Bibliografías temáticas / Madame de... (Motion picture)

Literatura académica sobre el tema "Madame de... (Motion picture)"

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Artículos de revistas sobre el tema "Madame de... (Motion picture)"

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Verberck, Bart. "Motion picture". Nature Physics 10, n.º 5 (30 de abril de 2014): 332. http://dx.doi.org/10.1038/nphys2971.

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Kubota, Toshihiro y Yasuhiro Awatsuji. "Femtosecond motion picture". IEICE Electronics Express 2, n.º 9 (2005): 298–304. http://dx.doi.org/10.1587/elex.2.298.

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Smallridge, Rachel. "A motion picture". Nature Reviews Molecular Cell Biology 3, n.º 4 (abril de 2002): 228. http://dx.doi.org/10.1038/nrm786.

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Boegner, Ray F. "Motion-Picture Projectors". Scientific American 279, n.º 4 (octubre de 1998): 134–35. http://dx.doi.org/10.1038/scientificamerican1098-134.

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Offit, Paul. "Motion picture sickness". New Scientist 230, n.º 3070 (abril de 2016): 20–21. http://dx.doi.org/10.1016/s0262-4079(16)30705-9.

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Watt, Fiona M. y Richard Sever. "Consortia – the motion picture". Journal of Cell Science 118, n.º 21 (1 de noviembre de 2005): 4915. http://dx.doi.org/10.1242/jcs.118.21.4915.

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Fovet, Frederic. "120 BPM [Motion Picture]". Journal of Homosexuality 66, n.º 11 (18 de octubre de 2018): 1626–28. http://dx.doi.org/10.1080/00918369.2018.1517498.

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Finnie, Paul y Yoshikazu Homma. "Epitaxy: the motion picture". Surface Science 500, n.º 1-3 (marzo de 2002): 437–57. http://dx.doi.org/10.1016/s0039-6028(01)01730-7.

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Cleveland, David. "Preservation of motion picture films". Journal of Audiovisual Media in Medicine 8, n.º 4 (enero de 1985): 133–36. http://dx.doi.org/10.3109/17453058509155997.

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Umenhoffer, Tamás, László Szécsi y László Szirmay-Kalos. "Hatching for Motion Picture Production". Computer Graphics Forum 30, n.º 2 (abril de 2011): 533–42. http://dx.doi.org/10.1111/j.1467-8659.2011.01878.x.

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Tesis sobre el tema "Madame de... (Motion picture)"

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Li, Chun-hoi Benjamin y 李俊海. "Madame butterfly and orientalism". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952732.

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Li, Chun-hoi Benjamin. "Madame butterfly and orientalism". Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B22535305.

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Kokaram, Anil Christopher. "Motion picture restoration". Thesis, University of Cambridge, 1993. https://www.repository.cam.ac.uk/handle/1810/256798.

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This dissertation presents algorithms for restoring some of the major corruptions observed in archived film or video material. The two principal problems of impulsive distortion (Dirt and Sparkle or Blotches) and noise degradation are considered. There is also an algorithm for suppressing the inter-line jitter common in images decoded from noisy video signals. In the case of noise reduction and Blotch removal the thesis considers image sequences to be three dimensional signals involving evolution of features in time and space. This is necessary if any process presented is to show an improvement over standard two-dimensional techniques. It is important to recognize that consideration of image sequences must involve an appreciation of the problems incurred by the motion of objects in the scene. The most obvious implication is that due to motion, useful three dimensional processing does not necessarily proceed in a direction 'orthogonal' to the image frames. Therefore, attention is given to discussing motion estimation as it is used for image sequence processing. Some discussion is given to image sequence models and the 3D Autoregressive model is investigated. A multiresolution BM scheme is used for motion estimation throughout the major part of the thesis. Impulsive noise removal in image processing has been traditionally achieved by the use of median filter structures. A new three dimensional multilevel median structure is presented in this work with the additional use of a detector which limits the distortion caused by the filters . This technique is found to be extremely effective in practice and is an alternative to the traditional global median operation. The new median filter is shown to be superior to those previously presented with respect to the ability to reject the kind of distortion found in practice. A model based technique using the 3D AR model is also developed for detecting and removing Blotches. This technique achieves better fidelity at the expense of heavier computational load. Motion compensated 3D IIR and FIR Wiener filters are investigated with respect to their ability to reject noise in an image sequence. They are compared to several algorithms previously presented which are purely temporal in nature. The filters presented are found to be effective and compare favourably to the other algorithms. The 3D filtering process is superior to the purely temporal process as expected. The algorithm that is presented for suppressing inter-line jitter uses a 2D AR model to estimate and correct the relative displacements between the lines. The output image is much more satisfactory to the observer although in a severe case some drift of image features is to be expected. A suggestion for removing this drift is presented in the conclusions. There are several remaining problems in moving video. In particular, line scratches and picture shake/roll. Line scratches cannot be detected successfully by the detectors presented and so cannot be removed efficiently. Suppressing shake and roll involves compensating the entire frame for motion and there is a need to separate global from local motion. These difficulties provide ample opportunity for further research.
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Gurski, Remi J. "Real-time motion picture restoration". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ38631.pdf.

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Bokšteflová, Barbora. "Motion-picture spatial-differentiation model". Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-124646.

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The thesis presents a game theoretic model of two directors on a single market. It introduces a variable film type which attains a value from the interval [0,1], where the boundaries expresses the art and the mainstream film, respectively. Each director has opposite preferences over a film type and chooses which type of film to shoot. The director's decision influences the profit function of the other director. The objective of each director is to maximize his profit function. The profit function is the difference of the quadratic audience function and of the cost function. The cost function is the sum of quadratic production cost function and linear disutility cost function which expresses the director's unmeasurable cost issued from the deviation from his most preferred film type. The model therefore includes both the economic and the artistic incentives which influence the directors' decision. We prove that for each pair of profit functions, there exists at least one pure strategy Nash equilibrium. The discussion of possible outcomes is illustrated by an empirical application.
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Har-Noy, Shay Shmuel. "Improved LCD motion picture quality". Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p3356431.

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Thesis (Ph. D.)--University of California, San Diego, 2009.
Title from first page of PDF file (viewed June 16, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 107-114).
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Jansen, Christian. "The German motion picture industry". Doctoral thesis, Humboldt-Universität zu Berlin, Wirtschaftswissenschaftliche Fakultät, 2002. http://dx.doi.org/10.18452/14767.

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Die Arbeit ist mit den ökonomischen Auswirkungen von Regulierungen, die für die deutsche Filmwirtschaft relevant sind, befasst. Es werden die ökonomischen Effekte dreier Regulierungsfelder, die in der öffentlichen Debatte diskutiert werden, betrachtet. Diese sind: Das deutsche Filmförderungsgesetz (FFG), das Urheberrechtsgesetz (UrhG) und der Rundfunkstaatsvertrag (RStV). Im Zentrum der Analyse steht die Frage, wie die jeweiligen Regulierungen die ökonomische Effizienz beeinflussen. Darüber hinaus werden wesentliche institutionelle und marktliche Charakteristika der deutschen Filmwirtschaft betrachtet. Teile der Untersuchung sind in eine breit angelegte Regressionsanalyse über die Determinanten des Erfolges deutscher Kinofilme eingebettet. Die Arbeit zeigt, dass die betrachteten Regulierungen im Allgemeinen negative Auswirkungen auf die ökonomische Effizienz haben.
This work deals with the economic impact of regulations on the German film industry, focusing in particular on the effects of three pieces of legislation central to Germany's public debate on film politics. The legislation considered is the Film Act (Filmförderungsgesetz - FFG), the amendments to the Copyright Law (Urheberrechtsgesetz - UrhG), and the Inter-State Agreement on Broadcasting (Rundfunkstaatsvertrag - RStV). The inquiry examines how these statutes affect economic efficiency. In addition, major market and institutional characteristics of the German motion picture industry are studied. The analysis is partly embedded in a broadly disposed regression analysis of the determinants of performance of German movies in the theatrical market. The work indicates that the regulations considered generally detract from economic efficiency.
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Ng, Siu-hong Ryan. "Film Complex : Resuscitation of film in commercial society /". Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946821.

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Huggett, Nancy. "A cultural history of cinema-going in the Illawarra (1900-1950)". Communication and Cultural Studies - Faculty of Creative Arts, 2002. http://ro.uow.edu.au/theses/246.

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This thesis explores a cultural history of cinema-going in the Illawarra region of New South Wales over the first half of the twentieth century through oral history interviews with cinema-goers of the period. The research was originally intended to explore the Australian cinema industry from a regional perspective. However, while the interviews contained fascinating details and stories of cinema-going in this period, they did not fit seamlessly into existing academic discussions about cinema which often focus on film texts and national cinema industries. Therefore, as well as considering how the oral histories I collected contributed to pre-existing academic discourses about the cinema industry and national screen content, I have also explored other discourses that are articulated in audience narratives. Through exploring the debates in cultural studies about audience research and the work of the Popular Memory Group and other critical oral historians, I critically evaluate the oral history narratives as well as the methodology of oral history itself. I look at the intersection of oral history practice with cultural studies in order to highlight issues of representation and power and to celebrate the way that differences between written and oral histories can foreground processes of meaning-making. My contention in this thesis is that cinema-going is a strategy of mediation through which people make sense of themselves, their lives and their relationships with others. I test this theory by considering cinema-going in relation to a series of identifications: national identity, local identity, personal identity and political identity (age being one strategic location from which older individuals can draw on age-related discourses and experiences to achieve particular narrative ends). In conclusion I argue that any cultural history of cinema-going is a mediated history which is constructed within a matrix of meaning-making strategies. It is created through audience members� narratives of cinema-going which re-configure memories in accordance with particular discourses of significance either in the narrated past or in the narrating present. The researcher, who tells the story with reference to specific research priorities and current academic discourses, further mediates such a history. Therefore, as well as setting out a cultural history of cinema-going in the Illawarra for debate and further research, the emphasis on mediation is intended to encourage reflection on the creation of history as a complex, collaborative and political process which creates one story as it silences others.
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Gallina, Dino. "RED TIDE: A FEATURE LENGTH MOTION PICTURE". Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2198.

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The following document provides insight into the uncharted process of producing a micro-budget feature length film. This paper aims to document my growth as an artist in terms of storytelling and filmmaking as well as the development and production process. Red Tide: A Feature Length Motion Picture includes elements from each phase of the production process, from story and script development to marketing and distribution. This document reflects on the obstacles we faced and the solutions we implemented during the process of creating a feature length motion picture on an undersized budget.
M.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
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Libros sobre el tema "Madame de... (Motion picture)"

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1951-, Boddaert François, ed. Autour d'Emma: Madame Bovary, un film de Claude Chabrol, avec Isabelle Huppert, Jean-François Balmer, Christophe Malavoy, Jean Yanne, Lucas Belvaux. Paris: Hatier, 1991.

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Tavernier, Bertrand. La princesse de Montpensier: Suivi de histoire de la princesse de Montpensier, nouvelle de madame de Lafayette. Paris: Flammarion, 2010.

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Quirke, Antonia. Madame Depardieu and the beautiful strangers. London: Fourth Estate, 2007.

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Lafosse, Philippe. L' étrange cas de madame Huillet et monsieur Straub: Comédie policière avec Danièle Huillet, Jean-Marie Straub et le public ; ainsi que Hervé Joubert-Laurencin, Jacques Rancière, Paul Sztulman. Toulouse: Ombres, 2007.

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Salgado, Silvia Colmenero. Todo sobre mi madre: Pedro Almodovar. Barcelona: Paidós, 2001.

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Schmidt-Glenewinkel, Marike. Die Ästhetik des Pedro Almodóvar: Narration, formale Ästhetik, Wertevermittlung. Saarbrücken: VDM Verlag Dr. Müller, 2007.

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Salgado, Silvia Colmenero. Todo sobre mi madre, Pedro Almodovar: Estudio crítico. Barcelona: Paidós, 2001.

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Almodóvar, Pedro. Todo sobre mi madre. Madrid: Deseo Ediciones, 1999.

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Michael, Morris. Madam Valentino: The many lives of Natacha Rambova. New York: Abbeville Press, 1991.

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Edwards, Rona. The complete filmmaker's guide to film festivals: Your all access pass to launching your film on the festival circuit. Studio City, CA: Michael Wiese Productions, 2012.

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Capítulos de libros sobre el tema "Madame de... (Motion picture)"

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Jacob, Dodd. "Motion picture cameras". En 16mm and 8mm Filmmaking, 13–38. London; New York: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003000334-3.

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Kokaram, Anil C. "Introduction". En Motion Picture Restoration, 1–11. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_1.

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Kokaram, Anil C. "Noise Reduction for Image Sequences". En Motion Picture Restoration, 241–60. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_10.

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Kokaram, Anil C. "Using Colour". En Motion Picture Restoration, 261–67. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_11.

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Kokaram, Anil C. "Parting Remarks". En Motion Picture Restoration, 269–72. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_12.

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Kokaram, Anil C. "Motion Estimation for Image Sequence Processing: An Overview". En Motion Picture Restoration, 13–46. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_2.

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Kokaram, Anil C. "Three Dimensional Autoregressive Modelling for Image Sequences". En Motion Picture Restoration, 47–83. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_3.

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Kokaram, Anil C. "Image Sequence Restoration: A Review". En Motion Picture Restoration, 85–97. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_4.

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Kokaram, Anil C. "Line Registration for Jittered Video". En Motion Picture Restoration, 99–118. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_5.

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Kokaram, Anil C. "Heuristics for Reconstructing Missing Data". En Motion Picture Restoration, 119–50. London: Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-3485-5_6.

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Actas de conferencias sobre el tema "Madame de... (Motion picture)"

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Tok, Michael, Volker Eiselein y Thomas Sikora. "Motion modeling for motion vector coding in HEVC". En 2015 Picture Coding Symposium (PCS). IEEE, 2015. http://dx.doi.org/10.1109/pcs.2015.7170066.

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Bons, Jeffrey P., Daniel Reimann y Matthew Bloxham. "Separated Flow Transition on an LP Turbine Blade With Pulsed Flow Control". En ASME Turbo Expo 2006: Power for Land, Sea, and Air. ASMEDC, 2006. http://dx.doi.org/10.1115/gt2006-90754.

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Flow measurements were made on a highly loaded low pressure turbine blade in a low-speed linear cascade facility. The blade has a design Zweifel coefficient of 1.34 with a peak pressure coefficient near 47% axial chord (mid-loaded). Flow and surface pressure data were taken for Rec = 20,000 with 3% inlet freestream turbulence. For these operating conditions, a large separation bubble forms over the downstream portion of the blade suction surface, extending from 59% to 86% axial chord. A Single-element hotfilm measurements were acquired to clearly identify the role of boundary layer transition in this separated region. Higher-order turbulence statistics were used to identify transition and separation zones. Similar measurements were also made in the presence of unsteady forcing using pulsed vortex generator jets just upstream of the separation bubble (50% cx). Measurements provide a comprehensive picture of the interaction of boundary layer transition and separation in this unsteady environment. Similarities between pulsed flow control and unsteady wake motion are highlighted.
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Tok, M., A. Krutz, A. Glantz y T. Sikora. "Lossy parametric motion model compression for global motion temporal filtering". En 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213354.

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Aoshima, Kenichi, Hidekazu Kinjo, Kenji Machida, Daisuke Kato, Kiyoshi Kuga, Tomoyuki Mishina, Hiroshi Kikuchi y Naoki Shimidzu. "Three dimensional motion picture technologies". En 2014 IEEE Industry Applications Society Annual Meeting. IEEE, 2014. http://dx.doi.org/10.1109/ias.2014.6978440.

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Hillman, P. M. "Segmentation of motion picture images". En International Conference on Visual Information Engineering (VIE 2003). Ideas, Applications, Experience. IEE, 2003. http://dx.doi.org/10.1049/cp:20030496.

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Hyungjun Lim, Dong Yoon Kim, Hyun Wook Park, Jun Ho Cho, Se Hyeok Park y Jae Hyun Kim. "Motion estimation with adaptive block size for motion-compensated frame interpolation". En 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213358.

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Pfau, A., M. Treiber, M. Sell y G. Gyarmathy. "Flow Interaction From the Exit Cavity of an Axial Turbine Blade Row Labyrinth Seal". En ASME Turbo Expo 2000: Power for Land, Sea, and Air. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/2000-gt-0481.

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The structure of labyrinth cavity flow has been experimentally investigated in a three fin axial turbine labyrinth seal (four cavities). The geometry corresponds to a generic steam turbine rotor shroud. The relative wall motion has not been modeled. The measurements were made with specially developed low-blockage pneumatic probes and extensive wall pressure mapping. Instead of the classical picture of a circumferentially uniform leakage sheet exiting from the last labyrinth clearance, entering the channel, and uniformly spreading over the downstream channel wall, the results reveal uneven flow and the existence of high circumferential velocity within the entire exit cavity. The circumferential momentum is brought into the cavity by swirling fluid from the main channel. This fluid penetrates the cavity and breaks up the leakage sheet into individual jets spaced according to the blade passages. This gives rise to strong local cross flows that may also considerably disturb the performance of a downstream blade row.
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Okade, M. y P. K. Biswas. "Fast camera motion estimation using discrete wavelet transform on block motion vectors". En 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213314.

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Mao, Jue, Hualong Yu, Xiaoding Gao y Lu Yu. "Complementary Motion Vector for Motion Prediction in Video Coding with Long-Term Reference". En 2019 Picture Coding Symposium (PCS). IEEE, 2019. http://dx.doi.org/10.1109/pcs48520.2019.8954511.

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Krutz, A., A. Glantz, M. Tok y T. Sikora. "Adaptive global motion temporal filtering". En 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213349.

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Informes sobre el tema "Madame de... (Motion picture)"

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Smith, J. A Uniform Resource Name (URN) Namespace for the Motion Picture Experts Group (MPEG). RFC Editor, septiembre de 2003. http://dx.doi.org/10.17487/rfc3614.

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Hanson, Gordon y Chong Xiang. Testing the Melitz Model of Trade: An Application to U.S. Motion Picture Exports. Cambridge, MA: National Bureau of Economic Research, octubre de 2008. http://dx.doi.org/10.3386/w14461.

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Gharai, L., C. Perkins, G. Goncher y A. Mankin. RTP Payload Format for Society of Motion Picture and Television Engineers (SMPTE) 292M Video. RFC Editor, marzo de 2003. http://dx.doi.org/10.17487/rfc3497.

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Labosier, James. Motion Picture Exhibition and the Development of a Middle-class Clientele: Portland, Oregon, 1894-1915. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.6828.

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Edwards, T. A Uniform Resource Name (URN) Namespace for the Society of Motion Picture and Television Engineers (SMPTE). RFC Editor, febrero de 2008. http://dx.doi.org/10.17487/rfc5119.

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Downs, J. y J. Arbeiter, eds. RTP Payload Format for Society of Motion Picture and Television Engineers (SMPTE) ST 336 Encoded Data. RFC Editor, abril de 2012. http://dx.doi.org/10.17487/rfc6597.

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Edwards, T. RTP Payload for Society of Motion Picture and Television Engineers (SMPTE) ST 291-1 Ancillary Data. RFC Editor, febrero de 2018. http://dx.doi.org/10.17487/rfc8331.

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Edwards, T. Media Type Registration for the Society of Motion Picture and Television Engineers (SMPTE) Material Exchange Format (MXF). RFC Editor, mayo de 2006. http://dx.doi.org/10.17487/rfc4539.

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Kiv, A. E., T. I. Maximova y V. N. Soloviev. Microstructure of the relaxed (001) Si surface. [б. в.], diciembre de 1999. http://dx.doi.org/10.31812/0564/1245.

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We have applied molecular dynamics method and semi-empirical potential [1] to obtain the realistic picture of Si surface layers relaxation.The starting configuration was taken as a parallelepiped containing 864 atoms. There were 12 layers with 72 atoms in each one. Periodic boundary conditions were used in two dimensions. At first all atoms were in normal lattice positions. The relaxation of Si surface, which corresponds to (001) plane was investigated. MD method was applied in its standard form i.e. the equations of motion were solved by using of the central difference scheme. The time-step was 10-14s.
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