Tesis sobre el tema "Masks"
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Nicholas, Jeffrey Francis. "Masks". Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1459629154.
Texto completoSeip, Lisa Pauline. "Early Nuxalk masks". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0027/MQ51469.pdf.
Texto completoMiller, Stephanie. "Masks, a journey for discovery". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0027/MQ51420.pdf.
Texto completoSanchez, Erin. "Filtration Efficiency of Surgical Masks". Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1760.
Texto completoLi, Chan Yi. "Texture synthesis based on texton masks". Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636981.
Texto completoSanders, Jet G. "Face perception and hyper-realistic masks". Thesis, University of York, 2018. http://etheses.whiterose.ac.uk/22393/.
Texto completoNewman, Kevin y Kevin Newman. "Achromatic Phase Shifting Focal Plane Masks". Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/621110.
Texto completoKella, Vasiliki. "Germinate writing in Plautus : doubles & masks". Thesis, King's College London (University of London), 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.676716.
Texto completoJones, Christopher Wendell. "Masks, chamber concerto for violoncello and ensemble". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ49705.pdf.
Texto completoBay, Christoph. "Dynamic holographic masks for adaptive optical lithography". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609954.
Texto completoDavidson, Robert Andrew. "Radiographic contrast-enhancement masks in digital radiography". Thesis, The University of Sydney, 2006. http://hdl.handle.net/2123/1932.
Texto completoDavidson, Robert Andrew. "Radiographic contrast-enhancement masks in digital radiography". University of Sydney, 2006. http://hdl.handle.net/2123/1932.
Texto completoRadiographic film/screen (F/S) images have a narrow latitude or dynamic range. The film’s ability to record and view all the anatomy within the x-ray field is limited by this narrow dynamic range. The advent of digital radiographic means of storing and displaying radiographic images has improved the ability to record and visualise all of the anatomy. The problem still exists in digital radiography (DR) when radiographic examinations of certain anatomical regions are undertaken. In this work, the value of anatomically shaped radiographic contrast-enhancement masks (RCMs) in improving image contrast and reducing the dynamic range of images in DR was examined. Radiographic contrast-enhancement masks are digital masks that alter the radiographic contrast in DR images. The shape of these masks can be altered by the user. Anatomically shaped RCMs have been modelled on tissue compensation filters (TCFs) commonly used in F/S radiographic examinations. The prime purpose of a TCF is to reduce the dynamic range of photons reaching the image receptor and hence improve radiographic contrast in the resultant image. RCMs affect the dynamic range of the image rather than the energy source of the image, that of the x-ray photons. The research consisted of three distinct phases. The first phase was to examine physical TCFs and their effects on F/S radiographic images. Physical TCFs are used in radiographic F/S examinations to attenuate the x-ray beam to compensate for varying patient tissue thicknesses and/or densities. The effect of the TCF is to reduce resultant radiographic optical density variations in the image, allowing the viewer to observe a range of densities within the image which would otherwise not be visualised. Physical TCFs are commonly aluminium- or lead-based materials that attenuate the x-ray beam. A TCF has varying physical thickness to differentially attenuate the iii beam and is shaped for specific anatomical situations. During this project, various commonly used physical TCFs were examined. Measurements of size and thickness were made. Characteristics of linear attenuation coefficients and half-value thicknesses were delineated for various TCF materials and at various energies. The second phase of the research was to model the physical TCFs in a digital environment and apply the RCMs to DR images. The digital RCMs were created with similar characteristics to mimic the shapes to the physical TCFs. The RCM characteristics can be adjusted by the viewer of the image to suit the anatomy being imaged. Anatomically shaped RCMs were designed to assist in overcoming a limitation when viewing digital radiographic images, that of the dynamic range of the image. Anatomically shaped RCMs differ from other means of controlling the dynamic range of a digital radiographic image. It has been shown that RCMs can reduce the range of optical densities within images with a large dynamic range, to facilitate visualisation of all anatomy within the image. Physical TCFs are used within a specific range of radiographic F/S examinations. Digital radiographic images from this range of examinations were collected from various clinical radiological centres. Anatomically shaped RCMs were applied to the images to improve radiographic contrast of the images. The third phase of the research was to ascertain the benefits of the use of RCMs. Various other methods are currently in use to reduce the dynamic range of digital radiographic images. It is generally accepted that these methods also introduce noise into the image and hence reduce image quality. Quantitative comparisons of noise within the image were undertaken. The anatomically shaped RCMs introduced less noise than current methods designed to reduce the dynamic range of digital radiographic images. It was shown that RCM methods do not affect image quality. Radiographers make subjective assessment of digital radiographic image quality as part of their professional practice. To assess the subjective quality of images enhanced with anatomically shaped RCMs, a survey of radiographers and other iv qualified people was undertaken to ascertain any improvement in RCM-modified images compared to the original images. Participants were provided with eight pairs of image to compare. Questions were asked in the survey as to which image had the better range of optical densities; in which image the anatomy was easiest to visualise; which image had the simplest contrast and density manipulation for optimal visualisation; and which image had the overall highest image quality. Responses from 123 participants were received and analysed. The statistical analysis showed a higher preference by radiographers for the digital radiographic images in which the RCMs had been applied. Comparisons were made between anatomical regions and between patient-related factors of size, age and whether pathology was present in the image or not. The conclusion was drawn that digital RCMs correctly applied to digital radiographic images decrease the dynamic range of the image, allowing the entire anatomy to be visualised in one image. Radiographic contrast in the image can be maximised whilst maintaining image quality. Using RCMs in some digital radiographic examinations, radiographers will be able to present optimised images to referring clinicians. It is envisaged that correctly applied RCMs in certain radiographic examinations will enhance radiographic image quality and possibly lead to improved diagnosis from these images.
Roberts, Adam Keith. "Masks of fiction : the function of the Nietzschean mask in the works of Hermann Hesse". Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/15595/.
Texto completoJiménez, Williams Iván H. "Masks in magic-realist Chilean drama, 1968-1993". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0023/NQ39547.pdf.
Texto completoFlower, Harriet I. "Ancestor masks and aristocratic power in Roman culture /". Oxford : Clarendon Press, 1996. http://www.loc.gov/catdir/enhancements/fy0604/96008168-d.html.
Texto completoChen, Xiao Hua. "Patterning etch masks via the "Grafting-from polymerization". Diss., Georgia Institute of Technology, 2000. http://hdl.handle.net/1853/30768.
Texto completoDomotor, Teodora. "Hemingway's In Our Time : masks, silences and heroes". Thesis, University of Surrey, 2012. http://epubs.surrey.ac.uk/804062/.
Texto completoSeGall, Marc. "Volume Phase Masks in Photo-Thermo-Refractive Glass". Doctoral diss., University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6354.
Texto completoPh.D.
Doctorate
Optics and Photonics
Optics and Photonics
Optics and Photonics
Knight, Malcolm Yates. "Masks praxis : theories and practices in modern drama". Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/3942/.
Texto completoHeikkila, David Laurie. "Orual, a therapeutic appreciation masks, mirrors, and metamorphosis /". Theological Research Exchange Network (TREN), 1998. http://www.tren.com.
Texto completoSimon, Daniel I. 1971. "Fabrication of micro-optics using binary and graylevel masks". Thesis, The University of Arizona, 1998. http://hdl.handle.net/10150/278670.
Texto completoLevi, D. M., David J. Whitaker y A. Provost. "Amblyopia masks the scale invariance of normal human vision". ARVO, 2009. http://hdl.handle.net/10454/4549.
Texto completoIn normal vision, detecting a kink (a change in orientation) in a line is scale invariant: it depends solely on the length/width ratio of the line (D. Whitaker, D. M. Levi, & G. J. Kennedy, 2008). Here we measure detection of a change in the orientation of lines of different length and blur and show that strabismic amblyopia is qualitatively different from normal foveal vision, in that: 1) stimulus blur has little effect on performance in the amblyopic eye, and 2) integration of orientation information follows a different rule. In normal foveal vision, performance improves in proportion to the square root of the ratio of line length to blur (L: B). In strabismic amblyopia improvement is proportional to line length. Our results are consistent with a substantial degree of internal neural blur in first-order cortical filters. This internal blur results in a loss of scale invariance in the amblyopic visual system. Peripheral vision also shows much less effect of stimulus blur and a failure of scale invariance, similar to the central vision of strabismic amblyopes. Our results suggest that both peripheral vision and strabismic amblyopia share a common bottleneck in having a truncated range of spatial mechanisms-a range that becomes more restricted with increasing eccentricity and depth of amblyopia.
Leverhulme Trust, Wellcome Trust, NIH
Scal, Joshua. "White Skin, Black Masks: Jewish Minstrelsy and Performing Whiteness". Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2163.
Texto completoRathsack, Benjamen Michael. "Photoresist modeling for 365 nm and 257 nm laser photomask lithography and multi-analyte biosensors indexed through shape recognition". Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3035170.
Texto completoAngold, Alan. "Ownership Masks, Evolving Views and Cooperative Templates in Template Tracking". Thesis, University of Waterloo, 2003. http://hdl.handle.net/10012/1011.
Texto completoTims, W. Keith. "Masks and Sartre's Imaginary masked performance and the imaging consciousness /". unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04182007-210215/.
Texto completoTitle from file title page. Greg Smith, committee chair; Angelo Restivo, Gayle Austin, Shirlene Holmes, Thomas Flynn, Raphael Miller, committee members. Electronic text (252 p. : ill. (some col.)) : digital, PDF file. Description based on contents viewed Oct. 12, 2007. Includes bibliographical references.
Tims, William Keith. "Masks and Sartre's Imaginary: Masked Performance and the Imaging Consciousness". Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/communication_diss/10.
Texto completoWright, Alan James. "Distortion in conformable masks for evanescent near field optical lithography". Thesis, University of Canterbury. Electrical and Computer Engineering, 2007. http://hdl.handle.net/10092/1161.
Texto completoGeorge, Jonathan Keith. "Polar Synthetic Imaging| Single Pixel Imaging with Rotating Spiral Masks". Thesis, The George Washington University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1566270.
Texto completoThe use of spiral masks placed in front of a single pixel and rotated in time is investigated as a method of single pixel imaging. Single pixel imaging allows an image to be reconstructed from samples of a single pixel over time. This sampling has traditionally been accomplished with liquid crystal arrays or digital micromirror devices. A set of rotating spiral masks in the aperture offer an alternative solution that may reduce complexity and cost for some imaging applications.
Lee, Ken-fang. "Yellow skin, white masks : translating cultures in Chinese American literature". Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310669.
Texto completoGintoli, Michele. "Fabrication and characterization of spiral phase masks for super-resolution". Doctoral thesis, Università degli studi di Padova, 2018. http://hdl.handle.net/11577/3423144.
Texto completoLa microscopia confocale, con la sua alta risoluzione laterale e assiale, ha permesso l'osservazione delle dinamiche interne delle cellule e dei tessuti in modo dettagliato. La profondità alla quale è possibile osservare i campioni, però, è fortemente limitata dalla diffusione e dall'assorbimento subiti dalla luce, inoltre la risoluzione sul piano focale è limitata ad un'area di grandezza paragonabile alla lunghezza d'onda utilizzata, a causa della diffrazione. È possibile raggiungere profondità di centinaia di µm usando la microscopia nonlineare, basata sull'interazione tra il tessuto e più fotoni infrarossi, che subiscono molto di meno gli effetti della diffusione e dell'assorbimento nel tessuto. Risoluzioni di poche decine di nanometri possono inoltre essere ottenute grazie alla microscopia STED, un miglioramento della modalità confocale. Nell'ultimo decennio, sono stati sviluppati microscopi STED con eccitazione a due fotoni (TPE-STED), in modo da combinare queste due proprietà, con risoluzioni che a profondità di decine di micron arrivano fino a valori 4-5 volte migliori dei sistemi limitati dalla diffrazione. Ciononostante, la diffusione e l'assorbimento del fascio di deplezione limitano la profondità alla quale poter ancora osservare dettagli super-risolti a non più di un centinaio di micron. Lo scopo di questa tesi è stato lo sviluppo del primo microscopio TPE-STED con eccitazione nel range [1000-1500] nm e lunghezze d'onda di deplezione vicine agli 800 nm, in modo da poter sorpassare il limite di profondità degli attuali microscopi STED. In questo regime, sono necessari fluorofori adatti, e per questo abbiamo testato la performance delle molecole ATTO 594, ATTO 647N e mGarnet2. In parallelo, abbiamo usato il sistema a due fasci della piattaforma per fornire simultaneamente imaging nonlineare con assorbimento degenere e nondegenere di fotoni a diverse lunghezze d'onda. Una parte consistente del lavoro di tesi è stato anche concentrato sullo sviluppo di un protocollo di fabbricazione e caratterizzazione di elementi ottici per la manipolazione del fascio STED. Lo sforzo è stato compiuto con l'intenzione di poter abbinare liberamente ogni fluoroforo selezionato con la lunghezza di deplezione più efficiente, senza dover attendere i lunghi tempi necessari per la richiesta di soluzioni commerciali.
Davis, Geoffrey P. "Transparent polyurethanes : synthesis, characterisation and mustard gas resistance". Thesis, Loughborough University, 1987. https://dspace.lboro.ac.uk/2134/11238.
Texto completoArnal, Pons Ana María. "Triangular Bézier surfaces generation methods using P.D.E’s, functional minimization and masks". Doctoral thesis, Universitat Jaume I, 2007. http://hdl.handle.net/10803/120705.
Texto completoLa tesi presenta diferents mètodes, amb gran varietat d'exemples, que permeten generar aquestes superfícies. Aquests mètodes han estat obtinguts a partir de diverses tècniques:
- Equacions en derivades parcials.
- Problemes variacionals.
- Generació de xarxes de control mitjançant màscares.
- Representacions de Weierstrass per superfices de Bézier minimals.
Aquestes superfícies són àmpliament utilitzades en les branques del disseny gràfic assistit per ordinador, l'enginyeria industrial i la informàtica gràfica.
Anderson, Lorna. "Double masks of the Northwest Coast of America in museum collections". Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/28148.
Texto completoArts, Faculty of
Anthropology, Department of
Graduate
OGILVIE, Madeleine y m. ogilvie@ecu edu au. "The semiotics of visible face make-up: the masks women wear". Edith Cowan University. Business And Law: School Of, 2005. http://adt.ecu.edu.au/adt-public/adt-ECU2006.0011.html.
Texto completoKu, Yao-Ching. "Fabrication of distortion free x-ray masks using low stress tungsten". Thesis, Massachusetts Institute of Technology, 1991. http://hdl.handle.net/1721.1/39038.
Texto completoIncludes bibliographical references (leaves 113-115).
by Yao-Ching Ku.
Ph.D.
Ilcan, Suzan M. (Suzan Margaret) Carleton University Dissertation Sociology. "Masks of domination; the deployment of morality in a Turkish village". Ottawa, 1993.
Buscar texto completoSeong, Seok-Won. "Dictionary-based code compression techniques using bit-masks for embedded systems". [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0013980.
Texto completoOgilvie, Madeleine. "The semiotics of visible face make-up: The masks women wear". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2005. https://ro.ecu.edu.au/theses/110.
Texto completoChu, Rita Ching-Mei. "An apprenticeship in mask making situated cognition, situated learning, and tool acquisition in the context of Chinese Dixi mask making /". Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1158693508.
Texto completoMagee, Ciaran D. "Research, design and development of anaesthesia delivery apparatus and associated equipment". Thesis, University of Ulster, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243739.
Texto completoEroh, Martin Patrick 1962. "DEVELOPMENT OF A NEW QUANTITATIVE FIT TEST FOR CHEMICAL CARTRIDGE RESPIRATORS - A FEASIBILITY STUDY (PRESSURE)". Thesis, The University of Arizona, 1986. http://hdl.handle.net/10150/276782.
Texto completoRoselli, Marco. "Surgical masks: analysis of their performances and possible solutions for their reusability". Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.
Buscar texto completoAhmed, Usman. "Impact of custom interconnect masks on cost and performance of structured ASICs". Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/33816.
Texto completoTsai, Yu Hsiu y 蔡毓秀. "Numerous Faces of Masks ─ Yu-Hus Tsai Discussion of Making Painted Masks". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/83169930392477940414.
Texto completo華梵大學
工業設計學系碩士班
100
Abstract "Mask Art" is not only the researchers,of art perfor-mance thinking and creative thinking,but alsothe expresson of mind and teachingby introducing the. Artistic creation from the mask, the researcher useda combination of media, techniques, creative concept and direction , and present an art style because the creation is not only the literal translation of ideology, it is reflective, critical and original. The researcher hoped to evoke the demastratiom and exploration of the "Mask Art" by the mask creation process. This paper “Painted Mask”, the researchers discussed the performance of the elements through the effect of transforming the image and through the direction of the cross-analysis of the West Mask Art-based modeling, color, symbols, imagery, national totems meaning, to explore the mask which has the unique style of art as the creation of the researchers. In this thesis, the first chapter "Introduction" explored the motivation, purpose, method, architecture, scope, and translation. Followed by Chapter II "Mask Historical Overview of the Development of the Arts of East and West," there is an overview of the masks from ancient to modern times, the Development and Evolution, and Review of the mask in the use of contemporary fashion styling. Then the third chapter, "Chinese and Western Style Characteristics of the Mask Dance" contains Mask Art in Europe, China, Japan and division of ownership and features of the different shapes of the mask. Continually researchers desing experience sharings are shown in the fourth chapter,containing (a) the pattern of performance; (b) the performance of the color; (c) performance material, and finally the fifth chapter "Conclusions" ; researchers refers implications for further research and future expectations. By the combination of Chinese and Western art to convert the space for creativity and thoughts of our teaching model, teachers can enrich in the teaching process, teaching creativity and artistic design. Key words:Numerous Faces of Masks, Making Painted Masks
Huang, Yu-Min y 黃郁閔. "The Development of Masks". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/07182965982812659279.
Texto completo嘉南藥理大學
化粧品應用與管理系
103
It is important for a better beauty to use mask products during the skin care treatment. A series of mask products have been commercially available. Among the masks, the type of creams one of the most widely used. The mask creams included principal raw materials such as surfactants, thickeners, film formers and powders, etc., may have some problems about produce's storage instability and poor matching usage purpose. In addition, there is a little publication on the influence of varying the materials on their physicochemical properties and spreadability on skin. This had led to the development of elegant mask creams and a method was established to characterize the mask creams. The characteristics of the mask creams can be influenced mainly by the emulsifier and fatty components. The aim of this study was to use GMS as an emulsifier to formulate the mask cream.Varying kinds of components such as a triglyceride (Aloe oil), humectants, and thickening agents were also selected to improve the formula’s physicochemical properties and their application on skin. These properties included rheological behavior, color difference, and water lose were evaluated to characterize the mask creams. In addition, handling properties such as brush marks, removal, and dryness were measured by taking a photograph using the digital camera and illuminating tubes which is placed in a wooden box. In conclusion, the effect of the mask cream using GMS as an emulsifier can be controlled. Incorporating Biocellact Aole Vera B as a humectant and the lower amount of oil phase in the formulation with bentonite, we produce good textural cream with spreadable properties as well as high storage stability. Based on these findings, a desired mask cream was obtained. With a good rubbing and, stability at 45℃ testing for 70 days, and esthetic appearance, it is composed of GMS 1.50%、Stearic acid 0.40%、Cetyl alcohol 0.60%、Cetyl-Stearly alcohol 1.50%、Unimer U-15 0.70%、Microcrystaline 1.20%、Aloe oil 9.10%、Vite E 0.30%、Amiphisol K 0.60%、Xanthan gum 0.30%、Bentonite 0.40%、EDTA.2Na 0.05%、Glycerin 7.00%、1,3 Butylene Glycol 7.00%、Biocellact Aloe Vera B 3.00%、Hyaluronic Acid 0.05%、Prodew 400 2.50%、Kaolin 4.00%、TiO2 4.00%、Pigment 0.20%、Saligerm G2 0.80%、D.W46.10%。
ZHOU, PENG GU y 周芃谷. "A Study of Xi Qu :the Masks and Performances with Mask". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/91902897818227712253.
Texto completo東吳大學
中國文學系
97
Mask is special historical remains. According to ancient literature documents, mask had various names. For example: Qi-Tou (倛頭), Dai-Mian (代面), Da-Mian (大面), Jia-Mian (假面), etc. Even if in the present time, mask also has different terms. For instance: Lian-Zi (臉子), Gui-Lian-Ke (鬼臉殼), Jia-Mian (假面), etc. The emergence of mask came from the simulation of supernatural or Gods who govern the universe. Therefore when our ancestors were wearing masks, they were actually performing the power of God. From the ancient age to modern times, mask is still strongly affiliate with all kinds of performances. Accordingly, the emphases of this study were focused on two categories: First was the mask – this study only addressed the mask that was used in traditional theater or theatric masks. The other category was theatric performances – the theater that were using masks during the play or theatric mask performances such as original mask drama and Qu-Nuo (驅儺) mask ceremony. This study researched on mask and mask theatric performances. Both of the categories are parts of traditional Chinese theater, however they have different characteristics. Mask belongs to historical theatric remains, or even historical remains. Mask theatric performances belongs to theatric arts. Although two categories are closely related, the approaches of examination were quite different. Consequently, to conclude two categories, the researcher divided the study into two parts. Part one discussed the general meaning of mask and the second part talked about mask performances during each Chinese Dynasties. The first part of this study was focused on the mask, which is a historical remains that is less known by the general public. First chapter was beginning with the “introduction of mask”, given the general and narrow definition and discussed the origins and time period of its emergence. Second chapter went over the “classification of mask” made my previous scholars and justified the class for this study. Third chapter was “mask modes”, identifying different mask modes. Last chapter ended up with the “development of mask”, describing the evolution and progress from ancient age to present time. The second part of this study followed the time sequence of mask performances occurred. First chapter was the “synthesis of ancient mask performance”, addressing early period of witchery and totemic mask drama. Second chapter was “Han and Tang Dynasty Bai-Xi (百戲) drama and mask performances”, stating the evolution of Nuo-Yi (儺儀) mask since Zhou Dynasty, using brick painting from Han Dynasty to sketch Bai-Xi (百戲) mask performance at that time, and citing historical records and epic poems to restore the mask drama performances at Tang Dynasty. Third chapter was “Za-Ju (雜劇), Nuo-Xi (儺戲), and She-Huo (社火) performances in Northern and Southern Song Dynasty”, using Za-Ju (雜劇), Nuo-Xi (儺戲), and She-Huo (社火) performances to discuss mask performance in Song Dynasty. The fourth chapter was “mask performances in Yuan, Ming, and Qing Dynasty”, besides the mask performance in Ming and Qing dramas, the study also probed the mask theater and mask dance in Tibet. Combined literatures from each dynasty and historical remains data and based on social background, the researcher drew the outline of ancient mask performances. In conclusion, there were four results from the study: Theater results from ancient dramatic arts; From Bai-Xi (百戲) to Nuo-Yi (儺儀) drama, these performances were all associated with mask; Mask and theater performances were gradually united to each other; and lastly, Mask facilitated the development of ancient drama arts.
Calvert, Heather. "Aubrey Beardsley the masks of ambiguity /". 1995. http://catalog.hathitrust.org/api/volumes/oclc/32920921.html.
Texto completoTypescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 69-70).
Zoltán, Rácz. "Piezoflexure-enabled nanofabrication using translated stencil masks". 2007. http://etd.nd.edu/ETD-db/theses/available/etd-04202007-200219/.
Texto completoThesis directed by Alan C. Seabaugh for the Department of Electrical Engineering. "April 2007." Includes bibliographical references (leaves 145-154).
"Manipulation of ultrashort pulses with digital masks". 2015. http://repository.lib.cuhk.edu.hk/en/item/cuhk-1291801.
Texto completo