Artículos de revistas sobre el tema "Masquerades, fiction"
Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros
Consulte los 50 mejores artículos de revistas para su investigación sobre el tema "Masquerades, fiction".
Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.
También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.
Explore artículos de revistas sobre una amplia variedad de disciplinas y organice su bibliografía correctamente.
Li, Xiaofan Amy. "Risky Masquerades: The Play of Masks in Yukio Mishima’s Confessions and Qiu Miaojin’s Crocodile". Comparative Literature Studies 60, n.º 4 (noviembre de 2023): 719–45. http://dx.doi.org/10.5325/complitstudies.60.4.0719.
Texto completoChinaka, Psalms. "Liberation as an Instrument of Self-Aggrandizement: The Nigerian “Revolutionary Masquerades” in Achebe’s There was a Country and Selected Nigerian Works of Fiction". Journal of the African Literature Association 7, n.º 2 (enero de 2013): 132–46. http://dx.doi.org/10.1080/21674736.2013.11690211.
Texto completoS. Omoera, Osakue y Ruth Etuwe Epochi-Olise. "MEDIATIZATION OF NDOKWA MASQUERADE PERFORMANCES: THE AESTHETIC DYNAMICS OF AN AFRICAN INDIGENOUS CARNIVAL". Journal of Cultural and Creative Industries 3, n.º 1 (22 de diciembre de 2022): 1–22. http://dx.doi.org/10.21134/jcci.v3i1.1763.
Texto completoBohata, Kirsti. "MISTRESS AND MAID: HOMOEROTICISM, CROSS-CLASS DESIRE, AND DISGUISE IN NINETEENTH-CENTURY FICTION". Victorian Literature and Culture 45, n.º 2 (5 de mayo de 2017): 341–59. http://dx.doi.org/10.1017/s1060150316000644.
Texto completoBelsey, Catherine. "Popular Fiction and the Feminine Masquerade". European Journal of English Studies 2, n.º 3 (diciembre de 1998): 343–58. http://dx.doi.org/10.1080/13825579808574422.
Texto completoMarling, William. "Masquerade, Crime, and Fiction: Criminal Deceptions (review)". MFS Modern Fiction Studies 55, n.º 2 (2009): 404–7. http://dx.doi.org/10.1353/mfs.0.1605.
Texto completoAlexander, Josephine Olufunmilayo. "Exploring Nnedi Okorafor's decolonial turn in the Binti Trilogy". Image & Text, n.º 37 (1 de noviembre de 2023): 1–28. http://dx.doi.org/10.17159/2617-3255/2023/n37a29.
Texto completoNicol, B. "LINDEN PEACH. Masquerade, Crime and Fiction: Criminal Deceptions (Crime Files Series)". Review of English Studies 58, n.º 236 (16 de julio de 2007): 588–89. http://dx.doi.org/10.1093/res/hgm071.
Texto completoCârstea, Daniela. "The Picture of Dorian Gray; The Return of the Real". European Journal of Behavioral Sciences 4, n.º 3 (20 de diciembre de 2021): 1–5. http://dx.doi.org/10.33422/ejbs.v4i3.713.
Texto completoSpacks, Patricia Meyer y Terry Castle. "Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction." Eighteenth-Century Studies 21, n.º 1 (1987): 98. http://dx.doi.org/10.2307/2739030.
Texto completoWarner, William B. y Terry Castle. "Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction." MLN 103, n.º 5 (diciembre de 1988): 1144. http://dx.doi.org/10.2307/2905205.
Texto completoRoyce, Anya Peterson y Terry Castle. "Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction". American Historical Review 93, n.º 3 (junio de 1988): 694. http://dx.doi.org/10.2307/1868147.
Texto completoMelaver, Martin y Terry Castle. "Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction". Poetics Today 8, n.º 3/4 (1987): 746. http://dx.doi.org/10.2307/1772600.
Texto completoKotowska, Katarzyna. "Identités fictives de Cindy Sherman et de Sophie Calle". Cahiers ERTA, n.º 28 (30 de diciembre de 2021): 162–94. http://dx.doi.org/10.4467/23538953ce.21.040.15190.
Texto completoDjeddai, Imen y Fella Benabed. "The Strong Binti in Nnedi Okorafor’s African American Science Fiction". Traduction et Langues 19, n.º 2 (31 de diciembre de 2020): 210–20. http://dx.doi.org/10.52919/translang.v19i2.374.
Texto completoFernández-Lamarque, Mária. "Masquerade and Social Justice in Contemporary Latin American Fiction by Helene Carol Weldt-Basson". Hispania 102, n.º 1 (2019): 149–51. http://dx.doi.org/10.1353/hpn.2019.0030.
Texto completoThornton, Niamh. "Masquerade and Social Justice in Contemporary Latin American Fiction by Helene Carol Weldt-Basson". Revista de Estudios Hispánicos 52, n.º 3 (2018): 1047–48. http://dx.doi.org/10.1353/rvs.2018.0083.
Texto completoNance, Kimberly A. "Masquerade and Social Justice in Contemporary Latin American Fiction by Helen Carol Weldt-Basson". Hispanófila 182, n.º 1 (2018): 208–10. http://dx.doi.org/10.1353/hsf.2018.0025.
Texto completoSrinivasan, Ragini Tharoor. "“English like Hindi”: Chetan Bhagat, Popular Fiction, and India’s Voice". Comparative Literature 76, n.º 1 (1 de marzo de 2024): 20–43. http://dx.doi.org/10.1215/00104124-10897094.
Texto completoWilliams, Carolyn D. y Catherine Craft-Fairchild. "Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women". Modern Language Review 90, n.º 1 (enero de 1995): 149. http://dx.doi.org/10.2307/3733279.
Texto completoRedding, Art. "The Eisenhower Blues: Returning GIs and Racial Masquerade in Post-War American Film and Fiction". Canadian Review of American Studies 50, n.º 1 (marzo de 2020): 8–44. http://dx.doi.org/10.3138/cras.2019.006.
Texto completoSeidel, Michael. "Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction (review)". Eighteenth-Century Fiction 1, n.º 1 (1988): 79–82. http://dx.doi.org/10.1353/ecf.1988.0000.
Texto completoZaporozhtseva, Lyudmyla. "Darth Vader in Ukraine: On the boundary between reality and mythology". Semiotica 2018, n.º 221 (26 de marzo de 2018): 261–77. http://dx.doi.org/10.1515/sem-2016-0147.
Texto completoGodley, J. Asher. "The Enjoyment of Being Had: The Aesthetics of Masquerade in The Confidence-Man". Philosophies 9, n.º 2 (15 de abril de 2024): 51. http://dx.doi.org/10.3390/philosophies9020051.
Texto completoWright, Derek. "The Ritual Context of Two Plays by Soyinka". Theatre Research International 12, n.º 1 (1987): 51–61. http://dx.doi.org/10.1017/s0307883300013298.
Texto completoTownsend, Sarah L. "“Certainly forbidden” subjects: Race, migration, and the vanishing points of post-imperial British security". Journal of Commonwealth Literature 52, n.º 1 (27 de julio de 2016): 183–200. http://dx.doi.org/10.1177/0021989415592661.
Texto completoMACPHERSON, HEIDI SLETTEDAHL. "Lorrie Moore Collection“Escape from the Invasion of the Love-Killers”: Lorrie Moore's Metafictional Feminism". Journal of American Studies 46, n.º 3 (agosto de 2012): 565–80. http://dx.doi.org/10.1017/s0021875811001939.
Texto completoNIM, EVGENIYA G. "Bromance as a Masquerade: Adaptation and Reception of Chinese Danmei Fantasy". Art and Science of Television 18, n.º 3 (2022): 105–43. http://dx.doi.org/10.30628/1994-9529-2022-18.3-105-143.
Texto completoSchefer, Raquel. "Mueda, Memória e Massacre by Ruy Guerra and the cultural forms of the Makonde Plateau". Comunicação e Sociedade 29 (27 de junio de 2016): 53–77. http://dx.doi.org/10.17231/comsoc.29(2016).2409.
Texto completoHensley, David C. "Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women (review)". Eighteenth-Century Fiction 8, n.º 1 (1995): 149–51. http://dx.doi.org/10.1353/ecf.1995.0038.
Texto completoMcMillin, T. S. ""Strangers Still More Strange": The Meaning of Rivers Bedeviled". Review of International American Studies 14, n.º 1 (30 de septiembre de 2021): 49–75. http://dx.doi.org/10.31261/rias.10267.
Texto completoVujanov, Jovana. "The Seriality of Stephen King’s Overlook Hotel – a Transmedial Maze". Prague Journal of English Studies 9, n.º 1 (1 de julio de 2020): 87–114. http://dx.doi.org/10.2478/pjes-2020-0005.
Texto completoRogers, Pat. "Terry Castle. Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction. Stanford: Stanford University Press. 1986. Pp. x, 395. $37.50." Albion 20, n.º 1 (1988): 101–2. http://dx.doi.org/10.2307/4049817.
Texto completoBoquet, Guy. "Terry Castle, Masquerade and Civilisation. The Carnivalesque in Eighteenth-Century English Culture and Fiction, Stanford, Stanford University Press, 1986, X–395 p., 38 illustr." Annales. Histoire, Sciences Sociales 44, n.º 4 (agosto de 1989): 918–19. http://dx.doi.org/10.1017/s039526490014689x.
Texto completoIglesias, Luis A. ""And Yet He May Be Our Man": The Cross-Dressing Sailor in Cooper's Early Sea Novels". Nineteenth-Century Literature 65, n.º 3 (1 de diciembre de 2010): 283–314. http://dx.doi.org/10.1525/ncl.2010.65.3.283.
Texto completoMakia, Ahmad. "The Extinctionist Man". Identities: Journal for Politics, Gender and Culture 19, n.º 1-2 (2 de diciembre de 2022): 92–106. http://dx.doi.org/10.51151/identities.v19i1-2.397.
Texto completoVuković, Vesi. "Of bees, birds, trees, and women: iconography, superstition and victimization of female characters in Yugoslav New Film". Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 28, n.º 37 (31 de marzo de 2021): 285–307. http://dx.doi.org/10.14746/i.2020.37.16.
Texto completoKulkov, Aleksandr N. "Intertextuality in T. Pratchett’s Novel Maskerade". Izvestia of the Ural federal university. Series 2. Humanities and Arts 23, n.º 3 (2021): 186–98. http://dx.doi.org/10.15826/izv2.2021.23.3.053.
Texto completoABDULSAHIB, Thikra. "CONTEMPORARY MAKE_UP TECHNIQUES AND AESTHETIC ADDITIONS TO THE DRAMATIC CHARACTER IN CHILD THEATER". International Journal of Humanities and Educational Research 03, n.º 05 (1 de octubre de 2021): 358–70. http://dx.doi.org/10.47832/2757-5403.5-3.31.
Texto completo"Masquerade, crime and fiction: criminal deceptions". Choice Reviews Online 44, n.º 11 (1 de julio de 2007): 44–6113. http://dx.doi.org/10.5860/choice.44-6113.
Texto completoRolls, Alistair. "The Re-imagining Inherent in Crime Fiction Translation". M/C Journal 18, n.º 6 (7 de marzo de 2016). http://dx.doi.org/10.5204/mcj.1028.
Texto completoValim da Mota Silva (USP), Raphael. "THE MASQUERADE: HUMOR, REALITY AND FICTION IN HENRY FIELDING’S WORKS". Miguilim - Revista Eletrônica do Netlli 8, n.º 2 (21 de noviembre de 2019). http://dx.doi.org/10.47295/mgren.v8i2.2018.
Texto completoPhillips, Jennifer Anne. "Closure through Mock-Disclosure in Bret Easton Ellis’s Lunar Park". M/C Journal 12, n.º 5 (13 de diciembre de 2009). http://dx.doi.org/10.5204/mcj.190.
Texto completoLevey, Nick. "“Analysis Paralysis”: The Suspicion of Suspicion in the Fiction of David Foster Wallace". M/C Journal 15, n.º 1 (31 de octubre de 2011). http://dx.doi.org/10.5204/mcj.383.
Texto completoColella, Silvana. "Cross-Dressing in the City: Olive Malvery’s The Speculator". Journal of Victorian Culture, 12 de julio de 2021. http://dx.doi.org/10.1093/jvcult/vcab036.
Texto completo"Masquerade and gender: disguise and female identity in eighteenth-century fictions by women". Choice Reviews Online 31, n.º 07 (1 de marzo de 1994): 31–3635. http://dx.doi.org/10.5860/choice.31-3635.
Texto completo"Terry Castle. Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction. Stanford: Stanford University Press. 1986. Pp. x, 395. $37.50". American Historical Review, junio de 1988. http://dx.doi.org/10.1086/ahr/93.3.694.
Texto completoBucher, Taina. "About a Bot: Hoax, Fake, Performance Art". M/C Journal 17, n.º 3 (7 de junio de 2014). http://dx.doi.org/10.5204/mcj.814.
Texto completoStarrs, D. Bruno. "Enabling the Auteurial Voice in Dance Me to My Song". M/C Journal 11, n.º 3 (2 de julio de 2008). http://dx.doi.org/10.5204/mcj.49.
Texto completoCurran, Bev. "Portraits of the Translator as an Artist". M/C Journal 4, n.º 4 (1 de agosto de 2001). http://dx.doi.org/10.5204/mcj.1923.
Texto completo