Bibliografías temáticas / Live theater / Libros
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Libros sobre el tema "Live theater"

Autor: Grafiati
Publicado: 25 de mayo de 2024

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1

Milwaukee's live theater. Charleston, S.C: Arcadia Publishing, 2009.

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2

Milwaukee's live theater. Charleston, SC: Arcadia Publishing, 2009.

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3

Stages for tomorrow: Housing, funding, and marketing live performances. Oxford: Focal Press, 1998.

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4

Avant-garde performance: Live events and electronic technologies. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005.

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5

Coveney, Michael. The aisle is full of noises: A vivisection of the live theatre. London: Nick Hern Books, 1994.

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6

Little, Jean. Live on Broadway: A treasury of theater from A to Z. Maplewood, NJ: Blue Apple Books, 2009.

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7

Associates, Nicholas Clark and. Study of the professional live theatre industry in Victoria for Victorian Ministry for the Arts. Melbourne, Vic: The Associates, 1985.

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8

Applying performance: Live art, socially engaged theatre and affective practice. New York: Palgrave Macmillan, 2012.

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9

Nick, Kaye, ed. Performing presence: Between the live and the simulated. Manchester, UK: Manchester University Press, 2011.

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10

Maaike, Bleeker, ed. Anatomy live: Performance and the operating theatre. [Amsterdam]: Amsterdam University Press, 2008.

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11

Maaike, Bleeker, ed. Anatomy live: Performance and the operating theatre. [Amsterdam]: Amsterdam University Press, 2008.

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12

Nick, Kaye, ed. British live art: Essays and documentations. [Basel, Switzerland]: Harwood Academic Pub., 1994.

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13

Live theatre and dramatic literature in the medieval Arab world. Edinburgh: Edinburgh University Press, 1992.

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14

Live theatre and dramatic literature in the medieval Arab world. New York: New York University Press, 1992.

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15

Gänzl, Kurt. Musicals: The complete illustrated story of the world's most popular live entertainment. London: Carlton, 2001.

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16

The audience & the playwright: How to get the most out of live theatre. New York: Applause Theatre & Cinema Books, 2003.

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17

Textual translation and live translation: The total experience of nonverbal communication in literature, theater and cinema. Philadelphia: John Benjamins, 2008.

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18

The street where I live. New York: Da Capo Press, 1994.

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19

Brown, Alan S. y Clayton Lord. Counting new beans: Intrinsic impact and the value of art : featuring Measuring the intrinsic impact of live theatre : the final report on the landmark two-year intrinsic impact theatre study from research firm Wolfbrown and authors Alan Brown and Rebecca Ratzkin. San Francisco, CA: Theatre Bay Area, 2012.

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20

Tolar, Günter. So ein Theater!: Die Geschichte des Theaters an der Wien. Wien: Ueberreuter, 1991.

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21

Lerner, Alan Jay. The street where I live: The story of 'My Fair Lady', 'Gigi' and 'Camelot'. London: Columbus, 1989.

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22

Smith, Wendy. Real life drama: The Group Theatre and America, 1931-1940. New York: Knopf, 1990.

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23

West, Jonathan. Milwaukee's Live Theater. Arcadia Publishing, 2009.

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24

West, Jonathan. Milwaukee's Live Theater. Arcadia Publishing, 2009.

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25

Ferris. Theater and Live Perfomance. McGraw-Hill Companies, 2002.

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26

Celebrating Live Theatre: An Introduction. Cognella Academic Publishing, 2015.

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27

Live To Your Local Cinema. Palgrave Macmillan, 2012.

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28

Memories That Live. Creative Media Partners, LLC, 2021.

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29

Federle, Tim. Life is like a musical: How to live, love, and lead like a star. 2017.

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30

Federle, Tim. Life Is Like a Musical: How to Live, Love, and Lead Like a Star. Running Press, 2017.

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31

Federle, Tim. Life is Like a Musical: How to Live, Love, and Lead Like a Star. Hachette Audio and Blackstone Audio, 2017.

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32

After Live: Possibility, Potentiality, and the Future of Performance. University of Michigan Press, 2015.

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33

Sack, Daniel A. After Live: Possibility, Potentiality, and the Future of Performance. University of Michigan Press, 2015.

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34

After Live: Possibility, Potentiality, and the Future of Performance. University of Michigan Press, 2015.

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35

(Editor), David Tushingham y Simon Annand (Photographer), eds. Live 2: Not What I Am: The Experience of Performing (Live, 2). Heinemann, 1996.

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36

Leitermann, Gene. Theater Planning: Facilities for Performing Arts and Live Entertainment. Taylor & Francis Group, 2017.

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37

Theater Planning: Facilities for Performing Arts and Live Entertainment. Routledge, 2017.

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38

Theater Planning: Facilities for Performing Arts and Live Entertainment. Routledge, 2017.

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39

Semmes, Clovis E. The Problem of Race and Chicago’s Great Tivoli Theater. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037023.003.0003.

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This chapter historicizes the building of “the great palace theaters” of the early twentieth century, paying particular attention to real-life racial politics. Inspired by the architectural designs of the Chateau de Versailles, the Tivoli Theater was located in Washington Park with its 85 percent white population. The theater, originally built in 1921 for white neighborhood residents, employed a number of black men and women in service capacities. Due to gradual demographic shifts, Tivoli Theater management pursued a policy of separate seating for audiences for the live performances and film exhibitions. The chapter notes that the ornate theaters, including the Regal Theater, which was the black counterpart to the Tivoli Theater, sought to sell the feeling of being upper class while giving access to all classes.
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40

Shakespeare and the 'Live' Theatre Broadcast Experience. Bloomsbury Publishing Plc, 2018.

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41

Aebischer, Pascale, Susanne Greenhalgh y Laurie Osborne. Shakespeare and the 'Live' Theatre Broadcast Experience. Bloomsbury Publishing Plc, 2019.

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42

Leitermann, Gene. Theater Planning: Facilities for Performing Arts and Live Entertainment. Taylor & Francis Group, 2017.

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43

Sean, Neil. Live at the London Palldium: The World's Most Famous Theatre in the Words of the Stars Who Have Played There. Amberley Publishing, 2014.

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44

Body show/s: Australian viewings of live performance. Amsterdam: Rodopi, 2000.

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45

Live 5: My Perfect Theatre (Nick Hern Books). Theatre Communications Group, 1998.

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46

Burns, George. An Evening With George Burns: Live at the Shubert Theater. Audio Literature, 1996.

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47

Shaughnessy, Nicola. Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. Palgrave Macmillan, 2012.

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48

Fryer, Louise y Amelia Cavallo. Integrated Access in Live Performance. Taylor & Francis Group, 2021.

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49

Fryer, Louise y Amelia Cavallo. Integrated Access in Live Performance. Taylor & Francis Group, 2021.

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50

Fryer, Louise y Amelia Cavallo. Integrated Access in Live Performance. Taylor & Francis Group, 2021.

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