Tesis sobre el tema "Littérature et psychologie"
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Vilchenon, Nadia. "Magie blanche et magie noire : littérature, dépendances et addictature". Amiens, 2001. http://www.theses.fr/2001AMIEA002.
Texto completoDegryse, Bouillot Carine. "Les gestes et les attitudes corporelles dans la littérature narrative des XIIème et XIIIème siècles en France : étude de psychologie, de mentalité et de sémiotique". Paris 4, 1999. http://www.theses.fr/1999PA040126.
Texto completoJanssen, Sandra. "Fantasmes, une archéologie des conceptions de l'imagination en psychologie et littérature, 1840-1930 (Flaubert, Čechov, Musil)". Paris 8, 2006. http://www.theses.fr/2006PA082635.
Texto completoThis dissertation reconstructs the way in which the theory of imagination establishes itself as a domain of psychological thinking in the middle of the nineteenth century; the term “fantasies” defines imagination as a phenomenon which originates in a subject which no longer possesses itself, but strives to get a hold of itself through manifestations of the self that it creates unconsciously and unwillingly. This field of research appertains to psychology, the nascent science, as it does to literature, which reflects its own process of imagining. Therefore the aim is twofold: the first part of this work describes the forms of fantasies that are of interest to psychological theory at different historical periods as well as the corresponding concepts of the psychic apparatus in which they take place; in the second part these concepts are linked to literary reflections on imagination, seen equally as a represented phenomenon and as a principle of representation, that is to say, as poetics
Hughes, Sylvaine. "Les nursery rhymes anglaises et leur contribution au développement linguistique, psychologique et culturel de l'enfant". Paris 10, 2000. http://www.theses.fr/2000PA100061.
Texto completoLevasseur, Isabelle-Luce. "Lecture jungienne des contes des frères Grimm : là où littérature, mythologie et psychologie se rencontrent". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83117.
Texto completoEmtcheu, André. "Processus, types et rôles psycho-sociaux dans la littérature d'Afrique Noire". Paris 10, 1990. http://www.theses.fr/1990PA100072.
Texto completoChiantaretto, Jean-François. "Psychanalyse et écriture : la question de l'autobiographie". Paris 7, 1993. http://www.theses.fr/1993PA070076.
Texto completoThis thesis proposes a psychoanalytic approach of autobioraphies. It rejects applied psychoanalysis, and its aim is to use autobiographies to confirm the validity of an understanding which combines the position of literary critics and theorists and that of psychoanalysts. The first part examines the works of contemporary literary theorists on autobiographies. In the second part, the question is studied through autobiographic texts of Freud and other psychoanalysts acknowledged as founders or creators. The third part pursues the issue with accounts given by analysants and analysts of their own cure. The fourth part deals with a psychoanalytic understanding of Sartre's autobiography. The last part puts forth a psychoanalytic theory of autobiographies centered on the idea of the carrying out of a fantasy of selfprocreation through the act of writing
Bejaoui, Faten. "Balzac et la condition féminine, ruse, perfidie, coquetterie et la psychologie de l'autre". Paris 12, 1996. http://www.theses.fr/1996PA120081.
Texto completoTrono, Cosimo. "Pour une poétique de l'interprétation : Lettre et parole en littérature et psychanalyse". Paris 13, 2001. http://www.theses.fr/2001PA131027.
Texto completoJantzen, René. "Réalités et symbolisme de la montagne dans la littérature". Dijon, 1987. http://www.theses.fr/1987DIJOL003.
Texto completoA natural obstacle, mountains bring together those who originate from them as well as those who display a passion for them. However the hard living conditions of the alpine peasant is now known only through a few writers. That life in a state of nature has been too often considered as the confirmation of the eden-related origins of mankind. 19th century writers projected themselves into that world of wonders propitions to supernatural meetings and animated or peopled by them with fantastic beings. The bravest among them conveyed to us the hard battles they were fighting in their quest for a hypothetical grail. Now then, that privileged environment appears to be the center of the world where the axis mundi rises, a traditional route enabling the connection between the immanent and the transcendental across the earthly paradise, that cloister for the elect which conceals the celestial steps intended to allow the dreamer as well as the mystic to accomplish, in Dante's manner, the ultimate ascent towards heaven. If many climbers, until the beginning of this century, were persuaded they would meet god on these summits, they were not often aware that sloping lands were places propitions to a form of initiation which entitled them to experience enlightenment after the descent to hell they had known, the anabasis after the catabasis; the glacier and the steep slopes that lead to the pinnacles played there the part of the labyrinth, that place of trial which opens the way to the initiatory cave, a symbolic inverted image of the mountain. Following the same movement, mystics and poets, dispensing with the physical support of mountains or their monumental representations, perform in their existence an endlessly renewed ascent in accordance with the descensus-ascensus process achieved by the son of man
Bureau, Ginette. "La construction du moi et les rituels (autobiographie et récits)". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ35762.pdf.
Texto completoDanaei, Roshanak. "L'image de la femme en quête de son identité au miroir des œuvres d'Assia Djebar et de Fariba Vafi". Electronic Thesis or Diss., Limoges, 2024. http://www.theses.fr/2024LIMO0090.
Texto completoThe quest for identity is a recurring concern in contemporary literature. At first glance, identity appears complex, both in its definition and its various approaches. This suggests that the pursuit of identity is equally fraught with difficulty. Many feminine writers depict this difficulty in their works as they explore the subject in connection with the intimate and social realities of women’s lives. This study focuses on the representation of women in search of their identity through the works of Assia Djebar, an Algerian writer, and Fariba Vafi, an Iranian writer. Their portrayals of women reveal frustrations, sufferings, and daily concerns, particularly in relation to the earliest objects– the paternal and maternal figures– and in relationships of otherness within marriage. The aim is to examine, from a comparative perspective and through the psychological analysis of literary texts, how unspoken emotions and repressed feelings in relationships with others influence the construction of feminine identity. The analysis of Djebar's and Vafi's texts, grounded in Jungian, Freudian, and Lacanian psychoanalytic theories, clarifies the concept of the complex and reveals a causal link between early relational experiences with primary objects and a woman’s later experiences in marital life. This pattern not only recurs in relationships within marriage but also in interactions with children and in the experience of motherhood, particularly for women who have encountered paternal or maternal complexes. A crucial question thus arises: how can one free oneself from these complexes and the suffering they cause? In the works of Djebar and Vafi, the liberation of characters from these complexes is achieved through one primary means: speech
Miguel-Mazoyer, Anne-Valérie de. "Psychologie de l'identité féminine au risque de la création littéraire". Montpellier 3, 2005. http://www.theses.fr/2005MON30037.
Texto completoBordered by the maternal one, the female identity is called in question to each crisis of life. The maternity, considered as one of these crises, can result in an impossibility to work out around maternal, as the sign the private clinic of the termination of pregnancy and infantile ill-treatment. With the place of a crossing of maternal, the suffering settles. This work proposes to analyze the incidence of maternal in the literary creation of four women writers (Mac Cullers, Hebert, Morrison, Huston). The exit of the release of maternal at the personal level marks the writing of these women: either their hero remains under the icy influence of maternal possessive, or it faces the specific crisis, while emancipant himself. The destiny of maternal points out that of the exile, connecting the four female authors. The exile can announce the change (language, of culture. . . ) but it can also remain with the state of unsatisfied running away. If the confrontation of with the maternal one is not balanced by an incomprehensible loss, then the writing becomes the sum of the female experiments. On the contrary, if the maternal one remains morbid (absence, death, ill-treatment), then the heroes choose imaginary solutions (recourse to the double, with the dream) or irreversible passages to the act (suicide, murder). The two types of writing, one marking the hero of fundamental instability and the other of sufficient bases to be maintained in spite of the crisis, account for the shelves in the crossing, which must lead to the stamping from the woman by the medium of creation
Franceschi, Élisabeth de. "Pulsion de mort et sublimation : la création littéraire et artistique". Paris 4, 1994. http://www.theses.fr/1994PA040085.
Texto completoThe aim of this research is to study the impact of death instinct on sublimation, particularly its influence on the act of artistic creation ; the fields of exploration are literature, music, plastic arts ; the method of investigation is psychoanalytical. The first part is focalized on the concept of death instinct in psychoanalytical theory, referring to sublimation (symbolized by osiris) and creation (symbolized by orpheus) ; then the "passion" suffered by the subject (the creator) during his proper act is examined : death or absence of the ego, metamorphosis, transfiguration of the creator ; one chapter in devoted to psychosis and the root of sublimation. The vanishing, the desire of nothing, can be considered as the end (termination or aim) of the creation and of the creator. Finally occurs the study of the passion inflicted by the creator to the object (the original object, the modification or the metamorphosis of products the created object - the work of art) and of its consequences : the various kinds of relief (aufhebung) after the "murder" or the normal corrosion of the object - resurrection, fictitious incarnation, transfiguration and vanishing in the nothing or in the abstraction. The example were chosen as well in ancient times (the bible, plato, the myth of helen) as in nowadays (pierre jean jouve, abstract painters)
Kim, Hee-Kyung. "Expression de l'opinion et du jugement dans un corpus contemporain". Besançon, 1995. http://www.theses.fr/1995BESA1019.
Texto completoHachet, Pascal. "Les psychanalystes et Goethe". Paris 7, 1994. http://www.theses.fr/1994PA070163.
Texto completoLartillot, Françoise. "L'expression subjective dans l'oeuvre poétologique et poétique d'Ernst Meister (1911-1979) : une question d'identité". Paris 4, 1994. http://www.theses.fr/1994PA040198.
Texto completoStarting from historical hermeneutical presuppositions and therefore a redefinition of poetical modernity,we demonstrate that the works of Ernst Meister (1911-1979) follow the poetical lineage defined by its problematic,subjective and discursive identity constitution,the conceptual and structural frameworks of which are respectively those of F. Schiller and F. Hölderlin. .
Velozo, Eliana. "Image mentale et behaviorisme social : une analyse comparée de la littérature sur l'image mentale et provenant de trois sources complémentaires : behaviorisme social, behaviorisme traditionnel et théorie cognitiviste". Master's thesis, Université Laval, 1988. http://hdl.handle.net/20.500.11794/29405.
Texto completoFlajoliet, Alain. "La première philosophie de Sartre (1) : métaphysique - psychologie - phénoménologie transcendentale". Paris 1, 2000. http://www.theses.fr/2000PA010632.
Texto completoZeitz, Anne. "(Contre-)observations : les relations d'observation et de surveillance dans l'art contemporain, la littérature et le cinéma". Electronic Thesis or Diss., Paris 8, 2014. http://www.theses.fr/2014PA080051.
Texto completoHe matter of surveillance has never been as present in political discourse and the international press as much as since the divulgence of the American surveillance programs by Edward Snowden in the summer of 2013. Nonetheless, more then 10 years earlier, the exhibition CTRL [SPACE] at the ZKM in Karlsruhe had widely shown how the mechanisms of surveillance and mass media and the convergence of their functioning had, for a long time, been reflected in contemporary art. Since the 1960s, Peter Weibel had already pointed to the contradictory modes of behaviour that develop in a society of surveillance in his installations and writings. From the society of surveillance to the society of control, the spectacular society, and then post-Spectacular society, to the current society of “sousveillance”, that is of cyber-Surveillance and dataveillance, the influence of these mechanisms has always been discussed with controversy. While one artistic approach focuses mainly on the manipulation, or even disappearance of the individual and their reality, another approach concentrates on the possibilities of creativity and inventiveness that present themselves to the individual in a society characterized by surveillance and mass media.The present doctoral thesis situates itself in the tension that emerges between these two positions. The point of departure is the term to observe that signifies a perceptual act as well as an act of adaptation. At the same time, every act of observation necessarily takes part in an observational “relationship”. Therefore, the potential reversibility of the relationship has to be taken into account. Effectively, contemporary art reveals tactics of counter-Surveillance and counter-Observation. The latter give insight into the way we deal with socio-Political changes – especially since the 11th of September 2001. A theory and a practice of (counter-)observation are necessary to analyze the aesthetics that have appeared in this regard
Susani, Jean-Paul. "La question du double dans la psychanalyse et dans les contes : « Ombres et lumières du double »". Thesis, Sorbonne Paris Cité, 2017. http://scbd-sto.uni-paris13.fr/secure/ederasme_th_2017_susani.pdf.
Texto completoAn unusual movement of a retlective reciprocity, impels the relationships between The Double and the fields of thought and narration. Even before the development of philosophy and psychoanalysis, ,mages of the Twins and the Double appeared in the major constituent symbols of cultural organization, and were already clearly conveyed in tales. The Double is both at the heart 9f, as well as, the border of thought. It is also at work in our relationships to mirrors, gazes, in the search for our own faces. For some, The Double joins psychological modalities expressed by the languages of being, and the diversity of these figurations are seen in both classic and modern tales, in multiple and prolific ways. These literary theories and their 1 typologies, should therefore be examined in relation to the traditional meanings of the Double, in orde to fully ml-'Jerstari.d the journey and find the axes that bring coherence to a diffracted enseri1ble. Duality, and the faces of the double will also be the object of a typological proposai combining these two aspects to define the trajectories of the double. Starting in a position of recognizing the convergence and the interdependence of thought and narration, and after integrating the diverse contributions of psychoanalytical and literary theories, this thesis will study the creative and curative contributions of the genre to pursue a new psychoanalytical perspective The conclusions of this journey, illustrated through various children clinical studies and their relationship to the Double, imaginary companions and to tales, will allow a more global view of this problem
Essawy, Gehane. "Henri de Régnier romancier : du psychologique au narratif : à la recherche d'un moi et d'un amour perdus". Paris 4, 2000. http://www.theses.fr/1999PA040280.
Texto completoLe, Marc'hadour Rémi. "Identité et individuation dans l'oeuvre de Jorge Luis Borges". Rennes 2, 1996. http://www.theses.fr/1996REN20005.
Texto completoThe analysis of Jorge Luis Borges's imaginary framework permits to value some essential structures or the subject's thinking and writing. But these structures go beyond the individual ; they reveal symbolical or archetypical substratum that supports an original conception of man an world. Borges's literary adventure is first an individual identity quest, an attempt at self definition. The split personality appears in a dual writing process and in the specular play of the ego and the other. A deep aspiration to the coincidence of opposites, to the establishment of an authentic individuation springs forth from this tension. This quest also transcribes a general matter of identity through the characters of the narrative prose. Some Borges's protagonists suffer an obvious deficiency of individuation, others maintain conflictual but basic relations with the name, a symbol of identity
Gaudin-Bordes, Lucile. "Du figural et du représentatif : approche rhétorique et intersémiotique dans la littérature du XVIIème siècle". Paris 4, 2000. http://www.theses.fr/1999PA040130.
Texto completoGinfray, Denise. "Identité et création : le masculin et le féminin dans l'oeuvre de Virginia Woolf". Bordeaux 3, 1996. http://www.theses.fr/1996BOR30002.
Texto completoThis study aims to show how Virginia Woolf's work, confronted to the modernist crisis, is structured around a dialectics between identity – and more precisely gender identity – and artistic creation. The first part of the analysis focuses on the subversion of cultural codes and sexual paradigma ; on the split in the characters' consciousness, on the failure of verbal and emotional communication. The stress is also laid on sexual difference at work in the creative process. The second part, exclusively devoted to the text as artefact, brings to light Virginia Woolf's disruption of conventional modes of representation – a means to put into question an ideological and normative discourse based on the repression of otherness. The exploration of the narrative and discursive strategies helps to clarify the nature of Virginia Woolf's aesthetics founded on the interrelationship between literary works, linear and causal discontinuity, the rejection of bourgeois conformity, as well as on the introduction of heterogeneity and ambiguity. Finally, this study tries to draw a portrait of the woolfian artist, to bring out the desire-as-lack which creation proceeds from, and to determine the finality of any work of art at large, of writing in particular : a perpetual quest for identity and wholeness, an insatiable yearning for the other
Werly, Patrick. "Du choix irréversible à la vocation infinie : le devenir de la décision et de ses modèles dans la littérature et les arts". Paris, EHESS, 2000. http://www.theses.fr/2000EHES0007.
Texto completoLahely, Bruno. "Contribution à l'étude de la psychopathologie comparée, de l'anorexie mentale et de la toxicomanie en tant que conduites addictives (Revue de littérature)". Bordeaux 2, 1995. http://www.theses.fr/1995BOR2M186.
Texto completoDjaziri, Najib. "La ville enchantée dans les mille et une nuits : approche psychanalytique". Toulouse 2, 1985. http://www.theses.fr/1985TOU21008.
Texto completoFeng, Shounong. "Problématique de l'identité chez Patrick Modiano". Besançon, 1995. http://www.theses.fr/1995BESA1046.
Texto completoIn the light of the taoist monisme of the chinese thinking, we have first of all tried to follow the origin of the literary creation of P. Modiano, an origin residing in the search for a father which pushes him to lean on the occupation. In order to portary a world in the twilight glow, the wtiter gives it a symbolic atmosphere. The lack of identity of the sews during the occupation is preoccupation in his work. Departing from this problem, he deals with the identity of the human being, passing by that of France under the occupation, that of the wtiter, and that of the contemporary young generation. Our analysis has revealed the total co-relation of problems of identity in his work. The problem of identity in P. Modiano work consists of going from a particular problem to the more general problem of identity ; of going deceper into it from the point of view of human existence the modianese caracters are most of them mean of nothing. The nothing constitutes therefore a quality that beings without identity have in common. All the analysis of this thesis was based and developed around this is idea. Starting from the chinese philosophical couple "yin and yang" we have formulated a couple "nothing and all" to try and describe the duality that exists in his work. The antinomic duality (nothing and all) crosses all the levels of the whole themes, space, time etc. And also becomes a principle of construction of symetrical structures in the novels of modiano. Inspired by the tableau of taiji (supreme unity) we descovered that a strucutre, whether whirlwind or spiral, acts on his work : notably concerning time, the occupation is at the center of the whirlwind which grew into the 60 s and 70s and even up to now. This spiral structure and the couple "nothing and all" serve as intermediaries which assure the internal coherence of his work
Zeitz, Anne. "(Contre-)observations : les relations d'observation et de surveillance dans l'art contemporain, la littérature et le cinéma". Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080051.
Texto completoHe matter of surveillance has never been as present in political discourse and the international press as much as since the divulgence of the American surveillance programs by Edward Snowden in the summer of 2013. Nonetheless, more then 10 years earlier, the exhibition CTRL [SPACE] at the ZKM in Karlsruhe had widely shown how the mechanisms of surveillance and mass media and the convergence of their functioning had, for a long time, been reflected in contemporary art. Since the 1960s, Peter Weibel had already pointed to the contradictory modes of behaviour that develop in a society of surveillance in his installations and writings. From the society of surveillance to the society of control, the spectacular society, and then post-Spectacular society, to the current society of “sousveillance”, that is of cyber-Surveillance and dataveillance, the influence of these mechanisms has always been discussed with controversy. While one artistic approach focuses mainly on the manipulation, or even disappearance of the individual and their reality, another approach concentrates on the possibilities of creativity and inventiveness that present themselves to the individual in a society characterized by surveillance and mass media.The present doctoral thesis situates itself in the tension that emerges between these two positions. The point of departure is the term to observe that signifies a perceptual act as well as an act of adaptation. At the same time, every act of observation necessarily takes part in an observational “relationship”. Therefore, the potential reversibility of the relationship has to be taken into account. Effectively, contemporary art reveals tactics of counter-Surveillance and counter-Observation. The latter give insight into the way we deal with socio-Political changes – especially since the 11th of September 2001. A theory and a practice of (counter-)observation are necessary to analyze the aesthetics that have appeared in this regard
Lévy, Clara. "Les écrivains juifs contemporains de langue française : déclinaisons identitaires et modes d'expression littéraire". Paris, EHESS, 1998. http://www.theses.fr/1998EHESA010.
Texto completoGirard-Kenk, Françoise. "Poésie et vérité chez Elias Canetti : rapports entre littérature et connaissance dans l'ensemble de l'oeuvre". Paris 3, 2000. http://www.theses.fr/2000PA030023.
Texto completoVallejo, Isabelle. "Littérature et engagement : analyse de l'écriture engagée dans l'oeuvre de Mario Benedetti de 1953 à 1985". Lille 3, 1998. http://www.theses.fr/1998LIL30016.
Texto completoZaugg, Brigitte. "Femmes et féminité dans l'oeuvre d'Ellen Glasgow". Dijon, 1998. http://www.theses.fr/1998DIJOL007.
Texto completoThis thesis is a re-reading of four novels by Ellen Glasgow, Virginia, Life and Gabriella, Barren Ground, and the sheltered life. It means to be faithful to the novelist's intentions and aims but not to analyse her fiction from a biographical perspective. My approach to the subject is a cultural one and is based on the novelist's avowed aim to write a social history of Virginia. The thesis is divided into two parts of unequal length which correspond to Glasgow’s twofold project, i. E. To denounce women's position in Virginian society from 1884 to 1924 (ch. 1 & 2) and to establish a system freeing women of bondage, based on their economic independence (ch. 3). Chapter 1 is devoted to the main principles on which the dominant ideology is based that defines woman both as an ideal and a biological body and maintains her in service and in a web of sentimental illusion. It also deals with Glasgow’s criticism of this ideology and studies its concrete and perverse effects: woman is kept in the domestic sphere and forbidden any access to knowledge; her very clothes are emblematic of her service, so is her inability to speak. Chapter 2 studies love, which in these novels invariably occurs at first sight. This choice of Glasgow’s enables her to denounce the influence of sentimental fiction and the far too great idealization that follows up. The chapter then examines the issue of marriage as necessity and illusion and focuses on the character of Eva Birdsong. Chapter 3 points out Glasgow’s claim for the equality of the sexes and her trust in woman's manifold abilities. It focuses on the heroines of life and Gabriella and Barren Ground who thanks to their will to power become successful business women yet retain a humanity Glasgow deems fundamental. It also shows how her way of thinking on the joint issues of economy and love became more radical as age wore on
Vieira, Marie Isabelle. "Regards croisés francophones et portugais : images des Portugais dans la littérature romanesque contemporaine (1950-2000)". Thesis, Paris 10, 2010. http://www.theses.fr/2010PA100058.
Texto completoThis study in the field of literary imagology investigates the representations of the Portuguese both in French and Portuguese narratives, from 1950 to 2000. By the end of the 70s, Portuguese have become the most important foreign community in France. We analyze the speeches and the images conveyed by human and social sciences, but also by the Portuguese propaganda agencies and various guides intended for foreigners. Thus, we try to define the main aspects of the Portuguese imaginary identity and to shed light on the myths that are related to it. It appears that some images issued by Salazar and his ideologues have survived until today. They have been conveyed by writers who were admirers of the dictator and who developed certain topics, often related to the history of Portugal. But, after the “Revolution of the carnations”, the literary figures of the Portuguese become less conventional. Fiction concentrates on families and young people stemming from the immigration, who are often presented as dominated or eccentric figures. A few writers have preferred to write about their wanderings in Lisbon, daydreaming without ever meeting “real” Portuguese. In Portugal, the censorship silenced the authors who resisted the dictatorship. In order to be published, works had to harp on the ideology of the Portuguese adventurer or to evoke the failure of emigration (such an image was supposed to prevent Portuguese from leaving their country). With the advent of democracy, political exile and emigration, two topics that were previously held in contempt, became important Portuguese literary themes. The authors have tended to question their identity as well as the meaning of the return to their native country. Ultimately, it appears that the two literatures intersected very rarely, as the low number of translations would show
Pacquet, Clara. "Signature et achevé en soi : esthétique, psychologie et anthropologie chez Karl Philipp Moritz (1756-1793)". Paris, EHESS, 2010. http://www.theses.fr/2010EHES0001.
Texto completoMoritz's writings on art are characterised by an essentiel tension : on the one hand, the work of art is considered to be "ein in sich selbst Vollendete", a self dependent whole, wich possesses an entirely internal purposiveness ; on the other hand, Moritz describes and understands the work of art - as well as the relationships between art and nature, work of art and beholder - through the metaphor of the trace, the imprit or the signature : All signs denote nothing but incompleteness. On the basis of this comprehension of the work of art Moritz establishes a dialogue between the beholder and the artist conjoining creation and reception on the field of interpretation
Piperini, Marie-Christine. "Le travail psychique créateur : deux études sur l'écriture littéraire comme enveloppe narcissique". Bordeaux 2, 1997. http://www.theses.fr/1997BOR21018.
Texto completoUsing the concepts of "container" (w. R. Bion) and of "psychological shroud" (d. Anzieu), and from the research about creation introduced by S. Freud, D. W. Winnicott, M. De M'Uzan and D. Anzieu, we have explored the dynamic of the articulation : narcissism - writing - thought. This thesis questions the possibility for the writer to transform sensory images into parts of a representation of himself, and to accede like this to the conception of a protective unity. We have applied these theoretic means in analysing some representations explained by some writers who try to understand the literary creation process. Then we have observed the phenomenon which are mobilized during a writing session inside a psychiatric hospital. The results of our researches highlight that the creative thought stays on the inmost bodily experience. They set the place of the other's desire for engaging this process. We can see how the style's work and the research of a manner of writing like no one else constitute a paradoxal defence. It reveals the writer's identity (by what insists and shows) and it wears the mask of technicity at the same time. We note how the self-flawes and abilities appear into a text which are writer by psychiatric hospital's patient as well as in a famous writer. So, we grasp the potential supply of writing for going to get a new conscience of himself
Giannica, Davide. "Psychologie et psychopathologie de la migration de retour, du non-retour et de l’entre-deux migratoire". Thesis, Paris 13, 2019. http://www.theses.fr/2019PA131017.
Texto completoThrough diverse realities of France and Italy and exploratory trips to Senegal the researcher investigates the fundamental aspect of the migratory phenomenon: the return. What psychological impact does the return have on individuals and populations involved? How does the return affect intrapsychic and intersubjective dynamics? The study is based on the survey of the Senegalese migrant population displaced in Europe. Three fields studies were conducted in Senegal between 2014 and 2018. The research includes the interviews with 20 "return migrants" and 11 key informants. The thesis is composed of five parts. The first part of the thesis is empirical part which is dedicated to data analysis. The researcher uses the methodology inspired by the Grounded Theory. The second part consists of the literature review. Given the previous studies that considered the social and clinical phenomena linked to the “desire to return” from very different perspectives, making the theoretical overview demanded great efforts. The aim of this doctoral research is to produce a theory defining a completely new field of investigations. Therefore, in the third part of the thesis the researcher analyses case studies against the existing literature in order to propose two new theoretical notions indispensable for the understanding of psychology and the psychopathology of return: “migratory in-between” and “non-return”. The ternary model (return, “non-return”, “migratory in-between”) enables our understanding of the migratory experience and allows to define the psychopathology of the return migration. In the fourth part of this work the researcher presents and discusses the cases from which he develops and describes the notions of ritual migration, the object of migration, the return itinerary, the return tickets, the rights of return and the code of return. The fifth part is dedicated to the general discussion
Liazidi, Hamid. "Les oeuvres de Zakes MDA : Idéologie, dramaturgie et théâtralité". Nice, 1997. http://www.theses.fr/1997NICE2018.
Texto completoThe objective of this work is to determine the ideological and esthetic qualities as well as the distinctive features of mda's works by comparison to those by the other black south african writers. We have provided an ecclectic and comparative approach in order to demonstrate mda's innovation and distinction. The first part is devoted to the relation between mda's mode of writing and commitment. It shows on the one hand mda's moderate and liberal thought in his analysis of the theme of oppression-liberation and on the other hand his use of various techniques in order to mediate dramatic discourse and situations. The predominance of the ideological properties on the esthetic ones in the panafricanist works stands in contrast to the constant balance mda maintains. The second part focuses on the structural and technical components of mda's works. It demonstrates his avant-gardiste thought, his innovation and contribution to the evolution of the south african writing. MDA has adapted the techniques borrowed from the modernist tradition to the socio-political context in south africa. His implementation of elements from the traditional culture is intended to create a diversity of themes and situations rather than to construct an indigenuous dramatic theory
Herbert, Catherine Deming. "Féminisme et féminité dans l'œuvre de Jules Laforgue". Montpellier 3, 2009. http://www.theses.fr/2009MON30009.
Texto completoIn the final decades of the nineteenth century, as Romanticism waned and was replaced by various movements such as Parnassianism, Decadence, and Symbolism, a poet emerged who was to have an influence on literature in France and abroad that far exceeds his short life. Before his death in 1887 at the age of 27, Jules Laforgue spent most of his writing career in Berlin, where he met his future wife, the Englishwoman Leah Lee, and where he wrote the majority of his poetry and prose. These same years also marked an evolution of the portrayal of women in literature, the misogyny of poets such as Baudelaire gradually being replaced by an optimistic willingness to empower women by giving them a voice and allowing them some control over their destiny. Jules Laforgue played an important role in this literary development, and his work reflects the sexist prejudices of his time, which he left behind in order to embrace a vision of women as the companion and equal of men, whether in a fraternal or romantic sense. Laforgue, sensitive to artistic and literary tendencies, took on popular subjects of his day – Salomé, Ophelia, the femme fatale, the female vampire, the Eternal Feminine – and put his own stamp on them through a mixture of parody, irony, anachronism, and feminist ideas. The silent, powerless women of the earlier poems discover, especially in the Moral Tales and the Last Verse, a voice and a determination which can lead to their death (Salomé) or the fulfillment brought by free will and true love (Andromeda). While Laforgue was never an outspoken feminist, he made a major contribution to the literary evolution of women in the years leading up to the twentieth century
Passot, Virginie. "La première phrase de roman est-elle une phrase comme les autres ? La spécificité ressentie de l'initiale romanesque, caractérisations linguistiques à l'aide d'un corpus en langue anglaise". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040278.
Texto completoDespite being neglected by theorists for the larger notion of incipit, it is generally accepted that the first sentence of a novel is special. Taking the point of view of the reader, this dissertation aims at characterizing this specificity and identifying its causes and effects, using the tools and concepts of linguistics. 402 first sentences were studied, taken from novels published from 1980 to 2011 and written in English. Beginnings are cognitive non-sense. The opening sentence inherits this specificity and places the reader in front of the arbitrariness inherent to creation. The emerging fictional discourse also raises the question of its logical status and makes the opening sentence appear as a hinge between reality and fiction. For literature theorists and structuralists, beginnings have functions (programmatic, codifying). Also, the first sentence is often seen as a crucial brick in the fictional apparatus. It is the opening fringe of a new speech territory, ie a game one, and the edge where enunciative authority is being transferred from the author onto the narrator. It sets the enunciative and narrative frame-work of the story, as well as its first contents, of which readers elaborate mental representations. A study of the anatomy of the corpus reveals its lack of grammatical specificity, part of the game being for the opening sentence not to appear as such. The result is an enigmatic sentence which, for the purpose of the game, hijacks cognitive functions meant for serious matters. This cognitive hijacking is a seduction, it facilitates fictional immersion, which also is an aesthetic experience. The specificity of the first sentence is cognitive and affective
Jorge, Manuel dos Santos. "Fernando Pessoa : identités et hétéronymes". Paris 7, 1994. http://www.theses.fr/1994PA070123.
Texto completoThe four heteronyms of the portuguese poet, Fernando Pessoa import, as to the freudian theory of identification, the hypostasis of each identification axial form. Pessoa call from the old construction of ego, a few (four) refused imago for his work completion and his personal unity promotion like a subject one
Woodroffe, Graham. "L'oeuvre de harold pinter des annees cinquante et soixante : etude d'une fantasmatique". Paris 7, 1997. http://www.theses.fr/1997PA070062.
Texto completoIn common with all discourse, the literary text bears the traces of its own determinations, both psychical and socio-historical; it is as much the product of a society as it is of an individual psyche and the signifiers that constitute it can refer to both these sets of conditions of production. This study in literary anthropology takes six texts by pinter, the room, the dumb waiter, the birthday party, the caretaker, the homecoming and betrayal and seeks to throw light on their psychical and socio-historical conditions of production. An analytical approach, based primarily on the theoretical and clinical writings of freud and lacan, is used to "listen" to the discourse of the subject (in the lacanian sense) of these texts. Particularly noticeable is a preoccupation with the theme of identity both at the psychical and sociological levels of interpretation. New perspectives on the oedipal components of the unconscious fantasies present in pinter's works are added to interpretations already put forward by critics such as gabbard, gordon and esslin. Principally, however, this study draws attention to the preponderance of representations that hark back to earlier stages of psychical development, especially the symbiotic relationship with the mother. Another discrouse - no less unconscious - is also to be heard in some of these plays. It has to do with pinter's jewish background that has enabled him to instill his dramatic writings with metaphors that express not only his own sense of guilt about the betrayal of assimilation but also the racial tensions that arose in britain with the arrival of coloured british citizens from the former colonies who were confronted, as jewish immigrants had been, with the paradoxes of integration. The desire for perfect integration into society on the one hand, the hallucinatory desire for "fusion" with the mother on the other : this is one of the points of contact made between the psychical and the sociological levels of interpretation. This search for coherence in the subject's unconscious discourse is based on detailed analysis of the dialogues and stage directions of the plays making up the corpus. Other plays by pinter, as well as some poems, unpublished texts and the manuscripts of his plays are also examined. The study also draws on the recent biography by michael billington
Suditu, Loredana. "Milan kundera : l'identité à l'épreuve de l'exil : des frontières intérieures et extérieures". Angers, 2010. http://www.theses.fr/2010ANGE0061.
Texto completoWhen the theme of internal and external exile is chosen by a writer whose exile is atypical and whose work questions a world where exile itself became an atypical phenomenon, what is the acquired meaning ? Neither as a cosmopolitan writer nor in his novels does Milan Kundera understand exile in its usual meaning of dispossession, dislocation and suffering. Its meaning evolves rather in the sense of an assumed break with various forms of totalitarianism, whether political or anthropological, inferred by the "other", the modern world, the words or the images. In Kundera's novels, one can perceive the random nature of the classic identical parameters : social identity, physical identity, continuity in time, identification with one's mother tongue, roots and past. Besides, the relation with "other" unfolds under the ceaseless dynamics of masks and warping identity mirrors. Kundera so widens the meaning of uprootedness and carries a disenchanted glance on concepts such as nostalgia, return and home. In order to find their "self", Kundera's characters achieve internal and external displacements. They cross existential borders in space, time and spirit and find themselves exiled from all theit identity clichés. They partially find the centrality of their "self" in what they think is peripheral, and which, interiorized, provides identity. Nevertheless, identity and exile remain an open subject in Kundera's novels, as any identity process is at once ambivalent and individual, without acquiring the sense of a paradigm
Cluse, Jean-Louis. "Figures et voix du double chez Saint-John Perse". Paris 3, 2006. http://www.theses.fr/2006PA030080.
Texto completoBoth Alexis Leger’s life and Saint-John Perse’s works abound with symptoms of a dual personality. In his works the poet expresses himself through real-life people (i. E. Historical figures and writers) as well as horses and birds which become totem-like symbols. As various fusions of “men of action” and “men of dreams”, his male characters are a mirror image of himself revealing other facets of his split personality. His woman doubles oscillate between a quest for self-identity and alterity whilst his other characters echo his poetry’s main voice. That the biography and notes in the Pléiade’s Œuvres Complètes edition were written by Perse himself as an anonymous editor offers still another clue to the poet’s multiple faces and projected ego. Psychoanalytically speaking, this fragmenting effect reflects the narcissism that pervades his work and which evolves in a triangular structure fusing Perse’s idealized self with the mother and father figures. Interpreted positively as a sharing of vital energy and the growth of a wide and multiple triumphant self, it can also be understood negatively with the motifs associated with mime, mask and monkey thereby implying elusiveness, boundlessness and even self emptiness
Ebane, Elang André-Christian. "La représentation des Noir-e-s dans l'œuvre littéraire de Jorge Artel : l'exemple de Tambores en la noche (1940)". Perpignan, 2014. http://www.theses.fr/2014PERP1232.
Texto completoThe afro-colombian poet Jorge Artel has contributed to self-recognition and self-esteem of all people. He is part of poets and novelists of Latin-America/Caribbean who highlighted the « presence-history» of Blacks people in this part of world during the period from late XIXe century to 1990s. Since the Candelario Obeso work to the adoption of Law 70 in 1993, the political representation of Blacks people has conquered public space, even though the struggle for their trully social recognition as part of the imaginated Colombia still at stake. Jorge Artel occupies a special place in this struggle. He shows that « blacks », adjective or substantive, is a construct mainly related to colonization and slavery. This construct cannot be reduced to a simple color matter. Artel is a mestizo who considers himself Black when most of the time the mestizos subjects tend to consider themselves as white and tend to dismiss blackness. Artel embrace the struggle for the recognition of value of blacks cultures, even among black themselves. He shows that we can all be proud of our ancestors, even if they have been bounded, and be proud of their ways of being as well as their cultural practices. This pride allows everyone to take its place in society and construct a better future without shame and without contradictory guilt. This struggle is part of literary movement, Negroism (‘Négrisme’), Negritude. Artel uses lawyer and poet tools, with, especially, a report to the double culture of which are the spanish classical poetry and canons of poetry, song, oral, african. A superficial reading suggests that he only used a free verse. The reality is quite different, showing a refined knowledge of the codes of this double culture. This is noticed in his specific use of verse where the pace is important, as the sonority games that burst emotions, important ideas. The specific Artelian verse, positioning for a better representativity and recognition of the identity of Blacks people of his country but also beyond, is a way of making to each human being his ordinary grandeur
Llorca, Laurence. "La quête du moi intérieur et poétique dans l'œuvre de Pierre-Jean Jouve". Nice, 2008. http://www.theses.fr/2008NICE2001.
Texto completoPierre Jean Jouve devotes his art to a quest of absolute. The poet doesn’t try to elude all the sacrifices that this devotion claims to him. The progression of Pierre Jean Jouve’s arts work, throughout the poet’s existence, takes all the aspects of an initiation which moves up consistently searching for the sanctity of art, beyond any breaking claimed. Finally, the artist’s work lightens itself in an irresistible rise to a state of transcendence that seems to have sublimated the thick substance by which it was engendered. The poet’s mission is part of a search for origins, Pierre Jean Jouve aware of the contribution of different psychoanalytic theories of the early twentieth century, fumbles the unconscious of the arts work through complex and enigmatic fiction characters. They explore the underworld of desire, they confront the most obscure dreams to rise, at a final stage, to a sublimated existence. After the initiation, the work fed with archetypal images turns in a pure poetic matter. The union accomplished with the anima — the essentially feminine entity, the mother of ages — determines the metamorphosis of dark dream into a pure daydreaming which joins the heavenly heights. The poet who writes for the emptiness of heavens is still conscious that this sacred dimension is only accessible by the body which gives rhythm to every breath, to every desire. God is this gold of absence foreboded in the heart of the world, presence-absence which disappears right after being perceived, allegory of the absolute poetic language which the poet alchemist knows imperceptible, and however, for whom he sets to work again ceaselessly
Tajan, Muriel. "Mythe personnel et écriture dans l'œuvre d'Elena Santiago : évolutions et involutions d'une quête de l'Absente". Pau, 2009. http://www.theses.fr/2009PAUU1012.
Texto completoThe present essay aims at casting a multi-focused light upon contemporary Spanish leonese author Elena Santiago whose literary work has so far hardly been investigated by criticism area. We examined most of narrative and poetic trajectories through a multi-modal approach together thematic, narratologic, imaginary and psychocritic. We scanned her weighty silences, her analogical nexus, her imaginary chiaroscuros and stylistic idiosyncrasy encased in her thoroughty personal universe. We disclosed the absolutely existential dimension and the ontological essence of an art which exposes childhood and its world both idealized and demystified according to the initiatic itineraries taken. We were aware of the memory beats, the dreamlike tone and the eventual localism of a prose which allows in its extremely discursive eleboration an immanent logic, a pre-formal resorting to counter-languages to be meaningful. As the place of a dis-aster and mourning cosmology, of a formal dispersion measuring up to subject's narcissistic wound, the scriptural space narrativises itself and modulates a regressive phantasm. In the intimate intertextuality of corpus, in the scriptural subject's mirror of ink, in the dyadic pulse of writing, we applied ourself to defining the maternal outlines of a personal myth, of a quest for the perpetually present Absentee
Coussy, Audrey. "Traduction et littérature d’enfance et de jeunesse anglophone (19e–21e) : langage, identité, altérité". Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030164.
Texto completoTranslating children’s literature can be paradoxical for translators: they have to deal with the long tradition of the self-effacing translator serving the source text, and with a tendency to cater for the young readership in a benevolent, often conformist way. Our thesis looks beyond this dualistic view and shows another theoretical and practical approach based on a selection of texts from English-language children’s literature, from the XIXth century onwards. Children’s literature is seen more and more as a part of literature in general, which makes it possible to no longer see its translation as specific and target-oriented, something that tends to erase the otherness within the texts. If some elements are indeed more specific to the translation of children’s literature, this thesis aims at underlining how rich and complex this literature is thanks to translation, which makes us reconsider our relation to language, identity and otherness. Following Antoine Berman and Henri Meschonnic, translators must think their practice and build a theory paying particular attention to the inherent orality of children’s literature. Translators have to involve themselves in their work while being aware of the limitations and possibilities linked to their subjectivity. The translator’s invisibility is a chosen and playful one, using the metaphor of the invisibility cloak, which they can put on and remove as they please, while they negotiate between cultures, languages and readerships. Elaborating on this image, our thesis links the theory of translation with the study and the translation of our primary corpus, and draws a conclusion: translating children’s literature assimilates the experience of the translator to the one of the child (re)discovering language, identity and otherness
Cantagrel, Laurent. "De la maladie à l'écriture : l'expression littéraire de la mélancolie (en particulier chez E.T.A. Hoffmann et Théophile Gautier)". Paris 4, 2000. http://www.theses.fr/1999PA040141.
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