self and other. In this light, we might also ask what it means for us to recognize our mediated relationship to romanticism. To address this question, the readings consider romantic writing in the context of a double juxtaposition: alongside the legacy of romantic middling in the twentieth century but the classical sources about the middle that romanticism draw on. The challenge is to see romanticism as neither ancient nor modern, but as the historical hinge upon which such distinctions turn, the mirror in which our own image is mediated and cast back to us.
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Palmer, John. Classical Representations and Uses of the Presocratics. Editado por Patricia Curd y Daniel W. Graham. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780195146875.003.0021.
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Anyone interested in the influence of Presocratic thought may be tempted to begin with Plato and Aristotle. There is, however, sufficient evidence of Presocratic influence among the sophists to make it clear that this temptation should be resisted. Some traces of this earlier influence may be found in Plato and Aristotle themselves, and this fact should serve as a reminder that their own involvement with Presocratic philosophy did not take place in a vacuum but will have been conditioned or mediated by previous developments. This article deals with classical thinkers (including Plato and Aristotle) who interpreted, wrote about, and preserved the Presocratics, pointing out that just as one must read the Presocratics through the filters of Plato and Aristotle and their successors and commentators, Plato and Aristotle were influenced by the already burgeoning tradition of historiography that developed in the late fifth and fourth centuries.
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James, Alison. The Documentary Imagination in Twentieth-Century French Literature. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198859680.001.0001.
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This book studies the documentary impulse that plays a central role in twentieth-century French literature. Focusing on nonfiction narratives, it analyzes the use of documents—pieces of textual or visual evidence incorporated into the literary work to relay and interrogate reality. It traces the emergence of an enduring concern with factual reference in texts that engage with current events or the historical archive. Writers idealize the document as a fragment of raw reality, but also reveal its constructed and mediated nature and integrate it as a voice within a larger composition. This ambivalent documentary imagination, present in works by Gide, Breton, Aragon, Yourcenar, Duras, and Modiano (among others), shapes the relationship of literature to visual media, testimonial discourses, and self-representation. Far from turning away from realism in the twentieth century, French literature often turns to the document as a site of both modernist experiment and engagement with the world.
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Doane, Mary Ann. Bigger Than Life. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021780.
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In Bigger Than Life Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator's sense of place, space, and orientation. Doane traces the history of scalar transformations from early cinema to the contemporary use of digital technology. In the early years of cinema, audiences regarded the monumental close-up, particularly of the face, as grotesque and often horrifying, even as it sought to expose a character's interiority through its magnification of detail and expression. Today, large-scale technologies such as IMAX and surround sound strive to dissolve the cinematic frame and invade the spectator's space, “immersing” them in image and sound. The notion of immersion, Doane contends, is symptomatic of a crisis of location in technologically mediated space and a reconceptualization of position, scale, and distance. In this way, cinematic scale and its modes of spatialization and despatialization have shaped the modern subject, interpolating them into the incessant expansion of commodification.
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Kuo, Didi. The Great Retreat. Oxford University PressNew York, 2024. https://doi.org/10.1093/oso/9780197664193.001.0001.
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Abstract The Great Retreat: How Political Parties Should Behave and Why They Don’t examines political parties as an institution central to democracy. It provides a defense of parties, and argues that to strengthen democracy, we need stronger parties. It provides a history of the relationship of parties to democracy, showing how parties shaped democratic governance, socialized citizens into politics, and created effective representative institutions. The Great Retreat traces the decline of the mass organization party and the rising pressures on parties in a neoliberal era. It also shows how parties historically mediated democratic capitalism, arguing that their contemporary inability to do so has furthered democratic backsliding. Drawing lessons from party development in other regions of the world, including Europe and Latin America, this book argues for a comparative approach to understanding American political parties. It cautions against the antiparty sentiment in democracies today, arguing that stronger parties have the potential to renew democracy.
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Hawthorne, Melanie C. Women, Citizenship, and Sexuality. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789628128.001.0001.
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Until well into the twentieth century, the claims to citizenship of women in the US and in Europe have come through men (father, husband); women had no citizenship of their own. The case studies of three expatriate women (Renée Vivien, Romaine Brooks, and Natalie Barney) illustrate some of the consequences for women who lived independent lives. To begin with, the books traces the way that ideas about national belonging shaped gay male identity in the nineteenth century, before showing that such a discourse was not available to women and lesbians, including the three women who form the core of the book. In addition to questions of sexually non-conforming identity, women's mediated claim to citizenship limited their autonomy in practical ways (for example, they could be unilaterally expatriated). Consequently, the situation of the denizen may have been preferable to that of the citizen for women who lived between the lines. Drawing on the discourse of jurisprudence, the history of the passport, and original archival research on all three women, the books tells the story of women's evolving claims to citizenship in their own right.
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Bland, Sterling L. Voices of the Fugitives. Praeger, 2000. http://dx.doi.org/10.5040/9798216991212.
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African American fugitive slave narratives are receiving growing amounts of attention for their literary and historical value. This book examines the techniques the slave narrative writers used to authorize and rhetorically create themselves in their writings. By examining such issues as voice and identity formation, the volume demonstrates how identity may be seen as a cultural fabrication. Former slave narrators used a series of masking and doubling techniques to address their experiences as African Americans. This book crosses the boundaries between literary criticism and historical study by examining the tensions between generic conventions and the impulses that created and reinforced them. The introduction and opening chapter offer clear and accessible discussions of the social, political, cultural, and literary conditions influencing the slave narrative genre. Subsequent chapters are built on this theoretical framework and present close analytical readings ofThe Confessions of Nat Turner,Frederick Douglass'sNarrativeandMy Bondage and My Freedom,Harriet Jacobs'sIncidents in the Life of a Slave Girl,andRunning a Thousand Miles for Freedom,by William and Ellen Craft. The volume probingly traces the relationship between rhetorical self-creation and social ideology to show how that relationship was mediated within the fugitive slave narrative genre.
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Manske, Dirk. Theory of Unconventional Superconductors: Cooper-Pairing Mediated by Spin Excitations (Springer Tracts in Modern Physics). Springer, 2004.
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Villegas, Mark R. Manifest Technique. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043789.001.0001.
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Manifest Technique traces the ways in which Filipino American hip hop performances remember the racialized histories of the Filipino body. Mediated through what the book calls a Filipino American hip hop vernacular, Filipino Americans have been fashioning crucial forms of Filipino racial knowledge. Inspired by hip hop’s cultural resources that uplifts the dignity of African Americans, Filipino Americans’ immersion in hip hop has influenced ongoing Filipino racial self-construction, engaging a longer struggle of Filipino decolonization. Manifest Technique testifies to the labor required to bridge the gaps within the margins of official memory by outlining how Filipino Americans have been instrumental in contributing to the broader contours of hip hop and in providing a counter-memory to their historical erasure. In observing artists’ and participants’ narratives, music, embodiments, and visual expressions, this book is an impetus to understand race and ethnicity in the United States not simply in terms of liberal multiculturalism, which distributes power horizontally and ahistorically, but through the critical lens of structural domination, which recognizes power as vertically applied and historically rooted. In short, this book observes the intersections of memory and empire by focusing on hip hop cultural practices embedded within the ongoing racial project of Filipino postcolonial emergence.
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Eckert, Astrid M. West Germany and the Iron Curtain. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190690052.001.0001.
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West Germany and the Iron Curtain takes a fresh look at the history of Cold War Germany and the German reunification process from the spatial perspective of the West German borderlands that emerged along the volatile inter-German border after 1945. These border regions constituted the Federal Republic’s most sensitive geographical space, in which it had to confront partition and engage its socialist neighbor, East Germany, in concrete ways. Each issue that arose in these borderlands—from economic deficiencies to border tourism, environmental pollution, landscape change, and the siting decision for a major nuclear facility—was magnified and mediated by the presence of what became the most militarized border of its day, the Iron Curtain. In topical chapters, the book traces each of these issues across the caesura of 1989–1990, thereby integrating the “long” postwar era with the postunification decades. At the heart of this deeply-researched study stands an environmental history of the Iron Curtain that explores transboundary pollution, landscape change, and a planned nuclear industrial site at Gorleben that was meant to bring jobs into the depressed border regions. As Eckert demonstrates, the borderlands that emerged with partition and disappeared with reunification did not merely mirror larger developments in the Federal Republic’s history but actually helped shape them.
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Hawley, Michael C. Natural Law Republicanism. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197582336.001.0001.
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By any metric, Cicero’s works are some of the most widely read in the history of Western thought. This book suggests that perhaps Cicero’s most lasting and significant contribution to philosophy lies in helping to inspire the development of liberalism. Individual rights, the protection of private property, and political legitimacy based on the consent of the governed are often taken to be among early modern liberalism’s unique innovations and part of its rebellion against classical thought. However, this book demonstrates that Cicero’s thought played a central role in shaping and inspiring the liberal republican project. Cicero argued that liberty for individuals could arise only in a res publica in which the claims of the people to be sovereign were somehow united with a commitment to universal moral law, which limits what the people can rightfully do. Figures such as Hugo Grotius, John Locke, and John Adams sought to work through the tensions in Cicero’s vision, laying the groundwork for a theory of politics in which the freedom of the individual and the people’s collective right to rule were mediated by natural law. This book traces the development of this intellectual tradition from Cicero’s original articulation through the American founding. It concludes by exploring how modern political ideas remain dependent on the conception of just politics first elaborated by Rome’s great philosopher-statesman.
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Kreuzer, Gundula. Curtain, Gong, Steam. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520279681.001.0001.
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Exploring opera from the perspectives of media studies and technology studies, this pioneering book examines how composers since the late eighteenth century have increasingly integrated specific audiovisual details into their creative visions, thereby furthering the development of stage machineries as well as the means of their codification. In particular, composers fostered what the author calls “Wagnerian technologies”: multisensory devices intended to veil both the artificiality of illusionist stage representation and their own mechanicity. Building on Richard Wagner’s theories of the total work of art and exposing its reliance on technology, the book looks in detail at the uses and effects of curtains, the gong (or tam-tam), and steam. Designed to appeal directly to the audience’s sensorium like media interfaces, these technologies not only mediated between the sound and sight of a production but also smoothed over its heterogeneous materialities. Drawing on scores, performance documents, treatises, reviews, and cultural discourses, the book traces the practical, hermeneutic, and artistic implications of each titular technology in a wealth of European operatic works—both well known and obscure—by Wagner and the generations of composers around him. Each technology was temporarily absorbed into common notions of the relevant operas but gradually transformed in later productions, in its own mechanical evolution, and its resurgence across performance genres of the last half century. With its interdisciplinary angle on the history and materiality of staging, Curtain, Gong, Steam thus expands the concept of the operatic work.
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Hughes, Kit. Television at Work. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190855789.001.0001.
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This book explores how work, television, and waged labor come to have meaning in our everyday lives. However, it is not an analysis of workplace sitcoms or quality dramas. Instead, it explores the forgotten history of how American private sector workplaces used television in the twentieth century. It traces how, at the hands of employers, television physically and psychically managed workers and attempted to make work meaningful under the sign of capitalism. It also shows how the so-called domestic medium helped businesses shape labor relations and information architectures foundational to the twinned rise of the technologically mediated corporation and a globalizing information economy. Among other things, business and industry built extensive private television networks to distribute live and taped programming, leased satellite time for global “meetings” and program distribution, created complex closed-circuit television (CCTV) data search and retrieval systems, encouraged the use of videotape for worker self-evaluation, used videocassettes for training distributed workforces, and wired cantinas for employee entertainment. Television at work describes the myriad ways the medium served business’ attempts to shape employees’ relationships to their labor and the workplace in order to secure industrial efficiency, support corporate expansion, and inculcate preferred ideological orientations. By uncovering industrial television as a prolific sphere of media practice—one that continually sought to reshape the technology’s cultural meanings, affordances, and uses—Television at Work positions the medium at the heart of Post-Fordist experiments into reconfiguring the American workplace and advancing understandings of labor that increasingly revolved around dehumanized technological systems and information flows.
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Vairappan, Charles S. Ecological Chemicals as Ecosystem Function Mediaters and Potential Lead Pharmaceuticals. UMS Press, 2021. http://dx.doi.org/10.51200/ecologicalchemicalsumspress2021-978-967-2962-94-6.
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Relationship between functioning ecosystem services and human wellbeing has been established as a bridge connecting nature and society. It has also become central pillar of sustainability science and dictates the paradigms of sustainable development. But, conceptual frameworks that systematically integrates the important roles played by natural ecological chemicals by establishing empirical links between the nature and ecology not only varies, but lacks clear support. The value of ecological chemicals as ecosystem derived natural products warrants explicit acknowledgement, only then trade-offs between services and prioritization of policy can be realised. In the last 20 years, important roles played by the ecological chemicals in Bornean terrestrial and marine ecosystems were investigated and reported. Terrestrial plants produce Volatile Organic Chemicals (VOCs) and structurally interesting secondary metabolites that facilitate their ecological processes that are aimed to establish communication such as defence, attraction, deterrent and territorial marking. Some of the most commonly utilized herbs and plants of traditional medicine importance showed very interesting chemical constituents, that justify their traditional utilization for human wellbeing. The role of VOCs that originated from animal diet and emitted through decomposition of faeces, was traced back to their important role as attractants of insects, particularly dung beetles that facilitates the remineralization of faeces and returns C and N to soil as to replenish global C and N-sink. Marine flora and fauna are perhaps the most vivid producers of structurally interesting secondary metabolites with more than one ecological functions. Halogenated secondary metabolites produced by red algae Laurencia are unique in their structural design and exhibited multiple biological potentials. Similarly, soft corals in the Sulu-Sulawesi Coral Triangle produced a huge diversity of terpenoids and functions as feeding deterrents of these soft bodied invertebrates. Ecological chemicals obtained from the Bornean biodiversity also exhibited a wide array of medically important biological activities such as anti-microbial, anti-inflammation, anti-anticancer and serves an important array of lead pharmaceuticals. Some of these compounds are very potent and have been patented as lead-pharmaceutical candidates from Bornean natural products. Hence, ecological chemicals are important natural products that regulate ecological processes that ensures ecological balance in tropical ecosystems. Humans who are the custodians of natural ecosystem, stand to benefit directly and indirectly when we practice sustainable utilization and regulation of our natural resources.
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Rauch, Andreas y Michael Frese. A Personality Approach to Entrepreneurship. Editado por Susan Cartwright y Cary L. Cooper. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199234738.003.0006.
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The aim of this article is to review the personality approach on the basis of the theoretical framework, which assumes that the effects of a person's traits on his or her entrepreneurial behavior are mediated by specific traits and motivations, and moderated by environmental conditions. The article relies to a considerable extent on meta-analytical evidence. It argues that although the personality approach to entrepreneurship may help in explaining entrepreneurial behavior, it should be supplemented by sound and theoretically justified developments of modern personality psychology. The article also argues that it is essential to include a process view: Prime candidates for mediating processes are characteristics which are more proximal to the actions and the behavior of entrepreneurs. Although an individual's personality consists of stable trait components as well as of less stable ones, a personality approach also needs to consider the process dynamics of personality constructs.
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Dacome, Lucia. Epilogue. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198736189.003.0009.
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The Epilogue traces a shift in attitude towards anatomical modelling. In the mid-eighteenth century anatomical models had been praised for their capacity to defy time in the sense that they both resisted the body’s physical decay and promised to provide lasting and timeless sources of corporeal knowledge. However, by the end of the century changing attitudes towards notions of authenticity and techniques of production caused some to doubt earlier anatomical models’ capacity to produce and mediate knowledge about the body. Anatomical modelling continued to be regarded as a useful and promising medical technique. Yet, by the end of the eighteenth century the very models that only a few decades earlier had fuelled much interest among both practitioners and lay audiences, had already started to slip into obsolescence.
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Christodoulidis, Emilios y Johan van der Walt. Critical legal studies. Editado por Markus D. Dubber y Christopher Tomlins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198794356.013.31.
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This chapter traces the tradition of critical theory in Europe in the way it has informed and framed legal thought. A key, and distinctive, element of this legal tradition is that it characteristically connects to the state as constitutive reference; in other words it understands the institution of law as that which organizes and mediates the relation of the state to civil society. The other constitutive reference is political economy, a reference that typically grounds this tradition of thinking about the law in the materiality of the practices of social production and reproduction. It is in these connections, of the institution of law to the domains of the state and of the political economy, that critical legal theory locates the function of law, and the emancipatory potentially it affords on the one hand, and the obstacles to emancipation it imposes, on the other.
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Otto, Jennifer. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820727.003.0006.
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As an allegorical interpreter who perceived some of the spiritual teachings embedded in the Hebrew scriptures, Philo did not match the image of the stereotypical Jew constructed by Clement of Alexandria, Origen, and Eusebius. Neither, however, did he fulfill their criteria to be considered a legitimate Christian. This chapter argues that Philo functions in early Christian writings as neither a Christian nor a Jew but is situated in between these two increasingly differentiated identities. Acting as a third term in the equation, Philo the “Pythagorean,” the “predecessor,” and the “Hebrew,” mediates between the categories of Christian and Jew while ensuring that the two identities remain rhetorically and conceptually distinct. An epilogue briefly traces the varying depictions of Philo in later Christian literature, including accounts of his baptism by the apostle John and his transformation into Philo Judaeus, Philo the Jew.
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Costley White, Khadijah. Welcome to the Party. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190879310.003.0001.
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This chapter lays out the Tea Party’s history as a mass-mediated construction in the context of journalism, political communication, and social movement studies. It argues that the news coverage of the Tea Party primarily chronicled its meaning, appeal, motivations, influence, and circulation—an emphasis on its persona more than its policies. In particular, the news media tracked the Tea Party as a brand, highlighting its profits, marketability, brand leaders, and audience appeal. The Tea Party became a brand through news media coverage; in defining it as a brand, the Tea Party was a story, message, and cognitive shortcut that built a lasting relationship with citizen-consumers through strong emotional connections, self-expression, consumption, and differentiation.
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Littlefield, Andrew K. y Kenneth J. Sher. Personality and Substance Use Disorders. Editado por Kenneth J. Sher. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199381678.013.006.
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Individual differences in personality have long been linked to the use and misuse of alcohol, tobacco, cannabis, and other drugs. Broadly, personality characteristics of high neuroticism and behavioral undercontrol/impulsivity appear to robustly relate to several substance use disorders (SUDs), although other traits have also been linked to SUDs. Much of the genetic basis of SUDs appears to be mediated by personality traits, which may relate to SUDs through a variety of non-mutually exclusive mechanisms that may work additively and synergistically, are indexed by various motivations associated with reward seeking and regulating negative emotion, and also relate to self-control and environment selection. Considerable change occurs in personality over the life course, and recent data show that the course of substance use and SUDs is associated with personality change. Although much progress has been made, several lines of future research could be pursued to further our understanding of the personality–SUD relation.
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Price, Chane, Zahid Huq, Eellan Sivanesan y Constantine Sarantopoulos. Pain Pathways and Pain Physiology. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190457006.003.0001.
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Pain is a multidimensional sensory experience that is mediated by complex peripheral and central neuroanatomical pathways and mechanisms. Typically, noxious stimuli activate specific peripheral nerve terminals onto Aδ and C nerve fibers that convey pain and generate signals that are relayed and processed in the spinal cord and then conveyed via the spinothalamic tracts to the contralateral thalamus and from there to the brain. Acute pain is self-limited and resolves with the healing process, but conditions of extensive injury or inflammation sensitize the pain pathways and generate aberrant, augmented responses. Peripheral and central sensitization of neurons (as a result of spatially and temporally excessive inflammation or intense afferent signal traffic) may result in hyperexcitability and chronicity of pain, with spontaneous pain and abnormal evoked responses to stimuli (allodynia, hyperalgesia). Finally, neuropathic pain follows injury or disease to nerves as a result of hyperexcitability augmented by various sensitizing mechanisms.
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Guy, Priscilla. Where Is the Choreography? Who Is the Choreographer? Editado por Douglas Rosenberg. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199981601.013.28.
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This chapter examines editing as a springboard to envision new types of choreographic practices for screendance and proposes choreographic editing as a dance-making approach embedded within the process of editing, encouraging further headway into screendance practices. Martin Heidegger’s thinking provides insightful tracks to follow in theorizing the role of contemporary screendance choreography and mediated dances/bodies on screen. Erin Braningan’s concept of micro-choreographies and Harmony Bench’s essay on anti-gravitational choreographies in screendance suggest ideas of choreographic editing as an alternate approach to contemporary choreography. These are illustrated by editing strategies in three screendance works—Pas de Deuxby Norman McLaren,An Ostrich Proudlyby Xan Burley and Alex Springer, and Béla Tarr’sThe Turin Horse.The films show how techniques ranging from reediting of dancers’ motions to a quasi-absence of cuts that reveals strong kinesthetic empathy for the viewer all open up new possibilities of using editing in a powerful way.
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Jirsa, Tomáš y Mathias Bonde Korsgaard, eds. Traveling Music Videos. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501398025.
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Traveling Music Videos offers a new interdisciplinary perspective on how contemporary music videos travel across, shape, and transform various media, online platforms, art institutions, and cultural industries worldwide. With the onset of digital technologies and the proliferation of global video-sharing websites at the beginning of the 21st century, music video migrated from TV screens to turn instead to the internet, galleries, concert stages, and social media. As a result, its aesthetics, technological groundings, and politics have been radically transformed. From the kinaesthetic experience of TikTok to the recent reimaginations of maps and navigation tools through music video cartographies, from the ecofeminist voices mediated by live-stream concerts to the transmedia logic of video games and VR, from the videos’ role in contemporary art galleries to their political interventions —the chapters map the ways music video is continually reconfiguring itself. The volume tracks music video’s audiovisual itineraries across different geographies, maps its transmedia routes, and tackles the cultural impact that it has on our current media ecosystem.
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Spector, Regine A. Order at the Bazaar. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501709326.001.0001.
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Over the past two decades, bazaars mushroomed in the new Central Asian states, where rule-of-law institutions are weak and corruption high. How did bazaars grow and thrive in such an inhospitable context? Order at the Bazaar answers this question through an analysis of bazaars in Kyrgyzstan. They are conceptualized as islands of order within a chaotic national context. The findings demonstrate that those at the bazaar, including traders, private land owners, and municipal officials, create order themselves in the absence of a coherent national government apparatus and bureaucratic state. Drawing on original interviews, archival sources, and participant observation, the book illuminates the changing meanings and practices of older traders at bazaars, including the ways in which they adapted Soviet and pre-Soviet institutions and organizational forms to a new market setting. In these settings, they deliberated and advocated for favorable policies and conditions, mediated disputes, channelled information, and served as role models for traders. The findings have relevance beyond the bazaars and borders of this small country; they illuminate how economic activity can operate in weak rule-of-law contexts, and more specifically how a variety of organizational forms come to constitute the order that underpins new market economies.
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Saint-Amour, Paul K. Copyright and Intellectual Property. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456368.003.0020.
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After offering a brief overview of interdisciplinary scholarship on literature and intellectual property law, this chapter argues that future research in the field should focus less on the figure of the individual author and more on how copyright regulates populations. This would be to put down Michel Foucault’s classic essay “What Is an Author?” and pick up some of his later work, in particular his writings on biopolitics. Taking this new direction, we could begin to uncover the demographic logic that has attended copyright since its origins. We could trace how cultural works mediate copyright’s grounding in biology and power. And in quantitative methods we might find powerful tools for both measuring and curbing the extent to which intellectual property laws set the parameters of life.
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Jaleel, Rana M. The Work of Rape. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021797.
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In The Work of Rape Rana M. Jaleel argues that the redefinition of sexual violence within international law as a war crime, crime against humanity, and genocide owes a disturbing and unacknowledged debt to power and knowledge achieved from racial, imperial, and settler colonial domination. Prioritizing critiques of racial capitalism from women of color, Indigenous, queer, trans, and Global South perspectives, Jaleel reorients how violence is socially defined and distributed through legal definitions of rape. From Cold War conflicts in Latin America, the 1990s ethnic wars in Rwanda and Yugoslavia, and the War on Terror to ongoing debates about sexual assault on college campuses, Jaleel considers how legal and social iterations of rape and the terms that define it—consent, force, coercion—are unstable indexes and abstractions of social difference that mediate racial and colonial positionalities. Jaleel traces how post-Cold War orders of global security and governance simultaneously transform the meaning of sexualized violence, extend US empire, and disavow legacies of enslavement, Indigenous dispossession, and racialized violence within the United States. Duke University Press Scholars of Color First Book Award recipient
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Zuo, Mila. Vulgar Beauty. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478022718.
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In Vulgar Beauty Mila Zuo offers a new theorization of cinematic feminine beauty by showing how mediated encounters with Chinese film and popular culture stars produce feelings of Chineseness. To illustrate this, Zuo uses the vulgar as an analytic to trace how racial, gendered, and cultural identity is imagined and produced through affect. She frames the vulgar as a characteristic that is experienced through the Chinese concept of weidao, or flavor, in which bitter, salty, pungent, sweet, and sour performances of beauty produce non-Western forms of sexualized and racialized femininity. Analyzing contemporary film and media ranging from actress Gong Li’s post-Mao movies of the late 1980s and 1990s to Joan Chen’s performance in Twin Peaks to Ali Wong’s stand-up comedy specials, Zuo shows how vulgar beauty disrupts Western and colonial notions of beauty. Vulgar beauty, then, becomes the taste of difference. By demonstrating how Chinese feminine beauty becomes a cinematic invention invested in forms of affective racialization, Zuo makes a critical reconsideration of aesthetic theory.
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Martin, Jeffrey J. Self-Esteem. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190638054.003.0024.
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Self-esteem has a long history in psychological research and sport psychology researchers are often interested in whether sport builds self-esteem. This chapter traces the history of self-esteem research in sport and provides definitions of and distinguishes between self-esteem and self-concept, and unidimensional and multidimensional models of self-esteem. The reciprocal effects model of self-esteem is examined, which suggests mastery experiences and self-esteem both exert influences on each other and can be viewed as causes and effects of each other. Antecedents of self-esteem, such as feelings of mastery and favorable judgments of worth from significant others, are also discussed, along with developmental aspects of self-esteem. Related areas of research that might be relevant to disability and disability sport are also discussed, such as terror management theory, the role of discounting and devaluing in psychological disengagement, how self-esteem might act as a mediator, and metacognitive properties of self-esteem.
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Huotari, Mikko y Jürgen Rüland. Context, Concepts, and Comparison in Southeast Asian Studies. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190846374.003.0005.
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This chapter argues that the value of comparative area studies (CAS) depends on some original frame of reference, here the field of Southeast Asian studies. We trace the evolution of this field in view of research on other world regions and general methodological debates. The chapter also highlights the role of CAS in overcoming increasingly rigid methodological divides over such core issues as context-sensitivity and the challenges of comparative research practice. We outline a methodologically pluralist framework of area studies comparisons. This requires methodological bridges between mainstream disciplines and area studies as well as innovative approaches to conceptual problems associated with comparing different regions and cultures. In the process, CAS can also increase attention to non-Western regions, which sometimes get short shrift in theory building in the social sciences. Thus, CAS is in a particularly strong position to mediate the ongoing internationalization and “de-Westernization” of global knowledge.
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Roessler, Philip y Harry Verhoeven. Comrades Go to War. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190611354.003.0012.
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This chapter traces the trajectory from the unbearable no-man’s-land of waiting for the inevitable to the outbreak of conflict on August 2, 1998, and the ensuing first weeks of fighting. The failure of Joseph Kabila to mediate between his father and James Kabarebe cleared the last obstacle for the bellicose thrust on both sides to take full force. It details how both Kabila and Kagame sought to obtain the support of the regional bellwether, the MPLA, which fretted over the likelihood of an imminent resumption of the Angolan civil conflict with UNITA. Frantic shuttle diplomacy between Kinshasa, Kigali and Luanda underlined how much the unraveling of the domestic post-liberation order was intimately connected to the reconfiguration of regional order. While Kabarebe launched, his audacious air drop in Bas and counted on his intelligence officials to acquire Angola’s green light for Rwanda's Blitzkrieg, desperate Kabila emissaries wrote Luanda a blank check. The MPLA waivered for a long time, ultimately sending its mechanized brigades and air force to the rescue of the Mzee. The intervention transformed the initial lightning assault into a protracted war and marked the definitive rupture in the Pan-Africanist coalition that had assembled to overthrow Mobutu.
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Semple, Edel y Ronan Hatfull, eds. Shakespearean Biofiction on the Contemporary Stage and Screen. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350359239.
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This book is the first edited collection to explore Shakespeare’s life as depicted on the modern stage and screen. Focusing on the years 1998-2023, it uniquely identifies a 25-year trend for depicting Shakespeare, his family and his social circle in theatre, film and television. Interrogating Shakespeare’s afterlife across stage and screen media, the volume explores continuities and changes in the form since the release of Shakespeare in Love, which it positions as the progenitor of recent Shakespearean biofictions in Anglo-American culture. It traces these developments through the 21st century, from pivotal moments such as the Shakespeare 400 celebrations in 2016, up to the quatercentenary of the publication of the First Folio, whose portrait helped make the author a globally recognisable icon. The collection takes account of recent Anglo-American socio-political, cultural and literary concerns including feminism, digital media and the biopic and superhero genres. The wide variety of works discussed range from All is True and Hamnet to Upstart Crow, Bill and even The Lego Movie. Offering insights from actors, dramatists and literary and performance scholars, it considers why artists are drawn to Shakespeare as a character and how theatre and screen media mediate his status as literary genius.
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Hagen, Kirsten, Martina Grempler, Martina Grempler, Kirsten Hagen, Klaus Kanzog, Rolf Lessenich, Klaus Ley et al. Opernwelten. Erich Schmidt Verlag GmbH & Co. KG, 2012. http://dx.doi.org/10.37307/b.978-3-503-12246-2.
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Die Beiträge des Bandes beschäftigen sich mit Darstellungsformen der Oper in anderen Kunstformen sowie in Medien des 20. und 21. Jahrhunderts. Oper zeigt sich dabei in verschiedenen Bildern und Vorstellungen, etwa als Ort gesellschaftlicher Konventionen und Repräsentationen, als Raum für erotische Vorstellungen oder als Symbol für den Traum von sozialem Aufstieg. Abhängig vom jeweiligen Medium und von der Entstehungszeit der Darstellung werden unterschiedliche Aspekte des Phänomens ‚Oper’ in den Blick genommen. Gleichzeitig tragen die verschiedenen Studien einem Desiderat der Forschung Rechnung, die sich bislang ausschließlich auf Einzelaspekte konzentriert hat, und eine interdisziplinäre und -mediale Perspektive, wie sie der vorliegende Band einnimmt, außer Acht gelassen hat.
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Vimercati, Emmanuele, ed. Reception of John Philoponus’ Natural Philosophy. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350416307.
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In some of his most famous works, John Philoponus (c.490-570 CE) confronts numerous aspects of Aristotle’s philosophy and science. Yet the influence of these reinterpretations and critiques remains under-examined. This volume fills this gap by uncovering the considerable impact of Philoponus’ natural philosophy in both the medieval and Renaissance periods. Divided into three parts, the first part of the volume introduces central concepts in Philoponus’ philosophy. Highlighting the areas of crossover as well as of disagreement with Aristotle, chapters dedicate specific attention to Philoponus’ theories of place, matter and vacuum; his ideas of motion; his discussion of the heavens and the fifth element; and his anthropology. This is followed, in parts two and three, by a focus on Philoponus’ reception in the Middle Ages and the Renaissance respectively. Shedding light on the scientific ideas circulating in these periods, international experts explore a range of topics from the renewal of Aristotelianism in the Arab world, through the medieval Byzantine and Latin traditions, to Philoponus’ appearance in the early works of Galileo. Engaging with a number of Philoponus’ key tracts,The Reception of John Philoponus’ Natural Philosophyis both a much-needed study of Philoponus’ influence and a revealing analysis of how Aristotelian science was received, adapted, critiqued and mediated throughout the Middle Ages and the Renaissance.
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Adelman, Rebecca A. Figuring Violence. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823281671.001.0001.
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Figuring Violence catalogs the affects that define the latter stages of the war on terror and the imaginative work that underpins them. These affects—apprehension, affection, admiration, gratitude, pity, and righteous anger—are far more pleasurable and durable than their predecessors. Hence, they are deeply compatible with the ambitions of a state embroiling itself in a perpetual and essentially unwinnable war. Surveying the cultural landscape of this sprawling conflict, Figuring Violence reveals the varied mechanisms by which these affects have been militarized. This book tracks their convergences around six types of beings: civilian children, military children, military spouses, veterans with PTSD and TBI, Guantánamo detainees, and military dogs. All of these groups have become preferred objects of sentiment in wartime public culture, but they also have in common their status as political subjects who are partially or fully unknowable. They become visible to outsiders through a range of mediated and imaginative practices that are ostensibly motivated by concern or compassion. However, these practices actually function to reduce these beings to abstracted figures and so make them easy targets for affective investment. This is a paradoxical and conditional form of recognition that eclipses the actual beings upon whom those figures are patterned, silencing their political subjectivities and obscuring their suffering. As a result, they are erased and rendered hypervisible at once. Figuring Violence demonstrates that this dynamic ultimately propagates the very militarism that begets their victimization.
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Neal, Lynn S. Religion in Vogue. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479892709.001.0001.
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Religion in Vogue provides readers with a unique approach to the study of popular culture and American religion. Through its analysis of numerous primary sources ranging from fashion magazines to runway shows, the book traces how Christian symbols and imagery became an increasingly prominent part of the fashion industry and designer apparel. Examining this trajectory illuminates the longstanding and evolving relationship between Christianity and fashion. To capture this complexity, each chapter focuses on a specific element of fashion that mediates Christian ideas and images, including print articles, advertisements, jewelry, and fashion designs. Religion in Vogue examines in-depth religious elements in fashion advertisements, the popularity of cross jewelry, Catholic inspirations in designer collections, and, of course, the appearance of the divine on designer garments. Chronicling this trajectory highlights how the fashion industry constructs a vibrant textual, visual, and material discourse on Christianity that exists alongside and intersects with more dominant and familiar religious narratives. This fashionable religion, an aestheticized Christianity, offers spiritual seekers a way to be simultaneously stylish and religious. In doing so, the world of fashion both shapes and reflects trends toward religious individualism and religious eclecticism that have dominated the religious landscape of the United States in the latter half of the twentieth century and the first quarter of the twenty-first. Religion in Vogue helps us better understand the changing American religious landscape in a novel and fascinating way.
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Campbell, Josie P. Student Companion to Zora Neale Hurston. Greenwood Publishing Group, Inc. www.greenwood.com, 2001. http://dx.doi.org/10.5040/9798216020448.
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Zora Neale Hurston is considered one of the most controversial yet prominent figures associated with the Harlem Renaissance. This introductory study examines Hurston's contributions to that literary movement, as well as her role as mediator between the black and white worlds in which she lived. Readers will appeciate the clear presentation of the biographical facts of her life, as well as an overview of the issues and varying perceptions surrounding her literary achievements. A full chapter is devoted to analysing each of Hurston's major works of fiction: Jonah's Gourd Vine (1934), Their Eyes Were Watching God (1937), Moses, Man of the Mountain (1939), Seraph on the Suwanee (1948) as well as her short fiction and her fictionalized autobiography Dust Tracks on a Road (1942). For each of the works, plot, character development, themes, setting and symbols are identified and discussed in clear accessible language. An alternate critical perspective enhances the understanding of each of Hurston's full length works. Contemporary reviews are cited in a bibliography which also helps students find further biographical and critical information on Zora Neale Hurston.
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Skoulding, Zoë. Poetry & Listening. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621792.001.0001.
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Listening has always mattered in poetry, but how does poetry change when listening has been transformed? In Poetry and Listening: The Noise of Lyric, the field of sound studies, which has revolutionised research in contemporary music, is brought into dialogue with new lyric criticism. Examining poetry as mediated by performance, technology and translation, this book discovers how contemporary poetry has been re-energised by the influence of recorded sound and influenced by the creative methods that emerged with it. It offers an exploration of contemporary poetry’s acoustic contexts, moving beyond traditional analysis of poetic form to consider the social, political and ecological dimensions of a poem's sounds and silences. Through detailed discussion of innovative English-language poetry from the UK and USA, including works by Denise Riley, Sean Bonney, Caroline Bergvall, Mei-mei Berssenbrugge, Carol Watts, Claudia Rankine, Vahni Capildeo, Tom Raworth, Emma Bennett, Jonathan Skinner, Holly Pester, Tracie Morris, Hannah Silva, Rhys Trimble, Peter Hughes, Jeff Hilson and Tim Atkins, it argues for the centrality of listening to a form of composition in which language not only represents sonic experience but is part of it. With reference to Jean-Luc Nancy’s distinction between hearing and listening, alongside other key theorists of sound and noise, it shows how poetry offers insights into sensory perception, and how it charts acoustic relationships between language and the environment.
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Dacome, Lucia. Malleable Anatomies. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198736189.001.0001.
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Malleable Anatomies examines the early stages of the practice of anatomical modelling. It investigates the ‘mania’ for anatomical displays that swept the Italian peninsula in the mid-eighteenth century, and traces the fashioning of anatomical models as important social, cultural, and political as well as medical tools. Anatomical models offered special insights into the inner body. Being coloured, soft, and malleable, they fostered anatomical knowledge in delightful ways. But how did anatomical models inscribe and mediate bodily knowledge? How did they change the way in which anatomical knowledge was created and communicated? And how did they affect the lives of those involved in their production, display, viewing, and handling? Examining the circumstances surrounding the making and early viewing of anatomical displays in Bologna, Naples, and Palermo, Malleable Anatomies addresses these questions by reconstructing how anatomical modelling developed at the intersection of medical knowledge, religious ritual, antiquarian and artistic cultures, and Grand Tour display. While doing so, it investigates the development of anatomical modelling in the context of the diverse visual and material practices that characterized the representation and display of the body. Drawing attention to the artisanal dimension of anatomical practice, and the role of women as both makers and users, it considers how anatomical models lay at the centre of a composite world of social interactions that led to the fashioning of modellers as anatomical celebrities. Moreover, it examines how anatomical displays transformed the proverbially gruesome practice of anatomy into an enthralling experience that engaged audiences’ senses and affects.
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Milbank, Alison. God & the Gothic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824466.001.0001.
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God and the Gothic undertakes a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the Monasteries, now seen as usurpation of power by the authorities. A double gesture of repudiation and regret is evident in the consequent search for political, aesthetic, and religious mediation, which characterizes the aftermath of the Glorious Revolution and Whig Providential discourse. Part I interprets eighteenth-century Gothic novels in terms of this Whig debate about the true heir, culminating in Ann Radcliffe’s melancholic theology which uses distance and loss to enable a new mediation. Part II traces the origins of the doppelgänger in Calvinist anthropology and establishes that its employment by a range of Scottish writers offers a productive mode of subjectivity, necessary in a culture equally concerned with historical continuity. In Part III, Irish Gothic is shown to be seeking ways to mediate between Catholic and Protestant identities through models of sacrifice and ecumenism, while in Part IV, nineteenth-century Gothic is read as increasingly theological, responding to materialism by a project of re-enchantment. Ghost-story writers assert the metaphysical priority of the supernatural to establish the material world. Arthur Machen and other Order of the Golden Dawn members explore the double and other Gothic tropes as modes of mystical ascent, while raising the physical to the spiritual through magical control, and the M. R. James circle restores the sacramental and psychical efficacy of objects.