Tesis: "Literature fiction poetry spanish"

1

Poyhonen, Alexander J. "Don Quijote lo Interminable: La Cuestión de los Textos Originales y las Emanaciones a Través de Formas Secundarias de Arte". Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/522.

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In chapter 1, I ponder the role of authorship and whether or not an original text can truly exist. Specifically, the claim that Borges has that a copy can be superior to an original. From this, brings me to chapter 2 with the movie Man of la Mancha. In this movie, I highlight some of the pros and cons of a copy. The windmill scene is a negative emanation of the Quixote, while the interaction between people and the presence of women is something the movie truly displays well. In the third chapter, I look at Lost in la Mancha because it demonstrates a failed attempt to translate the Quixote. In essence, anything that tries to represent this truly great text will fail; however, it's failure can paradoxically be thought of as a success because it's an homage to the Quixote. As far as the Ezra Pound material, I thought it extremely pertinent to look at his experience on a metro because he attempts to describe a vision that he had through poetry. He notes that it is very difficult to encapsulate his entire experience because the primary form of art (his vision) is being described through a secondary form (words). Thus, when you translate a form of art through a medium it loses some of its value. This is what happens with the Quixote; its primary form (words) is being displayed through a secondary form (film), and it inevitably loses something in the translation. The final chapter/conclusion is a more in-depth investigation of this investigation primary form of art (writing). This uses the character of Gines as a concrete example of a formal and stylistic quality that is unique to literature. Namely, the physical ranging of words on a page in both a spatial and literary sense. When you extract those lines from a novel you implicitly remove some of the dialectic between Cervantes' work and the genres he's invoking, just by taking it out of the form of literature. The surroundings of text establish the meaning of the novel. The conclusion is my final chance to argue why the Quixote is so special and untranslatable. I touch on the qualities that keep it forever live and present in us today. Through the Quixote's proclivity for renaming the real world (established societal beliefs/values, etc.) in his own vein, Cervantes allows for the Quixote to reappropriate the world around him, making it uniquely his. In so doing, Cervantes creates a character who is able, not only to write his own self-history, but to control the way that said self-history will be written by others. By blurring the lines between narrator and narration and history and fiction, Cervantes creates a work that is endlessly present, where words becoming living page, and actions occur as they are said.

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2

Vera, Arias Maria Camila. "Diario de Iowa. correspondencia y poesía". Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/6321.

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In this creative project, I combine non fiction prose and poetry in an organic way. Prose is framed in the form of letters that I wrote for real people telling them about my life experiences in Iowa City, and some reflections about past events that I came up with while living here. Poems are the result of a more refined way of expressing how I felt about the subjects on the letters. Love, rejection, and my struggle with writing are some of the trending topics the reader will find in this work.

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3

Wheatley, Carmen. "Donne and Spanish literature". Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.235777.

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4

Wilkinson, Stephen. "Detective fiction in Cuban society and culture". Thesis, Queen Mary, University of London, 2000. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1671.

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The object of this thesis is to reach towards an understanding of Cuban society through a study of its detective fiction and more particularly contemporary Cuban society through the novels of the author and critic, Leonardo Padura Fuentes. The method has been to trace the development of Cuban detective writing and to read Padura Fuentes in the light of the work of twentieth century Western European literary critics and philosophers including Raymond Williams, Antonio Gramsci, Terry Eagleton, Roland Barthes, Jean Paul Sartre, Michel Foucault, Jean François Lyotard and Jean Baudrillard in order to gain a better understanding of the social and historical context from which this genre emerged. By concentrating on the literary texts, I have explored readings which lead out into an analysis of the broader philosophical, political and historical issues raised by the Cuban revolution. Since it deals primarily with modes of deviance and notions of legality and justice within the context of the modern state, detective fiction is particularly well suited to this type of investigation. The intention is to show how this is as valid in the Cuban context as it is in advanced capitalist societies where such research has already been carried out with some success. The thesis comprises an introduction, ten chapters and a conclusion. The chapters are divided into three sections. Chapters 1 to 3 attempt a broad theoretical, historical and socio-political analysis of the cultural reality within which the Cuban revolutionary detective genre emerged. Chapters 4 to 6 analyse the Cuban detective narrative from its inception in the early part of the twentieth century until the emergence of Leonardo Padura Fuentes as the foremost exponent of the genre in Cuba after 1991. Chapters 7- 10 concentrate upon the work of Leonardo Padura Fuentes, offering a reading of his detective tetralogy informed by the preceding discussion. The contribution made by the thesis to knowledge of the subject is to build upon the work of Seymour Menton and Amelia S. Simpson on the development of the Cuban detective novel and to provide analyses of the pre-Revolutionary Cuban detective narrative and the work of Leonardo Padura Fuentes for the first time in the English language. The thesis concludes that the study of this popular genre in Cuba is of crucial importance to the scholar who wishes to reach as full an understanding of the social dynamics within that society as possible. In particular, it proves that Cuban detective fiction provides a useful barometer of social change which records the shifts in the Cuban Zeitgeist that have taken place over the past century.

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5

Palma, Alejandro. "Muestra de la poesia por la red y de la actitud que habitualmente comporta". Lexington, Ky. : [University of Kentucky Libraries], 2001. http://lib.uky.edu/ETD/ukyspan2001d00014/palma.pdf.

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Thesis (Ph. D.)--University of Kentucky, 2001.
Title from document title page. Document formatted into pages; contains vi, 179 p. : ill. Includes abstract. Includes bibliographical references (p. 167-179).

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6

Hart, Christopher. "'Fiction is the mask of history' : contextual readings of Byron's poetry". Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243001.

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7

Burke, Debra Pauline. "Pandora's box : sexual fiction by Spanish and Latin-American women from the late 1970's to 2000 /". Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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8

Saar, Amy L. "Solitary Women Wanderers: Urban Stories of Resistance in Contemporary Spanish Women's Narrative". Thesis, view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3113027.

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Thesis (Ph. D.)--University of Oregon, 2003.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 213-219). Also available for download via the World Wide Web; free to University of Oregon users.

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9

Muñoz, Tracy Manning. "Peripheral visions Spanish women's poetry of the 1980s and 1990s /". Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1149000160.

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10

Logan, Aileen Anne. "Memory and exile in the poetry of Luis Cernuda /". St Andrews, 2007. http://hdl.handle.net/10023/343.

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11

Darroch, Fiona Jane. "Memory and myth : postcolonial religion in contemporary Guyanese fiction and poetry". Thesis, University of Stirling, 2005. http://hdl.handle.net/1893/2618.

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In this thesis I investigate and problematize the historical location of the term 'religion' and examine how this location has affected the analytical reading of postcolonial fiction and poetry. The term 'religion' has been developed in response to a Western Enlightenment and Christian history and its adoption outside of this context should therefore be treated with caution. Within postcolonial literary criticism, there has been either a silencing of the category as a result of this caution or an uncritical and essentialising adoption of the term 'religion'. I argue that a vital aspect of how writers articulate their histories of colonial contact, migration, slavery and the re-forging of identities in the wake of these histories is illuminated by the classificatory term 'religion'. I demonstrate this through the close reading of Guyanese fiction and poetry, as critical themes are seen and discussed that would be otherwise ignored. Aspects of postcolonial theory and Religious Studies theory are combined to provide a new insight into the literature and therefore expand the field of postcolonial literary criticism. The way in which writers 'remember' history through writing is central to the way in which I theorize and articulate 'religion' throughout the thesis; the act of remembrance is persuasively interpreted in terms of 'religion'. The title 'Memory and Myth' therefore refers to both the syncretic mythology of Guyana, and the key themes in a new critical understanding of 'religion'. Chapter One establishes the theoretical framework to be adopted throughout the thesis by engaging with key developments made in the past decade by Religious Studies theorists. Through this dialogue, I establish a working definition of the category religion whilst being aware of its limitations, particularly within a discussion of postcolonial literature. I challenge the reluctance often shown by postcolonial theorists in their adoption of the term 'religion' and offer an explanation for this reluctance. Chapter Two attends to the problems involved in carrying out interdisciplinary research, whilst demonstrating the necessity for such an enquiry. Chapters Three, Four and Five focus on selected Guyanese writers and poets and demonstrate the illuminating effect of a critical reading of the term 'religion' for the analysis of postcolonial fiction and poetry. Chapter Three provides a close reading of Wilson Harris's novel Jonestown alongside theoretical and historical material on the actual Jonestown tragedy. Chapter Four examines the mesmerising effect of the Anancy tales on contemporary writers, particularly poet John Agard. And Chapter Five engages with the work of Indo-Guyanese writer, David Dabydeen and his elusive character Manu.

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12

Graves, Jesse, Paul Ruffin y William Wright. "Southern Poetry Anthology, VI: Tennessee". Digital Commons @ East Tennessee State University, 2013. http://amzn.com/1937875458.

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The state of Tennessee is widely recognized as a home of great music, and its geographic regions are as distinct as Memphis blues, Nashville country, and Bristol old-time sounds. Tennessee’s literary heritage offers equal variety and quality, as home to the Fugitive Agrarian Poets, as well as a signature voice from the Black Arts Movement. Few states present such a multicultural panorama as does the Volunteer State. The poems in The Southern Poetry Anthology, Volume VI: Tennessee engage the storied histories, diverse cultures, and vibrant rural and urban landscapes of the region. Among the more than 120 poets represented are Pulitzer and Bollingen Prize-winner Charles Wright, Brittingham Award-winner Lynn Powell, and Agnes Lynch Starrett Prize-winners Rick Hilles and Arthur Smith. The book includes an introduction from renowned poet Jeff Daniel Marion, who in 1978 received the first literary fellowship from the Tennessee Arts Commission. Too, the book celebrates relatively young and gifted voices. This important anthology will stand for many years as the definitive poetic document for the state of Tennessee.
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13

Gonzalo, de Jesús Patricia. "El mundo es mentira". Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1611.

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Can words create worlds? My fiction thesis, El mundo es mentira (The World Is a Lie), explores different voices and points of view to examine the ways in which they not only tell stories, but also generate spaces, atmospheres and, ultimately, worlds of their own. Moreover, the book aims to be a meeting ground where these voices dialogue with the voices of the literary tradition, reinterpreting and rewriting it. This collection was conceived as an experimental laboratory as well: it is comprised by short and micro-stories which question and challenge conventional forms of storytelling by incorporating poetic, memoiristic and essayistic devices.

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14

Gironce-Evrard, Marie-Anne. "La symbolique des saisons dans la poésie lyrique, en Italie, en Espagne et en France, 1465-1645 un prétexte pour dire le temps /". Villeneuve d'Ascq, France : Presses Universitaires du Septentrion, 2000. http://books.google.com/books?id=Wk9ZAAAAMAAJ.

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15

Diego, Rivera Hernandez Raul. ""Symbolic and Global Violence in Contemporary Mexican and Spanish Crime Fiction"". The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338381722.

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16

Tierney, John. ""Plunged Back with Redoubled Force": An Analysis of Selected Fiction, Non-Fiction, and Poetry of the Korean War". University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1396829149.

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17

Spiro, Benjamin P. "Infinity the labyrinth: the union of set theory with the short fiction of Jorge Luis Borges". Thesis, Boston University, 2005. https://hdl.handle.net/2144/27780.

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Boston University. University Professors Program Senior theses.
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02

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18

Graves, Jesse, Paul Ruffin y William Wright. "Southern Poetry Anthology, VII: North Carolina". Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1937875873.

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Robert Morgan and Kathryn Stripling Byer, Al Maginnes and Cathy Smith Bowers, Thomas Rain Crowe and Michael McFee, as well as many new voices. . . Indeed, the variegation of the Tar Heel State's landscapes, as well as its rich history, is reflected through the myriad voices of its contemporary verse. As with other volumes of The Southern Poetry Anthology, this book--full of a wide gamut of poetic styles and approaches--will appeal to many readers, prove an excellent teaching resource for North Carolina students of literature, and serve as the definitive poetic document for North Carolina for many years. Conceived by Series Editor William Wright in 2003, The Southern Poetry Anthology is a projected twelve-to-sixteen volume project celebrating established and emerging poets of the American South, published by Texas Review Press. Inspired by single-volume anthologies such as Leon Stokesbury's The Made Thing, Gil Allen's A Ninety-Six Sampler, and Guy Owen and Mary C. Williams' Contemporary Southern Poetry: an Anthology, The Southern Poetry Anthology aspires to provide readers with a documentary-like survey of the best poetry being written in the American South at the present moment. Specifically, the editors' goals are twofold: first, to re-establish poetry of the South as a major presence in American literature, and second, to include a greater range of poets from the South to introduce a new poetic geography, a fresh corpus of what we understand to be "Southern Poetry."
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19

Ellison, Mahan L. "Literary Africa: Spanish Reflections of Morocco, Western Sahara, and Equatorial Guinea in the Contemporary Novel, 1990-2010". UKnowledge, 2012. http://uknowledge.uky.edu/hisp_etds/7.

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This dissertation analyzes the strategies that Spanish and Hispano-African authors employ when writing about Africa in the contemporary novel (1990-2010). Focusing on the former Spanish colonial territories of Morocco, Western Sahara, and Equatorial Guinea, I analyze the post-colonial literary discourse about these regions. This study examines the new ways of conceptualizing Africa that depart from an Orientalist framework as advanced by the novelists Lorenzo Silva, Concha López Sarasúa, Ramón Mayrata, María Dueñas, Fernando Gamboa, Montserrat Abumalham, Javier Reverte, Alberto Vázquez-Figueroa, and Donato Ndongo. Their works are representative of a recent trend in Spanish letters that signals a literary focus on Africa and the African Other. I examine these contemporary novels within their historical context, specifically engaging with the theoretical ideas of Edward Said’s Orientalism (1978), to determine to what extent his analysis of Orientalist discourse still holds value for a study of the Spanish novel of thirty years later. In addition, the work of theorists such as Gil Anidjar, Emmanuel Levinas, James C. Scott, Ryszard Kapuściński, Georges Van den Abbeele and Chandra Mohanty contribute to the analyses of specific works. These theorists provide a theoretical framework for my thesis that contemporary Spanish authors are writing Africa in ways that undermine and circumvent the legacy of Orientalist discourse. I seek to highlight the innovative approaches that these authors are taking towards their literary engagement with Africa. The imaginary that pertains to Africa has served an integral role in the history and creation of modern Spain, and it is illuminating to trace the influences that it continues to exert on Spanish writers. In the last thirty years, Spain’s relationship with Africa has dramatically changed through peace treaties, the independence of nations, migratory patterns, tourism, and in other substantial ways. Within this dissertation, I address these changes by focusing on literary representations of political engagement, gender issues, and travel to highlight how Africa is represented in light of these recent developments. As Spanish authors continue to engage with and to write about Africa, this study hopes to show that Orientalism is no longer a prevalent discourse in the contemporary Spanish novel.

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20

Hamilton, Joshua Bridgwater. "Resituating Desire, Rewriting Reading| Spanish Neo-Avant Garde Visual Poetry and the Critique of Mass Media and Consumer Capitalism". Thesis, Indiana University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3587659.

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This dissertation examines the Spanish visual poetry of the 1960s and 1970s, which appeared during the later period of the Franco regime and responded to the rise of mass media and consumer capitalism. It draws on the theoretical work of Gilles Deleuze and Félix Guattari to examine how this poetry created an oppositional practice that destabilized the conventional use of codes in media, art, and literature. It brings to light what I will explore as the "schizoid" character of their work and how it redefines the roles of reader, writer, and text in order to create an awareness that is critical and resistant to what the visual poets position as authoritative discourses, such as capitalism, consumerism, and the authoritarianism of the dictatorship. They see these discourses as subjugating the individual's thought through codes of language and image, and they go about subverting such discourses by destabilizing the language and image itself on which those discourses are built.

This study focuses on the representative works of three different writers, Quizás Brigitte Bardot venga a tomar una copa esta noche by Alfonso López Gradolí, La caída del avión en el terreno baldío by José Luis Castillejo, and Textos y antitextos by Fernando Millán. López Gradolí's book restructures the notion of desire as it is represented in capitalist narratives of lack, ultimately schizophrenizing desire as a displaced logic of lack and creating new, interpersonal codes that redefine desire as immanent connection. Castillejo's work deconstructs representation through open-ended texts that multiply possible reading strategies, thus grounding desire in the process of building new codes. Millán's book deconstructs representation into a figural narrative that redefines the reader's role from that of a passive consumer to that of an active schizoanalyst that co-creates poetic codes and schizophrenizes transcendental structures that govern language and image.

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21

Waage, Fred. "This Mortal Earth: A Year of Beginnings and Ceasings". Digital Commons @ East Tennessee State University, 2015. http://amzn.com/168114008X.

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The poems in this collection were written one-a-day, during the course of the author's sixty-seventh year. They seek to express an ecological awareness, the "intense consciousness of land" (Aldo Leopold), a consciousness of the Earth's land and of that essence that composes the writer's being.
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22

Madrid, David G. C. "In Search of Elysium: Spanish Poetry of Difference at the Dawn of the 21st Century". University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1468574822.

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23

Fasey, Rosemary J. "Writers in the service of revolution : Russia's ideological and literary impact on Spanish poetry and prose, 1925-36". Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14655.

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This thesis is a comparative literary study which is conducted by placing the reception of Russian literature in Spain during the period 1918-36 within the context of the interplay of literature and the social and political situations in which it is written. It first places the boom in the publication of Russian literature in the late 1920s and 1930s within the context of the history of the reception of Russian literature in Spain, providing a comprehensive survey of that history. Next, it describes the impact of the Russian Revolution and the formative years of the Soviet Socialist state on the political situation in pre-Civil War Spain, including the ideological links between the political situations of both countries. In pre-Civil War Spain, the revolutionary atmosphere changed the mood, subject matter and style of literature, and certain writers, recognizing their civic duty, began to produce literature that had a socially critical and didactic role. During that period, given the political context and the development of politically committed literature, Spanish intellectuals and artists of a Marxist persuasion derived incentive from their Russian counterparts. Russian literature has traditionally been the forum for social criticism, and has had a profoundly revolutionary dimension. Pre-revolutionary writers such as Dostoevsky and Andreev have been perceived by outsiders as revolutionary writers, and, in that capacity, have enjoyed great popularity abroad, including Spain. In the Soviet era, Mayakovsky was often considered to be the "Poet of the Revolution", and Gorky was the chief spokesman in the promotion of socialist ideals in literature in the twenty years following the Revolution. In Spanish pre-Civil War fiction, both the social novel and poetry were instrumental in conveying overtly Marxist messages. The thesis concludes with a comprehensive study about certain Spanish writers and their works, in the domains of poetry and the novel, specifically seeking evidence of the impact of the literature and ideology which was emanating from Russia in the first third of the twentieth century.

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24

Logan, Aileen A. "Memory and exile in the poetry of Luis Cernuda". Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/343.

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Luis Cernuda (1902-1963) was exiled from Spain in 1938 due to the outbreak of the Spanish Civil War. He lived in Great Britain, America and Mexico and he never returned to his homeland. Until the mid-1960s, he was considered by the Spanish literary establishment to be an evasive and astringent poet. Since then, critics have recognised and praised the ethical quality and nature of his work and he is now considered to be one of the most profound and influential Spanish poets of the twentieth century. Despite the growing body of critical work on Cernuda, the salient role played by memory in his poetry has received little sustained critical attention. Critics have tended to stress the nostalgic and the evasive rather than the ethical and contemplative role played by memory in his work both before and after his departure from Spain. The objective of this thesis is to provide a more balanced view of the poet’s use of memory in his early and mature poetry. Rather than limiting his concept of memory to nostalgia for his youth or his homeland, it argues that he deploys memory as an instrument of self-analysis, self-discovery and self-criticism. The first chapter concentrates on his pre-exilic poetry in order to show that memory plays a fundamental role in his poetics prior to the experience of physical exile. The central body of the thesis examines the increasingly analytical and philosophical role played by memory in a selection of his mature prose and verse texts written outwith Spain.

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25

Picicci, Christen L. "Force and human suffering in sixteenth-century epic poetry : Torquato Tasso's Gerusalemme liberata and Alonso De Ercilla Y Zúñiga's Araucana /". Connect to title online (ProQuest), 2008. http://proquest.umi.com/pqdweb?did=1589247661&sid=5&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2008.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 271-285). Also available online in ProQuest, free to University of Oregon users.

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26

Morse, Andrew. ""A new discipline of vision" : the synthesis of poetic and scientific epistemologies in contemporary speculative verse /". view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3102180.

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Thesis (Ph. D.)--University of Oregon, 2003.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 232-241). Also available for download via the World Wide Web; free to University of Oregon users.

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27

Schönberger, Peter. "Amor hypermedialis : Logiken der Liebe im spanischen Gegenwartsroman ; von der Postguerra zur Postmoderne /". Frankfurt am Main [u.a.] : Lang, 2001. http://www.gbv.de/dms/sub-hamburg/326156011.pdf.

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28

Herrera, Adriana. "Ficción Extrema: Deslizamientos en la Realidad a Través de la Relación Entre Arte y Literatura (Max Aub, Leonora Carrington y Enrique Vila-Matas)". FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1741.

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Si el siglo XX creó una extendida conciencia sobre las variantes de la intertextualidad en la ficción literaria, hoy enfrentamos transformaciones en la naturaleza de la ficción y sus relaciones con otras formas discursivas y/o creativas como el arte, y con la misma realidad, que es posible designar con el concepto de ficción extrema. Desde “Don Quijote” o “Las meninas” hay incursiones en la metaficción y/o autorrefecividad. Pero a partir de las vanguardias modernistas y de modo creciente en los estertores de la postmodernidad nos abocamos a un singular tipo de hipertextualidad que desbordando lo literario se apropia de prácticas artísticas (o lo contrario) como recurso para la transposición de sus ficciones, no sólo de uno a otro campo, sino para su inserción en la realidad: la ficción extrema. Max Aub (España 1903-México 1973), Leonora Carrington (Inglaterra 1917-México 2011) y Enrique Vila-Matas (España 1958), radicalizaron este tránsito o filtración de los imaginarios artísticos y literarios subvirtiendo las delimitaciones entre —pintor catalán Jusep Torres Campalans, junto con sus obras pictóricas, creadas como sombra o doble de Picasso. Así insertó su existencia en ciertos dominios del cubismo como un modo de meta-crítica artística. Carrington asumió un doble animal que transitó entre cuentos y cuadros y se inscribió en la memoria del surrealismo. Vila-Matas narró su “Historia abreviada de la literatura portátil” como un doble del espectro Marcel Duchamp —a su vez asaltado por otros— que reescribe la memoria del dadaísmo de tal modo que ha llegado a ser confundida con un ensayo. La revisión de las estrategias de la ficción extrema en estos autores junto con las de otros contemplados en el epilogo —Mario Bellatín, y los artistas Liliana Porter, Luis Camnitzer, José Guillermo Castillo, Ana Tisconia, Rubén Torres Llorca y Carlos Amorales— arroja nueva luz sobre sus obras, enriquece los estudios transatlánticos y revela la movilidad y multiplicación de la identidad y los deslizamientos de la ficción en la realidad como signos de tránsito a la altermodernidad.

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29

Saeger, J'Leen Manning. "The recuperation of historic memory recognizing suppressed female voices from the Spanish Civil War and Francoist repression /". Diss., [Riverside, Calif.] : University of California, Riverside, 2009. http://proquest.umi.com/pqdweb?index=1&did=1957395191&SrchMode=2&sid=12&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1270050392&clientId=48051.

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Thesis (Ph. D.)--University of California, Riverside, 2009.
Includes abstract. Title from first page of PDF file (viewed March 31, 2010). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. 267-283). Also issued in print.

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30

Mitchell-Foust, Michelle. "The five dreams of the body /". free to MU campus, to others for purchase, 1996. http://wwwlib.umi.com/cr/mo/fullcit?p9821345.

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31

Guzman-Medrano, Gael. "Post-Revolutionary Post-Modernism: Central American Detective Fiction by the Turn of the 21st Century". FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/917.

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Contemporary Central American fiction has become a vital project of revision of the tragic events and the social conditions in the recent history of the countries from which they emerge. The literary projects of Sergio Ramirez (Nicaragua), Dante Liano (Guatemala), Horacio Castellanos Moya (El Salvador), and Ramon Fonseca Mora (Panama), are representative of the latest trends in Central American narrative. These trends conform to a new literary paradigm that consists of an amalgam of styles and discourses, which combine the testimonial, the historical, and the political with the mystery and suspense of noir thrillers. Contemporary Central American noir narrative depicts the persistent war against social injustice, violence, criminal activities, as well as the new technological advances and economic challenges of the post-war neo-liberal order that still prevails throughout the region. Drawing on postmodernism theory proposed by Ihab Hassan, Linda Hutcheon and Brian MacHale, I argued that the new Central American literary paradigm exemplified by Sergio Ramirez’s El cielo llora por mí, Dante Liano’s El hombre de Montserrat, Horacio Castellanos Moya’s El arma en el hombre and La diabla en el espejo, and Ramon Fonseca Mora’s El desenterrador, are highly structured novels that display the characteristic marks of postmodern cultural expression through their ambivalence, which results from the coexistence of multiple styles and conflicting ideologies and narrative trends. The novels analyzed in this dissertation make use of a noir sensitivity in which corruption, decay and disillusionment are at their core to portray the events that shaped the modern history of the countries from which they emerge. The revolutionary armed struggle, the state of terror imposed by military regimes and the fight against drug trafficking and organized crime, are among the major themes of these contemporary works of fiction, which I have categorized as perfect examples of the post-revolutionary post-modernism Central American detective fiction at the turn of the 21st century.

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Earley, Deja Anne. "Keeping Gardens: Poetry and Essay". Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd943.doc.

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Hurst, Darin Scott. "El amor, la belleza, y el arte en la novela decadente hispanoamericana la dialéctica de la decadencia /". Oxford, Ohio : Miami University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1051278715.

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Vizoso, Pedro Jose. "Madrid Modernista: Espacios Urbanos Madrilenos en la Literatura Bohemia del Modernismo Espanol". Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/195069.

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This study offers an analysis of the interaction between urban spaces and bohemian literature in Madrid around 1900. I argue that bohemianism and bohemian literature are actually part of a very well structured cultural discourse--a discourse of social resistance--and must be studied as such. At the same time, the obvious urban nature of this phenomenon is a deciding aspect of it. In order to know how the bohemian discourse evolved in Madrid from 1850s to 1920s--from Realism to Modernismo--we have to study the core and reciprocal relationship between bohemianism and the city. This issue has not yet been explored within Hispanism, in spite of the fact that it provides a very useful perspective for considering the period as a synthesis of intellectual and artistic matters.In my dissertation I engage the essential aspects of bohemianism in the turn of the twentieth century Spanish literature. I focus on the characterization and use of space in the bohemian discourse of Peninsular Modernismo. My starting point is the description and characterization of such a discourse as it has been constructed, analyzing how it takes form in a variety of different kind of texts. I study the construction and evolution of its "cartographic imaginary" (David Harvey), an image of the city that bohemian literature uses to resist the bourgeois order imposed on Madrid's urban spaces and the capitalistic process that supports it. I argue that bohemianism was taken by the peninsular version of Hispanic Modernismo as its central aesthetic discourse. Consequently, and because of the subaltern and marginal nature of it, Modernismo could never position itself at the central stage of the 1900s Spanish culture.

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35

Rímolo, de Rienzi Mirta. "SIMULACRO, HIPERREALIDAD Y POS-HUMANISMO: LA CIENCIA FICCIÓN EN ARGENTINA Y ESPAÑA EN TORNO AL 2000". UKnowledge, 2013. http://uknowledge.uky.edu/hisp_etds/12.

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This project focuses on science fiction literature of Spain and Argentina produced in the last twenty years (1990-2010). It hypothesizes that in this period a change of perspective substantially modified science fiction productions in both countries and converges into a new model of narrative. As a consequence of this reformulated vision, a new narrative perspective immerses readers in an era of simulation, hyperreality, and post-humanism. When advanced technology is able to modify the basic human anatomy, and persons are trapped between virtual and real universes, simulacra facilitate control of people in an effective and impersonal manner. Simultaneously, fictional scenarios show new post-human beings sharing future worlds with humans. In this regard, the new literary production leads the reader to a redefinition of what it means to be human. With a theoretical framework centered on simulacrum, hyperreality and post-humanism, this study places the use of new technologies and the critique of postmodern society at the epicenter of the discussion as proposed by selected novels.

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Johnson, Don. "More Than Heavy Rain". Digital Commons @ East Tennessee State University, 2014. http://amzn.com/1937875571.

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More Than Heavy Rain brings together poems of intense observation culled from a life lived mostly outside. Set mostly around the poet’s home along the Watauga River in northeast Tennessee, the poems also reach out to such distant locations as Montana, Alaska, and post-war Germany. Some of them reconstruct the poet’s childhood in rural West Virginia. Some examine his family history, the events and relatives who helped determine the way he views the world.
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Alvarez-Castro, Luis. "La función del lector en la prosa metaliteraria de Miguel de Unamuno". Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1118350807.

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Ottonello, Pablo Tomás. "Cambió Todo Tanto". Thesis, University of Iowa, 2017. https://ir.uiowa.edu/etd/5590.

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What is our relationship with nature? How do we represent nature in written text? The short stories that compose this book relate with how to address the interaction between mankind and the space it occupies on Earth. Cambió todo tanto offers different voices that tackle how human activity (precisely, industry) alter the physical realm. And how that alteration reciprocates in human behaviour and consciousness.

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39

Sweeden, R. Renee. "Personal Archaeology: Poems". Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc500646/.

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A collection of poems focused primarily on rural America and the South, the creative writing thesis also includes material concerned with the history of Mexico, particularly Mexico at the time of the Spanish Conquest. The introduction combines a personal essay with critical material discussing and defining the idea of the Southern writer.

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Moss, Grant Daryl. "Political Poetry in the Wake of the Second Spanish Republic: Rafael Alberti, Pablo Neruda, and Nicolas Guillen". The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1280872939.

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Graves, Jesse, Thomas Alan Holmes y Ernest Lee. "Jeff Daniel Marion: Poet on the Holston". Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1621901998.

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The author of nine volumes of poetry and numerous other writings, the editor of several literary journals, the recipient of copious awards, including the James Still Award from the Fellowship of Southern Writers, and a longtime teacher and mentor, East Tennessee native Jeff Daniel Marion has come to be known as one of the most significant and beloved voices in Appalachian literature over the past four decades. The twenty-one pieces in this illuminating collection range from examinations of Marion’s poetry to considerations of his teaching career and influence on students, writers, and artists throughout the region and beyond. Acclaimed poet, novelist, and historian Robert Morgan writes about how Marion affected his development as a writer and the key role Marion has played in bringing Appalachian literature into its own. Scholar Randall Wilhelm’s essay, meanwhile, expands our appreciation for Marion not only as a poet but as a visual artist, tracing the connection between his photography and poetic imagery. Also included are essays by John Lang on the ways in which Marion’s poetry “gives voice to a spiritual vision of nature’s sacramental identity,” Gina Herring on how the poet’s father has served as his muse, and George Ella Lyon on the power of story in Marion’s picture book for children, Hello, Crow. Other features include an autobiographical essay by Marion himself, an interview conducted by co-editor Jesse Graves, and a bibliography and timeline that summarize Marion’s life and career. In the book’s introduction, Ernest Lee notes that in the poem “Boundaries,” from his first published collection, the young Marion “dedicated himself to his place, to the land and his heritage . . . welcoming whatever may come with a firm faith that ultimately his life as a poetic laborer will bring him to a true, sharp vision.” The eloquent contributions to this volume reveal just how fully that dedication has paid off.
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Graves, Jesse. "Basin Ghosts". Digital Commons @ East Tennessee State University, 2014. http://amzn.com/1937875539.

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Basin Ghosts is a collection of original poems by Jesse Graves, author of Tennessee Landscape with Blighted Pine. Many poems in Basin Ghosts address places and themes that resonated in Graves's first collection, which won the Weatherford Award, the Thomas and Lillie D. Chaffin Award, and the Appalachian Writers' Association Book of the Year Award in Poetry. The poems in Basin Ghosts examine life in the rural South, changes that have occurred over generations in communities there, and the ways in which the past lives on through memory and attachment to the land.
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43

Machin-Lucas, Jorge. "La espiral ontologica e intertextual en la poesia de Jose Angel Valente creacion poetica y busqueda intimo-mistica en los albores de la premodernidad /". Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1115931846.

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Vergara, Cynthia P. "Gypsie". Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/83.

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Many of these poems deal with childhood, love, art, and the search for meaning. Most of the poems have a female voice that is hopeful and acceptant. The format of the thesis goes from adulthood to childhood and works as a return to the familial.

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45

Ventura, Fernandez Berenice. "Translating Andrew Kaufman's 'Signs of the Cross' (Back) into Spanish". BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5820.

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Este trabajo se centra en la traducción al español del poema de Andrew Kaufman “Signs of the Cross”, que se encuentra en su libro Earth’s Ends. El poema presenta una visión familiar, al mismo tiempo que extranjerizante, de los pueblos latinoamericanos a los que describe. Se tratan en él temas como el cambio constante, la desacralización de lo sagrado, la reescritura de la historia, la resiliencia de algunos de los pueblos latinoamericanos, el peso del pasado sobre ellos, así como la presencia del cristianismo y los símbolos de la cruz presentes en acontecimientos históricos importantes, la religión, la vida cotidiana y la naturaleza. Junto con la traducción del poema, se proporciona un análisis detallado de las nueve partes que lo componen, así como comentarios sobre las principales dificultades de traducción. Se emprendió la tarea de traducir como un ejercicio de back-translation figurativo, mediante el cual se devolvió el poema al idioma de la cultura que lo inspiró: el español, idioma que además ayuda a completar el significado del texto.

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46

Basabe, Omar. "La muerte en la lírica castellana de los siglos XIV y XV /". Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63122.

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Del, Barco Valeria. "Diálogos Transoceánicos Coloniales: Poética Criolla en Negociación". Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22672.

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My dissertation focuses on the poetic production of three criollas —the offspring of Spaniards in the Americas— in dialogic relation with prominent male writers across the Atlantic. The works studied, Clarinda’s Discurso en loor de la Poesía (1608); Epístola a Belardo (1621) by Amarilis; and Sor Juana’s Primero sueño (1692) and La Respuesta (1691), span the entirety of the 17th century, in both the Viceroyalty of Perú and New Spain. Important interventions in Latin American colonial culture have noted criollos’ ambivalence towards the culture inherited from Spain as well as the need to assert their cultural agency through writing. The poets at the center of my study participate in this preoccupation with the added complication of being women, whose works are habitually read in isolation, as exceptions. My dissertation defines a feminine criolla poetics dialogically negotiated with western tradition, be it Spanish gongorismo or Italian humanism, while highlighting the tension between inserting themselves in the canon and critiquing it. In place of readings that emphasize the transfer of discourse and knowledge from the center to the periphery, from the metropole to the colonies, I demonstrate that the writings of these women challenge, or even reverse, this logic. My study analyzes rhetorical and intertextual strategies by which criollas, twice removed from power due to their birthplace and gender, negotiated a space in the canon. My analysis reveals the acute consciousness of gender that informs each woman’s writing; however, I also participate in recent movements in criticism and theory that interrogate conventional notions of power, space and the directionality of colonial exchange. This dissertation examines the processes of cultural appropriation as it defines a feminine criolla poetics dialogically negotiated with western tradition, one that also opens up a space to critique this tradition through parody, irony and textual transformation. This dissertation is written in Spanish.

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Jolivet, Jean-Christophe. "Allusion et fiction épistolaire dans les "Héroïdes" : recherches sur l'intertextualité ovidienne /". Rome : Paris : École française de Rome ; diff. De Boccard, 2001. http://catalogue.bnf.fr/ark:/12148/cb38807426b.

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Olson, Ted. "Revelations: Poems". Digital Commons @ East Tennessee State University, 2012. http://amzn.com/0984783687.

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Revelations: Poems, Appalachian poet Ted Olson’s second full-length poetry collection, contains eleven chapters of seven poems per chapter. Plying various forms and exhibiting a strong sense of musicality, these poems explore such themes as childhood, family, memory, love, nature, ritual, and visions both literal and spiritual. Olson’s poems provide surprising snapshots of a shared world that is all-too-often ignored or unexplored. In the words of literary critic James Owens, “We need Ted Olson. In his truest voice, he is a visionary poet, restlessly prying at the dim everyday with the shiny edge of intelligent illumination. His poems locate the connections and epiphanies, right there where they have always been, unseen until now and waiting for the right eye to find them, the right tongue to give them clarity and form.”
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Jones, Jordan Benjamin. "Fantastic Sexism? Subverting the Femme Fatale and Femme Fragile in the Fantastic Fiction of Machado de Assis". BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5523.

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Joaquim Maria Machado de Assis, arguably the most famous Brazilian author, has been studied perhaps more than any other figure in Brazilian literature. Because Machado's novels are so exceptional, many of his good short stories have been neglected by scholars, particularly those categorized by some as “fantastic.” This study attempts to fill that gap by analyzing the most prominent female characters in Machado's fantastic fiction. After providing a brief overview of the term fantastic and explaining how the stories used qualify as fantastic, this study identifies several tropes into which their female characters fit. Chapter 1: The Femme Fragile analyzes the tropes of woman as foil for rational man and woman as manipulable possession, while Chapter 2: The Femme Fatale examines the tropes of woman as siren and woman as fantastic other. Although these tropes seem to expose Machado's misogyny, in reality they function as his dramatization of the erroneous chauvinist thinking of nineteenth-century Brazil. Machado employs these tropes only to subvert them and the patriarchal thinking on which they are based, allowing his readers to come to more productive ways of seeing gender relations in Brazil.

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Tesis sobre el tema "Literature fiction poetry spanish"

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