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Artículos de revistas sobre el tema "Laoccon"

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Autor: Grafiati

Publicado: 25 de julio de 2024

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1

Howard, Seymour. "Laocoon Rerestored". American Journal of Archaeology 93, n.º 3 (julio de 1989): 417. http://dx.doi.org/10.2307/505589.

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2

Schefer, Olivier. "Laocoon romantique". Les Lettres Romanes 76, n.º 3-4 (julio de 2022): 139–47. http://dx.doi.org/10.1484/j.llr.5.133284.

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3

Meulder, Marcel. "Laocoon vu par Euphorion et Nicandre de Colophon : Poésie, histoire et politique à l’époque hellénistique". L'antiquité classique 88, n.º 1 (2019): 47–68. http://dx.doi.org/10.3406/antiq.2019.3948.

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Le poète hellénistique Euphorion est le premier à transformer l’éventuelle faute de Laocoon contre Athéna en faute irrévérencieuse envers Apollon, non seulement par goût pour les histoires érotiques, mais aussi pour s’en prendre aux adversaires de son protecteur, le roi Antiochus III. Car ces adversaires, Attale Ier (et Rome), se réclamaient à titres et degrés divers, de l’héritage de Troie. Contemporain et partisan du roi de Pergame, Nicandre de Colophon maior disculpe par contre Laocoon de toute impiété.

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4

Hochmann, Michel. "Laocoon à Venise". Revue germanique internationale, n.º 19 (15 de enero de 2003): 91–103. http://dx.doi.org/10.4000/rgi.940.

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5

Schröter, Jens. "The Laocoon Moment". Arts 12, n.º 4 (12 de agosto de 2023): 175. http://dx.doi.org/10.3390/arts12040175.

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Lessing’s Laokoon from 1766 is still an important text in the discussion on the borders between different arts and their media. Especially in the 20th century, texts were written that referred back to Lessing’s seminal text. One of the most important ones, which will receive a detailed discussion, is Clement Greenberg’s “Towards a Newer Laocoon”. The discussion will on the one hand start from the observation that drawing borders between different arts and their media has always had political implications. On the other hand, this discussion will be related to the transformation to digital media in the late 20th century. By reading Greenberg and discussing some examples from art, especially from the recent field of AI-generated imagery, the concept of “digital modernism” and its political implications will be introduced. The two main findings are as follows: Firstly, it might be problematic to construct a progression from medium-centered to multimedial art since both tendencies coexist in contemporary art. Secondly, the current situation once again points to the politics of drawing borders between different arts (and their respective media).

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6

Cheval, Olivier. "L'idylle tragique du Laocoon". Nouvelle revue d’esthétique 13, n.º 1 (2014): 21. http://dx.doi.org/10.3917/nre.013.0021.

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7

Queyrel, François. "La cécité de Laocoon". Bulletin de la Société Nationale des Antiquaires de France 1997, n.º 1 (2001): 88–96. http://dx.doi.org/10.3406/bsnaf.2001.10169.

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8

Scafoglio, Giampiero. "Le Laocoon de Sophocle". Revue des Études Grecques 119, n.º 1 (2006): 406–20. http://dx.doi.org/10.3406/reg.2006.4654.

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9

Queyrel, François. "Les couleurs du Laocoon". Revue germanique internationale, n.º 19 (15 de enero de 2003): 57–70. http://dx.doi.org/10.4000/rgi.935.

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10

Décultot, Élisabeth. "Les Laocoon de Winckelmann". Revue germanique internationale, n.º 19 (15 de enero de 2003): 145–57. http://dx.doi.org/10.4000/rgi.948.

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11

Gebauer, Gunter. "Le corps du Laocoon". Revue germanique internationale, n.º 19 (15 de enero de 2003): 237–50. http://dx.doi.org/10.4000/rgi.955.

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12

Froio, Camilla. "An Unreleased Laocoon: The First Draft of Clement Greenberg’s “Towards a Newer Laocoon”". Getty Research Journal 13 (1 de enero de 2021): 203–17. http://dx.doi.org/10.1086/713436.

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13

Harrison, Jeffrey. "Laocoön". Pleiades: Literature in Context 38, n.º 1 (2018): 91. http://dx.doi.org/10.1353/plc.2018.0039.

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14

Sepp, Hans Rainer. "El Greco: Laocoonte". Investigaciones Fenomenológicas, n.º 11 (29 de enero de 2021): 17. http://dx.doi.org/10.5944/rif.11.2014.29549.

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En este artículo, Hans Rainer Sepp estudia el cuadro de El Greco, Laocoonte, pasando desde la descripción puramente formal del cuadro (análisis de capas, juegos entre naturaleza, ciudad, cielo y Laocoonte y sus hijos) y el análisis simbólico del mismo (anticipación de la caída de Troya) hasta el análisis fenomenológico del conjunto pictórico. Análisis que reflejará no sólo la realidad de un mundo cambiante que se mueve entre el todo y la nada sino también la presencia del autor dentro del cuadro, creando un mundo aparente, una Troya toledana, que refleja el drama del artista, hostigado por el compromiso ético y la alternativa de la huída. Por ello, tal vez Laocoonte pueda ser visto como la respuesta de El Greco ante el dilema de la obra de arte. In this paper, Hans Rainer Sepp studies El Greco's Laocoon, from the purely formal description (layer analysis, games between nature, city, sky and Laocoon and his sons) and symbolic analysis (anticipation of the fall of Troy) to the phenomenological analysis of the pictorial whole. Analysis that highlights not only the reality of a changing world that moves between all and nothing, but the author's presence in the picture, creating a seeming world, a Troy-Toledo, and reflecting the drama of the artist, harassed by the ethical commitment and the alternative of the escape. Perhaps Laocoon can be seen as El Greco's answer to the dilemma of art.

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15

Meulder, Marcel. "Laocoon: Étymologies et Significations Virgiliennes". Euphrosyne 48 (enero de 2020): 45–64. http://dx.doi.org/10.1484/j.euphr.5.126056.

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16

Queyrel, François. "Une nouvelle image du Laocoon". Revue des Études Anciennes 95, n.º 1 (1993): 301–15. http://dx.doi.org/10.3406/rea.1993.4536.

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17

Gong, Jin K. y Shannon Hinze. "LAOCOON. An NMR Simulation Program". Journal of Chemical Information and Modeling 35, n.º 3 (1 de mayo de 1995): 651. http://dx.doi.org/10.1021/ci00025a036.

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18

Catterson, Lynn. "Michelangelo's "Laocoön?"". Artibus et Historiae 26, n.º 52 (1 de enero de 2005): 29. http://dx.doi.org/10.2307/20067096.

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19

Décultot, Élisabeth. "Le Laocoon de Gotthold Ephraim Lessing." Les Études philosophiques 65, n.º 2 (2003): 197. http://dx.doi.org/10.3917/leph.032.0197.

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20

Pagliano, Éric. "Focus. Le Laocoon en saint Sébastien". Genesis, n.º 51 (10 de enero de 2021): 167–72. http://dx.doi.org/10.4000/genesis.5728.

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21

Bodoh, John J. "Reading Laocoon in Vergil and Petronius". L'antiquité classique 56, n.º 1 (1987): 269–74. http://dx.doi.org/10.3406/antiq.1987.2216.

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22

Pittman, Frank. "LAOCOON AND THE MEANING OF ART". Journal of Marital and Family Therapy 18, n.º 2 (abril de 1992): 125–27. http://dx.doi.org/10.1111/j.1752-0606.1992.tb00923.x.

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23

Sismondo Ridgway, Brunilde. "Le Laocoon dans la sculpture hellénistique". Revue germanique internationale, n.º 19 (15 de enero de 2003): 13–31. http://dx.doi.org/10.4000/rgi.931.

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24

Andreae, Bernard. "Problèmes d’histoire de l’art du Laocoon". Revue germanique internationale, n.º 19 (15 de enero de 2003): 33–56. http://dx.doi.org/10.4000/rgi.933.

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25

Weiss, Peter, Françoise Delignon y Hédi Kaddour. "Laocoon ou les limites de la langue". Po&sie 141, n.º 3 (2012): 114. http://dx.doi.org/10.3917/poesi.141.0114.

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26

Moret, Jean-Marc. "Le Laocoon agenouillé : généalogie d'un type iconographique". Revue archéologique 33, n.º 1 (2002): 3. http://dx.doi.org/10.3917/arch.021.0003.

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27

Warwick, Genevieve. "Crying Laocoon: the visual arts of translation". Translator 25, n.º 4 (2 de octubre de 2019): 311–34. http://dx.doi.org/10.1080/13556509.2020.1734278.

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28

Hinz, Evelyn J. y John J. Teunissen. ""Islands in the Stream" as Hemingway's "Laocoon"". Contemporary Literature 29, n.º 1 (1988): 26. http://dx.doi.org/10.2307/1208523.

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29

Barner, Wilfried. "Le Laocoon de Lessing : déduction et induction". Revue germanique internationale, n.º 19 (15 de enero de 2003): 131–43. http://dx.doi.org/10.4000/rgi.946.

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30

Settis, Salvatore. "La fortune de Laocoon au xxe siècle". Revue germanique internationale, n.º 19 (15 de enero de 2003): 269–301. http://dx.doi.org/10.4000/rgi.959.

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31

Beloglazova, Elena V. y Sofiia A. Nikolaeva. "Laocoon revisited: Interplay of architecture and literature". Language Studies and Modern Humanities 5, n.º 2 (2023): 65–73. http://dx.doi.org/10.33910/2686-830x-2023-5-2-65-73.

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32

Ruiz Pérez, Ángel. "Tradición clásica y mitos en la poesía cubana del siglo XIX". Fortunatae. Revista Canaria de Filología, Cultura y Humanidades Clásicas, n.º 32 (2020): 683–94. http://dx.doi.org/10.25145/j.fortunat.2020.32.44.

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Study of myths and motifs of classical antiquity in the poetry of some important Cuban poets of the 19th century (José María Heredia, Juan Clemente Zenea, Enrique José Varona Julián del Casal and especially José Martí). The importance of art as a subject and as a way of connecting with the ancient world and above all, the centrality of political issues are key aspects that explain the repeated presence of Prometheus and Laocoon

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33

Gransden, K. W. "The Fall of Troy". Greece and Rome 32, n.º 1 (abril de 1985): 60–72. http://dx.doi.org/10.1017/s001738350003014x.

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Fragments and summaries are all that survive of the two primary epics which originally covered the fall of Troy: theLittle Iliadof Lesches and theIliou Persisof Arktinos. I shall also be referring to the latePost-Homericaof Quintus Smyrnaeus. Certain details in Virgil's narrative imply that he and Quintus knew the same source material, though for my purpose here Quintus is chiefly used to indicate another possible mode of narrative treatment, particularly of the relation between the Sinon and Laocoon stories.

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34

Wallenstein, Sven-Olov. "Space, time, and the arts: rewriting the Laocoon". Journal of Aesthetics & Culture 2, n.º 1 (enero de 2010): 2155. http://dx.doi.org/10.3402/jac.v2i0.2155.

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35

Clark, Matthew y Joseph S. Thrasher. "LAOCOON PC: NMR simulation on a personal computer". Journal of Chemical Education 67, n.º 3 (marzo de 1990): 235. http://dx.doi.org/10.1021/ed067p235.2.

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36

Rostworowski, Marek. "El Greco's "Laocoon": An Epitaph for Toledo's "Comuneros"?" Artibus et Historiae 14, n.º 28 (1993): 77. http://dx.doi.org/10.2307/1483509.

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37

Baumer, Lorenz E. "Une nouvelle copie du Laocoon du xviiie siècle". Revue germanique internationale, n.º 19 (15 de enero de 2003): 119–29. http://dx.doi.org/10.4000/rgi.944.

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38

Brilliant, Richard. "Le Laocoon moderne et la primauté des enlacements". Revue germanique internationale, n.º 19 (15 de enero de 2003): 251–67. http://dx.doi.org/10.4000/rgi.957.

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39

Rice, E. E. "Prosopographika Rhodiaka". Annual of the British School at Athens 81 (noviembre de 1986): 209–50. http://dx.doi.org/10.1017/s0068245400020165.

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Dedications to an individual by members of his immediate family were common throughout the Greek world, but in Rhodian territory a more complex form of family dedication is attested, with several members of the wider family circle participating and listing their exact relationship to the honorand. When these inscriptions with their various kinship terms are correctly interpreted, stemmas of large family groups may be drawn up. The method which must be used in understanding these ‘family monuments’ is shown by an analysis of IG xii (1) 72 a–b, and the texts of four similar inscriptions are examined and revised so that family trees may be created for their family groups (ILind 382 b; Inschr. Nisyros 3 with IG xii (3) 103; IG xii (1) 107, the most complex of all Rhodian ‘family monuments’). The presence in IG xii (1) 107 of Hagesandros the son of Paionios, one of the three Rhodian sculptors of the Sperlonga and Laocoon statuary groups, leads to a reconsideration of the date of the groups and of the career of the only one of the three sculptors otherwise attested as an artist, Athanodoros the son of Hagesandros. It can be shown by securely dated pieces of epigraphical evidence that Hagesandros and Athanodoros were born c.80 BC and had their artistic floruit early in the reign of Augustus. The Sperlonga and Laocoon sculpture must therefore be dated to this period.

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40

Messinger, Atara. "Commentary on Laocoön Group". Academic Medicine 95, n.º 4 (abril de 2020): 547. http://dx.doi.org/10.1097/01.acm.0000659780.78558.71.

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41

Williams, Daryle. "Laocoön in the Tropics". American Art 36, n.º 2 (1 de junio de 2022): 39–45. http://dx.doi.org/10.1086/720915.

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42

Jones, Caroline A. "Clement Greenberg's Queer Laocoön". Thresholds 33 (enero de 2007): 21a—26a. http://dx.doi.org/10.1162/thld_a_00591.

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43

Jeffrey, Stuart, Steve Love y Matthieu Poyade. "The Digital Laocoön: Replication, Narrative and Authenticity". Museum and Society 19, n.º 2 (30 de julio de 2021): 166–83. http://dx.doi.org/10.29311/mas.v19i2.3583.

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This paper examines what qualities and affordances of a digital object allow it to emerge as a new cultural object in its own right. Due to the relationship between authenticity and replication, this is particularly important for digital objects derived from real world objects, such as digital ‘replicas’. Such objects are not an inauthentic or surrogate form of an ‘authentic’ object, but a new object with a complex relationship to the original and its own uses and affordances. The Digital Laocoön Immersive (VR exhibit), part of an AHRC funded project, was a response to the tragic fires at the Mackintosh Building of the Glasgow School of Art in 2014 and 2018. In this project a digital replica of a plaster cast of Laocoön, with a long history of use within the school, was chosen as the centre piece for the proposed immersive. As a consequence of both the immersive’s design methodology and the lessons learnt in its production, the Laocoön proved to be an ideal subject through which to critically assess the question of the status of the replica. This paper will explore not only how the material infrastructure, form and content of digital representations have an impact on its broader set relationships, but how the concept of an extended object, its production processes, and the way that these are explicitly acknowledged (or not), operate on its relationship to the original.

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44

Johnson, Scott. "THE LAOCOON: SYSTEMIC CONCEPTS IN A WORK OF ART". Journal of Marital and Family Therapy 18, n.º 2 (abril de 1992): 113–24. http://dx.doi.org/10.1111/j.1752-0606.1992.tb00922.x.

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45

Rainof, Rebecca. "George Eliot’s Screaming Statues, Laocoon, and the Pre-Raphaelites". SEL Studies in English Literature 1500-1900 54, n.º 4 (2014): 875–99. http://dx.doi.org/10.1353/sel.2014.0046.

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46

Pasquier, Alain. "Terres cuites du Louvre représentant Laocoon à l'époque hellénistique ?" Revue germanique internationale, n.º 19 (15 de enero de 2003): 71–77. http://dx.doi.org/10.4000/rgi.936.

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47

Osterkamp, Ernst. "Le Laocoon à l'époque préromantique et romantique en Allemagne". Revue germanique internationale, n.º 19 (15 de enero de 2003): 167–79. http://dx.doi.org/10.4000/rgi.950.

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48

Waugh, Katharine A. "Excess Bookmarks at Laocoön Library". Internet Reference Services Quarterly 3, n.º 1 (21 de enero de 1998): 67. http://dx.doi.org/10.1300/j136v03n01_10.

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49

Feliz, M., D. Mauleón y C. Minguillón. "Stereochemical assignment of erythro and threo isomers of 2-aryloxy-1-(2-piperidyl)ethanol by phase sensitive homocorrelation nuclear magnetic resonance experiments". Canadian Journal of Chemistry 66, n.º 11 (1 de noviembre de 1988): 2782–86. http://dx.doi.org/10.1139/v88-429.

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The stereochemical assignment as erythro and threo for two pairs of 2-(aryloxy)-1-(2-piperidyl)ethanols 1 and 2 is described. Their CHO–CHN coupling constants were measured on the phase sensitive 1H–1H homocorrelation spectra (DQF–COSY), optimized by means of the LAOCOON-3 program, and compared with the calculated values from an MM2 conformational analysis. The experimental constants were Jerythro = 3.3/3.8 Hz and Jthreo = 6.4/6.8 Hz, whereas the calculated values were 2.5 and 5.4 Hz, respectively. 13C nuclear magnetic resonance steric shielding of the C(3) carbon atom in the erythro diastereomers confirms the results of the conformational analysis.

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50

Pigeaud, Mathilde. "La découverte du Laocoon et le poème de Jacques Sadolet". Helmántica 46, n.º 139 (1 de enero de 1995): 463–86. http://dx.doi.org/10.36576/summa.3464.

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