Literatura académica sobre el tema "Masque"
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Artículos de revistas sobre el tema "Masque"
Wittevrongel, Bernard. "Masquer le masque". lieuxdits, n.º 21 (6 de julio de 2022): 6–11. http://dx.doi.org/10.14428/ld.vi21.67193.
Texto completoFLETGEN, Mélissa. "Le masque, l’accessoire privilégié de l’imposteur". Revue Mosaïques, Volume 1, Numéro 5 (22 de diciembre de 2022): 47–58. http://dx.doi.org/10.17184/eac.3016.
Texto completoHarris, Sharon J. "Masqued Poetics in Your Five Gallants: Middleton's Response to Jonson". Ben Jonson Journal 25, n.º 2 (noviembre de 2018): 242–76. http://dx.doi.org/10.3366/bjj.2018.0226.
Texto completoPillot-Loiseau, Claire y Bernard Harmegnies. "Perception auditive des effets de différents masques anti-COVID sur la parole conversationnelle, déclamée et le chant : étude de cas". Langues & Parole 7 (26 de diciembre de 2022): 67–92. http://dx.doi.org/10.5565/rev/languesparole.115.
Texto completoMcKelvey, Chelsea. "Queen Anne's Body in Stuart Court Sermons". Ben Jonson Journal 28, n.º 2 (noviembre de 2021): 237–57. http://dx.doi.org/10.3366/bjj.2021.0315.
Texto completoPLOTTON, C. y X. GOCKO. "Masque chirurgical ou FFP 2 ?" EXERCER 31, n.º 162 (1 de abril de 2020): 168–69. http://dx.doi.org/10.56746/exercer.2020.162.168.
Texto completoFilacanapa, Giulia. "Les enseignements du masque". Manzuá: Revista de Pesquisa em Artes Cênicas 5, n.º 2 (23 de diciembre de 2022): 17. http://dx.doi.org/10.21680/2595-4024.2022v5n2id30979.
Texto completoSokolova, Alla. "The Origins of the Genre of the English Masque". Culturology Ideas, n.º 17 (1'2020) (2020): 89–98. http://dx.doi.org/10.37627/2311-9489-17-2020-1.89-98.
Texto completoMacIntyre, Jean. "Buckingham the Masquer". Renaissance and Reformation 34, n.º 3 (1 de julio de 1998): 59–81. http://dx.doi.org/10.33137/rr.v34i3.10817.
Texto completoJordàn, Manuel A. "Le masque comme processus ironique. Les makishi du nord-ouest de la Zambie". Anthropologie et Sociétés 17, n.º 3 (10 de septiembre de 2003): 41–61. http://dx.doi.org/10.7202/015274ar.
Texto completoTesis sobre el tema "Masque"
Revial, Gaëlle. "Masque de l’écriture, écriture du masque. Amélie Nothomb et le courant « posthumain »". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040011.
Texto completoThis thesis proposes to examine the representation of the mask and the influence of this concept in Amélie Nothomb’s work, in particular to throw light on the unproven monstrousness of her writing. Before the description of the Belgian French languaged literature and the different literary currents in which the novelist seems to belong to, it takes an interest in masks used by her characters to deceive their surroundings or deceive themselves, and in the world vision that is proposed to the reader. Secondly it describes mask as a permanent feature of the Amélie Nothomb’s voice, in the novelist’s thematic and stylistic writing or in her public or literary characters. Then, it examines the caricatural and grotesque aesthetic of the Amélie Nothomb’s masks, which can make the story beginning a carnival cycle
Dior, Julie. "Visage, masque et jeu". Paris 3, 1994. http://www.theses.fr/1994PA030185.
Texto completoThis thesis begins with the idea of a certain reciprocity between the face and the masque. This idea is contained in the greek word prosopon, which designates the face as well as the mask and thus indicates that the two are in an inseparable couple-relationship. By introducing a separate word for "face", the romans fatally altered this concept. Topology, the science of variations and invariables, confirms ancient greek thought on the mask : the mask is simply the most exagger ated example of the transformations of a face which is itself in a perpetual state of change or becoming. More profondly , all subjects for lacan, and all languages for jakobson, are a construction of or a play between metaphore and metonymy. The subject is a pure signifier, deprived of essence-- a series of masks-- which lacan illustrated by means of topolog ical figures and the mask itself. Deleuze, serres and badiou have, each in their own manner, incorporated this concept in discourses that are, however, very different one from the other. After its initial exposition, this theory of masks i s articulated in several contexts : baroque court festivities using arcimboldo's paintings as a point of departure, pira ndello and the calling into question of identity, the image in the mirror and the double in theatre, the cinematographic c lose-up as mask, as well as a selection of contemporary mises en scene. The final chapter introduces the category of r eal, or that which resists all attempts at formalization and which is thus radically distinct from symbolical (metaphorical) and imaginary (metonymical). A reflection follows on what the topological concept of identity signifies f or the mask and the face in theatre
Oger-Schwarzer, Sylvie. "Le masque chez elias canetti". Paris 3, 1986. http://www.theses.fr/1986PA030141.
Texto completoThe subject of a mask is of great importance in the work of elias canetti. It is found in his anthropological study of power (masse und macht), in his conception of theater as well as in his perception of language. Using the picture of mask, the author attempts to portray the alienation of people living in his age. The dissertation is divided into three sections : - the ambiguity of power which culminates in paranoia ; an illness which canetti interprets differently than freud. The dramatic principles of theater elaborated by the author, their literary and historic background. - a lexical, morphological and syntactical study of two linguistic profiles ("acoustical masks") presented in the novel die blendung. The different "acoustical masks" of the characters appearing in the two dramas hochzeit and komodie der eitelkeit are summarized in the end of the dissertation (annex)
Burden, Michael J. "The British masque 1690-1800". Thesis, University of Edinburgh, 1991. http://hdl.handle.net/1842/20355.
Texto completoOger-Schwarzer, Sylvie. "Le Masque chez Elias Canetti". Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37601096g.
Texto completoBouchetard, Alice. "Yasmina Reza, le miroir et le masque". Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040012.
Texto completoThe Famous French playwright Yasmina Reza received some of the most prestigious prices in the world : three Molières (FR), a Laurence Olivier Award (UK), two Tony Award (USA), a Die Welt (DE). Nevertheless, in France she is still considered as merely a successful author, with some kind of new farce to offer. A specific study of Yasmina Reza’s drama, including her language, her characters and the architecture of her plays, brings out other meaningful and complex colors from under the mask of comedy. She stages middle-class characters whose life is quite easy; in the meantime she reveals universal metaphysical issues. It is always about a clash between a person and the world or a person and his kind. This reflection about the anxious being goes on stage with a reconsideration of the power of theater. The middle-class characterization is a mirror for the audience as well as it is a mask that covers a constant questioning about the meaning of life and art, continuing the work of the avant-garde of the middle of the 20th century, of which she appears to be an unexpected new recruit
Ravelhofer, Barbara. "The Stuart masque : dance, costume and remembering". Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311066.
Texto completoZang, Ndong Pascaline. "Ecriture et masque : Approche sémiotique et poétique". Thesis, Limoges, 2017. http://www.theses.fr/2017LIMO0063/document.
Texto completoQuestions about the existence of writing in Africa have always interested intellectual circles, between those who think that writing on the continent is a new phenomenon resulting from colonization, and those who challenge it. The present thesis proposes to analyze the presence of the writing in the traditional Fang society, and to demonstrate that every society has that will of inscription of meaning in order to perpetuate the collective memory (rites, beliefs and social organization). It is through the mask that that problematic will be studied: the mask as the means of reading that "thought of writing". The second stage of this work, will deal with the mask in literature, through its different levels of apprehension (cultural mask and social mask) without considering them as heterogeneous, but to emphasize its complementarity. Then, this work will also highlight how the literary writing appropriates the functioning of the mask in two authors: Ludovic Obiang and Sami Tchak, through concealment or veil. The interest here is to reconsider the position of traditional symbols in contemporary African literature, as an attempt to answer to current questions
Haslem, Michelle. "Familial politics and the Stuart court masque". Thesis, University of Liverpool, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367810.
Texto completoThieffry, Luc. "Marcel pagnol : la plume et le masque". Lille 3, 1996. http://www.theses.fr/1996LIL30029.
Texto completoMarcel pagiiol wellknown and also unknown has so many identities : dramatist, film-maker, novelist, adapter, essayist, screen-writer, translator but also mathematician, mechanic, inventor, engineer, geologist, doctor. Concerning pagnol everything seems to be organized as if the establishment of an identity would have to go through numerous identities. He is a character in a never-ending and continuous mobility. It all began with the death of his mother when pagnol was fifteen. From that day on, pagnol drowned in a never ending movement which aim was to overshadow the best he could the unbearable loss and in the same time the unbearable stillness, the unbearable immobility of death. From that time on it will be impossible to miss mobility concerning the structure of his work fitting in with genelogical dynamism, as well as the reference, the repetition, the affiliation according to his theories on laughter leading to mobility in writing, according to his obsessional curiosity. Pagnol constantly established his ethics witli mobility and dynamism. However this pagnol with numerous identities, this scattered pagnol will succeed in extremis in his ultimate work "le secret du masque de fer" where behind a very common historical quest, there is a ten-years-work on unveiling his own character. This work is, therefore, organized as a freeing psychoanalyse leading pagnol to drop his own mask
Libros sobre el tema "Masque"
Byrne, Elena Karina. Masque. Dorset, Vt: Tupelo Press, 2008.
Buscar texto completo1948-, Costello Matthew J., ed. Masque. New York: Warner Books, 1998.
Buscar texto completoGrell, Mike. Masque. New York: DC Comics, 1997.
Buscar texto completoDrouillard, Jean-Raoul Austin de. Le masque. Sainte-Croix: Mon village, 2007.
Buscar texto completoLewitt, Shariann. Interface Masque. New York: Tor, 1997.
Buscar texto completoGrell, Mike. Batman: Masque. New York, NY: DC Comics, 1997.
Buscar texto completoDeath masque. New York: Walker, 1986.
Buscar texto completo1963-, Bhimji Zarina y John Hansard gallery, eds. The masque. [Southampton]: John Hansard Gallery, 1998.
Buscar texto completoRyan, Jenna. Midnight masque. Richmond, Surrey: Silhouette Intrigue, 1994.
Buscar texto completoAlice's Masque. London: Jonathan Cape, 1994.
Buscar texto completoCapítulos de libros sobre el tema "Masque"
Lindley, David. "Masque". En A New Companion to Renaissance Drama, 355–70. Chichester, UK: John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781118824016.ch26.
Texto completoBährle-Rapp, Marina. "masque". En Springer Lexikon Kosmetik und Körperpflege, 342. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_6336.
Texto completoDutton, Richard. "The Masque". En Teaching Shakespeare and Early Modern Dramatists, 187–217. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230593206_14.
Texto completoWood, Michael. "Metaphor and Masque". En A Companion to George Eliot, 35–45. Chichester, UK: John Wiley & Sons, Ltd, 2013. http://dx.doi.org/10.1002/9781118542347.ch2.
Texto completoPinnock, Andrew. "Masque and opera". En Approaching Historical Sources in their Contexts, 87–112. New York : Routledge, 2020. | Series: Routledge guides to using historical sources: Routledge, 2020. http://dx.doi.org/10.4324/9781351106573-6.
Texto completoShelley, Percy Bysshe. "‘Masque of Anarchy’". En Documents on the Nineteenth Century United Kingdom Constitution, 29–43. London: Routledge, 2023. http://dx.doi.org/10.4324/9780367816148-12.
Texto completoThomas, David. "Tragedy, Masque and Opera". En William Congreve, 104–23. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22322-0_7.
Texto completoShohet, Lauren. "The Masque as Book". En Arizona Studies in the Middle Ages and Renaissance, 143–68. Turnhout: Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.asmar-eb.3.114.
Texto completoBritish Drama 1533–1642: A Catalogue. "247: Wedding Masque or Masques". En British Drama 1533–1642: A Catalogue, Vol. 1: 1533–1566, editado por Martin Wiggins y Catherine Richardson. Oxford University Press, 2011. http://dx.doi.org/10.1093/oseo/instance.wiggins247.
Texto completoButtay, Florence. "Masque". En Peindre en leur âme des fantômes, 282–84. Presses universitaires de Rennes, 2018. http://dx.doi.org/10.4000/books.pur.175101.
Texto completoActas de conferencias sobre el tema "Masque"
Wang, Chi, Da-Yuan Huang, Shuo-wen Hsu, Chu-En Hou, Yeu-Luen Chiu, Ruei-Che Chang, Jo-Yu Lo y Bing-Yu Chen. "Masque". En UIST '19: The 32nd Annual ACM Symposium on User Interface Software and Technology. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3332165.3347898.
Texto completoKühlewind, Mirja, Matias Carlander-Reuterfelt, Marcus Ihlar y Magnus Westerlund. "Evaluation of QUIC-based MASQUE proxying". En CoNEXT '21: The 17th International Conference on emerging Networking EXperiments and Technologies. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3488660.3493806.
Texto completoCope, Zoe Lynne. "Architectural Ghosts: Storytelling and the Urban Imaginary". En 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.50.
Texto completoScharnitzky, Donat, Zsolt Kramer, Sandor Molnar y Attila Mihaly. "Real-time Emulation of MASQUE-based QUIC Proxying in LTE Networks using ns-3". En CACML 2023: 2023 2nd Asia Conference on Algorithms, Computing and Machine Learning. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3590003.3590995.
Texto completoBouchet, Marie y Yves Iehl. "La poétique du masque — De la «Nouvelle rêvée» d’Arthur Schnitzler au film de Stanley Kubrick, Eyes Wide Shut". En Territoires du récit bref. De l'image dans la fiction à l'imaginaire en science-fiction. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5265.
Texto completoZhang, Siyou, Zhongwen Pei y Jiangyu Sun. "Analysis of Implied Meaning of Color Terms in the Novel The Masque of the Red Death from the Perspective of qEffect Theoryq". En 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.96.
Texto completoSioli, Angeliki. "The Detective Stories Studio: The Function of Fiction in Shaping Architectural Education". En 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.89.
Texto completoDanilevičienė, Irena. "DARBO UŽMOKESČIO NELYGYBĖS ĮTAKA SOCIALINĖS ATSKIRTIES FENOMENO ATSIRADIMUI". En Conference for Junior Researchers „Science – Future of Lithuania“. VGTU Technika, 2016. http://dx.doi.org/10.3846/vvf.2016.009.
Texto completoGowda, Shreyasvi. "MaskUp!" En HRI '21: ACM/IEEE International Conference on Human-Robot Interaction. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3434074.3446942.
Texto completoRoy, Rohan Basu, Tirthak Patel, Vijay Gadepally y Devesh Tiwari. "Mashup". En PPoPP '22: 27th ACM SIGPLAN Symposium on Principles and Practice of Parallel Programming. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3503221.3508407.
Texto completoInformes sobre el tema "Masque"
Coultas, Mimi, Ruhil Iyer y Jamie Myers. Compendium sur le lavage des mains dans des contextes pauvres en ressources : Document évolutif 3e édition. The Sanitation Learning Hub, Institute of Development Studies, octubre de 2020. http://dx.doi.org/10.19088/slh.2020.014.
Texto completoFuller, John H. Sam Massie Chair of Excellence Research. Office of Scientific and Technical Information (OSTI), octubre de 2011. http://dx.doi.org/10.2172/1162058.
Texto completoJohnson, James H. Samuel P. Massie Chair of Excellence Program. Office of Scientific and Technical Information (OSTI), diciembre de 2014. http://dx.doi.org/10.2172/1165364.
Texto completoMwenifumbo, C. J. Mise-a-La-Masse Experiments in the Maclean Extension Orebody. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1987. http://dx.doi.org/10.4095/122406.
Texto completoDeLoach, Scott A. Analysis and Design using MaSE and agentTool. Fort Belvoir, VA: Defense Technical Information Center, abril de 2001. http://dx.doi.org/10.21236/ada448191.
Texto completoAdeyiga, Adeyinka A. Samuel P. Massie Chair of Excellence In Environmental Disciplines: Hampton University 1994-2010 Year Report. Office of Scientific and Technical Information (OSTI), diciembre de 2014. http://dx.doi.org/10.2172/1165483.
Texto completoBeasley, C. W. y S. H. Ward. Three-dimensional mise-a-la-masse modeling applied to mapping fracture zones. Office of Scientific and Technical Information (OSTI), junio de 1985. http://dx.doi.org/10.2172/5115895.
Texto completoAndreas, Balthasar y Schalcher Hans-Rudolf. Forschung für die Schweizer Energiezukunft. Swiss National Science Foundation (SNSF), enero de 2020. http://dx.doi.org/10.46446/publikation_nfp70_nfp71.2020.1.de.
Texto completoCauchon-Voyer, G. Morpho-sédimentologie et mouvements de masse au large de la rivière Betsiamites, estuaire du Saint-Laurent. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2007. http://dx.doi.org/10.4095/224420.
Texto completoRoyer, Annie, Patrick Mundler y Julie Ruiz. L’évolution du secteur bioalimentaire au Québec de 1961 à 2016. CIRANO, noviembre de 2023. http://dx.doi.org/10.54932/jhvl6079.
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