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Artículos de revistas sobre el tema "Lessinia"

Autor: Grafiati

Publicado: 11 de marzo de 2023

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1

Zanetti, Adriano, Alberto Sette, Roberto Poggi y Andrea Tagliapietra. "Biodiversity of Staphylinidae (Coleoptera) in the Province of Verona (Veneto, Northern Italy)". Memorie della Società Entomologica Italiana 93, n.º 1-2 (20 de diciembre de 2016): 3. http://dx.doi.org/10.4081/memoriesei.2016.3.

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A commented catalogue of Coleoptera Staphylinidae present in Verona province (Veneto, Northern Italy) is provided. It is based on published as well as mostly unpublished records, with the Sette collection at the Museo Civico di Storia Naturale di Verona as main source. These records are filed in a freely downloadable database (http://www.societaentomologicaitaliana.it/it/archivio-comunicazioni/78-archiviati/269-database-staphylinidae-verona.html). Verona province is a very diverse area, with habitats ranging from montane/alpine to hill and plain, which are natural, seminatural or anthropogenic. A total of 988 species are listed. Localities, habitats, microhabitats, collecting methods, altitudinal range, months of capture, latest year of capture and number of specimens are given for each species. Comments are added for 149 remarkable species or genera (<em>i.e</em>. new to Italy, endemic, with particular geographic distribution, living in particular habitats, introduced, problematic from a taxonomic point of view), 7 species are new records for Italy (<em>Tachyporus corpulentus J.</em> Sahlberg, 1876, <em>Aleochara bellonata</em> Krása, 1922, <em>Aleochara marmotae</em> Sainte-Claire Deville, 1927, <em>Atheta (Ceritaxa) flavipes</em> (Hochhuth, 1860), <em>Atheta (Philhygra) pseudoelongatula</em> Bernhauer, 1907, <em>Stenomastax platygaster</em> (Kraatz, 1859), <em>Carpelimus boops rondaensis</em> (Fagel, 1957)), one is very probably new to science (<em>Leptusa</em> sp.). The biogeographic analysis of the data is mostly based on the comparison of the main areas of the province (Monte Baldo, Lessinia, Morene del Garda, course of Adige river, and plain). The presence of a good percentage (5%) of endemic species is pointed out. The communities inhabiting the principal habitats and microhabitats are commented on, and remarkable species living in the protected areas of the province are listed.

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2

Takács, Attila, Csaba Szabóky, Gusztáv Boldog, Sándor Jordán, Miklós Bozsó, Dávid Fülöp y Balázs Tóth. "Biology and DNA barcode analysis of Coleophora lessinica Baldizzone, 1980 and Coleophora impalella Toll, 1961 (Lepidoptera, Coleophoridae) with description of their larval cases". Nota Lepidopterologica 45 (21 de abril de 2022): 191–205. http://dx.doi.org/10.3897/nl.45.80106.

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Host plants and cases of several species in the genus Coleophora Hübner, 1822 have remained unknown until now, while the latter structures provide important characters for identification. Host plants and cases of Coleophora lessinica Baldizzone, 1980 and Coleophora impalella Toll, 1961 were discovered by the authors and are presented here for the first time. New data on the distribution and biology of the two species in Hungary are given. Coleophora lessinica is recorded as new for the fauna of Romania. DNA barcode sequencing was performed for both Coleophora species and loaded into the BOLD System and to GenBank.

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3

Podhraski, Antonia Sophia. "Lessings Preussenbild". Forschungen zur Brandenburgischen und Preußischen Geschichte: Volume 30, Issue 1-2 30, n.º 1-2 (1 de enero de 2020): 25–45. http://dx.doi.org/10.3790/fbpg.30.1-2.25.

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4

Lamport, Francis, Jürgen Stenzel y Roman Lach. "Lessings Skandale". Modern Language Review 102, n.º 3 (1 de julio de 2007): 876. http://dx.doi.org/10.2307/20467496.

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5

Allert, Beate. "Lessings Skandale". Monatshefte 99, n.º 1 (2007): 106–8. http://dx.doi.org/10.1353/mon.2007.0000.

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6

Valentin, Jean-Marie. "Theaterästhetik im europäischen Kontext. Zu Lessings Hamburgischer Dramaturgie". Jahrbuch für Internationale Germanistik 50, n.º 1 (1 de enero de 2018): 149–59. http://dx.doi.org/10.3726/ja501_149.

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Abstract ,,Internationalität“, wie sie vom JIG angestrebt wird, ist mit Bevorzugung des europäischen Erbes weitestgehend identisch. Dies gilt insbesondere für die Debatten, die im Dreieck Deutschland – England – Frankreich im Bereich der Theaterästhetik ausgefochten wurden. Die Neuübersetzung ins Französische von Lessings Hamburgischer Dramaturgie mit Einleitung und Kommentar ist ein willkommener Anlass, diese epochale Sachlage zu exemplifizieren. Konkret gehe ich dabei von meiner Edition aus, versuche Lessings impliziten Gedankengang zu rekonstruieren, indem ich den Nachdruck auf die wichtigsten, vom Autor verfochtenen Thesen lege. Die darauf fußenden Analysen sind durchaus historisch-philologisch, eine Verfahrensweise, die übrigens der Lessings in seiner Corneille-Kritik und Aristoteles-Interpretation entspricht.

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7

Rozner, Anna. "Lessings Lustspielkonzeption im Spiegel der „Minna von Barnhelm oder das Soldatenglück“". Initium, n.º 1 (14 de septiembre de 2020): 6–27. http://dx.doi.org/10.33934/initium.2020.1.2.

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Im vorliegenden Beitrag wird Gotthold Ephraim Lessings „Minna von Barnhelm oder Das Soldatenglück“ untersucht, das oft als eines der meistgespielten deutschen Lustspiele oder sogar als Wendepunkt in der Geschichte der deutschen Dramatik bezeichnet wird. Die Arbeit geht diesen Behauptungen nach und sucht nach den Gründen für den Erfolg des Werks. Als Ausgangspunkt dienen Lessings eigene dramentheoretische Konzeptionen. Lessings Lustspielkonzeption wurde durch seine Zeitgenossen (wie Gellert, J.E. Schlegel) eindeutig beeinflusst bzw. durch seine Auseinandersetzung mit Theorien seiner Zeit (wie die Gottsched’sche Verlachkomödie) geprägt. „Minna von Barnhelm“ entstand in der produktivstenPhase von Lessings Schaffen, als er sich noch mit seinem dramentheoretischen Hauptwerk, der „Hamburgischen Dramaturgie“, befasste. Dennoch treten die in der „Hamburgischen Dramaturgie“ behandelten Elemente seiner ramenkonzeption bereits in „Minna von Barnhelm“ markant hervor, wie etwa die Hinwendung zur Charakterkomödie, die mitleiderregenden Eigenschaften der Figuren oder die Selbstreflexivität. Die Verwendung solcher Elemente wirkte neuartig in der deutschen Literatur und erregte großes Interesse. Die Beleibtheit des Stückes ist bis heute ungebrochen.

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8

Markos, Staci. "TAXONOMIC CHANGES IN LESSINGIA (COMPOSITAE: ASTEREAE)". Madroño 52, n.º 1 (enero de 2005): 60–61. http://dx.doi.org/10.3120/0024-9637(2005)52[60:tcilca]2.0.co;2.

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9

Schmidt, Frauke y Günter Schweigert. "The San Vigilio Group (Toarcian/Aalenian) of the Lessini Mountains (Southern Alps, Northern Italy)". Neues Jahrbuch für Geologie und Paläontologie - Monatshefte 1991, n.º 7 (1 de julio de 1991): 409–26. http://dx.doi.org/10.1127/njgpm/1991/1991/409.

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10

Sebestyen, Amanda y Doris Lessing. "Mixed Lessing". Women's Review of Books 3, n.º 5 (febrero de 1986): 14. http://dx.doi.org/10.2307/4019871.

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11

van Cleve, John W., Edward P. Harris y Wolf Wucherpfennig. "Lessing Yearbook". German Quarterly 58, n.º 1 (1985): 113. http://dx.doi.org/10.2307/406054.

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12

Mittleman, L. B. y Mona Knapp. "Doris Lessing". World Literature Today 60, n.º 1 (1986): 117. http://dx.doi.org/10.2307/40141262.

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13

Williams, Nonia. "Doris Lessing". Women: A Cultural Review 24, n.º 1 (marzo de 2013): 101–3. http://dx.doi.org/10.1080/09574042.2012.726513.

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14

Wurst, Karin A., Peter Freimark, Franklin Kopitzsch y Helga Slessarev. "Lessing und die Toleranz. Sonderband zum Lessing Yearbook". German Quarterly 61, n.º 3 (1988): 463. http://dx.doi.org/10.2307/406455.

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15

Bohm, Arnd. "Lessings Grenzen (review)". Shofar: An Interdisciplinary Journal of Jewish Studies 25, n.º 3 (2007): 166–68. http://dx.doi.org/10.1353/sho.2007.0058.

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16

LI, Huifang y Chunrui LIU. "To See and to Tell: Lessing’s Criticism of Ageism in The Diary of a Good Neighbor". Journal of Social Science Studies 8, n.º 2 (30 de diciembre de 2021): 148. http://dx.doi.org/10.5296/jsss.v8i2.19303.

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The Diary of a Good Neighbor is one of a series of works concerning age problems in the contemporary western society written by the Nobel laureate Doris Lessing. Through the record of the last days of Maudie Fowler, a ninety-two-year-old lower-class woman by a middle-aged professional Jane Somers, Lessing questions the modern social care system and criticizes the hidden social prejudice against the elderly. Lessing observes the defect of the modern social care institutions in oppressing individual choice and excluding aged people, and points out the professional service they provide cannot really comfort the aged individuals, which constructs a dilemma for both the institutions and the aged group. Different from the ageist neglect of the aged group, Lessing gives a detailed exhibition of both Maudie’s daily life and her inner world, which builds a personal connection between the old and the young and draws this isolated group close to the public. Lessing also explores the taboo topic of old age, sickness and death and gives a full display of Maudie’s tenacious wrestling with death, which shows the sublime of human life and challenges the ageist view of the co-decaying of spirit and body.

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17

García Navarro, Carmen. "‘Oh, there are so many things I want to write’". International Journal of English Studies 19, n.º 2 (30 de diciembre de 2019): 19–36. http://dx.doi.org/10.6018/ijes.361541.

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This paper explores the narrative process identified in the Whitehorn Letters, written by Doris Lessing from 1944 to 1949, as historical documents that form a single, coherent whole. Their significance is assessed by means of an epistemological reflection that sheds light on the path by which the young Lessing established her identity as an author (Bieder, 1993). In the letter-writing process, Lessing declares her aim to become a writer. The letters also characterise the writer as a historical subject, and describe the relationship between this historical subject and the individual who writes the correspondence. Since the letters formulate a coherent discourse about Lessing’s authorial identity, I investigate whether using a model for reading them may be beneficial. I believe that additional nuances could be detected in her narratives by revisiting Lessing and examining, in the centenary of her birth, some hitherto unknown parts of her writings, as these letters represent.

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18

Lane, Meredith A. "New Combinations in Californian Lessingia (Compositae: Astereae)". Novon 2, n.º 3 (1992): 213. http://dx.doi.org/10.2307/3391551.

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19

Galadini, Fabrizio, Paolo Galli, Augusto Cittadini y Biagio Giaccio. "Late Quaternary fault movements in the Mt. Baldo-Lessini Mts sector of the Southalpine area (northern Italy)". Netherlands Journal of Geosciences 80, n.º 3-4 (diciembre de 2001): 187–208. http://dx.doi.org/10.1017/s0016774600023830.

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AbstractPaleoseismological investigations have been performed at Mt. Baldo and in the Lessini Mts. in order to collect quantitative data on the activity of minor faults showing geomorphic evidence of recent activation. The 4.5-km-long, NNE-SSW trending Naole fault was responsible for the formation of a narrow depression at the top of Mt. Baldo, bordered by a continuous bedrock (carbonate) fault scarp to the west. The extensional activity along this minor fault is probably due to gravitational deformations (lateral spreading) in response to the warping of the Mt. Baldo anticline. A 1.5-km-long graben is instead related to the 2.5-km-long, NNW-SSE trending Orsara fault (Lessini Mts.) which was responsible for the formation of bedrock (carbonate) fault scarps. This minor fault is part of a complex structural framework made of few-km-long faults which show evidence of Quaternary activity. Two trenches have been excavated across the Naole fault which showed the occurrence of displacement events subsequent to 17435-16385 BP (cal. age) and probably prior to 5455-5385/5330-5295 BP (cal. age). Two other trenches have been excavated across the Orsara fault whose analysis indicated that the most recent displacement event occurred between 20630-19795 BP and 765-675 BP (cal. age). The upper chronological limits of the displacements give some indications about the minimum elapsed time since the last fault activation (about 5,300 years for the Naole fault and 5-8 centuries for the Orsara fault). Both 1) the maximum expected magnitude of the earthquakes which may originate along the Mt. Baldo thrust and 2) the identification of a main fault responsible for the displacements along the complex net of minor faults affecting the Lessini Mts. are still open questions. As for point 1 although historical earthquakes with magnitude 4.5-5 may be associated with the Mt. Baldo thrust, the investigations carried out in this area did not clarify whether larger magnitude earthquakes may be expected. As for point 2, the cause of the displacements along the Orsara (Lessini Mts.) fault may be related to the activity of a major blind fault (which, however, has never been identified), responsible for the uplift of the Lessini Mts. More generally, the obtained results demonstrate the limits of traditional paleoseismological analyses in Alpine areas whose erosional/depositional activity has been strongly conditioned by the Late Pleistocene glacial history. The lack of units younger than loess and colluvial sediments related to the Last Glacial Maximum makes it impossible to define narrower chronological constraints for the displacements and to estimate the number and size of the displacement events. Moreover, the rebound following the retreat of the thick glacial cover affecting the Alpine area may have induced stresses responsible for higher deformation rates after the Last Glacial Maximum. Higher surficial deformation rates could imply shorter recurrence intervals for faulting episodes and/or larger magnitude earthquakes. Therefore, paleoseismologically inferred data in Alpine areas may not correctly define the fault behaviour related to the present tectonic regime.

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20

Richards, Michael P., Marcello A. Mannino, Klervia Jaouen, Alessandro Dozio, Jean-Jacques Hublin y Marco Peresani. "Strontium isotope evidence for Neanderthal and modern human mobility at the upper and middle palaeolithic site of Fumane Cave (Italy)". PLOS ONE 16, n.º 8 (24 de agosto de 2021): e0254848. http://dx.doi.org/10.1371/journal.pone.0254848.

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To investigate the mobility patterns of Neanderthals and modern humans in Europe during the Middle-to-Upper Palaeolithic transition period, we applied strontium isotope analysis to Neanderthal (n = 3) and modern human (n = 2) teeth recovered from the site of Fumane Cave in the Monti Lessini region of Northern Italy. We also measured a large number of environmental samples from the region, to establish a strontium ‘baseline’, and also micromammals (vole teeth) from the levels associated with the hominin teeth. We found that the modern humans and Neanderthals had similar strontium isotope values, and these values match the local baseline values we obtained for the site and the surrounding region. We conclude that both groups were utilizing the local mountainous region where Fumane Cave is situated, and likely the nearby Lessini highlands and Adige plains, and therefore the strontium evidence does not show differening mobility patterns between Neanderthals and modern humans at the Fumane site.

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21

Hossain, Md Amir. "Doris Lessing’s Fiction as Feminist Projections". International Journal of English and Cultural Studies 1, n.º 1 (6 de marzo de 2018): 23. http://dx.doi.org/10.11114/ijecs.v1i1.3081.

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Doris Lessing, an unrivaled novelist in the literary genres around the globe, portrays the fundamental problems of women as well as social system of her times. Lessing searches for new models to communicate the experiences of a blocked woman writer, who spends her early life in Africa, becomes an active and a disappointed communist, who is a politically committed writer, a mother, a wife, or a mistress sometimes a woman. With her very keen and subtle attitude, Lessing wants to present women’s psychological conflicts between marriage and love; motherhood and profession, unfairness of the double standard; alienation of a single career woman; hollowness of marriage in the traditional order and society. Lessing portrays her women in various social problems and with various perspectives of male against female. She tries to awaken women community to protest against the patriarchy through her feminist writings. For this purpose, this research paper would like to examine the psychological conflicts and traumatic experiences of powerful heroines, including- Anna Wulf of The Golden Notebook, Mary Turner of The Grass Is Singing, and Clefts of The Cleft.

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22

Mohamed Abd El Aziz, Heba. "Female Identity in Doris Lessing’s The Golden Notebook". Advances in Language and Literary Studies 9, n.º 1 (1 de febrero de 2018): 149. http://dx.doi.org/10.7575/aiac.alls.v.9n.1p.149.

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In the realm of art in general and literature in particular, the presence of Doris Lessing could not be denied as one of the most influential English novelists in the 1960s. Doris Lessing is a writer who is concerned with the representation of women identity in the West. In her renowned novel, The Golden Notebook Lessing aims at showcasing women identity in Europe and any aspect related to them, i.e., their psychology, political lives, relation to men and children, their place in a male-dominated society and their frequent attempts to escape from the social and political oppression. The aim of this paper is to present a truthful account of female identity from a feminist point of view.

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23

Hasan, Md Mahmudul. "Discovering Doris Lessing". American Journal of Islam and Society 33, n.º 2 (1 de abril de 2016): 25–49. http://dx.doi.org/10.35632/ajis.v33i2.247.

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The 2007 Nobel literature laureate Doris Lessing (1919-2013) is one of the twentieth century’s most prolific and versatile British writers. Her literary career is marked by the robustness and diversity of her ideas. The plurality of voices in her work makes room for discovering a very different Lessing from how she is usually construed and for discussing some of her views in a new and somewhat unusual light. In this study, I intend to look at her thoughts on education, literature, racism, and women’s rights and locate possible commonalities between them and certain facets of Islamic thought. As she is considered a humanist, a secular writer of great stature, the “grande dame” of British writing of her time, and handlesexplicit sexual relationships, a sense of remoteness and incomprehension is perhaps palpable in any attempt to discover an “Islamic Doris Lessing.” However, given that she is known for her courage and outspokenness, as well as for making unconventional moves and iconoclastic statements sometimes at the expense of her literary reputation, it will be interesting to see her ideas from an Islamic perspective.

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24

Hasan, Md Mahmudul. "Discovering Doris Lessing". American Journal of Islam and Society 33, n.º 2 (1 de abril de 2016): 25–49. http://dx.doi.org/10.35632/ajiss.v33i2.247.

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The 2007 Nobel literature laureate Doris Lessing (1919-2013) is one of the twentieth century’s most prolific and versatile British writers. Her literary career is marked by the robustness and diversity of her ideas. The plurality of voices in her work makes room for discovering a very different Lessing from how she is usually construed and for discussing some of her views in a new and somewhat unusual light. In this study, I intend to look at her thoughts on education, literature, racism, and women’s rights and locate possible commonalities between them and certain facets of Islamic thought. As she is considered a humanist, a secular writer of great stature, the “grande dame” of British writing of her time, and handlesexplicit sexual relationships, a sense of remoteness and incomprehension is perhaps palpable in any attempt to discover an “Islamic Doris Lessing.” However, given that she is known for her courage and outspokenness, as well as for making unconventional moves and iconoclastic statements sometimes at the expense of her literary reputation, it will be interesting to see her ideas from an Islamic perspective.

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25

Hessing, Jakob. "Lessing und Freud". PSYCHE 71, n.º 07 (julio de 2017): 564–79. http://dx.doi.org/10.21706/ps-71-7-564.

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26

Komar, Kathleen L., Edward P. Harris y Richard E. Schade. "Lessing Yearbook XVI". German Quarterly 59, n.º 4 (1986): 648. http://dx.doi.org/10.2307/406537.

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27

Valentin, Jean-Marie. "Lessing vu d'Angleterre". Études Germaniques 262, n.º 2 (2011): 559. http://dx.doi.org/10.3917/eger.262.0559.

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28

Limón, Ada. "The Lessing Table". Iowa Review 33, n.º 1 (abril de 2003): 138. http://dx.doi.org/10.17077/0021-065x.5705.

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29

Parker, G. F. "Johnson and Lessing". Cambridge Quarterly XXII, n.º 4 (1993): 400–405. http://dx.doi.org/10.1093/camqtly/xxii.4.400.

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30

RUDOWSKI, VICTOR ANTHONY. "Lessing Contra Winckelmann". Journal of Aesthetics and Art Criticism 44, n.º 3 (1 de marzo de 1986): 235–44. http://dx.doi.org/10.1111/1540_6245.jaac44.3.0235.

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31

Bertelsen, Eve. "1. Doris Lessing". Journal of Commonwealth Literature 21, n.º 1 (marzo de 1986): 134–61. http://dx.doi.org/10.1177/002198948602100117.

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32

Rudowski, Victor Anthony. "Lessing Contra Winckelmann". Journal of Aesthetics and Art Criticism 44, n.º 3 (1986): 235. http://dx.doi.org/10.2307/429733.

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33

Nisbet, H. B. y Klaus Bohnen. "Lessings 'Nathan der Weise'". Modern Language Review 81, n.º 1 (enero de 1986): 250. http://dx.doi.org/10.2307/3728837.

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34

Goetschel, Willi y Klaus Bohnen. "Lessings "Nathan der Weise"". German Quarterly 59, n.º 4 (1986): 647. http://dx.doi.org/10.2307/406536.

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35

Brummer, Hans Henrik. "Lessings Laokoon - en reflektion". Konsthistorisk Tidskrift/Journal of Art History 70, n.º 4 (diciembre de 2001): 198–205. http://dx.doi.org/10.1080/002336001753721929.

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36

Woodall, J. Ned, Stephen T. Trage y Roger W. Kirchen. "Gunflint production in the Monti Lessini, Italy". Historical Archaeology 31, n.º 4 (diciembre de 1997): 15–27. http://dx.doi.org/10.1007/bf03374241.

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37

Langthaler, R. "Kants „moralisch-bestimmter Monotheismus“ – eine an der „wahren Aufklärung“ orientierte Kritik an Lessings Ringparabel?" Kantian journal 39, n.º 2 (2020): 46–79. http://dx.doi.org/10.5922/0207-6918-2020-2-3.

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Numerous passages in the context of Kant’s philosophy of religion show without doubt his acquaintance with Lessing. But apart from the obvious affinity and agreement between Kant and Lessing with regard to many substantial questions, serious differences cannot be overlooked; the frequently diagnosed closeness and widely suspected “harmony” between the two is probably also the primary reason why important factual differences and controversial aspects have so far usually been neglected or ignored in research, although they still continue to raise problems and controversies in the context of the Enlightenment and the philosophy of religion. Although Lessing and Kant are both committed to the ideas of the Enlightenment and also appear as “related in essence”, above all with regard to religio-philosophical questions, Kant’s “moral determined monotheism” also contains an obvious criticism of Lessing’s religio-philosophical doctrines. This is also obvious in Kant’s — direct and indirect — confrontation with the “Ring Parable” in Lessing’s drama Nathan the Wise. The criticism that becomes apparent there concerns above all the question of “principles” left unclarified by Lessing, the “equal rank” of the monotheistic religions which he claimed, and the asserted “competition of religions.” I investigate some of the main points of this criticism.

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38

Möllers, Christoph. "Ach, Ästhetik!" Zeitschrift für Ideengeschichte 15, n.º 3 (2021): 81–85. http://dx.doi.org/10.17104/1863-8937-2021-3-81.

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In seinem Stück über das Nachleben Lessings stellte Friedrich Schlegel klar, was von diesem Meister der Aufklärung geblieben sei: nicht das Werk, sehr wohl aber die historische Persönlichkeit: «Er selbst war mehr wert, als alle seine Talente.» Auch wenn man besser von Lessings Werk denkt, als Schlegel es tat, bleibt die Unterscheidung hilfreich zur Beschreibung derjenigen, die über beides verfügen. Werk und Persönlichkeit bedürfen dabei beide nolens volens einer Ästhetik, unvermeidlich einer unterschiedlichen. Dies gilt auch für die einzige öffentliche Figur der bundesdeutschen Geschichte, die ein theoretisches Werk vorzuweisen hat: Jürgen Habermas.

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39

Giel, Joanna. "Literatura jako poszukiwanie prawdy. Poetyka Gottholda Ephraima Lessinga". Studia Philosophica Wratislaviensia 15, n.º 2 (20 de agosto de 2020): 103–14. http://dx.doi.org/10.19195/1895-8001.15.2.10.

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The aim of the article is to show the significant change in the reflections of art and literature due to Gotthold Ephraim Lessing (1729–1781). It consists of three essential parts. Firstly, I present the historical and philosophical context which influenced Lessing’s point of view on art and literature. Secondly, according to Lessing’s theoretical writings, I move on to the most important aspects of his poetry, which are inter alia the liberation of the scheme of French classicism and the approach to Greek antiquity. Theory and practice were for Lessing closely connected. Therefore I establish in the third part of the article examples of Lessing’s domestic tragedies in which the author fulfils the scheme he presented in theoretical writings.

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Giel, Joanna. "Literatura jako poszukiwanie prawdy. Poetyka Gottholda Ephraima Lessinga". Studia Philosophica Wratislaviensia 15, n.º 2 (20 de agosto de 2020): 103–14. http://dx.doi.org/10.19195/895-8001.15.2.10.

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The aim of the article is to show the significant change in the reflections of art and literature due to Gotthold Ephraim Lessing (1729–1781). It consists of three essential parts. Firstly, I present the historical and philosophical context which influenced Lessing’s point of view on art and literature. Secondly, according to Lessing’s theoretical writings, I move on to the most important aspects of his poetry, which are inter alia the liberation of the scheme of French classicism and the approach to Greek antiquity. Theory and practice were for Lessing closely connected. Therefore I establish in the third part of the article examples of Lessing’s domestic tragedies in which the author fulfils the scheme he presented in theoretical writings.

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41

Videira, Mario. "Filosofia e literatura no iluminismo alemão: a questão da tolerância religiosa no Nathan der Weise, de Lessing". Trans/Form/Ação 34, spe2 (2011): 57–74. http://dx.doi.org/10.1590/s0101-31732011000400005.

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O presente artigo aborda a questão da tolerância religiosa no Iluminismo alemão, por meio da análise e interpretação de trechos selecionados da peça Nathan der Weise (1779), de Lessing. Pretende-se mostrar que essa obra tem sua origem intimamente ligada ao debate teológico ("Fragmentenstreit") entre Lessing e o pastor Johann Melchior Goeze, de Hamburgo, podendo ser lida como uma reação e uma resposta às críticas e objeções deste último.

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42

Beck, Hamilton, Wilfried Barner y Albert M. Reh. "Nation und Gelehrtenrepublik. Lessing im europaischen Zusammenhang. Sonderband zum Lessing Yearbook." Eighteenth-Century Studies 20, n.º 2 (1986): 251. http://dx.doi.org/10.2307/2739165.

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Nisbet, H. B., Wilfried Barner y Albert M. Reh. "Nation und Gelehrtenrepublick: Lessing im europaischen Zusammenhang. (Sonderband zum Lessing Yearbook.)". Modern Language Review 81, n.º 3 (julio de 1986): 782. http://dx.doi.org/10.2307/3729260.

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Draine, Betsy. "Review of: Doris Lessing, and: Doris Lessing: The Poetics of Change". MFS Modern Fiction Studies 42, n.º 1 (1996): 194–98. http://dx.doi.org/10.1353/mfs.1995.0044.

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45

Lessing, Doris y James Arnett. "Lesser Lessing, Onstage and Off: The Dramatic Works of Doris Lessing". PMLA/Publications of the Modern Language Association of America 137, n.º 5 (octubre de 2022): 857–60. http://dx.doi.org/10.1632/s0030812922000876.

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46

Izaguirre, Marian. "Las damas de Shanghai. Doris Lessing visita a Elizabeth Costello". Arbor 185, A1 (29 de junio de 2009): 113–26. http://dx.doi.org/10.3989/arbor.2009.ia1.795.

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Gordon, Peter E. "Gibt es ein Asymmetrie-Problem in der Genealogie der nachmetaphysischen Vernunft?" Deutsche Zeitschrift für Philosophie 69, n.º 2 (1 de abril de 2021): 257–66. http://dx.doi.org/10.1515/dzph-2021-0021.

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Abstract This essay places some conceptual pressure on the model of a “learning process” in Jürgen Habermas’s Auch eine Geschichte der Philosophie, and it asks whether this model introduces a subtle asymmetry into the relationship between religion and secular philosophy. Such an asymmetry would seem to obtain insofar as religious tradition is granted a privileged or unique status as the source of normative insights that are then available for rational scrutiny and translation into secular life. The essay also draws a comparison between Lessing and Habermas: Lessing, like Habermas, saw revelation as a source of instruction for humanity, and affirmed that religion could thereby play a role in the Erziehung des Menschengeschlechts. But Lessing was careful to say that no valuable normative contents are found in religion that could not also be derived by secular reason alone. Habermas’s genealogy of post-metaphysical thinking does not seem to confirm Lessing’s idea; instead, it appears to confirm an asymmetry in the relation between religion and secular philosophy.

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Ashraf, Rabia. "Psychodynamics of Mother Daughter Relationship: Degrees of Deprivation, Oppression and Dispossession in Doris Lessing’s Fiction". Khazar Journal of Humanities and Social Sciences 20, n.º 1 (abril de 2017): 77–91. http://dx.doi.org/10.5782/2223-2621.2017.20.1.77.

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Contextualized within psychoanalytic feminist critique, this study aims at fathoming out various dynamics operating at psychoanalytic level within the mother daughter relationship that affect daughter‟s level of intimacy or repulsion towards the mother in the texts of Doris Lessing, in particular The Grass is singing (1950) and Under My Skin (1994). While focusing on these works and approaching them through a feminist critical perspective of the phenomenon of motherhood, mothering and matrophobia, I have consider a re-examination of Lessing‟s attempt to provide an inevitably fresh stance of mother daughter dyad‟s tussle. The research contends that by breaking idealized boundaries and positioning mother as an independent entity- the phenomenon of matrophobia -daughter‟s hatred towards the mother in early phases of her life is explored. Throughout the paper, it has been established that Lessing consciously relates the mother moving towards and away from the being of daughter at both fictional and biographical planes.

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Kohler, George Y. "“The Pattern for Jewish Reformation”: The Impact of Lessing on Nineteenth-Century German Jewish Religious Thought". Harvard Theological Review 113, n.º 2 (abril de 2020): 263–84. http://dx.doi.org/10.1017/s0017816020000073.

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AbstractThe widespread Jewish sympathies for Lessing’s pre-Hegelian, pro-Jewish, progressive Deism from the Education of the Human Race spurred some Jewish authors to return to and discuss Lessing’s religious thought within the theological endeavors of the Wissenschaft des Judentums in nineteenth-century Germany. To be able to rely on Lessing, even retroactively, was welcome proof for Jewish Reformers that the humanistic approach to religious problems that stood at the very center of their project was at once Jewish and universal. It was the spirit of Lessing’s Education that was appropriated here for Judaism rather than Lessing’s letter. With Lessing in the camp of Reform Judaism the intended modernization of Judaism was safeguarded against the accusation of political and social egoism on the part of the Jews. It was the universal idea of religious progress that they shared with Lessing, not just the sloughing off of the yoke of outdated talmudic law.

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이경규. "Lessings Ringparabel aus ästhetischen Perspektiven". Koreanische Zeitschrift für Germanistik 49, n.º 3 (septiembre de 2008): 5–27. http://dx.doi.org/10.31064/kogerm.2008.49.3.5.

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