Literatura académica sobre el tema "Luce in teatro"
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Artículos de revistas sobre el tema "Luce in teatro"
Keating, Carla Mereu. "Mario Garbuglia luce sulla scena: Ricordi di cinema e teatro, Dani Massidda (ed.) (2021)". Journal of Italian Cinema & Media Studies 10, n.º 3 (1 de junio de 2022): 537–40. http://dx.doi.org/10.1386/jicms_00147_5.
Texto completoGrazioli, Cristina. "Luce e illuminotecnica a teatro tra XVIII e XIX secolo". Maske und Kothurn 54, n.º 3 (septiembre de 2008): 51–66. http://dx.doi.org/10.7767/muk.2008.54.3.51.
Texto completoSear, Frank. "The theatre at Taormina — a new chronology". Papers of the British School at Rome 64 (noviembre de 1996): 41–79. http://dx.doi.org/10.1017/s0068246200010345.
Texto completoBattistelli, Paola y Gabriella Greco. "Lo sviluppo architettonico del complesso del teatro di Ostia alla luce delle recenti indagini nell’edificio scenico". Mélanges de l’École française de Rome. Antiquité 114, n.º 1 (2002): 391–420. http://dx.doi.org/10.3406/mefr.2002.10703.
Texto completoKeay, Simon, Martin Millett, Sarah Poppy, Julia Robinson, Jeremy Taylor y Nicola Terrenato. "Falerii Novi: a new survey of the walled area". Papers of the British School at Rome 68 (noviembre de 2000): 1–93. http://dx.doi.org/10.1017/s0068246200003871.
Texto completoI. Luque, Diana. "Presentación: luces y sombras del teatro mexicano actual". Acotaciones. Investigación y Creación Teatral, n.º 39 (15 de diciembre de 2017): 9–11. http://dx.doi.org/10.32621/acotaciones.2017.39.01.
Texto completoDiez Puertas, Emeterio. "El Teatro Nacional del Español: la crisis de marzo de 1942". Rilce. Revista de Filología Hispánica 29, n.º 2 (22 de septiembre de 2015): 271–95. http://dx.doi.org/10.15581/008.29.2889.
Texto completoBonet, Laureano. "Azorín entre el teatro y el cine: El espejo mágico". BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO 93, único (10 de diciembre de 2018): 49–300. http://dx.doi.org/10.55422/bbmp.565.
Texto completoTolivar Alas, Ana Cristina. "Algunas consideraciones sobre la «Ifigenia» de Jovellanos". Cuadernos de Estudios del Siglo XVIII, n.º 20 (4 de octubre de 2017): 155–65. http://dx.doi.org/10.17811/cesxviii.20.2010.155-165.
Texto completoGonzález Martínez, Javier J. "Teatro y humanidades digitales". Talía. Revista de estudios teatrales 3 (12 de mayo de 2021): 1–5. http://dx.doi.org/10.5209/tret.75598.
Texto completoTesis sobre el tema "Luce in teatro"
orsini, davide. "Drammaturgia e regia della luce nel teatro italiano di primo Novecento". Doctoral thesis, Università di Siena, 2018. http://hdl.handle.net/11365/1051366.
Texto completoThe research explores the space delimited by the action of two playwrights, Gabriele D'Annunzio and Luigi Pirandello, and strive to demonstrate their contributions for the renewal of Italian theater, both in the writing process as well as in a new way of staging and acting. The period taken in consideration is characterized by an unrecognized and unexpected vitality of the Italian theater. This vigor is put in relation also with the technological developments that enrich and innovate the extraordinary Italian theatrical handicraft tradition. In particular, the momentous transition from gas to electric lights determines an extraordinary innovative impact not only on the staging, but also on dramaturgy itself. The result is a chapter in the theater history that sees exceptional propulsive ideas in contrast with the persistence of old traditions and methods of setting up. At the beginning of the twentieth century theories are elaborated and emblematic scenographic experiences are realized. All these new experiences contribute to change the perception of the Italian theater, marking important stages in the renewal process of it , in an optics of a modern Italian stage direction, and denying the view of its half a century delay until now considered ready to be born only after World War II. The specificity of this study lies in its particular point of observation: light - and consequently color - as a technical means able to contribute in a sensitive way to the renewal of dramaturgy and scenes, if used creatively as an important tool to make art. The first part of the research takes into consideration the history of the evolution of light sources for the theater beginning from the fifteenth century, up to the twentieth century transition: from “stage illumination” to “stage lighting”. The theatrical project by Gabriele D'Annunzio is then analyzed: his reflections and experiences on lighting technology, in fact, open the way to the possibilities of an “active role” of light, as theorized by Adolphe Appia. The third part is devoted to the Italian theatrical experiences of the decade 1910-1920, from the reflection on light and the color of Achille Ricciardi to the Futurist theater experience, and the experiments of Anton Giulio Bragaglia. The last chapter is focused on Luigi Pirandello and specifically to his ability to act in the theater and for the theater with results that mark for sure a point of arrival and in the meantime a turning point in Italian dramaturgy and staging.
Montemagno, Giuseppe Francesco. "La luce dell'ideale". Doctoral thesis, Università di Catania, 2017. http://hdl.handle.net/10761/3720.
Texto completoLagorio, Valeria <1988>. "La luce e la rappresentazione del doppio. Studio dell’impiego della luce nel teatro del XX secolo per la rappresentazione del tema del doppio in Edward Gordon Craig e Josef Svoboda". Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/5705.
Texto completoCampese, Ilaria <1990>. "Strategie produttive e azioni artistiche dell'azienda teatrale. Il caso dello Stabile del Veneto, Teatro Nazionale, alla luce della nuova legge sullo spettacolo". Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/7154.
Texto completoMozzato, Elisa <1980>. "Il teatro musicale di Luca Mosca". Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/5991.
Texto completoColla, Ana Cristina 1971. "Da minha janela vejo... : relato de uma trajetoria pessoal de pesquisa no Lume". [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284881.
Texto completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-03T16:52:21Z (GMT). No. of bitstreams: 1 Colla_AnaCristina_M.pdf: 1915402 bytes, checksum: 890cae3b45206dd66e6060431a82f70f (MD5) Previous issue date: 2003
Mestrado
Françozo, Laura de Campos. "Lume teatro: trajes de cena e processo de criação". Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-13112015-101124/.
Texto completoThe objective of this research is to analyze the creative process behind the costumes used by Lume Teatro. Since Lume Teatro is first and foremost a research center, this study aims to find out whether the research lines of the group influence or change the means of production of their costumes. The analysis was carried out in three phases. First, the writings of Lume Teatro\'s masters were examined in order to understand their thoughts on costumes. The second phase was to interview Lume\'s seven actors and two costume designers who often work for them. The third phase was to describe the creative process behind each spectacle of three of their research lines. We were then able to point out recurrent characteristics in each research line. The result of this study was guided by a comparison of Lume Teatro\'s costume practices with their masters thoughts on the subject.
Oliveira, Cícero Alberto de Andrade. "Brechas na eternidade: tempo e repetição no teatro de Jean-Luc Lagarce". Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-18062012-101102/.
Texto completoRepetition, according to David Hume, changes nothing in the object that is repeated, but modifies something in the spirit which beholds it: it unleashes a difference in perception in the observer. The texts of the French playwright Jean-Luc Lagarce (1957-1995) are marked by the systematic return of words, phrases, expressions, characters and themes, to the point that the recent criticism that revolves around him sees in this characteristic a kind of Lagarcian ethos. The detailed analysis of two texts of the author - Carthage, encore (written in the beginning of his career) and Jétais dans ma maison et jattendais que la pluie vienne (in the end of his life) reveals an interesting aspect: in them repetition works as a needle, weaving his work, unleashing another perception of the passing of time, in which past, present and future gradually thin out, becoming compact: the apprehension of the passing of time is suspended and, simultaneously, a gap to eternity is open. The present paper proposes to understand the use of repetition in these two texts as a performative element, that is, whose use in a sentence creates an illocutionary strength able to produce an effect of time suspension, modifying the perception of the public (reader or spectator).
Júnior, Umberto Cerasoli. "O LUME no contexto do Teatro de Pesquisa do Século XX". Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-09092011-193410/.
Texto completoThe objective of this research is to put into context the the experience of the group LUME (Interdisciplinary Center of Theater Research of UNICAMP) according to the XX century theater research tradition. In the first part of this work we identify the historical movement that made the consolidation of a theater based on the 20th century actor possible. We also map out the main points concerning the proposal about the actor formation established by Constantin Stanislavski, Etienne Decroux, Jerzy Grotowski and Eugenio Barba. In the second part we present the proposal and the objectives from the group LUME: we describe their research lines and put into evidence how their most important influences were appropriated and reprocessed in their own way to work the actor and think about theater.
Vaccaro, Luca <1987>. " e : Francesco Maria Vialardi, fra filosofia, storia, politica e teatro". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amsdottorato.unibo.it/8614/1/Luca%20Vaccaro.%20Tesi%20di%20dottorato%20in%20Culture%20letterarie%20e%20filologiche.%20Ciclo%20XXX.pdf.
Texto completoThe objective of this doctoral thesis is to trace, by using new and unpublished documents, the less-known biography and literary work of Vercelli’s writer Francesco Maria Vialardi. The work is presented in three main Parts: Part 1. A life in the glory of imperial heraldry, Part 2. The years before and after imprisonment, and Part 3. Lei che «spia sin quel che si fa nel globo della Luna». An explorer of the social and political life. The first Chapter covers the author’s life from his birth to his transition to adulthood. The second five-Chapter Part elaborates the period when the author was accepted in the prestigious Accademia della Crusca and his comment to the Tasso’s Conquistata, closing up with the period of his imprisonment in the Rome’s Santo Ufficio Prison. The second and third Chapters of the last part are dedicated to the analysis of Vialardi’s political and literary work. Faithful to the literary context of the Accademia degli Umoristi, his latest contribution «AMOR SOL MERTA Amore». Among the letters of Ridolfo Campeggi to Maffeo Barberini, the revision of the poem of the Lagrime di Maria Vergine and the wonderful theatrical representation in Bologna of the Quattro elementi (Four Elements) is a distinguished piece of work that creates a literary bridge between the settings of Rome and Bologna. Key elements of this last chapter are the unpublished correspondence between Cardinal M. Barberini and the poet R. Campeggi, as well as the Bologna’s play Quattro elementi (Four Elements).
Libros sobre el tema "Luce in teatro"
Luce attiva: Questioni della luce nel teatro contemporaneo. Corazzano (Pisa): Titivillus, 2007.
Buscar texto completoCrisafulli, Fabrizio. Luce attiva: Questioni della luce nel teatro contemporaneo. Corazzano (Pisa): Titivillus, 2007.
Buscar texto completo1975-, Zaccagnini Edoardo, ed. La luce solida: Sul teatro di Mario Ricci. Roma: Un mondo a parte, 2009.
Buscar texto completoFranco, Luca. La luce solida: Sul teatro di Mario Ricci. Roma: Un mondo a parte, 2009.
Buscar texto completoMazzanti, Stefano. Luce in scena: Storia, teorie e tecniche dell'illuminazione a teatro. Bologna: Scarabeo, 1998.
Buscar texto completoGarbuglia, Mario. Mario Garbuglia luce sulla scena: Ricordi di cinema e teatro. Modena: Palombi editori, 2021.
Buscar texto completoArchitetture di luce: Il Teatro architettura di Giancarlo Cauteruccio/Krypton. Corazzano (Pisa): Titivillus, 2014.
Buscar texto completoGiuseppe, Centomani, ed. Alla luce delle prove: Il teatro nel carcere minorile di Bologna. Bologna: Bononia University Press, 2009.
Buscar texto completoZannier, S. Maravee: Meraviglia = Marvel : la luce della notte : arte, letteratura, teatro, danza, musica per San Giovanni. Milano: Electa, 2002.
Buscar texto completoDonato, Carla Di. L'invisibile reso visibile: Alexandre Salzmann (1874-1934) : vita, opera e ricerca tra teatro, luce e movimento. Roma: Aracne editrice S.r.l., 2013.
Buscar texto completoCapítulos de libros sobre el tema "Luce in teatro"
Ferracini, Renato. "Lume Teatro: questões institucionais". En Abordagens teórico-práticas do teatro contemporâneo brasileiro, 36–50. Pimenta Cultural, 2020. http://dx.doi.org/10.31560/pimentacultural/2020.848.36-50.
Texto completo"Luces y sombras de la nueva identidad femenina en el teatro español actual". En Teatro y sociedad en la España actual, 65–86. Vervuert Verlagsgesellschaft, 2004. http://dx.doi.org/10.31819/9783964565327-006.
Texto completoMarrone, Gaetana. "City of Memory". En The Cinema of Francesco Rosi, 218–24. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190885632.003.0007.
Texto completoLo, Patrick, Robert Sutherland, Wei-En Hsu y Russ Girsberger. "Luca Logi, Music Library Manager, Artistic Direction, Fondazione Teatro del Maggio Musicale Fiorentino". En Stories and Lessons from the World's Leading Opera, Orchestra Librarians, and Music Archivists, Volume 2: Europe and Asia, 129–41. Emerald Publishing Limited, 2022. http://dx.doi.org/10.1108/978-1-80262-659-920221012.
Texto completoFerracini, Renato. "Lume – Um grupo de teatro e um núcleo de pesquisa acadêmico: Relações e correlações". En Práticas teatrais: sobre presenças, treinamentos, dramaturgias e processos, 23–36. Editora da Unicamp, 2020. http://dx.doi.org/10.7476/9786586253733.0002.
Texto completo"An Issue of Blood. The Healing of the Woman with the Haemorrhage (Mark 5.24b–34; Luke 8.42b–48; Matthew 9.19–22) in Early Medieval Visual Culture". En Blood, Sweat and Tears, 307–38. BRILL, 2012. http://dx.doi.org/10.1163/9789004229204_015.
Texto completoJohnson, Phylis. "Imagined Futures". En Advances in Media, Entertainment, and the Arts, 12–22. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-3844-9.ch002.
Texto completo"Kitsch as kitsch can: Estética trivial como instrumento ideológico en el teatro de la posguerra. El caso de Juan Ignacio Luca de Tena". En Vencer no es convencer, 131–48. Vervuert Verlagsgesellschaft, 1998. http://dx.doi.org/10.31819/9783964564733-009.
Texto completoActas de conferencias sobre el tema "Luce in teatro"
Cimpoi, Mihai. "Caragiale și teatrul absurdului". En Ion Luca Caragiale și personajele sale emblematice (170 de ani de la naștere). “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/ilc.170.2022.01.
Texto completoGEORGIA GALVAO TAVARES DA SILVA, STEFANIE, Eduardo Okamoto, RAQUEL SCOTTI HIRSON, ALEXANDRE FREIRE GUIDORIZZI, VICTOR FERRARI, VICTOR LUCAS ANTONINO VAZ, ALLAN LUCAS KAWABATA, FERNANDA ZANCOPÉ y JULIA CAROLINE FAVORETTO PRUDÊNCIO. "The work with animals' images proposed by LUME Teatro to the practical study of the impulses." En XXIV Congresso de Iniciação Científica da UNICAMP - 2016. Campinas - SP, Brazil: Galoa, 2016. http://dx.doi.org/10.19146/pibic-2016-51048.
Texto completoZancope, Fernanda y Eduardo Okamoto. "O Trabalho com as Ações Físicas Propostas pelo LUME Teatro Comparado a conceito de Ação no Sistema Stanislavski". En XXV Congresso de Iniciação Cientifica da Unicamp. Campinas - SP, Brazil: Galoa, 2017. http://dx.doi.org/10.19146/pibic-2017-78885.
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