Tesis sobre el tema "Littérature - théorie"
Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros
Consulte los 50 mejores tesis para su investigación sobre el tema "Littérature - théorie".
Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.
También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.
Explore tesis sobre una amplia variedad de disciplinas y organice su bibliografía correctamente.
Gagnon, Alex. "Littérature et subjectivité essai d'épistémologie de la théorie littéraire". Mémoire, Université de Sherbrooke, 2012. http://hdl.handle.net/11143/5729.
Texto completoAbdallah, Tarak. "Essai sur les théories et les développements de la théorie économique arabe contemporaine". Paris 10, 1992. http://www.theses.fr/1992PA100056.
Texto completoThis work is intended to present the economic literature that the contemporary Arab intellectuals have produced. The first part of this search will be consecrated at the themes-debates that sun up the essential of Arab economic write. The second part tries to place the Arab economic literature in comparison with the social and economic Arab realities. It's through genesis and metamorphosis of Arab intellectual movement since Islam advent, and through the birth of the modern national Arab state, that we try to analyze the construction, characteristics and evolution of this literature
Biyogo, Grégoire. "L'écriture et le mal, théorie du désenchantement : contribution aux recherches sur la théorie littéraire". Paris 4, 1991. http://www.theses.fr/1990PA040165.
Texto completoThe work attempts to establish the proposition of rational acceptability which controls the indissociability of writing and the question of disappointment,through Arts,History,Philosophy and Science,especially in West Europe and in Africa. .
Antonioli, Manola. "L'écriture de Maurice Blanchot : fiction et théorie". Paris, EHESS, 1997. http://www.theses.fr/1997EHESA013.
Texto completoBerthet, Dominique. "Les esthétiques révolutionnaires : théorie du reflet et imaginaire". Paris 1, 1993. http://www.theses.fr/1993PA010650.
Texto completoThe xixth century has seen the birth of modern socialism and the emergence of a new concept applied to art : modernity. From that period on, two types of socialism have developed, competed and incessantly argued. The origin of the conflict to date back to the argument between marx and proudhon. These two forms of socialism, as far as art and aesthetics are concerned, have made different and sometimescontrary propositions. However, Proudhon, Marx and Engels' aesthetics have in common the fact that they are ideological, they contemplate art in its direct relation to the social field. Consequently, marxist an libertarian aesthetics are to differentiate one from the other in the long run. Anarchist aesthetics have the peculiarity of being numerous and of offering very different approaches towards art. However, they come from statements that are very distinct from those that founded marxist aesthetics. The way they showed through social realism and jdanovism. Afterwards, in front of what had become state aesthetics, some marxists turned away from that kind of art to adopt some points of view borrowed from the libertarian aesthetics
Mellier, Denis. "La terreur fantastique et l'écriture de l'excès : théorie et poétique du récit terrifiant". Paris 3, 1994. http://www.theses.fr/1995PA030068.
Texto completoAlthough the fantastic is commonly read as a literature of uncertainty and ambiguity, where undetermined forms would prevail in efficiency and signification over explicit, excessive and in fact demotivated representations, since the gothic novels of the 18th century, another fantastic mode as emerged that proceeds from diametrally opposite poetics. Walpole's and lewis's narratives, lovecraft's hyperboles, the spectacular effects of contemporary horror stories display poetics of excess that works fantastic representation and places its pathos effect in the visibility and determination of frightening objects rather than in suspension of meaning. This study first examines the theoretic conditions under which those representations that are primarily explicit and excessive are maintained and interpretable within the field of fantastic fiction. Second, it questions the poetics that bring into play visibility - first in the mutual influence and deviation between burke's aesthetics of sublime terror and gothic novels, then in lovecraft writing of fantastic. This specularity of excess leads us to question ourselves about the conceptions of language and writing that underlie such a fantastic mode, where the hyperbole and the oxymoron, the description and the unnambale terrify
Bernard, Laurent. "La Littérature cartographique, un défi à la totalité". Cergy-Pontoise, 2005. http://www.theses.fr/2005CERG0244.
Texto completoThis study proposes to confront the cartography with the literature in order to release a literature known as cartographic; I. E. A literature which does not merge with a géographical literature, but which is adapted, at the time of each stage of its speech, spécific codes and ambition of cartographic project which seeks to defy the world in its totality. This attemp at reconciliation, under consideration around a central corpus composed of Borges, Calvino, Perec, Stevenson and using regularly of parallels pictorial, determines in a first part the nature of the cartographic glance (point of view). This glance is carried out around an abandonment of the eye sensitive to profit of an the same time divine and theoretical bicephalous eye. A glance which involves this cartographic literature well off a logic representation for a logic of construction of which the foncations, approached in one second part, let foresee the way in which this literature uses to the statute of card image, between remote setting, framing, brevity and devices of projection. To these foundations succeeds the observation of the strategies installed by this writing, on the cartographic model, in order to achieve, in an effective way its challenge with totality, between disembodied structure, formal global nature related to the question of the genre and cumulative fullness. All of these strategies which are at the same time paradoxical and heterogeneous, come across the difficulties in this challenge. Also, in a last part we question the way in which the cartographic writing consecrates a quite specific reading, between reticularity and rhizomic verticality exempted by intertextuels devices end bilocation. This cartographic reading appealing to exteriority and diversity, for a totality-world open and with which the reader superimposes himself to become himself an individual-world
Asllani, Persida. "Roland Barthes : l'écriture de la théorie". Paris 7, 2005. http://www.theses.fr/2005PA070059.
Texto completo"Roland Barthes - Writing the Theory", is a research about writing ("écriture") of literacy theory, to put in evidence the process of coming up and of operative notions in Roland Barthes's entire work. As on the same time literary notions, philosophie, musical and utopist notions, they stay on crossbreeding between fiction and theory. The Thesis structure follows évolution and persistance of key-notions : writing of Tragedy (first of ail), Death, Utopia, Clarity, Music, presents some peculiar views of writing process, imagined as a kind of possible and impossible process. Prefaced and never-published anthology of the 1920 questions proposed by Barthes, from 1942 until his death (1980), completes the thesis (Vol. II)
Renombo, Steeve Robert. "L'écriture et le voyage : approches de l'itinérance : contribution aux travaux sur le comparatisme et la théorie littéraire". Paris 4, 2000. http://www.theses.fr/2000PA040250.
Texto completoArfouilloux, Sébastien. "La musique, entre pratiques et théorie littéraire, de Dada au surréalisme". Paris 4, 2007. http://www.theses.fr/2007PA040061.
Texto completoThis study puts to the test facts the theoretical declarations of Dada and surrealism about music, proposing to read them again in their historical and cultural context. It is about to know in what music has a role to play into surrealism, taking into account the texts that announce a refusal, and to measure the difference between the announced theory and the achievements concluded. Taking as starting point the spectacles and the musical theories of the avant-garde of the time of Dada, which carry in germ what will be surrealism, it examines then the whole of the declarations of Andre Breton on the music. It finally questions the idea that there was no musical surrealism. Far from the postromantism, well off the return to the classicism of France at the beginning of the twentieth century, new musics are worked out. Certain news musical tendencies will be able to hold the attention of the surrealist poets and to constitute an inspiration. Others will be impelled by composers having dependent part with the surrealist movement
Mousa, Ayman. "Les dimensions sémiotiques de la traduction : théorie et pratique". Lyon 2, 2003. http://theses.univ-lyon2.fr/documents/lyon2/2003/mousa_a.
Texto completoThe semiotics' dimensions of translation and its problems have become the centre of interest of the researchers and experts since the fifty last years. This thesis tries to benefit from progress report of the schools and tendencies which govern the act of translation. The relationship between the theory and the practice makes it possible to understand the operation of the theory in practice, from which is the following postulate can be obtained: it is impossible to make the practice apart from the theory. It is necessary for that to strip a long essay and to hold some examples which will allow us to have an interesting idea about the transmission of the original meaning of Naguib Mahfouz's novel entitled "Comes the night". Our work is composed of four parts. In the first part which is entitled "Theories of the translation", we will approach three theories which deal with the problems of translation. The second part, "the new fields of the translated communication", approaches the usage of the oral and written translation the same time. In the third part, an analytical study will be dedicated in the passing of the theory to the practice. We will discuss the fourth and last part to the restrictions and limits of the translation
N'Goran, David Koffi. "Littératures et champ symbolique : essai pour une théorie de l'écriture actuelle en Afrique francophone". Cergy-Pontoise, 2005. http://biblioweb.u-cergy.fr/theses/05CERG0236.pdf.
Texto completoThe first step of this study is to try an “essay of a theory for the present litérary writing in the french-speaking communities of Africa”. Secondarily, the purpsose was to give another definition, through “another reading”of the african french-speaking literary fact, the nature and the function of the dominated contries literatures. In a historicity perspective, it appeared that the african french –speaking literature, in its all, has been set-up since 1930 in an “autonomous” social word, which general copyrights are principally based on the cultural catégories, knows as the “oral” and “traditional” ones. On a pratical point of view, the oral way and the african oral tradition, far to invariably be the extension of the proclamation of a “negro soul”, are essentially the “ rule of the african literary game”. Subjects of stakes and places of tensions, the oral way and the oral tradition are used by writers of the african field, in their need of structural setting up: the pioneers (Césaire/Senghor) for the maintaining of their “dominant status”; the pretenders (Pacéré/Zadi) for their pretentiousness for the “classicism”. Strategically beneficial and symbolically rich of resources, the oral and the traditional items suffer from all kind of amplifications, of magnifications and extrapolations (speechs relating to the identity, manipulation of the roots and the purity, arguments of the sacred and secret ). In all case , the literary act in Africa or in the french-speaking communities, like the political or economical act is a “calculated act” that the rationality to be hold , needs a perfect knowledge of what has been agreed to call, following the Bourdieu's terminology a “symbolic field” and/or the “african literary field”
Richard, Christophe. "La théorie aristotélicienne de la mimesis poétique". Paris 1, 1992. http://www.theses.fr/1992PA010562.
Texto completoStudy of Aristotle's poetics aiming at showing the original feature of the Aristotelian conception of the poetical "mimesis" and this, in comparison with the platonic approach of the question. Tn this aim, the following points will be analyzed : the origin (nature), the different domains where it can be found (education, poetical expression, painting, music) as well as the main effects (pleasure, purification) characteristic of the "mimesis" determined by Aristotle
Lancry, Yehuda. "Théorie et pratique de la résistance en littérature : nouvelles approches de l'oeuvre de Michel Butor". Nice, 1986. http://www.theses.fr/1986NICE2035.
Texto completoBayle, Elise. "La création littéraire anglo-saxonne en théorie et en action". Phd thesis, Université Jean Monnet - Saint-Etienne, 2011. http://tel.archives-ouvertes.fr/tel-00995644.
Texto completoZimmermann, Laurent. "L' ivresse dans la littérature française depuis Baudelaire". Paris 8, 2004. http://www.theses.fr/2004PA082421.
Texto completoIn this study intoxication is defined as a temporal emergence that links two realms (one is related to drug and the other to the theme of inspiration) and questions a specific stake, the stake of the tension, a constituent of literature, between knowledge and pleasure. Within this frame, the study of a whole range of literary texts connected to intoxication leads to the reversal of the paradigm generally in use : intoxication considered as it is in the study, is not in opposition to theory but, on the contrary, combines with it. After these two parts more specifically concerned with problems related to theory but also to questions of methodology, three further parts are dedicated to text analyses and organized in such a way as to first bring about the foundation of speech, then of its development and finally of the limits encountered
Cazentre, Thomas. "La lecture gidienne et l'idée de littérature". Paris 4, 2001. http://www.theses.fr/2001PA040173.
Texto completoThis essay studies how André Gide, through his practice of reading, has carried out an original reflection about the idea of literature. The study of the texts he has drawn from his reading (in his Diary, letters, critical essays), and of the images of reading in his fictional works, leads to an ambiguous conception : literature, highest fulfilment of word, realm of art and truth, outstanding mean of knowledge and search about man, is also a precarious and problematical reality, and constantly takes the risk of lapsing into artificiality, meaninglessness, commonplace or falseness. As it exists only through this tension between absoluteness and nothingness, it is permanently questioned by the reader's individual experience
Gasmi, Ahmed. "La traduction littéraire. Analyse de modèles de restitution. Théorie et pratique de la production des textes et de leur réception". Paris 3, 1993. http://www.theses.fr/1993PA030103.
Texto completoThis study starts by defining the state of the art and its basis i. E. The characteristic texutal elements that build the text as a structure. During the translation process, the translated text is already a. Function of its target public. It functions as a motivation to reading. The construction of textual models shows how the properties of each type of text, with differing degrees of representation of the original text. The ideal would be an optimal relation between the source and the target texts. The tanslated text is an oriented structure in that the translator takes into account constraints such as the target literary system and culture. The ideal situation would be a "synonymy in reading" in the source and target literary systems. By analysing the translation process, conclusions are drawn concerning the nature of translated text, the translator's role in the literary system and the function of the alterations to the original text
Roux, Emmanuel. "Théorie et occasion dans l'œuvre de Machiavel". Paris 4, 2000. http://www.theses.fr/2000PA040099.
Texto completoMiot-Konopnicki, Danielle. "Contribution à l'histoire du structuralisme européen : les formalistes russes (1914-1929)". Paris 8, 1993. http://www.theses.fr/1993PA08A005.
Texto completoWe should not deal with formalism, but rather with formalists. However, in spite of their differences, the formalists have the same references and study the same subjects. They show that sound has a value independently from the meaning, they study discourse and what generates meaning the theoretical stake of this research is the making-up of "litterary science" which must have its own object and its own specific study. The formalists renew the notions of from and contents, and oppose them those of "device" and material. They investigate the composition and the "morphology" of works and genres, they elaborate the notions of system and structure. A particular conception of literary evolution results from their conception of formal analysis. The latter establishes "genetic" links between the phenomena. The formalists don't limit themselves to theory and history. They put forward the idea of the necessity of a "technology of discourse" in the fields of declamation, of the oratorical art, of translation and of "linguistic policy"
Letellier, Bénédicte. "Penser le fantastique en contexte arabe". Paris 3, 2007. http://www.theses.fr/2007PA030014.
Texto completoThis study questions and tests the universality of the fantastic. It consists in submiting the fantastic to a literary context which is unfamiliar to it as for exemple the arabic literatures. The arab critics borrow the occidental terms and don’t claim the existence of a fantastic genre. In support of an occidental critical and literary corpus, we notice that the fantastic has two essential functions : it reveals the thought and renews it. The fantastic short stories written by Aymé, Buzzati and Pellerin, show a problematic articulation between the singular and the common which breaks the mechanics of a binary thought and reveal that it is possible to resolve the paradoxes of this thought by the exposition of an indetermined and problematic outside. We propose to mime this dynamic of the fantastic in comparing this corpus with an arabic outside. The discourses of contemporary arabic criticism and the short stories of Tâmir, Nasr and Tûbyâ introduce a possible thought about the limits of some of the determinations associated with the occidental fantastic. They also introduce the possibility of a fantastic thought able to reveal a new articulation between the singular and the common and between different contexts themselves
Yuan, Yuan. "Réception et création : les littératures féminines française et chinoise au XXe siècle". Besançon, 2010. http://www.theses.fr/2010BESA1015.
Texto completoThis study aims at probing, measuring and describing the relationship between the Chinese and French female literature of the twentieth century. It concentrates particularly on the most representative female writers from both countries and their works that reflect female consciousness. The Chinese female writing in the 1920s-1940s shows strong feminist thought, similar to French female writing of the period. However, there was no direct communication between these two female literatures and the influence of French literature on the first generation of contemporary Chinese female writers came from males writers. The French feminist literary theory formed during the 1970s has become the theoretical pivot and practical model for the Chinese female writing in the 1990s, yet continually influenced by Chinese female writing in the 1920s-1940s. The use of the comparative method helps to show that Chinese contemporary female literature is “the fruit” of the combination of the development of Chinese female literature herself, the influences of western feminist theories and western literature, especially French literature
Rundgren, Heta. "Vers une théorie du roman postnormâle : féminisme, réalisme et conflit sexuel chez Doris Lessing, Märta Tikkanen, Stieg Larsson et Virginie Despentes". Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080145/document.
Texto completoSituated at the intersection between comparative literature and gender studies, this dissertation theorizes what I term the postnormâle novel. It deploys readings of four contemporary European novels along with a corpus of literary and feminist theory. The novels include Doris Lessing’s The Golden Notebook (1962), Märta Tikkanen’s Manrape (1975), Stieg Larsson’s Millenium trilogy or The Girl with the Dragon Tattoo (2005-2007) and Virginie Despentes’s Apocalypse baby (2010). My analysis of these texts examines the way in which the postnormâle novel reclaims social discourses of sexual difference for a mass audience while subtly displacing realist conventions in order to inscribe women’s—or lesbians’—experience of sexual conflict into the text. A four step process is used to study the work. First, I anchor the novels to a “realist real”, and study the function of detail within the postnormâle aesthetic. Then I chart the sociogram ’feminism’ in the novels and their reception. Thirdly, I read the narrative of what I call “counter-rape”, and lastly the inscription of woman-desire and the figuration—the constitution even—of entr’elles, a feminist space. The perspective of my study is postmodern, which implies a suspension—but not a disbelief—of the twofold question of literary status and literary evaluation, in order to focus on texts in their contexts. In this process, I aim to rethink the link between the notions of the feminine and the queer in light of contemporary feminist and lesbian perspectives
Balghagi, Farouk. "Réalisme et esthétique fictionnelle dans la littérature maghrébine et négro-africaine d'expression française". Nice, 1998. http://www.theses.fr/1998NICE2027.
Texto completoHan, Yong-Hee. "Enjeux de la théorie du texte dans l'oeuvre de Roland Barthes". Paris 8, 2003. http://www.theses.fr/2003PA082270.
Texto completoWe studied the stakes of text's theory or litterary theory in Roland Barthes' work. We studied it in four parts : semiology, thematism, structuralism, " textualism ". We saw psychoanalisis all long our four parts. Barthes' semiology went thraugh different steps, which are not coherent from the begining to the end. His epistemology is linked to psychoanalisis more than linguistic. Thematism is introduced since the beginning of Barthes' theory and remains during a long period. Abaut his structuralism's epistemology, thematism and psychoanalisis are as important as linguistic. Especially psychoanalisis, which ruled over his structural thought. In textualism, since S/Z, psychoanalisis, almost lacanian, mixed up with materialism, is very actual. From now and then, he underlined words such as : " work ", " production ", " weaving ", " signifiance ", " enjoyment " to develop his text's theory
Perromat, Augustín Kevin. "Le plagiat dans les littératures hispaniques : histoire, théorie et pratique". Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040090/document.
Texto completoThe object of this study is literary plagiarism in Spanish Literatures, from a historical, theoretical and practical approach. From a historical point of view, plagiarism perception and representation have encountered important evolutions. However, they have preserved common elements. A plagiarist is an ‘untruthful author’, but to this basic notion other materials have been attached from a number of epistemological and disciplinary perspectives. Considered first as a mere moral or legal infringement and subsequently assimilated to a certain concept of intertextuality, recent studies make use of pragmatic approaches to intend an explanation of the ambiguous and polemic nature of the subject. This thesis studies the phenomenon from a multidisciplinary approach, gaining with the contributions collected from Law, Comparative Literature, History or the different national literatures, though maintaining its focus on Spanish Literatures. The study is divided in three parts. The first one deals with the emergence, instauration and evolution of the concept until approximately the end of the XVIIth century. Secondly, different theories are reviewed in relation with the particular disciplinary approaches adopted. Finally, practical applications of plagiarism are considered: normative, strategic, ideological or artistic uses.This study offers a general view of the subject and both a theoretical and a literary corpus, until presently scattered in monographic works, in order to propose some possible research guidelines on plagiarism in the realm of the Spanish Literatures
La presente investigación tiene como objeto el plagio literario en las literaturas hispánicas desde una dimensión histórica, teórica y práctica. Desde el punto de vista histórico, la percepción del plagio y su representación discursiva han sufrido evoluciones importantes, aunque siempre han conservado elementos comunes. Un plagiario es un “falso autor”, pero esta noción de base se ha ido enriqueciendo a partir de materiales provenientes de numerosos horizontes epistemológicos y discursivos. Considerado como una mera infracción moral o jurídica y, posteriormente, asimilado a una difusa noción de intertextualidad, los estudios más recientes se sirven de la pragmática para intentar explicar la naturaleza ambigua y po-lémica de la cuestión. Esta tesis aborda el fenómeno desde una perspectiva multidisciplinar, reaprovechando las contribuciones hasta ahora dispersas en la literatura comparada, el derecho, la historia o las distintas literaturas naciona-les, pero conservando en su centro de interés las literaturas hispánicas. El estudio se divide en tres partes. Una primera que concierne la aparición, consolidación y evolución de la noción hasta fines del siglo XVII. En la segunda parte, se exponen las distintas teorías sobre el plagio, en relación con las perspectivas disciplinarias adoptadas. Por último, se ana-lizan las aplicaciones prácticas del plagio: sus usos normativos, estratégicos, ideológicos o artísticos. El plagiarismo como procedimiento creativo está presente en numerosos movimientos de diferentes épocas, asociado especialmente a la vanguardia y a la Posmodernidad.Este trabajo propone una visión y un corpus teórico y literario de conjunto sobre estos contenidos, hasta ahora dispersos en obras esencialmente monográficas, con la esperanza de que abran nuevas líneas de investigación en el ámbito de la literatura hispánica
Suzuki, Masao. "Le hasard objectif dans l'oeuvre d'André Breton : phénomènes et théorie". Paris 7, 1993. http://www.theses.fr/1993PA070051.
Texto completoThe notion of "objective chance" defined by andre breton expresses, not the miraculous realisation of a desire pre-existing the event, but the undoing of such a desire, simultaneous to the invention of a new desire. By tracing the transformation of the semantic structure of the account describing a "coincidence", we demonstrate, on the one hand, that this definition applies to the main "autobiographical" accounts of breton and to l'amour fou in particular where the meeting with jacqueline lamba enables him to annul a series of significations linked to a "lost woman" and to stress anther series of significations given to a "new woman". We shall see, on the other hand, that the very word "objective" was chosen by breton to stress the absolute exteriority of the event in regard to the network of significations which supported the imaginary world of the subject before that event. The objective chance is therefore defined, not as the projection of our desire in a real event, but as a total reorganisation of the semantic networks which condition this projective process
Santini, Sylvano. "La réception pragmatique de Gilles Deleuze dans la théorie littéraire américaine". Thèse, Bordeaux 3, 2005. http://hdl.handle.net/1866/17235.
Texto completoWiser, Antonin. "Utopie de la littérature. La question littéraire dans l’œuvre de Theodor W. Adorno". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040111.
Texto completoThis dissertation proposes to study the question of literature in the work of Adorno. It shows the utopian function which the philosopher attributes to literature as it draws the horizon of a "language without soil", a line of flight from the dialectic of reason. While philosophical discourse reproduces in its conceptual apparatus the mythical-rational violence against the non-identical singular, the language of literature seems able to indicate the possibility of reaching beyond the concept with the help of the concept, which is the utopian desire of negative dialectics. The challenge is not only epistemic: it is ethical-political as well, related to the possibility of establishing relations with others which are freed from the constraints of identity.In the literary works which he studies – those of Eichendorff, Hölderlin, Proust, Valery, Beckett or Kafka –, Adorno does however not seek a concrete figure of utopia, but rather traces of "what is our own and has been left blank" - both in these texts and in History. In those blanks, literature contains the « possible impossible » which haunts the present ; it is the picture without picture of Reconciliation (Versöhnung), a resource for both a radical critique of existence and for the desire of the other to come
Kamal, Abderrahim. "Le Mnémotexte : essai d'une théorie du texte littéraire et de sa réception sur les "Géorgiques" de Claude Simon". Bordeaux 3, 1989. http://www.theses.fr/1989BOR30031.
Texto completoMineau, Marie-Élaine. "Nouvelles orientations de la théorie littéraire en France durant les années 1980 et 1990". Montpellier 3, 2007. http://www.theses.fr/2007MON30013.
Texto completoThe French literary theory of the 1980s and 1990s is considered by many as lacking the originality that distinguished structuralism, its predecessor, two decades before. Is this verdict just? What are the new tendencies in French literary theory? What are their main characteristics? The late twentieth century witnessed the re-emergence of three issues, formerly dismissed by structuralism: value, which is the object of both aesthetics and stylistics; subject, an important theme for genetic criticism; and social context, a crucial matter in sociocriticism, social discourse and sociology of literature. How is literary theory dealing with these issues? What do the various new approaches in French literary theory have in common?
Voogd, Suzanne. "L'image de l'enfant dans la littérature de jeunesse britannique contemporaine". Thesis, Toulouse 2, 2011. http://www.theses.fr/2011TOU20083.
Texto completoThis dissertation deals with the way in which the child is pictured in contemporary British children’s literature. This study analyses the image of the child in the following works of fiction published between 1995 and 2005 by British authors : Philip Pullman, His Dark Materials ; Eoin Colfer, Artemis Fowl ; Jonathan Stroud, The Amulet of Samarkand ; J.K. Rowling, Harry Potter and the Philosopher’s Stone ; Kate Thompson, The New Policeman ; Alex Shearer, The Hunted ; Hilary McKay, Saffy’s Angel ; Anthony Browne, Into the Forest ; Lauren Child, Hubert Horatio Bartle Bobton-Trent ; Oliver Jeffers, Lost and Found. The analysis of the portraits of child characters and of the representations of their environment (both spatial and temporal) enables us to create a picture of the contemporary child as British children’s authors imagine him. The image of the child in adult literature has often been examined, but its analysis in the works that are meant to be read by children offers a different perspective, which illustrates both the reality of the child as it is perceived by the writers, and the ideal child which the author would like his young reader to emulate. Theories of reception enable us to investigate the child reader who is hiding between the lines of the text and to demonstrate the increasing autonomy granted to the child in literature, be it the child character or the child reader
Cello, Serena. "La "littérature des banlieues" : quel engagement contemporain ?" Thesis, Tours, 2015. http://www.theses.fr/2015TOUR2022.
Texto completoIn the course of the last 30 years, the word banlieue has evoked the territorial movement of a social problem as the historical expert of the Parisian suburbs, Annie Fourcaut, substantiates. The banlieue which have been much in vogue in the mass media and political debates especially since the first 1990 mass media covered urban disorders, up to the more violent ones in 2005, are to be understood as sensitive working-class areas. During the past few decades the latter seem to gather around each other and, above all, around the juveniles who inhabit them in the most oddly assorted and detrimental situations : abject social/economic poverty, residential segregation, urban decay as well as violence and delinquency. As the years have gone by, the rhetoric and the representation of those sites has become the expression of a disadvantage that the specialists call: “epicentre of the contemporary social problem”. This work of thesis deals with these current events. It sets its objective as contemplation on the contemporary literary representation of these places. Indeed, the delicate and marginal situations of banlieue during the recent urban riots, are the essential conditions that have favoured the production of an emerging literatur classified by critics as the "banlieue literature" of "cités" or urban areas"
Negli ultimi trent’anni la parola banlieue evoca la trasposizione territoriale di una questione sociale come evidenzia la storica esperta della periferia parigina Annie Fourcaut. In voga nei dibattiti mediatici e politici, in particolare dopo i primi moti urbani conosciuti attraverso le reti d’informazione negli anni 1990 fino ad arrivare alle sommosse del 2005, le banlieue intese come quartieri popolari “sensibili”, sembrano attirare attorno ad esse e soprattutto attorno alla gioventù che vi ci abita, le situazioni più diverse e negative: pauperizzazione socio/economica, segregazione residenziale, degrado urbano nonché violenza e delinquenza. Con il passare degli anni, la retorica e le rappresentazioni legate a questi luoghi sono diventati l’espressione di un malessere riconosciuto dagli specialisti come “epicentro del problema sociale contemporaneo”. Il presente lavoro di tesi s'inserisce in tale contesto d'attualità politica e sociale; Esso si pone come obietivo la riflessione sulla rappresentazione lettaria contemporeana di questi huoghi al margine e marginalizzati. In effetti, la situazione delicata delle periferie urbane durante le recenti rivolte, costituirebbero il contesto determinante che ha favorito la produzione di una letteratura emergente classificata dalla critica francese come "letteratura della banlieue" delle "cites" o "urbana"
Lak, Zishad. "Noms et déplacements : étude de l’espace-temps dans les romans autochtones, canadiens et québécois du XXIe siècle". Thesis, Université d'Ottawa / University of Ottawa, 2020. http://hdl.handle.net/10393/40676.
Texto completoGuirao, Jean-Marc. "Théorie analytique de la pensée selon Paul Valéry". Pau, 1997. http://www.theses.fr/1997PAUU1001.
Texto completoA WHOLE PROCESS OF THOUGHT ENSUED FROM A STATEMENT OF PRINCIPLE WHICH TOOK THE FORM A WAGER: REGARDING VERBAL AS VERBAL, IMAGES AS IMAGES AND IDEAS AS IDEAS. ITS PARTICULARITY WAS TO ASSOCIATE MENTAL SPECIES TO THEIR GROUPS OF SUBSTITUTIONS, TO FORMALIZE THE VALUE OF EACH SPECIES IN THE CONSCIENCE OF THE POSSIBILITY OF THE OTHERS, IN ORDER TO GIVE AN ACCOUNT OF THE IMMANENCE OF THE MECHANISMS AND OPERATIONS OF THE MIND FREED FROM ALL CONSTRAINTS. THIS PROFESSION OF FAITH BECAME PAUL VALEY'S CREDO, TO SUCH PROPORTIONS THAT HE THOUGHT IT COULD ATTEST THE ABSURDITY OF HIS AMBITION WHICH WOULD HAVE CONSISTED IN BRINGING TO COMPLETION WHAT HE REFERRED TO AS THE ANALYTIC THEORIE OF THOUGHT THIS VENTURE COULDN'T BE BROUGHT TO A SUCCESSFUL CONCLUSION, FOR LACK OF TIME, AND THE THEORY COULDN'T TAKE SHAPE. THE SUBJECT OF THE RESEARCH WAS AN ATTEMP TO THEORIZE ALL THE PSYCHIC FUNCTIONS, ALL THE NECESSARY CONDITIONS TO THE FUNCTIONINGS OF THOUGHT THE LEGACY WHICH HE LEFT HAPPENS TO BE SCATTERED IN HIS NOTEBOOKS. THE WEB WAS THERE TO BE UNRAVELLED. THE LEADING STRAND : TO CONSIDER AND TO KEEP ONLY THE QUESTIONS WHICH RELATE TO THE OBSERVABLE FUNCTIONING OF THOUGHT IN ORDER TO FIND THE CONDITIONS, THE RELATIONS AND THE POSSIBILITIES OR IMPOSSIBILITIES OF WHAT HE REFERS TO AS THE TOTAL PHENOMENAN AND WHICH PROVES TO BE THE WHOLE OF CONSCIENCE IN FACT, FINDING THE LAWS OF THE GLOBAL REPRESENTATION OF THIS MIXTURE OF STATISTICAL AND FUNCTIONAL WHICH SEEMS TO BE THE PREROGATIVE OF PSYCHIC LIFE, GAVE ITS ORIENTATION TO THE VALERYAN research WHICH THIS THESIS HAS TRIED TO PUT INTO SHAPE AND CONCEPTUALIZE
Emane, Obiang Ludovic. "Les enfants terribles : problématique de la négritude et théorie du récit : essai d'une poétique du roman négro-africain". Paris 4, 1999. http://www.theses.fr/1998PA040190.
Texto completoQian, Han. "De la conception de l'oeuvre à celle du texte : la double face de la littérature". Paris 4, 2006. http://www.theses.fr/2006PA040170.
Texto completoThe thesis tries to recognize the spiritual condition permitting the evolution from the concept of works to the concept of text in the literary literature, which happened in the 60s to 70s during the 20th century. It defines two aspects of the conception of the text: text-object, text-practice. From the conception of works to the conception of text, it is not only a change of term, but a transformation of the discourse order and paradigms of the intelligibility. The analysis of these two conceptions will allow us to understand the keys of the structuralism and the post-structuralism in the literature. We will explore the new dialectics in this age between the truth and value, the knowledge and practice, the descriptive and the evaluative, the institution and the transgression, in order to demonstrate the double face of the literature
Berra, Aurélien. "Théorie et pratique de l'énigme en Grèce ancienne". Phd thesis, Ecole des Hautes Etudes en Sciences Sociales (EHESS), 2008. http://tel.archives-ouvertes.fr/tel-00674183.
Texto completoLimet, Yun Sun. "L'écriture critique de Maurice Blanchot". Paris 8, 1997. https://octaviana.fr/document/181449196#?c=0&m=0&s=0&cv=0.
Texto completoWe elaborate the notion of "critical writing" in blanchot's non fictional work. This notion is important, not only because these writings are critical, but also because criticism should be understood as central to writing as such. We have restricted our corpus to the non fictional writings. These writings think literary criticism as a "relation" fondamentaly defined by its impossibility. Analysing blanchot's practice of literary criticism, we find that this "relation" is paradoxically possible in a "critical writing". The critical dimension comes from the self questioning of blanchot's critical writings on criticism. But the autoreflexive gesture is not only a solipsist movement it is open to a specific temporality that we call the "time of criticism". This time signifies that writing is a process within which reading is defered and always put off in re-writing. The mean of that "defering time" is the other critics texts taken as a mediation to the text, and also, the "ressassement" through which blanchot, repeatingly, focuses on and displaces the same figures, problematics and privileged authors. This specific time of critical writing shows an evolution in blanchot's non fictional work aswell. When blanchot writes in fragments it is a moment which may be seen as a crisis and, at the same time, a renewal of the critical relation. What is at stake in that moment? the reconstitution, trough the ordeal of disaster, of the subject of writing which has been broken up. In that recovery of the subject, the self can only be thought in relation with the other. The relation with the other was inscribed from the beginning in the critical relation and its paradox should be understood according to blanchot's thinking of friendship an community : a relation that does not relate. This is the signification of the torment which inhabitates his critical writings. The impossibility of beeing in relation is sustained in the writing of/to the other writer
Gaviano, Marie-Pierre. "Universel/singulier entre scolastique et théorie de la représentation : quelques fragments des Essais". Paris, EHESS, 1996. http://www.theses.fr/1996EHES0023.
Texto completoFarès, Nabile. "La théorie anthropologique au Maghreb : le cas de la littérature maghrébine de langue française : recherches de psycho-sociologie de la connaissance". Paris 10, 1986. http://www.theses.fr/1986PA100088.
Texto completoThe problem of a maghrebian literature written in French must be approach from a reflexion of cultural anthropology. An analysis of the mutation from an oral literature to a written literature in Maghreb. Acculturation is analysed here as a fundamental concept of social change. The writings of Cl. Levi-Strauss -" anthropologie structural I et II - the studies of Tylor, Lowie, and closer to us Kroebar's studies allow one (in relation with the other discipline- linguistics, semantics, psychoanalysis-) to define a methodology of literary production related to an anthropological trajectory. Diachrony and synchrony; syntagmatic and paradigmatic movements make it possible to produce a transversal and or structural reading and interpretation of literary works; they also allow one to have a good grasp of the historical emergence of the development of this literatures. It is in this sense that Flaubert'work, the birth of a literature of strangeness, colonial literature and a literature in French language could be explained. Freud's writings as the "uncanniness" and "anxiety and drive" will be taken guidelines for a pragmatic of e symbolic anthropology of cultural creation. The literary text, in its analysis, send us back to an analysis of culture. It’s what determines our semiotical analysis of Flaubert, Louis Bertrand, and in Maghreb : M. Feraoun, D. Chraibi, Y. Kateb, A. Medded, A. Khatibi. . . A crucial reference in this study is made to the works - as a epistemology of literary production - to the works of R. Jakobson, C. S. Peirce, J. Lacan, T. Todorov, P. Kaufmann
Chang, Sang-suk. "La méthode thématique de Starobinski : théorie et mise en oeuvre de la "relation critique"". Nancy 2, 2000. http://www.theses.fr/2000NAN21007.
Texto completoStarobinski's criticism has denominations of thematic, existential and subjective criticism at the same time. These multiple denominations about his criticism explain his own particularity. Taking part in the movement of relativism that was reinforced by the refuse of absolute value after the cruel Second World War and permitted human consciousness to approach to human phenomena through diverse perspectives. Starobinski preferred not to imprison in one method, and applied each analysis method to each work to study. This is the reason why Starobinski's criticism doesn't have one form. This thesis aims to illustrate Starobinski's own critical world in three points of view. First, this thesis examines general theories of literary criticisms and thematic criticism, second, general theories of Starobinski's criticism, and third, his concrete analyses by the criticism. The introduction describes the historical background of the birth of Starobinski's criticism, examining literary criticisms of Sainte-Beuve, of Taine, of Lanson, of Bachelard, of Sartre, of Barthes, of Goldmann and of other thematic critics. The first chapter is to find out the epidemiological foundations that determine and define all of Starobinski's critical activities. This chapter includes Starobinski's own concept of 'relation' and the sense of reflexive liberty, and his thematic critical theory. The second and the third chapters comprise analyses of Starobinski's critical works that regard the discordance of internal life and external life, provoked by the human relations, as the origin of human evil and misery. To explain this discordance, the critic use these themes, such as 'regard', 'masque', 'transparence', 'obstacle' and 'melancholy'
Kuttner-Homs, Stanislas. "L'héritage de la littérature antique autoréférentielle dans l’œuvre de Nicétas Chôniatès". Caen, 2016. http://www.theses.fr/2016CAEN1036.
Texto completoThis work is dedicated to the study of self-reference in Ancient and Byzantine literature through the works of the historian and orator Niketas Choniates (c. 1155-c. 1217). Self-reference can be understood through three prisms: as the staging of the author himself ; as self-quotation; as the self-reference of texts themselves (metapoetics). As heir of a secular literary tradition, Niketas Choniates’ art seems to be self-referential. But because it is obvious that the concepts inherited from the Ancients by the Byzantine literati have drastically changed, it is necessary to go back from the Komnenos Era (XIth-XIIth c. ) to the "pretheoric" Era (Homer and Hesiod). Therefore, this study of self-reference achieves a double movement: in one hand, a diachronic movement from Troy to Byzantium, dealing with the constitution of the Ancient literary way of thinking; in the other hand, a reverse diachronic movement from Niketas to Homer, which is about the reception of Ancient thought by a Master of the Byzantine literature. Here, the self-reference is the hinge point of this two movements and maybe the nodal point of two civilizations
Mejía, José. "Polyphonie du discours fictionnel : les mirages de la voix et du temps étudiés chez quelques écrivains ibéro-américains". Paris, EHESS, 1993. http://www.theses.fr/1993EHES0330.
Texto completoRather than narrating a fantastic experience in the world of the characters, the examples of our corpus provide us with an experience which is fantastic only in the reading itself. These exceptional cases amount to a true fantastic enunciatioin. They are examined within the context of the polyphonic theory of enunciation of o. Ducrot. Our own investigations have induced us to revise the status of the narrator. We do not conceive of him as an omnipresent and single origin, different from the author in view of the fictitious nature of what is related. We do not conceive of him either as non-existent --a non-existence explained as an utterance without a speaker. Within our theoretical context, getting an imaginary "i" to speak or getting "nobody" to speak invariably leads to setting up enunciators. Therefore, our narrator is multiple. This "narrating crowd" can only be dealt with by a linguistic approach. It allows for subtle observation which brings out all the specificity and richness of the textual objects
Sano, Tsuyoshi. "Métaphysique du sujet et théorie sociale dans "la Comédie humaine" de Balzac". Montpellier 3, 2002. http://www.theses.fr/2002MON30042.
Texto completoCourriol, Jean-Louis. "Littérature roumaine et traduction : théorie et pratique sur des versions françaises originales et publiés de Mihai Eminescu, Liviu Rebreanu... : pour un essai de théorie de la pratique de la traduction du roumain en français". Montpellier 3, 1997. http://www.theses.fr/1997MON30012.
Texto completoLabarre, Michael. "La littérature écrite en anglais au Québec après 1976 une étude de cas de six oeuvres écrites en anglais au Québec basée sur la théorie de la littérature mineure par Gilles Deleuze et Félix Guattari". Mémoire, Université de Sherbrooke, 2012. http://hdl.handle.net/11143/5725.
Texto completoBrun, del Re Ariane. "Fabulations lectorales : inclusion et exclusion du lecteur dans la littérature franco-canadienne". Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/39137.
Texto completoRowner, Ilai. "Ecriture corporelle : Théorie des événements littéraires". Paris 7, 2012. http://www.theses.fr/2012PA070008.
Texto completoWhat is literature's approach to the event? How does literature produce and give testimony to events? The event is generally defined in this study as any occurrence, real or fictional, within a singular verbal work. The event is that which obviously comes about, yet in its very essence the event comprises a dimension of inexhaustibility, an unknown element that refuses perception and appropriation, and that constructs and depends on the creative engagement of the stylistic and fictional work. Reading Heidegger's later writings and discussing his reception by French thinkers such as Blanchot, Derrida, and Deleuze, my study defines the act of literary creation as a progression towards the event and, most particularly, as the experience of the un-happening element within the happening. As I argue, while the event incessantly acts in the literary work as an unprecedented call for absolute creation, literature offers the evasive voice and image of the non-place within the taking place. My study demonstrates how these theoretical premises may be applied to actual literary works by analysing Marcel Proust's and Louis Ferdinand Céline's air raid passages in Le Temps Retrouvé (1927) and in the first book of Féerie Pour Une Autre Fois (1953) respectively. In these passages, the experience of literature—as both an act of writing and reading—becomes the vital move of the event itself: the more one surrenders to the violent and impersonal corporeality of the event, the more the work becomes "the offspring of the event," as Deleuze joyfully remarks (Logique du Sens, 1969)
Fournier, Mat. "Vers une géophilosophie queer : homosexualité, transsexualité et exil dans l'Europe de l'Entre-deux-Guerres à travers les œuvres de Christopher Isherwood, Klaus Mann et Annemarie Schwarzenbach". Paris 8, 2014. http://www.theses.fr/2014PA084149.
Texto completoThis work questions notions of identity and subjectivity while building on Deleuzian geophilosophy, queer theory, and transgender studies. Gender, I argue, is an assemblage, that is, a stable yet contingent construction, built of heterogeneous elements. Queer, then, means the disruption of those assemblages, not in the form of stable identities, but obliquely, as « lines of flight », diagonals or points where the assemblage gets ruptured. While queer temporality has been, in the past years, explored by a wide range of scholarly works, I focus here on spatiality. Questions of border zones and orientation (as conceptualized by Sara Ahmed), as well as Deleuzian concepts such as thresholds of transition, planes of consistencies, or milieus and cartography, are particularly relevant to queer critique. To explore this geophilosophy of gender, I look mainly into the works of three authors writing in the heavily polarized political background of the thirties, with Europe, and particularly Berlin, as the center of gravity of a shifting world. Klaus Mann (1906-1949), Annemarie Schwarzenbach (1908-1942), and Christopher Isherwood (1904-1986), share the particularity of being uncloseted gays, which, according to Sedgwick's Epistemology of the Closet, places them in an atypical enunciative situation amongst Modernists. Their writing seems most of the time to operate in an undefined and fluid space between fiction and autobiography, as if their problematic condition of speech prevented them from adhering to any specific genre. Because they didn’t belong to the gender assemblages of their time, they created their own spaces, navigating across not only gender assemblages, but also escaping their social class or their citizenship