Literatura académica sobre el tema "Littérature française du 20e siècle"
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Artículos de revistas sobre el tema "Littérature française du 20e siècle"
Dimitroulia, Titika. "Les multiples réécritures de la littérature policière française en Grèce". Historical Review/La Revue Historique 14 (27 de abril de 2018): 71. http://dx.doi.org/10.12681/hr.16275.
Texto completoCloonan, William. "La littérature française du 20e siècle lue de l’étranger ed. by Dominique Viart". French Review 86, n.º 4 (2013): 838–39. http://dx.doi.org/10.1353/tfr.2013.0395.
Texto completoBurg, Gaëlle. "Lire la littérature médiévale en classe de français langue étrangère : une utopie ?" Swiss Journal of Educational Research 43, n.º 1 (14 de abril de 2021): 129–38. http://dx.doi.org/10.24452/sjer.43.1.10.
Texto completoΔημητρούλια, Τιτίκα. "Ο μεταφραστής Γιώργης Σημηριώτης: στοιχεία κοινωνιογραφίας". Σύγκριση 29 (8 de noviembre de 2020): 16–69. http://dx.doi.org/10.12681/comparison.24653.
Texto completoSekeruš, Pavle y Ivana Živančević Sekeruš. "LA LECTURE FRANÇAISE DE MILUTIN MILANKOVIĆ". Годишњак Филозофског факултета у Новом Саду 46, n.º 3 (11 de enero de 2022): 193–202. http://dx.doi.org/10.19090/gff.2021.3.193-202.
Texto completoOtten, Anna, Marie-Claire Bancquart y Pierre Cahné. "Littérature française du XXe siècle". World Literature Today 67, n.º 3 (1993): 589. http://dx.doi.org/10.2307/40149390.
Texto completoAmadieu, Jean-Baptiste. "La littérature française du XIXe siècle à l'index". Revue d'histoire littéraire de la France 104, n.º 2 (2004): 395. http://dx.doi.org/10.3917/rhlf.042.0395.
Texto completoTabet, Xavier. "Venise dans la littérature française du xxe siècle". Laboratoire italien, n.º 15 (31 de diciembre de 2014): 239–52. http://dx.doi.org/10.4000/laboratoireitalien.855.
Texto completoLamontagne, Léopold. "Les courants idéologiques dans la littérature canadienne-française du XIXe siècle". II. La littérature comme expression de la société 5, n.º 1-2 (12 de abril de 2005): 101–19. http://dx.doi.org/10.7202/055221ar.
Texto completoBeltran, Alain. "Gueslin André, L'État, l'économie et la société française,19e- 20e siècle". Vingtième Siècle. Revue d'histoire 38, n.º 2 (1 de abril de 1993): 127–28. http://dx.doi.org/10.3917/ving.p1993.38n1.0127.
Texto completoTesis sobre el tema "Littérature française du 20e siècle"
Vas-Deyres, Landriot Natacha. "Ces français qui ont écrit demain : société et pouvoir dans la littérature utopique française". Bordeaux 3, 2007. http://www.theses.fr/2007BOR30058.
Texto completoOver a period stretching from 1894 to 2004, French utopian literature - which in that period gradually incorporated science fiction - stands out as a medium and a creator of collective imagination and of literary representations in the social and political fields. If one goes beyond the complex hierarchical relationships that developed throughout the twentieth century between French and US or anglo-saxon science fiction, it is then possible to point out the epistemological stakes in this literature. In so doing, literature yields a new form of knowledge. Furthermore, choosing to read a corpus of French novels on the cross disciplinary theme of “society and power” with a socio-critical approach has made it possible to establish a history of literary social representations through their own creative dynamics. According to Henri Desroches, the three dynamic creative movements of the period under study are: changeover, confrontation and alternative. At the end of the nineteenth century and the beginning of the twentieth century, the aim of the changeover utopian literary movement is to change society which is perceived as obsolete by a number of pro-socialist or pro-anarchist writers. On the contrary, the confrontation movement which finds its full momentum after the first world war is a process of critical and satirical creation. However, , the 1970’s are characterized by a revival of utopian literature in its alternative dimension. Without giving up their critical vigil on post modern society, writers of utopian literature and science fiction assert their potential of invention in the void left by ideologies and the so-called ”fin de l’histoire”
Beuvain, Catherine. "L'expérience de l'absolu à travers la musique dans la littérature française". Nice, 1995. http://www.theses.fr/1995NICE2003.
Texto completoThis thesis analyses the way in which classical music has been lived and translated since romanticism in several french novelists and poets of the two last centuries. Considered in the light of others approaches of music (textual criticism, musicians' opinions, pictorial references, etc), the literary extracts reveal the quest and the experience of an absolute apprehended in and through music. As music is obiously inexpressible, its circumstances of appearence and perception are emphasized through constant interrogation and exploitation of limits : interspace and silence, personality and reactions of the musician, favoured states of consciousness, space and time thresholds. As for the hero, who lives through music in the herafter (fantastic atmospheres, travels and metamorphosises), for the writer, the mastery of the musical mystery is based on contiguity associations and similes : synaesthesias and metaphors are, like the , transfer and surpassing. So, the expresses the peculiarity of music, the sound experience, its literary translation and the moving forward the absolute. Correlatively, music invomves aesthetic and ethical values, brings intellectual and moral riches. It supposes the search of the essentials : purity, simplicity, interiority are the qualities of the , a typically romanticist notion. By this way, music leads to the sacred, to the mystic and to the absolute. The oxymorons seem to be the privilegied translation of them. They suggest the transcendance by which heroes and writers can pass beyond the limits of the ways to reach the deep truth and take advantage of the contingent to have access to the essence
Camus, Audrey. "Le pays imaginaire dans la littérature narrative française du XXe siècle". Paris 3, 2006. http://www.theses.fr/2006PA030012.
Texto completoFrom Atlantis to Balkhyrie, all the way through Liliput, we survey, in our reader's life, several countries that are not accounted for by any maps. In our memory, all those imaginary lands form a distinct territory that subsumes the diversity of their cultural and temporal idiosyncrasies, as it does for their disparate vocations and their various contextual meanings. However, the imaginary land, because it transcends generic and chronological borders, has a tendency to evade categorial acknowledgement. This work intends to understand its contemporary existence, which is as indeniable as it is problematic, by analysing the theoretic reasons of its misunderstanding as well as the mecanisms that permits its reading, and ultimately proposing that they result from its fundamental atopy
Wasmine, Abdelmajid. "Les récits de vie en littérature marocaine contemporaine : Langues française et arabe". Paris 3, 1987. http://www.theses.fr/1987PA030048.
Texto completoAt the begning of the century colonisation in the maghreb had a strident echo : the brutal contact between two different civilisations gave rise to a complete reversal of culture and local history. At the beginning of the 50's and with the appearance of liberation mouvements young their cultural and personal identity with respect to the orient, and the west which was no longer exterieur and unknown. Through their works they express the three dimensions of this identity : the past, the present and the future. Thus, this generation of early post independence writers started by writing personnal histories whose expression has tended towards a symbolic secularity as if to go against the tide of tradition towards a univers unknown even to them. Is their launching into literature by writing about their lives not also the taking of an opposite direction to western literature in which a biography is a celebration of a personal literary carrer ? the aim is perhaps to create a new cultural independence : independence from the oriental tradition and from the western autobiographical model. A young literature, young writers, a symbolic identity in the process of becoming independent and a history of literature impossible to write for the moment because of its youth : this is the general framework in which the author of this monograph will treat the subject of life histories in french and arab in contemporary moroccan literature
Mignard, Annie. "La fiction brève ou fragmentée dans la littérature française depuis les années 1980 : 1980-1995". Paris 8, 2000. http://www.theses.fr/2000PA081677.
Texto completoMacé, Marie-Anne. "Recherches narratives dans la littérature française : 1970-1979". Rennes 2, 1989. http://www.theses.fr/1989REN20001.
Texto completoThe French literature of the 1970s is both narcissistic and demanding, compelling a revision of narrative forms. Writing styles emerge from the story; narrative activity showing a preference for equality between narrator and character, focusing on complete viewpoints the words and thoughts of a hero are reproduced though the psycho-narration, according to evolutive conventions and manifesting themselves as polyphonic constructions. The setting for the narrative is created by the shifts in time, pace, and plot. The novel dissociates itself from slow transformation constraints by the expedient of break; duration is acted out between contractions and expansions; it is linked to the imagination while historical time remains discrete. Descriptive hypertrophy overturns textual frontiers; the sense of space rests on the pre-determined, founding itself on musings; the semiotics of space open on to the hermeneutics and ideological gambles. Structure is marked by discord: uncertainty, superimposition, unexpected twists in the story, repetitions, reflexion effects and intertextual references. The character loses his supremacy but remains obvious and clear-cut, oscillating between appearances and physical being; he reveals the unconscious; he is sometimes kept in a relational context, portraying the signs of a social referent. This period remains an aesthetic adventure for writers as well as readers
Dirkx, Paul. "Une douce violence : étude des pratiques discursives ayant trait aux "littératures" de Belgique dans trois hebdomadaires : »les lettres françaises », « le figaro littéraire » et « les nouvelles littéraires » (1944-1960)". Paris 8, 1996. http://www.theses.fr/1996PA081196.
Texto completoThis study concerns all the texts published in the parisian "literary" press from 1944 to 1960 and relating to belgium, focusing on french-written and dutch-written literary productions. By considering them products of discursive practices, the study aims to detect the principles of organization and classification of belgian productions in relation to french productions, which leads one to question the social use of literature in both france and belgium. The theory of fields contributes to ap- prehend in an appropriate way the practices under study. The analyzed texts are "prises de position" mediating certain principles peculiar to the literary field and to the field of "literary" press. First, the three weeklies are located in the latter. Then, each forms the subject of an analysis focusing on general texts on (an aspect of) belgium, then on (meta)texts taken from literary columns, taking into account the recognition of (national) specificities, the editorial programme and the genders. Finally, the discourses of belgian contributors are studied with respect to their trajectories and to the logics of the french fields involved. The entire corpus is marked by the dominated status of the belgian francophone "literature". The french texts are codetermined by a universalist and humanist vision on (french) culture, peculiar to french fields. Each weekly's position brings about aesthetical and political divergences. The belgian contributors deny or avoid bringing out an own identity
Delfour, Julie. "Les souterrains séjours : des rats et des hommes dans la littérautre française du 20e siècle". Toulouse 2, 2000. http://www.theses.fr/2000TOU20035.
Texto completoYuan, Yuan. "Réception et création : les littératures féminines française et chinoise au XXe siècle". Besançon, 2010. http://www.theses.fr/2010BESA1015.
Texto completoThis study aims at probing, measuring and describing the relationship between the Chinese and French female literature of the twentieth century. It concentrates particularly on the most representative female writers from both countries and their works that reflect female consciousness. The Chinese female writing in the 1920s-1940s shows strong feminist thought, similar to French female writing of the period. However, there was no direct communication between these two female literatures and the influence of French literature on the first generation of contemporary Chinese female writers came from males writers. The French feminist literary theory formed during the 1970s has become the theoretical pivot and practical model for the Chinese female writing in the 1990s, yet continually influenced by Chinese female writing in the 1920s-1940s. The use of the comparative method helps to show that Chinese contemporary female literature is “the fruit” of the combination of the development of Chinese female literature herself, the influences of western feminist theories and western literature, especially French literature
Alsahoui, Maan. "La question de l'autre chez J. M. G. Le Clézio". Paris 10, 2010. http://www.theses.fr/2010PA100014.
Texto completoThis thesis engage the reflection on the personal myth of JMG Le Clézio, built on the relations between the autobiography of the author and the genealogy of the Other. Our goal is to highlight how vome the figures of the Other in the novel, and the complx relationships of the writer with his ancestors. To do this, wa engaged a research on the search done by the characters in order to find a new form of religiosity, questioning their identity and transforming their personalities. In this movement of projection on the Other non-Western, we study the conflict between writer and his characters with their original environment. This is a cornestone argument in Le Clézio's novel : the opposition between primitive and Western modernity. This distinction between sacred and profane, wich marks the theme of the work and divided it into two perdiods, is echoed in the report of the subject with the other femal. Our remarks on this point revolves around the theme of the passage on the other side, which takes place through the indigenous femal figure. The analysis of representations of women throughout the work of Le Clézio, will highlight the increasing importance of the female figure in the healing that marks the writing of the novels of the second period
Libros sobre el tema "Littérature française du 20e siècle"
La littérature française du 20e siècle. Paris: A. Colin, 1999.
Buscar texto completoLa littérature française du 20e siècle lue de l'étranger. Villeneuve-d'Ascq: Presses universitaires du Septentrion, 2011.
Buscar texto completoMitterand, Henri. Littérature: Textes et documents. Paris: Nathan, 1988.
Buscar texto completoNepveu, Pierre. L' écologie du réel : mort et naissance de la littérature québécoise contemporaine: Essais. Montréal: Boréal, 1988.
Buscar texto completoTessier, Jules. Américanité et francité: Essais critiques sur les littératures d'expression française en Amérique du Nord. Ottawa: Le Nordir, 2001.
Buscar texto completoLes irréguliers, un autre après-guerre: Gary, Guilloux, Malaquais ... Toulouse: Presses universitaires du Mirail, 2014.
Buscar texto completoLucie, Hotte, Psenak Stefan 1969- y Bélanger Louis 1957-, eds. La littérature franco-ontarienne: Voies nouvelles, nouvelles voix. Ottawa: Le Nordir, 2002.
Buscar texto completoValin, Danièle. Bibliographie des traductions françaises de la littérature italienne du 20e siècle (1900-2000). [Paris]: Presses de la Sorbonne nouvelle, 2001.
Buscar texto completoGrisé, Yolande. Ontarois, on l'est encore! Ottawa: Le Nordir, 2002.
Buscar texto completoGrisé, Yolande. "Ontarois, on l'est encore !". Ottawa: Le Nordir, 2002.
Buscar texto completoCapítulos de libros sobre el tema "Littérature française du 20e siècle"
Gundersen, Karin. "Le 20e siècle français en Scandinavie". En La littérature française du 20e siècle lue de l'étranger, 77–80. Presses universitaires du Septentrion, 2011. http://dx.doi.org/10.4000/books.septentrion.13803.
Texto completoHunkeler, Thomas. "La littérature française du 20e siècle en Suisse". En La littérature française du 20e siècle lue de l'étranger, 109–18. Presses universitaires du Septentrion, 2011. http://dx.doi.org/10.4000/books.septentrion.13809.
Texto completoRubino, Gianfranco. "La littérature française du 20e siècle en Italie". En La littérature française du 20e siècle lue de l'étranger, 195–211. Presses universitaires du Septentrion, 2011. http://dx.doi.org/10.4000/books.septentrion.13825.
Texto completoKyloušek, Petr. "La littérature française en République Tchèque". En La littérature française du 20e siècle lue de l'étranger, 213–26. Presses universitaires du Septentrion, 2011. http://dx.doi.org/10.4000/books.septentrion.13827.
Texto completoAron, Paul. "L’enseignement de la littérature française en Belgique francophone". En La littérature française du 20e siècle lue de l'étranger, 97–108. Presses universitaires du Septentrion, 2011. http://dx.doi.org/10.4000/books.septentrion.13808.
Texto completoPrince, Gerald. "La littérature française du vingtième siècle aux États-Unis". En La littérature française du 20e siècle lue de l'étranger, 151–57. Presses universitaires du Septentrion, 2011. http://dx.doi.org/10.4000/books.septentrion.13818.
Texto completoAmossy, Ruth. "Étudier la littérature française du 20e et du 21e siècle en Israël : thèmes et approches". En La littérature française du 20e siècle lue de l'étranger, 227–36. Presses universitaires du Septentrion, 2011. http://dx.doi.org/10.4000/books.septentrion.13829.
Texto completoSheringham, Michael. "La littérature française dans l’université anglophone : La Grande-Bretagne". En La littérature française du 20e siècle lue de l'étranger, 141–49. Presses universitaires du Septentrion, 2011. http://dx.doi.org/10.4000/books.septentrion.13816.
Texto completoJing, Zhu. "Un aperçu de la littérature française en Chine au 20e siècle". En La littérature française du 20e siècle lue de l'étranger, 251–71. Presses universitaires du Septentrion, 2011. http://dx.doi.org/10.4000/books.septentrion.13834.
Texto completoHuglo, Marie-Pascale. "La littérature française du 20e siècle lue du Québec : interdisciplinarité, contemporanéité, décloisonnement." En La littérature française du 20e siècle lue de l'étranger, 119–31. Presses universitaires du Septentrion, 2011. http://dx.doi.org/10.4000/books.septentrion.13811.
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