Tesis sobre el tema "Manufacture and works, 1925"
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Vernon, Guy Mark. "Work humanization : comparative historical developments in the manufacturing sectors of advanced capitalist societies, 1960-1995". Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/2957/.
Texto completoMurnane, Owen D. "Contemporary Issues in Vestibular Assessment". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1925.
Texto completoWittmer, Micah. "Performing Negro Folk Culture, Performing America: Hall Johnson’s Choral and Dramatic Works (1925-1939)". Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:26718725.
Texto completoMusic
Meehan, Samantha. "The fate of cyanide in groundwater at gasworks sites in South-Eastern Australia /". Connect to thesis, 2000. http://eprints.unimelb.edu.au/archive/00000229.
Texto completoDerby, McDermott Dennette. "Jindrich Feld's Introduzione, Toccata E Fuga Per Flauto Solo With Three Recitals of Selected Works of J.S. Bach, Mozart, Messiaen, Berio, Martinu, Persichetti, and Others". Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc279144/.
Texto completoHepola, Jouko. "Sulfur transformations in catalytic hot-gas cleaning of gasification gas /". Espoo [Finland] : Technical Research Centre of Finland, 2000. http://www.vtt.fi/inf/pdf/publications/2000/P425.pdf.
Texto completoSmith, Laura E. "Obscuring the distinctions, revealing the divergent visions modernity and Indians in the early works of Kiowa photographer Horace Poolaw, 1925-1945 /". [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3330805.
Texto completoTitle from PDF t.p. (viewed on Jul 21, 2009). Source: Dissertation Abstracts International, Volume: 69-10, Section: A, page: 3782. Adviser: Sarah Burns.
Fernandes, Nina Rosa de Almeida Lopes. "A presença do compositor brasileiro em recitais de piano na cidade de São Paulo (1925-1965)". Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/100/100135/tde-30012015-152554/.
Texto completoFrom the comparative analysis of the repertoire of piano recitals, found in the newspapers of the city of São Paulo during the years of 1925, 1935, 1945, 1955 and 1965, we tried to identify what was the kind of musical taste of that age, concerning the pieces for piano. We also tried to figure out what was the space occupied by national composers in these recitals. Consequently, it was possible to notice the presence of a group of composers and pianists having Mário de Andrade as the master mind of them. The collected data suggests that the frequency of these composers did not exceed, at any time, one third of the repertoire in that period, which leads us to conjecture that the national composer occupied a marginal place in the classical music scene of that epoch.
Ross, Tamlyn Sue. "The apartheid censors' responses to the works of Frantz Fanon, Amilcar Cabral and Steve "Bantu" Biko". Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80165.
Texto completoENGLISH ABSTRACT: This thesis explores the ways in which the censors during the apartheid era responded to the works of three black liberation theorists; namely Frantz Fanon, Amilcar Cabral and Steve Biko. Although other studies of apartheid‐era censorship have been published, this is the first to examine the censors’ reactions to the work of key African liberation writers. Apartheid in South Africa brought with it a stringent system of governance, which included a board of censors who would decide, according their interpretation of the laws of the time, whether a publication was considered to be “desirable” or “not undesirable.” One of the major themes examined in the thesis is the interface and tension between the specific and the transnational. As we shall see, all three liberation theorists put forward Pan‐African ideas of liberation, but often explicated upon the specificities of their particular liberation struggles. In a strange act of mirroring, while upholding the idea of South Africa as “a special case” (exempt from the norms of international human rights law), the apartheid‐era censors were concerned about the spread of Pan‐African theories of liberation. Beginning with Fanon, I speculate on the reason why Black Skin White Masks was not banned in South Africa, though Fanon’s later works to enter the country were banned. I also examine Gillo Pontecorvo’s film The Battle of Algiers, which was influenced by Fanon’s theories, and censorship, arguing that the “likely readers” or “likely viewers” of revolutionary material included not only possible revolutionaries, but also paranoid networks of counterinsurgency. I then move on to examine the apartheid censors’ responses to the works of Amilcar Cabral, outlining the interface and tension between local and continental as described above. The final chapter, which deals with the censors’ responses to Steve “Bantu” Biko’s I Write What I Like as well as Donald Wood’s Biko, the film Cry Freedom and other Biko related texts and memorabilia, has some surprises about the supposedly “liberal” censors’ responses to what they deemed to be “undesirable” and “not undesirable” literature.
AFRIKAANSE OPSOMMING: Hierdie tesis verken die manier waarop die sensuurraad tydens die apartheidera gereageer het op die werk van drie swart bevrydingsteoretici, by name Frantz Fanon, Amilcar Cabral en Steve Biko. Hoewel daar wel ander studies oor apartheidera‐sensuur die gepubliseer is, is hierdie die eerste studie wat die sensuurraad se reaksie op die werk van sleutel‐Afrikabevrydingskrywers verken. Apartheid het ‘n streng beheerstelsel in Suid‐Afrika tot gevolg gehad wat ‘n sensuurraad ingesluit het wat volgens sy interpretasie van die toenmalige wette kon besluit of ‘n publikasie “wenslik” of “nie‐wenslik” was. Een van die hooftemas wat in hierdie tesis ondersoek word is die interaksie en spanning tussen die spesifieke en die transnasionale. Soos sal blyk, het al drie bevrydingsteoretici Pan‐Afrikanistiese idees van bevryding ondersteun, maar dikwels die besondere van hul spesifieke bevrydingstryd uiteengesit. Die apartheidera‐sensors se kommer oor die verspreiding van die Pan‐ Afrikanistiese bevrydingsteorië, terwyl hulle die idee van Suid‐Afrika as “’n spesiale geval” (vrygestel van die norme van internasionale menseregtewetgewing) voorgehou het, was ‘n ironiese spieëlbeeld hiervan. Ek begin by Fanon en bespiegel oor die redes waarom Black Skin White Masks nooit in Suid‐Afrika verbied was nie hoewel Fanon se latere werk wat die land binnegekom het, wel verbied was. Ek ondersoek ook Gillo Pontecorvo se film The Battle of Algiers wat deur Fanon se teorië beïnvloed is, en argumenteer dat die “waarskynlike lesers” en “waarskynlike kykers” van revolusionêre materiaal nie slegs moontlike revolusionêre ingesluit het nie, maar ook paranoïede netwerke van teeninsurgensie. Ek gaan voort deur die reaksie van die apartheidera‐sensors op die werke van Amilcar Cabral te ondersoek en die interaksie en spanning tussen die plaaslike en die kontinentale, soos hierbo beskryf, uit te lig. Die slothoofstuk, wat handel oor die sensuurraad se reaksie op Steve “Bantu” Biko se I Write What I Like, asook Donald Woods se Biko, die film Cry Freedom en ander Biko‐verwante tekste en memorabilia, bevat verrassings omtrent die sogenaamde “liberale” sensors se reaksies op wat hulle as “wenslike” en “nie‐wenslike” literatuur beskou het.
Tang, Wing-keung. "Redevelopment of potentially hazardous installations : a case study of the Hong Kong and China gas works at Ma Tau Kok /". [Hong Kong] : University of Hong Kong, 1993. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13814199.
Texto completoPurmale, Zané. "Habiller le mur : les relations entre la tapisserie et la peinture sous la Troisième République : le cas des Gobelins (1870-1925)". Thesis, Bordeaux 3, 2020. http://www.theses.fr/2020BOR30017.
Texto completoDuring the French Third Republic, the four successive administrators of the National Gobelins’ manufactory, Alfred Darcel, Edouard Gerspach, Jules Guiffrey and Gustave Geffroy, sought to give an impulsion, each in his own way, in order to provoke a tapestry revival. The first three administrators seek to rediscover the true nature of tapestry, the principles of which can be discovered by studying the past, in order to give it new vigour in the present and increase its independence from painting. Geffroy, on the contrary, seeks to guide the Gobelins to modernity by imposing the tapestry to follow the paths of painting. This thesis makes understand the artistic creation at the Gobelins’ manufactory during this period of extraordinary activity. It specifies not only the intellectual context and ideas which give its direction to the tapestry revival, but also it takes into consideration the material, institutional and economic conditions of the manufactory. Thus are revealed the imperatives imposed by the material conditions of creation, its organization involving a large number of actors and highly restraining procedures, but, above all, economic means revealed to be in total inadequacy with the goals of the manufacture. Despite these difficulties, through intense intellectual and artistic activity, the manufactory plays a central role in the revival of tapestry. If progress is slow to emerge due to the very nature of the Gobelins' functioning and despite criticism of the choice of models, Gobelins gives a tremendous boost to private industry thanks to the international influence that the manufactory plays into tapestry field. Indeed, if the contemporary critics recognized the efforts of the manufacture to be in the right direction, very often this is not the case for the models. As in most of cases they are still unknown to modern art historians, the second part of this thesis studies the artistic policy of each administrator in order to understand how it was carried out and what were the main lines of the artistic action of each administrator. This work is accompanied of an exhaustive catalog records and images retracing the history of the conception of wall hangings in haute lisse (high-warp loom) and Savonnerie murals woven at the Gobelins’ manufactory and also their cartoons and preparatory models including abandoned projects, thus drawing a most complete panorama on artistic creation at the Gobelins manufactory from 1870 to 1925
Scott, Deb. "Supplemental Studies for Mastering Extended Techniques in Three Late Twentieth-Century Works for Solo Trombone: Luciano Berio's Sequenza V, Folke Rabe's Basta and Mark Phillips' T. Rex, Together with Three Recitals of Selected Works by Wagenseil, Grøndahl, Gotkovsky, and Others". Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc5544/.
Texto completoLangwith, Mark J. "'A far green country' : an analysis of the presentation of nature in works of early mythopoeic fantasy fiction". Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/313.
Texto completoMarebane, Prelly Mohweledi. "A study of multicomponent gas mixtures using various analytical methods for stack emission measurements". Thesis, 2017. https://hdl.handle.net/10539/24984.
Texto completoMulticomponent gas mixtures are inherently challenging to produce in the laboratory because of matrix effects, boiling points and reactivity amongst other factors. Therefore, methods must be continuously developed to control these challenges. The purpose of this work was to study these complex gas mixtures to improve their measurements with emphasis on the reduction of uncertainty. There are three critical steps to be followed in gas metrology for primary reference gas mixtures of the highest metrological level; purity analysis of source gases, gravimetric preparation and verification/validation which includes stability testing. Purity analysis of select source gases was quantified using various techniques. This methodology incorporated the use of molar masses and their uncertainties in order to obtain purity values for the chemical composition of gas mixtures. While many preparation methods such as permeation and dynamic methods are available, a static gravimetric method was used to prepare the complex stack and automotive gas mixtures following International Standard Organisation: 6142-1. For the mole fraction range of interest, four components (carbon dioxide, carbon monoxide, sulphur dioxide and nitric oxide) excluding propane, were obtained from analysis by non-dispersive spectroscopy techniques calibrated by several standard gas mixtures of different mole fractions. Propane was analysed by a gas chromatograph coupled with flame ionisation detection. Multipoint calibration was used to evaluate the linearity or nonlinearity of the detector. The final results for the stack gas mixture components showed an achievement of 0.4% to 0.8% percentage relative expanded uncertainty and 0.4% to 1.3% for carbon dioxide depending on the matrix of the standard gas mixtures used, 0.5% to 1% for propane, 0.8% to 1.8% for nitric oxide, 2% to 6% for carbon monoxide and 0.3% to 2.3% for sulphur dioxide. One of the most important suppositions drawn was the incidence of synergistic effects associated with calibration by nonrepresentative standard gas mixtures when these were used for analysis for some of the components of stack mixtures. To evaluate improvements in measurement capability, the results of the current work were compared to the data of the laboratory in 2008-2011 and there was an improvement in the measurement of carbon dioxide, carbon monoxide, propane and nitric oxide. These improvements are attributed to rigorous purity analysis of starting materials, reduction of uncertainty and developments in measurement expertise. In this work, different measurement and calibration methods were used to analyse the components of the new stack gas mixtures. The stability of these components was evaluated by analysing them at different times and the statistical D-test was used to check for significant instability. An unknown stack sample was compared with the standard gas mixtures prepared for this work. In combination with same matrix and same concentrations, single point calibration was found suitable for stack gas measurement. To reiterate the concept of matrix effect, the results of carbon dioxide in a mixture containing carbon monoxide and oxygen as well in nitrogen, were used to show how differences in matrix often give erroneous results and same conclusions cannot be made for different mixtures. While the data of this measurement was unsatisfactory, an improved method developed for this type of emission multicomponent was very successful. Emission industries also require automotive primary reference gas mixtures. These are equally important and complex multicomponent mixtures measured and improved in this work. A very precise and repeatable single point method was developed for the analysis of the components of automotive mixtures. The repeatability of the gas chromatography method was 0.2% for oxygen, 0.1% for carbon monoxide, 0.5% for carbon dioxide and 0.3% for propane. The percentage relative expanded uncertainty was 0.4% for oxygen, 0.8% for carbon monoxide, 0.8% for carbon dioxide and 0.5% for propane. However, its limitation was the use of different calibration gases for each analysis. This led to inconsistencies in the calculated mole fractions, non-predictability and instability. A proficiency testing scheme was coordinated by the laboratory for automotive emission as part of this study. Given the complexity of the samples, the work aimed to check any improvements that could be made to the capability of measurement over the years. This new method using gas chromatography coupled with different detectors (residual gas analyser) was successful in verifying the gravimetric values very V accurately. Finally, the results of the stack gas mixtures were ≤1% relative except carbon monoxide and ≤1% for automotive mixtures. This work aimed to support the emission industry by providing it with representative and accurate reference gas mixtures, extend the accreditation scope of the laboratory and improve its calibration and measurement capability for multicomponent gas mixtures.
LG2018
Ho, ACK. "Technical demands of selected contemporary works for violin". Thesis, 2006. https://eprints.utas.edu.au/20643/7/whole_HoAng-ChengKris2007.pdf.
Texto completoPoppendieck, Dustin Glen. "Polycyclic aromatic hydrocarbon desorption mechanisms from manufactured gas plant site samples". Thesis, 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3108498.
Texto completoSimidtchieva, Marta Dilianova Georgiev Lubomir. "An annotated bibliography of works for cello and orchestra by Bulgarian composers written between 1925 and 2000". Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-04082005-225509/.
Texto completoAdvisor: Lubomir Georgiev, Florida State University, College of Music. Title and description from dissertation home page (viewed 2005). Document formatted into pages; contains 68 pages. Includes biographical sketch. Includes bibliographical references.
Muvhiiwa, Ralph Farai. "Theoretical and experimental analysis of biomass gasification processes using the attainable region theory". Thesis, 2018. http://hdl.handle.net/10500/25610.
Texto completoThere are limits on performance of processes and reactions set by material balances and by thermodynamics. The interaction of these theoretical limits and how they influence the behaviour of reactions and equipment is of interest to researchers and designers. This thesis looks at the conversion of biomass to gaseous products under various conditions, including a range of temperatures from ambient to 1500 ⁰C and in the presence or absence of oxygen. The limits of performance of the material balance can be represented as an Attainable Region (AR) in composition or extent space; we call this the MB-AR. The MB-AR represents all possible material balances that can be achieved for a given a set of feeds and set of possible products. The dimension of this space depends on the number of independent material balances. The extreme points of the MB-AR are of particular interest as these define the limiting compositions and the edges of the boundary of the MB-AR represent the limiting material balances. The MB-AR does not depend on temperature. The thermodynamic limits of performance of can be represented as an AR in the space of Gibbs Free Energy (G) and Enthalpy (H); this is called the G-H AR. The G-H AR is always two dimensional, no matter what the dimension of the MB-AR. Extreme points in the G-H AR are also extreme points in the MB-AR are; however not all extreme points in the MB-AR are extreme points in the G-H AR. The extreme points in the MB-AR are transformed by calculating G and H of the points at the condition of interest (reaction temperature and pressure). It is then necessary to find the convex hull in G-H space of this set of transformed points which gives us the boundary of the G-H AR. The extreme points in the G-H AR can be associated with material balances and the extreme point with the minimum G represents the global equilibrium or equivalently the most favoured material balance for the system. The edges of G-H AR are defined by the lines between neighbouring extreme points in the boundary of the G-H AR. These edges represent the limiting material balances in terms of defining the extremes of the G and H of the system. The G-H AR depends on the feed and products through the MB-AR, but also depends on temperature (and pressure). The set of points which are extreme points of both the MB-AR and the G-H AR changes with temperature. Geometrically, the transformed set of extreme points for the MB-AR moves in the GH space as temperature is changed and they move at different rates. Hence when finding the convex hull in the G-H space of the transformed extreme points of the MB-AR, G-H points become either boundary (extreme) points or move into the convex hull at different temperatures. Thus, the material balance which corresponds to the global minimum in G may change with temperature, as do the material balances which are associated with the edges of the G-H AR. Experiments are performed on biomass anaerobically at ambient temperature using microbes as the catalyst, and the products of this process are called biogas. The experiments were performed in a nitrogen plasma system on biomass at higher temperatures (400 ⁰C to 1000 ⁰C) also in the absence of oxygen, and this process would typically be referred to as pyrolysis. Oxygen was added to the plasma system and operated at temperatures between 700 ⁰C and 900 ⁰C, and this would typically be referred to as gasification. Thus, it was able to change the MB-AR by presence or absence of oxygen. By changing operating temperatures, the G-H AR is effectively changed with either the same or different MB-AR’s. The experiments show that in all cases, the product tends towards minimum G. Although this might not be surprising at the higher temperatures, minimizing G is not thought to be the driving force in microbial systems. An important insight from this is that if one were to try and make hydrogen only in a biological system, the system would need to have organisms that make hydrogen only. This is because the material balance that produces hydrogen has a lower change in G than the material balance that make methane. Thus, if there was a consortium of organisms and some of them could make methane, the methane producing organisms would dominate as they have the higher Gibbs Free Energy driving force. If the boundary of the G-H AR around the minimum G is fairly flat, or if many of the extreme points of the MB-AR lie close to the minimum G in the boundary of the G-H AR, then there are many material balances that will give the same G and H. Thus, there are a range of compositions with similar G and H and how one approaches the minimum G will determine the chemical composition of the product. This has important implications for the design, scale up and operation of equipment if a particular product is desired rather process efficiency. The low temperature anaerobic route to gasifying waste, using microbes as catalysts, has a very simple G-H AR, and the preferred products are CH4 and CO2, known as biogas. These units should be relatively stable to operate as none of the other products have G’s that are as negative as that of the biogas. Although not part of this thesis, small-scale anaerobic digesters were installed in communities and these do run easily and stably with fairly little intervention from the operator which seems to support our conclusion. We however could ask, why then have simple technologies, such an anaerobic digestion, not been widely adopted in Africa? To this end we worked with communities and spoke to people about their knowledge about the technology, their concerns and their possible interest in using new approaches to supply energy for cooking and lighting. We found that people were not aware of the technology but would be very interested in adopting a technology that supplied energy cheaply. To our surprise however, their major concern was around hygiene and safety, in that if the gas was made from “poo” how could the gas be clean and would cooking with it not contaminate the food and make people sick? This in hindsight is a very reasonable concern, although it had never occurred to us that this would be a perception. Engineers will have to work with social scientists and psychologist, amongst others, to address the concerns and needs of communities in order for sustainable technologies to be successfully adopted by communities. In summary, this thesis presents a tool for analysing biomass conversion to gaseous products in general, whether microbial or thermal. This tool gives insight into what is achievable, what the major factors are that affect the favoured product and how this can be manipulated to improve efficiency from an overall material and energy point of view.
Physics
D. Phil. (Physics)
Huisman, Jelle. "Translation of the Implicit: Tracing How Language Works Beyond Gendlin and Derrida". Thesis, 2012. http://hdl.handle.net/10756/292264.
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