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Artículos de revistas sobre el tema "Margolius"

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Autor: Grafiati

Publicado: 27 de julio de 2024

Última modificación: 28 de julio de 2024

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1

GORDON, BRUCE, WILLIAM HAIRE, MICHAEL DUGGAN, ALAN LANGNAS y BYERS SHAW. "Factor V Inhibitor Developing After Liver Transplantation in a 3-Year-Old Child". Pediatrics 88, n.º 1 (1 de julio de 1991): 156–59. http://dx.doi.org/10.1542/peds.88.1.156.

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Acquired inhibitors of blood coagulation have been recognized with increasing frequency since the classic review by Margolius et al in 1961.1 The most common acquired inhibitor is directed against factor VIII and usually arises in patients with classical hemophilia.2 Inhibitors directed against factor V are considered rare; only 30 cases have been reported in the literature.3-6 The majority of these cases occur in patients olden than 60 years and many have arisen following major surgical operations. Patients present with variable bleeding tendency and a prolonged partial thromboplastin time (PTT) and prothrombin time (PT), which fail to correct with the addition of normal plasma.

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Rooney, Austin. "Tuesdays (and Thursdays [and Sometimes Fridays or Saturdays]) with Joe". Contemporary Pragmatism 19, n.º 2 (6 de mayo de 2022): 146–50. http://dx.doi.org/10.1163/18758185-bja10040.

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Abstract The piece shares reminiscences of the recently deceased Joseph Margolis. Margolis’s character, pedagogy, and contribution to the philosophical world are considered. Margolis was an important, maverick thinker whose impact on the philosophical community has yet to be fully understood.

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Zagar, John. "News Discussion Project". Canadian Journal of Family and Youth / Le Journal Canadien de Famille et de la Jeunesse 1, n.º 2 (30 de marzo de 2009): 139–45. http://dx.doi.org/10.29173/cjfy6095.

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The Edmonton Sun newspaper recently carried an interesting article entitled "Maybe U.S. needs yard sale" written by Eric Margolis. In Eric Margolis's article, he talks about the recent financial crisis devastating the Unites States of America's (US) economy, along with much of the other global economies as well (Margolis, 2008). The current economic situation has been blamed on the tendency of certain banks to lend out loans (at low interest rates) to individuals and corporations who do not have the funds to payback those loans. This mistake has occurred in nation-states such as the United States, and Iceland. However, Eric Margolis article is not about the causes of the current economic crisis per se, but rather on the irony of the whole situation facing the United States as a consequence of their belief in neo-liberalism and their treatment of other nation-states. However, first we will look at the specific article.

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4

Lenart, Agnieszka. "Człowiek w objęciach systemu. O Podróży do krainy zeków Julija Margolina". Studia Judaica, n.º 2 (44) (2019): 267–84. http://dx.doi.org/10.4467/24500100stj.19.012.12395.

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THE MAN IN THE GRIP OF THE SOVIET SYSTEM: ON JULIUS MARGOLIN’S WORK JOURNEY TO THE LAND OF THE ZE-KA The article focuses on Julius Margolin’s life and memoirs. Margolin was born in Pinsk, survived the Sovietization of Poland, and then spent five years in Soviet gulags. He witnessed the cruel history and functioning of the Soviet regime. The analysis is made on the basis of Margolin’s work Journey to the Land of the Ze-Ka, in which he wanted to show to the world the truth about the Soviet totalitarian system. In that way he intended to fight for freedom of millions of people and for human rights.

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5

Dolan, Jill. "Seeing Deb Margolin: Ontological Vandalism and Radical Amazement". TDR/The Drama Review 52, n.º 3 (septiembre de 2008): 98–117. http://dx.doi.org/10.1162/dram.2008.52.3.98.

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Playwright and performer Deb Margolin's contributions to contemporary American theatre over the course of her now 25-plus year career have been eclectic. In the 1980s and early '90s she performed with Peggy Shaw and Lois Weaver as the feminist performance troupe Split Britches, for which Margolin did much of the writing, based on the trio's improvisations and experiments. In the interstices of her work with Split Britches, Margolin built her own career as a solo performer and playwright. In her autobiographical Index to Idioms, premiered in 2005, and in conversation with Jill Dolan, Margolin addresses her process, politics, and pleasures in performance and playwrighting.

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6

Grigoriev, Serge. "History, Informally Speaking: Margolis’ Cultural Pragmatism". Contemporary Pragmatism 19, n.º 2 (6 de mayo de 2022): 113–25. http://dx.doi.org/10.1163/18758185-bja10036.

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Abstract This essay aims to adumbrate the relationship between ordinary language, history, and cognition in Joseph Margolis’ pragmatist account of the historical constitution of the human, cultural world. It emphasizes the important connections between his arguments for the essentially practical grounding of all forms of cognitive activity; the existential primacy of the historically evolved ordinary language in the formation of aptly socialized human persons as well as of productively functioning human societies; the transformational role of consciousness in history, including the history of cognition; and the insuperable informality inherent in all philosophical attempts to justify our historically articulated norms of cognition and our way of life. Margolis’ analysis of these relationships claims to show that cultural tolerance and historical plasticity deserve to displace the philosophical ideas of invariance and fixity as the favored resources of conceptual and social stability. This recognition, on Margolis’s view, constitutes pragmatism’s distinctive promise and advantage.

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7

Shusterman, Richard. "Pragmatism and Interpretation: Radical, Relativistic, but not Unruly". Contemporary Pragmatism 19, n.º 2 (6 de mayo de 2022): 91–112. http://dx.doi.org/10.1163/18758185-bja10035.

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Abstract Interpretation has been a key theme in pragmatist aesthetics, but its centrality in neopragmatist thinking goes far beyond the field of art. Its influence extends into epistemology, ontology, and the philosophies of language, history, selfhood, and culture. Joseph Margolis devoted many articles and even an entire book to this topic, which he titled Interpretation Radical but Not Unruly. My critical examination of Margolis’s theory of interpretation shows how it is radical not only in terms of its robust relativism. It is also radical in the etymological sense of “radical” as “forming the root” of his philosophical thought in general. The logic of interpretation that Margolis developed for aesthetics is the original, generative source of his relativism, but its influence and relativist logic then extended ever more widely and deeply into his themes of anti-essentialism, historicism, and flux that pervade his metaphysics of culture and philosophical anthropology.

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8

Sucharski, Tadeusz. "„Inny świat”, „kraina zeków” i… „martwy dom”". Roczniki Humanistyczne 69, n.º 1 (11 de marzo de 2021): 51–67. http://dx.doi.org/10.18290/rh21691-4.

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W prezentowanym szkicu próbuję wskazać wspólne płaszczyzny w dwóch największych dziełach łagrowych poprzedzających Archipelag GUŁag Sołżenicyna: Podróż do krainy zeków Juliusa Margolina i Inny świat Gustawa Herlinga-Grudzińskiego. Taki właśnie status w zachodnich badaniach historycznoliterackich zyskały te dwie książki. W Polsce dzieło Margolina nie doczekało na razie ważnych i godnych go badań. Obu twórców i ich dzieła łączy wiele wspólnego. Margolin i Herling przebywali w tym samym kompleksie obozów (Kargopolłag); nie doczekawszy zwolnienia z łagru, obaj podjęli głodówkę protestacyjną i opisali ją w swych dziełach. Obaj traktowali swoje dzieła jako jeden z instrumentów walki z nieludzkim systemem. Obaj wreszcie przeczytali w łagrze Zapiski z martwego domu Dostojewskiego i lektura ta w istotny sposób kształtowała ich rozumienie łagrowego losu i jego konsekwencji.

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9

Budrytė, Edita. "MENO KŪRINIO INTERPRETACIJŲ VERTINIMO PROBLEMA". Problemos 81 (1 de enero de 2012): 157–64. http://dx.doi.org/10.15388/problemos.2012.0.1283.

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Straipsnyje sprendžiama problema, kaip turėtume vertinti meno kūrinių interpretacijas. Metakritinės teorijos dažnai nesutaria dėl to, ar pagrįstai interpretacijoms keliami teisingumo ir objektyvumo reikalavimai. Ypač daug problemų iškyla, kai susiduriame su prieštaringomis, tarpusavyje nesuderinamomis to paties meno kūrinio interpretacijomis. Straipsnyje atskleidžiamos dvi teorinės kryptys: kritinis monizmas ir kritinis pliuralizmas. Monroe Beardsley’is gina „vienintelės teisingos“ interpretacijos tezę, formuluodamas kūrinio „autonomijos ir nepriklausomybės“ principus, o Josephas Margolis siūlo atsisakyti tiesos kriterijaus ir taikyti reliatyvistinį požiūrį vertinant interpretacijas. Straipsnyje analizuojamos Margolio pateiktos reliatyvizmo kaip „interpretacijos logikos“, intencionalumo ir objektyvumo sąvokos.Pagrindiniai žodžiai: interpretacija, logika, reliatyvizmas, tiesos kriterijus, objektyvumasAssesment Problem of Interpretations of an ArtworkEdita Budrytė SummaryThis article addresses the question of how we should assess interpretations of artworks. Metacritical theories often disagree on whether requirements of justice and objectivity for interpretations are reasonable. In particular, many problems arise when dealing with opposite, incompatible interpretations of the same artwork. The article reveals two theoretical branches: critical monism and critical pluralism. Monroe Beardsley defends the thesis of “the only correct” interpretation of the artwork, formulating the principles of autonomy and independence while Joseph Margolis offers not to fulfill the criterion of truth, however, to adapt a more relativistic point of view for the assessment of interpretations. This article analyzes the concepts of intentionality and objectivity in relativism given by Margolis as “logic of interpretation”.Key words: interpretation, logic, relativism, criterion of truth, objectivity. n style="font-size: 11pt; line-height: 115%; font-family: 'Calibri','sans-serif';">

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KOHRMAN, ARTHUR F. "Pediatricians' Relation to For-Profit Corporations". Pediatrics 88, n.º 6 (1 de diciembre de 1991): 1280–81. http://dx.doi.org/10.1542/peds.88.6.1280.

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Of all the forms of deception, self-deception is both the most ubiquitous and the most resistant to detection and correction. When sanctioned and legitimated by professional groups, Dr Margolis1 argues, self-deception is all the more pernicious and dangerous. Most important, he asserts that the collective belief that physician behavior is not influenced by gift-giving pharmaceutical companies is an abandonment of the fiduciary responsibility of the physician and an ethical violation of the first order. Dr Margolis describes in excellent fashion how that abandonment violates fundamental ethical principles of nonmaleficence, fidelity, and justice. He also suggests that the pursuit of the self-deception threatens the very autonomy which physicians cherish as the bedrock of their professional identity.

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11

Odendaal, Hendrik Johannes y Peter Wranz. "Kenneth Margolis". South African Medical Journal 103, n.º 10 (3 de septiembre de 2013): 712. http://dx.doi.org/10.7196/samj.7427.

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12

Erzen, Jale N. "Joseph Margolis – Pragmatist Realism Viewing Human Culture and Historicity". Contemporary Pragmatism 19, n.º 2 (6 de mayo de 2022): 126–36. http://dx.doi.org/10.1163/18758185-bja10041.

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Abstract In his long and productive life Joseph Margolis approached many subjects that had been the concern of philosophy all through history. However, when his texts are read carefully it is clear that his main interest was to understand humanity and its cultural values. In my text I will first introduce Margolis philosophy in general and the underlying premises that he defended throughout his work, moving on to specific claims and arguments. I will pursue my analysis through several of Margolis’ texts concerning his main philosophical arguments, such as the definition of the human, relativity, ethics and aesthetics. Margolis was a prolific writer who developed his philosophy in consecutive phases, arriving in his later years to arguments that became more pointed as well as far reaching in scope. Margolis’ reasoning and argumentation proceeds in three steps: defining the problem at hand, understanding the reasonings applicable to his claim and to opposing views, reaching a solution suitable and appropriate according to the context.

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13

McHugh, Fergal. "Informality and Philosophy: A Response to Margolis". Contemporary Pragmatism 13, n.º 1 (3 de marzo de 2016): 122–28. http://dx.doi.org/10.1163/18758185-01301007.

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Joseph Margolis argues that philosophy must acknowledge its radical informality. I provide a brief account of what Margolis means by informality and its consequences for the practice of a pragmatist philosophy. I discuss his criticism of Robert Brandom's analytic pragmatism on the grounds that it overemphasizes the potential gains of a formal approach. I highlight two concerns with Margolis’ insistence on informality recommending a reduced emphasis on the consequences of informality for the pragmatist philosopher.

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14

Levy, Lior. "Imagining the Given and Beyond". Contemporary Pragmatism 13, n.º 1 (3 de marzo de 2016): 70–87. http://dx.doi.org/10.1163/18758185-01301004.

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Imagination is crucial to Joseph Margolis’ philosophy: he addresses its significance for the experience of works of art and, more importantly, he portrays it as constitutive of human reality itself. I explicate these claims and define Margolis’ notion of imagination vis-à-vis Jean-Paul Sartre’s, whose own conception of imagination Margolis rejects. Studying Margolis and Sartre in relation to each other illuminates crucial differences between their positions and highlights the different commitments that underlie their philosophical anthropology as a whole. In the conclusion of this paper, I argue that there are in fact certain affinities between their positions and suggest that we think of the problem of imagination meta-philosophically, as a problem that guides philosophical thought in its various attempts to define the human.

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15

Young, James O. "Margolis on Defining Art". East Asian Journal of Philosophy 2, n.º 2 (17 de abril de 2023): 71–86. http://dx.doi.org/10.19079/eajp.2.2.71.

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Joseph Margolis’ writings on definitions of art, which often take the form of a debate with Morris Weitz, are under-appreciated. Margolis agrees with Weitz that the concept of art is open in the sense that works can be admitted to the class of artworks when these works do not have all of the properties thought to be necessary and sufficient for membership in the class prior to the time of its admission. Margolis also agreed that we cannot go back to the old project of defining art by determining the real essence of art. Nevertheless, he does not abandon the project of defining art in terms of necessary and sufficient conditions. These conditions are not, however, read off the real essence of art. Traditionally, the process of defining art began by inspecting artworks to determine what makes them valuable. Margolis realised that the only way forward at this point is to decide what is valuable and then decide what is art. Margolis’ approach has the consequence that definitions of art are what C. L. Stevenson (1938) called persuasive definitions.

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Kosarev, Andrey. "REALIST ARGUMENT BY J. MARGOLIS TO RORTY AND PATNAM POLEMIC". Respublica literaria, n.º 1 (25 de diciembre de 2020): 103–6. http://dx.doi.org/10.47850/s.2020.1.29.

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J. Margolis suggested constructing a version of realism that would be based on the conceptual scheme, which take into account the problem of incommensurability and be compatible with relativism. The paper examines the arguments of Margolis, allowing him to construct a way to reconcile realism and relativism.

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17

Jacquette, Dale. "Émergence et incorporation selon Margolis". Articles 13, n.º 1 (8 de agosto de 2006): 53–63. http://dx.doi.org/10.7202/203303ar.

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Résumé L'analyse de la personne ou de l'oeuvre d'art comme entité matériellement incorporée et culturellement émergente est centrale dans l'oeuvre de Joseph Margolis : il tente de développer un dualisme des propriétés, comme alternative au réalisme platonicien et au dualisme ontique cartésien, en esthétique et en « philosophy of mind ». La définition de l'incorporation proposée par Margolis est ici critiquée par le moyen d'un contre-exemple, et plusieurs révisions possibles de cette définition, en vue d'éviter l'objection, sont aussi rejetées. La théorie de Margolis nous délivre en principe des inconvénients métaphysiques des ontologies traditionnelles ; mais elle ne peut être acceptée tant et aussi longtemps que le concept d'incorporation n'aura pas été défini d'une façon satisfaisante.

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Francuz, Aleksandra. "Seeing things by Anna Margolin". Review of Nationalities 6, n.º 1 (1 de diciembre de 2016): 261–67. http://dx.doi.org/10.1515/pn-2016-0013.

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Abstract If we recall the most important words for the poetry, we should begin the story with the stones, lily, hands and blood, which, if you look at them with the philological accuracy, are interrelated: situate themselves clearly on opposite banks of the creative process. They talk about the construction of the building consisting of perceptions about their own strength and weakness, ecstasy and congealing in what for centuries the classics poets have tried to fathom: the harmony and clarity, driven by the hope that in life they should above all stick to be beauty. And in addition, they ought to go further than discipline, practice eye and expand the field of view, should not shun from the gusts of the heart, because the heart grows more powerful due to great ideas, passions. Spacious becomes the vision of writing, it is the weave of contradictions - this is how one of the most important twentieth-century poets, who wrote in Yiddish, Anna Margolin sees it. Margolin’s poetry is a clear return towards neoclassicism, building up topics, theses, allusions, ideas taken from ideologically close to her artists of great individuality, Anna Akhmatova (from whom she took her name), Osip Mandelstam, Rainer Maria Rilke, Ezra Pound.

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Cahoone, Lawrence. "Margolis as Columbia Naturalist". Metaphilosophy 52, n.º 1 (enero de 2021): 49–59. http://dx.doi.org/10.1111/meta.12477.

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Campbell, James. "Joseph Margolis on Pragmatism". Metaphilosophy 52, n.º 1 (enero de 2021): 10–26. http://dx.doi.org/10.1111/meta.12466.

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Kreidl-Rinofner, Sonja. "J. MARGOLIS’ RELATIVISTISCHER PRAGMATISMUS". Grazer Philosophische studien 45, n.º 1 (13 de agosto de 1993): 135–62. http://dx.doi.org/10.1163/18756735-90000542.

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Coats, Karen. "Ghosted by Leslie Margolis". Bulletin of the Center for Children's Books 72, n.º 2 (2018): 79–80. http://dx.doi.org/10.1353/bcc.2018.0684.

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Marsoobian, Armen T. "SYMPOSIUM ON JOSEPH MARGOLIS". Metaphilosophy 36, n.º 5 (octubre de 2005): 551. http://dx.doi.org/10.1111/j.1467-9973.2005.00392.x.

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Sarna, Nahum M. y Leonard Greenspoon. "Greenspoon, "Max L. Margolis"". Jewish Quarterly Review 82, n.º 3/4 (enero de 1992): 557. http://dx.doi.org/10.2307/1454893.

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Levine, Steven. "Kantianism and Pragmatism: A Response to Margolis". Contemporary Pragmatism 13, n.º 1 (3 de marzo de 2016): 118–21. http://dx.doi.org/10.1163/18758185-01301006.

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In this piece I respond to Joseph Margolis’ article “The Future of Pragmatism’s Second Life.” I make two arguments. First, I argue that Margolis misinterprets the true contest between Kantianism and Pragmatism, and that his vision of Pragmatism’s second life is overly Kantian. Second, I question his conclusion that truths about our agential norms can only ever be ‘second best’.

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Schulkin, Jay. "The Significance of Joseph Margolis to Late 20th and Early 21st Century Pragmatism". Contemporary Pragmatism 19, n.º 2 (6 de mayo de 2022): 85–90. http://dx.doi.org/10.1163/18758185-bja10037.

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Abstract Joseph Margolis’ philosophical work is both sanguine and fair. It is sanguine because much of it captures the inherent worth and dignity of the human condition. This includes aesthetics, anthropological diversity and history, the diversity of cognitive orientations and objectivity without foundations. Margolis embraces science and naturalism without reductionism. His pragmatism, though, is rooted more in James’ perspectivism, his local nice adaptation, and his relativism than that of Peirce and Dewey and their sense of science and the community of inquirers. Margolis’ strength is his attempt to reconcile positions and his fairness towards others as he tries to wedge his pragmatist position amid others (e.g. Quine, Davidson, Rorty, Brandom). But he celebrates the subjective stance of James, and downplayed the communal sense of Peirce and Dewey so vital to epistemic advances.

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Griggs, Richard A. y James R. Cox. "Permission Schemas and the Selection Task". Quarterly Journal of Experimental Psychology Section A 46, n.º 4 (noviembre de 1993): 637–51. http://dx.doi.org/10.1080/14640749308401031.

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Cheng and Holyoak's abstract permission schema version of Wason's selection task and the standard abstract version of the task were examined in two experiments, each a factorial design with type of problem (permission vs. standard), presence or absence of a checking context, explicit or implicit negatives on the not-p and not-q cards, and presence or absence of a rule clarification statement as factors. The original permission problem violation-type instruction was employed in Experiment 1, and Margolis's not-p and not-q violation instruction (Griggs & Jackson, 1990) was used in Experiment 2. Subjects were 640 university undergraduates, with each subject solving only one problem. The major findings for permission tasks were: (1) facilitation for the abstract permission version was replicated but found to be dependent upon the presence of explicit negatives on the not-p and not-q cards; and (2) this facilitation was enhanced by the Margolis not-p and not-q instruction. Per Girotto, Mazzocco, and Cherubini (1992), these findings and the observed error patterns are consistent with pragmatic schema theory. The major findings for the standard version of the task were: (1) none of the factors significantly impacted proportion correct [performance was poor, ≤10% correct in 15 of 16 conditions] and (2) the number of not-p & not-q incorrect selections was increased significantly for the not-p and not-q instruction. These results are discussed in terms of Manktelow and Over's argument that the standard abstract task and the permission schema version are actually different problems.

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28

Cahoone, Lawrence. "Margoline Relativism". Idealistic Studies 32, n.º 1 (2002): 27–35. http://dx.doi.org/10.5840/idstudies20023214.

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Villanueva, Isabela. "Teresa Margolles". Review: Literature and Arts of the Americas 43, n.º 1 (mayo de 2010): 3–4. http://dx.doi.org/10.1080/08905761003688351.

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Main, R. W. "The Point of Margolis’ Dissatisfaction with Peirce (and Pragmatism)". Contemporary Pragmatism 19, n.º 2 (6 de mayo de 2022): 137–45. http://dx.doi.org/10.1163/18758185-bja10038.

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Abstract Margolis’ philosophical thought and career is framed by the pragmatism that dominated his early education and his vision of a “resurgent” pragmatism as the most promising direction for an increasingly eclectic Western philosophical tradition. This version of pragmatism is based on Peirce’s formulation of the pragmatic maxim, but Margolis sees the implications of that maxim as running counter to a central strand of Peirce’s own thought: fallibilism as an infinitist, self-correcting process of inquiry asymptotically tending toward to truth and reality. Margolis argues that this version of fallibilism is untenable and un-pragmatic, and his most mature work on the subject identifies an “abductive turn” in Peirce’s philosophy which points in the direction of an improved pragmatism, a pragmatism that is anarchic, relativistic, cast in terms of tolerances instead of laws, and without “Hope” in Peirce’s sense.

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van Camp, Julie. "A Note on Mr. Margolis and the Definition of Dance". East Asian Journal of Philosophy 2, n.º 2 (17 de abril de 2023): 53–56. http://dx.doi.org/10.19079/eajp.2.2.53.

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I demur to Margolis’ insistence that we form a generalized concept of art before the formation of a definition of specific art forms. I consider the elements proposed for a definition of “dance” by Margolis, including “dance notation, dance style, and dance as the expression of a contingent culture.” I note the problems with the third element, especially the blind spot shared by many of us to anything other than Western culture.

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Margolis, Eric y Mary Romero. ""The Department Is Very Male, Very White, Very Old, and Very Conservative": The Functioning of the Hidden Curriculum in Graduate Sociology Departments". Harvard Educational Review 68, n.º 1 (1 de abril de 1998): 1–33. http://dx.doi.org/10.17763/haer.68.1.1q3828348783j851.

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In this article, Eric Margolis and Mary Romero examine the effect of the "hidden curriculum" on women of color graduate students in sociology. They interview twenty-six women of color enrolled in Ph.D. programs in sociology to uncover how the graduate school curriculum not only produces professional sociologists, but also simultaneously reproduces gender, race, class, and other forms of inequality. In their analysis, Margolis and Romero identify two forms of the hidden curriculum at work: the "weak" form, which is the professionalization process essential to "becoming a sociologist," and the "strong" form, which acts to reproduce stratified and unequal social relations. The numerous quotations from the women graduate students interviewed reveal that many elements of the hidden curriculum — such as stereotyping and blaming the victim — were painfully obvious to them. As Margolis and Romero argue, the women's stories, the authors' analysis, and the publication of this article are forms of resistance to the hidden curriculum, constituting "a lifting of veils to make visible what was hidden."

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Pryba, Russell. "Margolis Looks at the Arts". Metaphilosophy 52, n.º 1 (enero de 2021): 60–74. http://dx.doi.org/10.1111/meta.12469.

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Welch, D. W. "Obituary: Leo Margolis, 1927-1997". Canadian Journal of Fisheries and Aquatic Sciences 54, n.º 7 (1 de julio de 1997): 1682–84. http://dx.doi.org/10.1139/f97-126.

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JACQUETTE, DALE. "Margolis on Emergence and Embodiment". Journal of Aesthetics and Art Criticism 44, n.º 3 (1 de marzo de 1986): 257–62. http://dx.doi.org/10.1111/1540_6245.jaac44.3.0257.

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Hermeren, Goran. "THE PHILOSOPHY OF JOSEPH MARGOLIS". Metaphilosophy 36, n.º 5 (octubre de 2005): 552–67. http://dx.doi.org/10.1111/j.1467-9973.2005.00393.x.

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Jacquette, Dale. "MARGOLIS ON HISTORY AND NATURE". Metaphilosophy 36, n.º 5 (octubre de 2005): 568–77. http://dx.doi.org/10.1111/j.1467-9973.2005.00394.x.

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Alvarez, Walter, James P. Kennett, Peter Kroopnick y Jeffrey F. Mount. "Stanley V. Margolis (1943–1992)". Eos, Transactions American Geophysical Union 74, n.º 52 (1993): 612. http://dx.doi.org/10.1029/93eo00661.

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Jacquette, Dale. "Margolis on Emergence and Embodiment". Journal of Aesthetics and Art Criticism 44, n.º 3 (1986): 257. http://dx.doi.org/10.2307/429735.

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Baldini, Andrea, Peter Cheyne, Haewan Lee y Feng Peng. "The Legacy of Joseph Margolis". East Asian Journal of Philosophy 2, n.º 2 (17 de abril de 2023): 1–4. http://dx.doi.org/10.19079/eajp.2.2.1.

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Gracyk, Theodore. "Margolis on Art and Culture". East Asian Journal of Philosophy 3, n.º 2 (2024): 41–58. http://dx.doi.org/10.19079/eajp.3.1.41.

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42

Gracyk, Theodore. "Margolis on Art and Culture". East Asian Journal of Philosophy 3, n.º 2 (2024): 41–58. http://dx.doi.org/10.19079/eajp.3.2.41.

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Bacal, Edward. "Pervasive death: Teresa Margolles and the space of the corpse". Human Remains and Violence: An Interdisciplinary Journal 4, n.º 1 (2018): 25–40. http://dx.doi.org/10.7227/hrv.4.1.3.

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I focus on two contemporary art installations in which Teresa Margolles employs water used to wash corpses during autopsies. By running this water through a fog machine or through air conditioners, these works incorporate bodily matter but refuse to depict, identify or locate anybody (or any body) within it. Rather, Margolles creates abstract works in which physical limits – whether of bodies or of art works – dissolve into a state of indeterminacy. With that pervasive distribution of corporeal matter, Margolles charts the dissolution of the social, political and spatial borders that contain death from the public sphere. In discussing these works, I consider Margolles’ practice in relation to the social and aesthetic function of the morgue. Specifically, I consider how Margolles turns the morgue inside out, opening it upon the city in order to explore the inoperative distinctions between spaces of sociality and those of death. In turn, I consider how Margolles places viewers in uneasy proximity to mortality, bodily abjection and violence in order to illustrate the social, political and aesthetic conditions by which bodies become unidentifiable. I ultimately argue that her aesthetic strategies match her ethical aspirations to reconsider relations to death, violence and loss within the social realm.

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Harris, Robert Dalton, Diane DeBlois, David Margolis y Jean Moss. "The Contribution of Ephemera Dealers". RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 9, n.º 1 (1 de marzo de 2008): 100–117. http://dx.doi.org/10.5860/rbm.9.1.300.

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Robert Dalton Harris and Diane DeBlois of aGatherin’, and David Margolis and Jean Moss of Margolis and Moss, explore the relationship between dealers and the libraries and museums that purchase ephemera from them. The two couples who, for over three decades, have specialized in handling ephemera within the rare book world, are from different backgrounds and have divergent strengths, yet agree philosophically on both the importance of ephemera and the complementary role dealers can have with librarians and curators in building collections. In describing their passions, they hope to connect with the collector inside the library and archives profession, as ...

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De Almeida, Leonardo Monteiro Crespo y George Browne Rego. "Relativismo nos limites do Realismo: reﬂexões em torno do pragmatismo de Joseph Margolis e sua repercussão no panorama da ﬁ losoﬁ a contemporânea [Relativism within the limits of realism: reﬂections concerning Joseph Margolis´s pragmatism and its ...]". Revista Ágora Filosófica 1, n.º 1 (18 de enero de 2015): 123–46. http://dx.doi.org/10.25247/p1982-999x.2014.v1n1.p123-146.

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O presente artigo pretende apresentar algumas ideias introduzidas pelo ﬁlósofo contemporâneo Joseph Margolis acerca da atual posição do pragmatismo no panorama da ﬁlosoﬁa contemporânea. O foco recai na reconciliação que o autor propõe entre realismo e relativismo a partir de uma leitura dos autores clássicos do pragmatismo, em especial Peirce e Dewey. Essa reconciliação, por sua vez, serve para questionar o dualismo natureza e cultura, mostrando como os domínios se situam em uma relação de interdependência, como também um não pode ser reduzido ao outro. Um ponto de destaque na posição de Margolis consiste em situar o pragmatismo como uma terceira alternativa, diferindo tanto da ﬁlosoﬁa analítica quanto europeia.

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Tselishcheva, Oksana. "PRAGMATISM AT A CROSS-ROAD: BETWEEN ARGUMENTATION AND RHETORIC". Herald of Omsk University 25, n.º 2 (28 de julio de 2020): 44–50. http://dx.doi.org/10.24147/1812-3996.2020.25(2).44-50.

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The article is devoted to the correlation of argumentation and rhetoric as methodological techniques in the neopragmatism of R. Rorty and his successors in the line of the “new neopragmatism” of R. Bernstein and J. Margolis. It is shown that the mixed argumenta-tive-rhetorical strategy of R. Rorty in explicating the doctrines of representatives of conti-nental philosophy in the "new neopragmatism" of Bernstein and Margolis gives way to purely rhetorical methods. The conflict of the two methods, as stated in the article, can be traced to the conflict of the scientst-oriented pragmatism of C. Pierce and the classical pragmatism of W. James and J. Dewey.

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Ripellino, J. A., M. Bailo, R. U. Margolis y R. K. Margolis. "Light and electron microscopic studies on the localization of hyaluronic acid in developing rat cerebellum." Journal of Cell Biology 106, n.º 3 (1 de marzo de 1988): 845–55. http://dx.doi.org/10.1083/jcb.106.3.845.

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The hyaluronic acid-binding region was prepared by trypsin digestion of chondroitin sulfate proteoglycan aggregate from the Swarm rat chondrosarcoma, and biotinylated in the presence of hyaluronic acid and link protein. After isolation by gel filtration and HPLC in 4 M guanidine HCl, the biotinylated hyaluronic acid-binding region was used, in conjunction with avidin-peroxidase, as a specific probe for the light and electron microscopic localization of hyaluronic acid in developing and mature rat cerebellum. At 1 w postnatal, there is strong staining of extracellular hyaluronic acid in the presumptive white matter, in the internal granule cell layer, and as a dense band at the base of the molecular layer, surrounding the parallel fibers. This staining moves progressively towards the pial surface during the second postnatal week, and extracellular staining remains predominant through postnatal week three. In adult brain, there is no significant extracellular staining of hyaluronic acid, which is most apparent in the granule cell cytoplasm, and intra-axonally in parallel fibers and some myelinated axons. The white matter is also unstained in adult brain, and no staining was seen in Purkinje cell bodies or dendrites at any age. The localization of hyaluronic acid and its developmental changes are very similar to that previously found in immunocytochemical studies of the chondroitin sulfate proteoglycan in nervous tissue (Aquino, D. A., R. U. Margolis, and R. K. Margolis. 1984. J. Cell Biol. 99:1117-1129; Aquino, D. A., R. U. Margolis, and R. K. Margolis. J. Cell Biol. 99:1130-1139), and to recent results from studies using monoclonal antibodies to the hyaluronic acid-binding region and link protein. The presence of brain hyaluronic acid in the form of aggregates with chondroitin sulfate proteoglycans would be consistent with their similar localizations and coordinate developmental changes.

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Carroll, Noël. "Margolis, Mechanical Reproduction and Cinematic Humanism". Film and Philosophy 5 (2002): 138–42. http://dx.doi.org/10.5840/filmphil20025/617.

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Sperling, S. David, Leonard Greenspoon y Cyrus H. Gordon. "Max Leopold Margolis: A Scholar's Scholar". Journal of Biblical Literature 108, n.º 1 (1989): 132. http://dx.doi.org/10.2307/3267484.

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Beatch, B. Richard. "The Radical Nature of Margolis’ Relativism". Journal of Philosophical Research 21 (1996): 81–93. http://dx.doi.org/10.5840/jpr_1996_17.

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