Bibliografías temáticas / Liadoff

Literatura académica sobre el tema "Liadoff"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 31 de enero de 2023

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Artículos de revistas sobre el tema "Liadoff"

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Bacigalupo, Massimo, Rachel Malkin, Charles Altieri, Bart Eeckhout, Lisa Goldfarb, Gül Bilge Han, Daniel Jean et al. "Poems from Transport to Summer: “Two Tales of Liadoff” and “Analysis of a Theme”". Wallace Stevens Journal 43, n.º 1 (2019): 70–91. http://dx.doi.org/10.1353/wsj.2019.0004.

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Riabokon, О. V. y L. V. Strashevska. "Geological and geomorphological and historical components of the rock monasteries of the Middle Podnistrovia". Journal of Geology, Geography and Geoecology 28, n.º 3 (8 de octubre de 2019): 528–36. http://dx.doi.org/10.15421/111949.

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The paper describes a combination of lithological basis and foundation of cave monasteries of the Middle Podnistrovie. This combination resulted in specific integrated geohistorical monuments (geosites). In the steep rocks of the canyon-like valley of the Dniester, in the process of Christianity, numerous individual or communal caves have been made. Nowadays, only three have remained and continue to be used for their original religious purpose: Bakota, Neporotovo, and Liadova cave monasteries. The place for foundation was not randomly chosen and was conditioned by several factors, the essential ones being geomorphological and sacred aspects. The geologic-geomorphologic factor was determined by presence of high and almost inaccessible rocks that allowed solitude and relative security for the inhabitants from raids of non-Christians. Not the last role belonged to the rocks, in which using simple tools, caves could be cut and rooms organized. It was determined that Bakota rock monastery was founded in opokas of Cenomanian stage, which were highly porous, and were malleable for processing. The tortuous route above the caves of the Bakota monastery was made in solid Sarmatian limestones along the denudation fractures widened by karst processes and by tools. Neporotovo cave monastery has mixed natural-anthropogenic origins and was initiated by karst-suffusion processes in the oolite Sarmatian limestones. Liadova cave monastery as well as Bakota cave monastery were cut from Cenomanian deposits, but in carbon facies, in which Cretaceous-like limestones dominate , which are malleable for making passageways Hydrogeological conditions were important for the building of the monastery, particularly, presence of drinking water. The sacred component was conditioned by religious canon laws and traditions. Each of the studied monasteries has a complex, and often tragic history recorded in archeological materials and archive documents, but the greater part of their thousand years history remains unknown.
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3

Rivetti, Ugo. "Os sentidos da modernidade – Williams, Raymond Cultura e Sociedade: de Coleridge a Orwell. Trad. Vera Joscelyne. Petrópolis, RJ: Vozes, 2011". Idéias 4, n.º 2 (20 de diciembre de 2013): 145. http://dx.doi.org/10.20396/ideias.v4i2.8649385.

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Cultura e sociedade (1958) foi concebido como um acerto de contas1 . Tratava-se, para Raymond Williams, de se contrapor à interpretação do processo histórico então em curso como uma ameaça aos “valores da cultura” levada à cabo por aquela que era então a principal corrente intelectual da cultura inglesa – à qual estavam fi liados algumas das grandes infl uências de sua geração, entre os quais T. S. Eliot e F. R. Leavis –, e que se reivindicava herdeira da grande tradição “romântico-humanista” inglesa do século XIX2 . Interessado em refutar essa interpretação da cultura e do presente histórico – para ele, conservadora, reacionária e antidemocrática –, Williams rejeita a compreensão dessa longa linhagem do pensamento social inglês como tradição literária na qual estariam conservados os verdadeiros valores humanos e, a partir daí, procura reavaliá-la e redefi ni-la enquanto tradição de crítica da sociedade industrial.
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4

Soares, Paulo Vinícius, Daniel Oliveira Piqui, Amanda Ribeiro Wobido y Livia Fávaro Zeola. "Resinas compostas nos últimos 10 anos – revisão da literatura. Parte 5: pigmentação e envelhecimento". Journal of Clinical Dentistry and Research 17, n.º 1 (19 de mayo de 2020): 30–43. http://dx.doi.org/10.14436/2447-911x.17.1.030-043.oar.

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Introdução: Este é o quinto de seis artigos que farão uma análise geral da literatura sobre resinas compostas nos últimos 10 anos. As resinas com- postas surgiram com o objetivo de restaurar estruturas dentais danificadas, reestabelecendo a função e a estética do sorriso. Apesar de suas excelentes propriedades mecânicas, quando em meio bucal, as resinas compostas estão sujeitas a diferentes processos que podem levar à redução da longevidade das restaurações. Assim, essa revi- são tem como objetivo sintetizar e descrever os principais fatores que favorecem a pigmentação e o envelhecimento das resinas com- postas e como influenciam em sua longevidade. Métodos: Após realização de ampla busca na base de dados Medline/PubMed, utilizando termos específicos referentes a cada um dos fatores a serem ava- liados, 32 artigos foram incluídos nessa revisão. Em seguida, foi realizada extração dos dados e avaliação dos resultados. Resultados: Todas as resinas compostas avaliadas sofreram alteração de cor, sendo o vinho tinto e o café as substâncias que demonstraram maior potencial pigmentador. Por outro lado, independentemente do método utilizado (imersão ou fotoenvelhecimento), todas as resinas compostas sofreram envelhecimento devido ao tempo. Conclusão: A alteração de cor devida à presença de pigmentos e o envelhecimento do material com o tempo são fatores que influenciam na longevidade das restaurações em resina composta. Esses fatores devem ser considera- dos e manejados adequadamente pelo cirurgião-dentista, com o intuito de evitar o insucesso das restaurações em resina composta a longo prazo.
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5

Hwang, In-Gyu. "The crossing the border into Liadong by Mangong and Jeokhyu, the high priests in the early Joseon Dynasty, and the rebuilding of the Chinese, Buddhist temples". STUDY OF THE EASTERN CLASSIC 70 (31 de marzo de 2018): 407–34. http://dx.doi.org/10.16880/sec.2017.70.01.407.

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Hwang, In-Gyu. "The crossing the border into Liadong by Mangong and Jeokhyu, the high priests in the early Joseon Dynasty, and the rebuilding of the Chinese, Buddhist temples". STUDY OF THE EASTERN CLASSIC 70 (31 de marzo de 2018): 407–34. http://dx.doi.org/10.16880/sec.2017.70.13.407.

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7

Vershinina, Inna, Artemiy Kurbanov y Anna Liadova. "Domingos Cordeiro V., Neri H. Sociology in Brazil: A Brief Institutional and Intellectual History. Basingstoke: Springer International Publishing, 2019. Rev. by I.A. Vershinina, A.R. Kurbanov, A.V. Liadova". Sotsiologicheskie issledovaniya, n.º 4 (2020): 165–68. http://dx.doi.org/10.31857/s013216250009113-7.

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8

Corrêa, M. B. V., D. M. Aguiar y J. G. Caramori Júnior. "Aspectos sanitários e produtivos das unidades de terminação suinicolas do Estado de Mato Grosso, Brasil". Arquivos do Instituto Biológico 79, n.º 2 (junio de 2012): 153–60. http://dx.doi.org/10.1590/s1808-16572012000200002.

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O presente trabalho analisou os aspectos sanitários e produtivos das Unidades de Terminação (UT) suinícolas do Estado de Mato Grosso. Foram levantados dados oficiais junto ao Instituto de Defesa Agropecuária do Estado de Mato Grosso, referentes a 55 granjas de terminação, distribuídas em 18 municípios, no período de dezembro de 2005 a janeiro de 2006. As características foram descritas e analisadas pelo teste de correlação Spearman, segundo o número de animais por UT, aspectos produtivos, sistemas de proteção sanitária, controle de possíveis veiculadores de agentes patogênicos e manejo dos animais. A população suína cadastrada totalizou 74.650 animais, sendo que 44 (80,0%) UT encontravam-se na região do cerrado. Segundo o número de suínos 10,9%, 9,1%, 14,%, 18,2%, 21,8% e 25% possuíam de 1 a 10, 11 a 100, 101 a 500, 501 a 1.000, 1.001 a 2.000 e acima de 2.000 suínos, respectivamente. As granjas integradas totalizaram 63,6% sendo que 89,1% empregavam manejo intensivo. As analises de correlações positivas (P < 0,05) foram observadas em diversos tipos de granjas, apresentando relação com: assistência veterinária, sistemas all-in all- out, incineração de carcaças, vassoura de fogo, compostagem, edificações de alvenaria e madeira, consumo de ração própria e comercial, abastecimento de água de represa, rio ou córregos e controle de moscas. Mesmo observando diferentes índices de correlação, detectaram-se inúmeros déficits de manejo sanitário em diversos segmentos das UT, por isso, questões relativas à biosseguridade das granjas do Estado de Mato Grosso devem ser revistas para que, futuramente, possa ser ava-liado o grau de vulnerabilidade delas.
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9

Nepomniashchy, Andrei. "New Materials for B. N. Zasypkin’s Biography". Materials in Archaeology, History and Ethnography of Tauria, XХVII (15 de diciembre de 2022): 711–23. http://dx.doi.org/10.29039/2413-189x.2022.27.711-723.

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This article continues the author’s series of publications on the history of organization and participants of the studies in Eastern culture in the Crimea in the mid-1920s. A page of the expeditionary activities of the team of the Central State Restoration Workshops in the Crimea is revealed. This work was a part of large-scale archaeological and ethnographic expedition for the study of the Crimean Tatar monuments. It was commissioned and funded by the Crimean ASSR and carried out by researchers from the academic centres of the USSR. The article has analysed the participation of Boris Nikolaevich Zasypkin (1891–1955), a well-known restorer and the organizer of the archaeological monument protection in different regions of the USSR, in the study of the Crimean cultural heritage. It has introduced into the scholarship previously not known documents from the collections of the Central State Restoration Workshops now residing in the Moscow Central State Archives. These materials shed light on new aspects of the architect-restorer B. N. Zasypkin’s works in the Crimea in 1926 and 1927. The texts of Zasypkin’s reports on his works on the peninsula in 1926 are supplied. Informative but little-known letters of P. I. Chepurina, the head of Yevpatoria Archaeological and Ethnographic Museum, and K. E. Grinevich, the director of the State Museum of Tauric Chersonese, to B. N. Zasypkin uncover tough personal communications of the researchers of the Crimea and Zasypkin’s role in the said process. Zasypkin’s activities for the preservation of the museum in Yevpatoria has been demonstrated. He arranged the intercession of the museum existence and preservation of its storage from the Head of the Museum section of the Glavnauka (Supreme Administration of Scientific, Scientific-Artistic, and Museum Establishments) at the People’s Commissariat for Education of the RSFSR N. I. Sedova, the Head of the Glavnauka F. N. Petrov, and the Chair of the State Academy for the History of Material Culture N. Ia. Marr. The Central State Restoration Workshops’ expedition under the supervision of I. E. Grabar to the peninsula has been reconstructed. It included the head of the Commission for the Preservation and Discovery of Ancient Paintings in Russia and the art historian A. I. Anisimov, the restorer G. O. Chirikov, and the photographer A. V. Liadov. The 1927 expedition was aimed at the inspection of architectural monuments where paintings survived and the development of necessary measures to protect and maintain these architectural sites. Zasypkin’s work for the recording of Chersonese monuments has been shown.
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10

Lay Trigo, Sarahí. "atmósfera sonora en la danza clásica. Una reflexión filosófica sobre el lazo inseparable entre tempo-musical y arte dancístico antes y durante la pandemia del Covid-19." ARTE IMAGEN Y SONIDO 2, n.º 4 (28 de julio de 2022): 74–92. http://dx.doi.org/10.33064/4ais4039.

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En la danza clásica, la música es parte esencial de su realidad (sea como arte vivo o como arte transmitido de manera digital), sin embargo, cuando se estudia, muchas veces se obvia o se deja de lado. Por eso, este trabajo tiene como propósito reflexionar sobre la instalación sonora de la realidad de la danza clásica. Para abordar esto, la autora se fundamenta –principalmente– en la metáfora de atmósfera desarrollada en la teoría esferológica de Peter Sloterdijk y en la estética del aparecer de Martin Seel. Con ello se profundiza en los modos en los que los artistas del movimiento despliegan un eco acústico como parte de su climatización atmosférica social, estética y existencial, en donde el tempo-musical se convierte en un lazo inseparable. Aquí es importante señalar que, parte de estas reflexiones surgen de la propia experiencia de la autora como investigadora y profesional de la danza y del trabajo de investigación realizado en su tesis doctoral. Así, para abordar esta relación entre tempo-musical y danza clásica, la reflexión se divide en tres partes, a saber: 1) La atmósfera humana, 2) El gemelo sonoro de la danza clásica, y 3) El tempo musical y la práctica del ballet en tiempos de pandemia. Esta última parte reflexiona sobre algunos de los retos que la práctica dancística (cotidiana y escénica) tuvo que sortear durante la pandemia del SARS-CoV-2, lo que la hizo migrar a espacios digitales en los que la relación que mantenía con el tempo musical como arte vivo, inevitablemente, se modificó. Finalmente, se concluye que, la música para la danza como arte vivo es más que un acompañamiento, es una atmósfera social-estética-y-existencial de cualidades especiales que aparece en el presente escénico como un campo energético de asociaciones acústicas y rítmicas al que está completamente liado el movimiento y sus participantes (bailarines, música y audiencia). Atmósfera que –por más que se haya intentado– hasta el momento no ha podido digitalizarse de manera que se pueda decir que, la experiencia en vivo de un espectáculo de danza ya no es necesaria.
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Tesis sobre el tema "Liadoff"

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Smith, Gregory Michael. "Performance Practice Issues in Russian Piano Music". Thesis, 2003. http://hdl.handle.net/1959.13/24961.

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The nineteenth and twentieth centuries witnessed the rapid growth of musical culture in Russia. This resulted in a large repertoire of piano music — ranging from miniatures to virtuosic etudes and sonatas. Growing out of the nineteenth century romantic tradition, and highly influenced by the social conditions of the time, Russian composers developed a distinctive style which closely reflected their culture, personalities and ideologies. There are several approaches to studying performance practice. One is to study the interpretations of other pianists. While this does have many advantages, it has not been adopted in this paper as it has one flaw: it still fails to capture the distinctive language of these composers. Rather, the paper will study the social and musical influences on the composers, and, more importantly, their philosophies about pianism and the purpose of music. This will be related to interpretative issues in the works. The repertoire has been divided into four areas. The paper commences with a study of the miniature, which is valuable in finding the ‘essence’ of a composer’s musical language expressed on a small scale. Here, the ‘elementary’ considerations in performance practice will be studied. The second chapter discusses etudes. This is useful in gaining an insight into composers’ conception of technique, and how this relates to performance practice. The third chapter deals with music that has extra-musical themes. This provides opportunity for a more detailed cultural and biographical study of the composers. To represent the large-scale repertoire of Russian composers, the sonata will be studied. Here, a detailed analysis of the composers’ musical language and its relationship to expression will be discussed.
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2

Smith, Gregory Michael. "Performance Practice Issues in Russian Piano Music". 2003. http://hdl.handle.net/1959.13/24961.

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The nineteenth and twentieth centuries witnessed the rapid growth of musical culture in Russia. This resulted in a large repertoire of piano music — ranging from miniatures to virtuosic etudes and sonatas. Growing out of the nineteenth century romantic tradition, and highly influenced by the social conditions of the time, Russian composers developed a distinctive style which closely reflected their culture, personalities and ideologies. There are several approaches to studying performance practice. One is to study the interpretations of other pianists. While this does have many advantages, it has not been adopted in this paper as it has one flaw: it still fails to capture the distinctive language of these composers. Rather, the paper will study the social and musical influences on the composers, and, more importantly, their philosophies about pianism and the purpose of music. This will be related to interpretative issues in the works. The repertoire has been divided into four areas. The paper commences with a study of the miniature, which is valuable in finding the ‘essence’ of a composer’s musical language expressed on a small scale. Here, the ‘elementary’ considerations in performance practice will be studied. The second chapter discusses etudes. This is useful in gaining an insight into composers’ conception of technique, and how this relates to performance practice. The third chapter deals with music that has extra-musical themes. This provides opportunity for a more detailed cultural and biographical study of the composers. To represent the large-scale repertoire of Russian composers, the sonata will be studied. Here, a detailed analysis of the composers’ musical language and its relationship to expression will be discussed.
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Libros sobre el tema "Liadoff"

1

Liadow Arabesques Piano. Warner Bros Pubns, 1985.

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2

Russian Star From Temple Bar LIADOVA ANASTASIJA SERGEJEVNA. Detective Morgan - the Mysteries of Times by Russian Star from Temple Bar (liadova Anastasija Sergejevna). Independently Published, 2017.

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Capítulos de libros sobre el tema "Liadoff"

1

Stevens, Wallace. "More Poems For Liadoff". En Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", editado por Theodore Russell Weiss, 51–59. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-016.

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