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Literatura académica sobre el tema "Kipling"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 31 de julio de 2024

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Artículos de revistas sobre el tema "Kipling"

Kamovnikova, Natalia. "“Once, Twice and Again!” Kipling’s Works in the Russian Twentieth Century Retranslations." TranscUlturAl: A Journal of Translation and Cultural Studies 12, no. 1 (August 6, 2020): 140–56. http://dx.doi.org/10.21992/tc29484.

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The article traces the evolution of the image of Rudyard Kipling and of the role his works played in the Russian literature and culture. The study is performed on the material of Russian retranslations of Kipling’s poetry and of The Jungle Book, which followed different patterns and contributed differently and at times even dissonantly to the construction of the image of Kipling and his literary legacy in the Soviet Union. Strong competition of big independent publishers in the Russian Empire ensured multiple retranslations of The Jungle Book in order to cater for the demands of the wide readership. The change in political powers in 1917, the nationalization of print, and the focus on education worked towards the development of a very selective approach to the rendering of The Jungle Book, which eventually reduced itself to recycling a limited number of episodes. By contrast, Kipling’s poetry translation took the form of pioneering work, especially in the context of the ban on Kipling in the 1930 – 1970s. These two opposite vectors that Kipling’s translations took in the twentieth century had a tangible effect on the perception of Kipling as an author and inspired the Russian art of the second part of the twentieth century in the fields of literature, music, and film.

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Brearton, Fran. "Yeats, Dates, and Kipling: 1912, 1914, 1916." Modernist Cultures 13, no. 3 (August 2018): 305–22. http://dx.doi.org/10.3366/mod.2018.0214.

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This article proposes that W. B. Yeats's ‘Easter 1916’, intertextually linked to ‘September 1913’ and ‘Nineteen Hundred and Nineteen’, is also a subtle response to the political and sectarian quarrels of 1912–1914 as manifest in Rudyard Kipling's poems ‘Ulster (1912)’ and ‘The Covenant’. It examines the ways in which Kipling, and those in Ireland who reacted negatively to him, drew on the Easter sacrificial rhetoric later to be associated with the 1916 Rising, and illustrates how Yeats's poetry during and after the Rising may be read as implicitly engaged in a quarrel with Kipling's aesthetic. It reorientates perceptions of how and where the idea of sacrifice is deployed in Ireland (by Kipling and Yeats, but also by Tom Kettle and Padraic Pearse) and argues for the emergence of Yeats during the First World War as the figure who eclipses Kipling in terms of influence on, and significance to, the modernist generation.

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Habibullah, Md. "Kipling's Manipulation of Religions in Kim: A Document of his Imperialist Position." Victoriographies 13, no. 2 (July 2023): 192–209. http://dx.doi.org/10.3366/vic.2023.0492.

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Since the publication of Rudyard Kipling's (1865–1936) Kim (1901), most critics have agreed that the novel falls into the genre of colonial fiction. But they are divided into two groups – defenders and detractors – regarding Kipling's treatment of religions in the novel. The defenders celebrate his accomplishment and sympathy in depicting the devotion and attraction of the Victorian Era towards Buddhism. On the other hand, the detractors blame Kipling for fictionalising the confrontation between pragmatic Western rationality and Eastern mystical irrationality. Against this backdrop, this article revisits the novel with a postcolonial lens to study Kipling's dealings with religions in South-Asia in the latter half of the nineteenth century. It discovers that Kipling employs strategies of surveillance and knowledge of history and ethnography while handling religions in the novel. Such fictional employment of strategy and knowledge in characterising the South-Asian religions seems to have been colonially favourable in the contemporary socio-political context. Accordingly, this article argues that Kipling manipulates religions in his narrative for the sake of imperialism through surveillance of religions, consciousness of history, and ethnographic discourse that reflect his imperialist position.

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Ghosh, Bishnupriya. "THE COLONIAL POSTCARD: THE SPECTRAL/TELEPATHIC MODE IN CONAN DOYLE AND KIPLING." Victorian Literature and Culture 37, no. 2 (September 2009): 335–57. http://dx.doi.org/10.1017/s1060150309090226.

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Such Enlightenment, the narrator tellsus facetiously, is effected by an elastic religion known as the Simla Creed, alive at the edges of the British Empire where he, an unnamed Englishman, is stationed. An amalgam of occult practices, the creed stretched itself and embraced pieces of everything that the medicine-men of all ages have manufactured (63). So Rudyard Kipling mockingly observes in this satire of British Victorian forays into the marginal sciences of occultism, Spiritualism, and Mesmerism. An early Kipling tale, “The Sending of Dana Da” (1888) is one of Kiplings first engagements with the religions and philosophies of the East; it was published in theCivil and Military Gazette, a provincial newspaper for which Kipling regularly wrote. The infamous Dana Da – whose name, we are told, escapes every ethnological inscription, and who came from nowhere, with nothing in his hands (62) – dispatches a sending on the behalf of (and through) the Englishman. The recipient of this letter, (again) a Lone Sahib, is characteristically armed with scientific naturalism and Christian faith, and therefore refutes the possibilities of ectoplasmic infestation, unseen currents, and the fecund times of reincarnation. Kiplings eloquent exposition on a sending, despite his final rational explanation of this unseemly act, betrays his fascination with such forbidden epistemologies multiplying at the edges of Empire:

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Shehata, Abdel Kareem. "The "Demonic Other” and the Colonial Figures in Kipling’s The White Man’s Burden and Taher’s Sunset Oasis: A Comparative Study." International Journal of Language and Literary Studies 4, no. 4 (December 29, 2022): 12–26. http://dx.doi.org/10.36892/ijlls.v4i4.1066.

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In 1899, The British poet Rudyard Kipling directed his poem, The White Man’s Burden, to the United States on the occasion of the invasion of the Philippine Islands. In his poem, Kipling mainly encourages the States to occupy the Islands. Kipling also draws a portrait of the colonized peoples. In 2007, the Egyptian novelist Bahaa Taher published his novel (Waht Al Ghoroub), Sunset Oasis. In his novel, Taher presents a group of Egyptian, English, Irish and Circassian characters who live in Egypt during and after the Urabi Revolution (1882). The first aim of this paper is to show the main features of the picture of the colonized people in Kipling's poem. The second aim is to highlight the traits of the pictures of the characters, who are terribly influenced by the imperial project throughout the history in Taher's novel. Comparing Kipling's and Taher's pictures is another important aim of the paper. The paper will achieve these aims in the light of the postcolonial theory and the paper comes in two parts and a conclusion.

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Gadylshin, Timur Rifovich. "Features of R. Kipling’s Work in the Naturalist Prose of F. Norris." Litera, no. 10 (October 2022): 95–105. http://dx.doi.org/10.25136/2409-8698.2022.10.39055.

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The article focuses on estimating the influence of Rudyard Kipling’s figure on the works of his younger contemporary, the American Frank Norris. The author comes to the conclusion that the English writer fundamentally determined his literary follower’s development vector. Kipling who has become extremely popular among American readers raises Norris’s interest toward neo-romantic short story. The early stage of Norris’s work is noted by Kipling’s powerful influence and the article reveals common plot, compositional and stylistic elements in their works. The writers are united by artistic ideals: Kipling and Norris emphasize the exotic and the criminal and treat the concept of masculinity in a similar way in their short stories. The relevance and scientific novelty of the article are determined by the fact that the article studies Norris’s short stories which were previously unexplored in Russian literary criticism. The author makes an attempt to determine the significance of romanticism’s legacy for Norris’s work and to demonstrate its close relationship with naturalism, exploring various works by R. Kipling. The article uses the following methods: elements of the biographical method; estimation of Norris's theoretical ideas according to the principles of cultural studies; comparative analysis of the works of the two authors. The article can be used in teaching the history of foreign (in particular, American) literature in higher educational institutions.

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Mufti, Nasser. "Kipling’s Art of War." Nineteenth-Century Literature 70, no. 4 (March 1, 2016): 496–519. http://dx.doi.org/10.1525/ncl.2016.70.4.496.

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Nasser Mufti, “Kipling’s Art of War” (pp. 496–519) This essay looks at the British empire’s most ambitious years, when it saw Britain and its settler colonies as belonging to a global nation-state, most commonly referred to as “Greater Britain.” The apex of this imperial-national imagination came with the outbreak of the Second Anglo-Boer War, which jingoists like Arthur Conan Doyle and Rudyard Kipling celebrated as a civil war because it was seen to be a conflict between the “blood brotherhood” of empire: Britons and Boers. Hence the characterization of the Boer War as “the last of the gentleman’s wars” or “a sahibs’ war,” because it was said to be fought between the civilized fellow-citizens of the British empire. But Kipling also had to confront the fact that British and Boer tactics were decidedly “ungentlemanly” at the war front. I turn to his short story “A Sahibs’ War” (1901), which is especially concerned about the “gentleman’s war” in South Africa looking identical to anticolonial wars in Afghanistan and Burma, which in Kipling’s mind were barbaric frontier conflicts. Kipling registers this ambivalence between civil and colonial war in the language of his story, which strategically puns across English, Afrikaans and Urdu/Hindi. These translingual puns make legible and sensible the tensions between the intra-national and extra-national, domestic and foreign, civil and imperial that characterized Greater British discourse at the turn of the century.

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Marcu, Nicoleta Aurelia. "Kipling and the Age of the Empire." Acta Marisiensis. Philologia 1, no. 1 (September 1, 2019): 1–7. http://dx.doi.org/10.2478/amph-2022-0010.

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Abstract Rudyard Kipling was always a writer of his time yet strangely not of it. Born in an era of uncertainties, the age of Victoria, when the British Empire was the dominant power in the world, he died in a time of fragmentation, on the eve of the Second World War, at a time when Britain could neither compete with her rivals, nor ignore the rising of the anti-colonial tide. A controversial literary figure, Kipling was both acclaimed and sanctioned for being the voice of Anglo-Saxon imperialism. His literary work was a political and ideological response to a historical reality. The writer is representing a reality, or a way reality was seen at the time, given the ideology available to him. Accordingly, Kipling’s life, attitudes and writings were a fusion of many contemporary currents, which generated the contradictions that enveloped him.

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Han, Bianca-Oana. "Nicoleta Aurelia Marcu (Medrea) - Kipling’s Vision of India and the Problem of Split Consciousness– Pro Universitaria, București, 2021." Acta Marisiensis. Philologia 5, no. 1 (September 1, 2023): 1–3. http://dx.doi.org/10.2478/amph-2023-0097.

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Abstract The book ‘Kipling’s Vision of India and the Problem of Split Consciousness’ signed by Nicoleta Aurelia Marcu (Medrea) elegantly captures the duality triggered by Kipling’s process of internalization of the two perspectives that defined him as an individual and as a writer, torn -or completed- by being part of the empire, and country of origin. Belonging to both these worlds, Kipling simultaneously identified himself as part of the two worlds, that shaped and framed his personality. The book before us maps the turmoil in confrontation and completion generated by Kipling’s dual quest for identity.

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Walters, Alisha. "A “WHITE BOY . . . WHO IS NOT A WHITE BOY”: RUDYARD KIPLING'S KIM, WHITENESS, AND BRITISH IDENTITY." Victorian Literature and Culture 46, no. 2 (May 16, 2018): 331–46. http://dx.doi.org/10.1017/s1060150318000037.

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Rudyard Kipling's final novel, Kim (1901), begins with an intriguing – if paradoxical – description of the eponymous Kim, or Kimball O'Hara: he is an “English” boy with an Irish name and Irish parentage who speaks “the [Indian] vernacular by preference” (1). While the narrator hastens to reassure the reader that Kim is both “white” and “English,” Kim is also “burned black as any native” and speaks his supposed “mother tongue,” English, in an “uncertain sing-song” (1). If we are to take Kipling's assertion at face value, that Kim is, indeed, “English,” then certainly this is a kind of Englishness that is divorced completely from the racially pure ideals of Anglo-Saxon whiteness that were privileged by many racial theorists earlier in the nineteenth century. As an Irish Celt, Kipling's protagonist is always already at a layer of remove from ideals of pure Englishness, but Kipling renders Kim's racial identity even more complicated in the text. The manuscript of Kim gives us some telling clues about the contexts that inform Kipling's peculiar descriptions of “burned black” whiteness in his finished novel. While the published text baldly declares that “Kim was English. . . . Kim was white” (1; ch. 1; emphasis mine), parts of the manuscript are much less certain of this fact, as that document asserts that Kim “looked like a half caste” (Kipling, Kim o’ the ‘Rishti n. 3). And while Kipling ultimately removed this explicit link between Kim and Eurasian bodies in the opening of his published text, this disavowal is neither complete nor convincing throughout Kim. For instance, in the novel, the narrator later describes a “half-caste woman who looked after [Kim . . . and] told the missionaries that she was Kim's mother's sister” (1; ch. 1). While this woman is not, in fact, the boy's aunt, Kim's near-familial tie with her underlines the intimate connection between him and the hybridized subjects of empire. Indeed, Kim demonstrates ideological and affective links to non-white Others and to people of mixed race, and this connection between whiteness and racial hybridity is of central importance to Kipling. If Kim is tenuously white, then he can only perform this whiteness in immediate proximity to racial hybridity, with which whiteness is ideologically contiguous in this text. As I contend in this paper, Kim reveals the under-examined links between early twentieth-century ideas of white British identity and descriptions of imperial miscegenation. In Kim, “White” and “English” emerge as a vexed pair of signifiers that reveal unprecedented traces of racial and national hybridization.

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Tesis sobre el tema "Kipling"

Louttit, Erin. "Rudyard Kipling and Victorian Buddhism." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3543.

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The thesis recontextualises the fiction of the nineteenth- and twentieth-century writer Rudyard Kipling by exploring aspects of Victorian Buddhism in a selection of his published work. It demonstrates his engagement with a variety of Buddhist histories and cultures, showing a serious artistic and imaginative response to and interpretation of Buddhism. Focusing primarily on the novel Kim, the thesis develops existing criticism, examining the character of the lama. Additionally, it studies features of Victorian Buddhism other than textual sources, drawing on work by scholars in fields such as the history of art and the history of religion. As well as considering varied Buddhist elements in Kim, the thesis examines the theme of the survival of the soul, situating short stories from various periods of Kipling's writing life in the context of scholarly debates about Nirvana and reincarnation. Attention is also given to critically neglected travel writing from the Letters of Marque series written for periodical publication. Kipling's work is shown to be deeply concerned with and sympathetic to Buddhism and Buddhist cultures.

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Ranatunga, Gayanthi. "Kipling, Woolf, and Orwell: literary ethnographers." Thesis, Wichita State University, 2011. http://hdl.handle.net/10057/5194.

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The beginning of the 20th century was marked by a need for a departure, for Britain, from the Victorian sentiments of a bygone era, foremost among which were the soon-to-be antiquated thoughts about her colonies and colonial subjects. Because that moment was quite past the high noon of the British Empire, and yet, it was still significant enough geographically for the sun to never have to set on it, its shadows were looming long and haunting. At this juncture, it became the calling of a few to insist on a restatement of what it meant to be British in the larger context of the world, much of which she still commanded. Some of the more vocal proponents for reconfiguring Britain in the new world context were writers. Among them Rudyard Kipling, Leonard Woolf, and George Orwell are seen as heralds and disseminators of thought prominent from the 1900s till World War II, which resulted in the dismantling of the Empire. Kim, The Village in the Jungle, and Burmese Days, the novels of the respective authors discussed within the following pages, are as much cultural delineations of alterity, as they are portraits of the British entrenched haplessly to their colonial missions. Using Edward Said’s Orientalism and Homi Bhaba’s theory of hybridity, the point of convergence between the British colonial mission and its subjects coupled with the curious tendency to not see it as a confluence can be seen as the wellspring of most perceptions and misperceptions of the “Other” or the Oriental. This “othering” is seen at various degrees in the three novels, and with the exception of Kipling in Kim, Woolf and Orwell in their novels question, rather self-reflexively, the effect on the Briton of this “othering”. While Kipling’s is the rallying cry to a slowly unraveling Empire, Woolf and Orwell raise their voices in dissent understanding that what is unraveling is not just a geographical mandate but also a moral one.<br>Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences, Dept. of English.

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Welz, Stefan. "'Abreast of the age' : Arbeit und Technologie im Werk Rudyard Kiplings /." Hildesheim : G. Olms Verlag, 2003. http://catalogue.bnf.fr/ark:/12148/cb39248104c.

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Wells, Selma Ruth. "Rudyard Kipling : the making of a reputation." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/42978/.

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When Rudyard Kipling died in January 1936, the resulting national and international mourning indicated the popularity and enormous influence of his life and work. It demonstrated the esteem in which he was still held and the consequent longevity of his literary success. This thesis examines how Kipling established, maintained and protected his reputation, his purpose in doing so and considers if concern about his own ethnic purity was a central motivation for him in this regard. This thesis explores Kipling‟s preoccupation with the reputation of the enlisted man – or „Tommy Atkins‟ figure – and his sympathy with the „underdog‟ and discusses how recuperation of this denigrated image was instrumental in establishing and increasing Kipling‟s poetic and literary success. His intimate personal relationship and fascination with the enlisted man is investigated, especially in terms of Empire and the Great War and juxtaposed with discussion of Kipling‟s numerous elite, establishment military and political connections. His post-war link to the soldier is considered, including the powerful and enduring effects of the death of his son. Exploration of Kipling‟s writing is undertaken using material from the University of Sussex Special Collections Kipling Archive, including Kipling‟s personal papers and correspondence which are referred to throughout and the six volume collection of Kipling‟s correspondence edited and published by Thomas Pinney. Additional, selective close-reading of his verse and prose illustrates arguments in the personal papers and indicates that Kipling‟s literary reputation vindicated both himself and the image of the soldier. Work from poets contemporary with Kipling is used in context, to provide comparison and contrast. In addition to the main thesis, an appendix volume is in place to offer further exploration of the primary archive material.

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Swidzinski, Joshua. "Rudyard Kipling and the poetics of failure /." Access restricted. DAL users only, 2008.

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Amrani, Ourida. "La valeur symbolique de l'Inde chez Rudyard Kipling." Paris 4, 1990. http://www.theses.fr/1990PA040032.

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Dans la symbolique de l'Inde, le mot "symbole" tel que nous l'avons distingué est "image". C'est l'image de l'Inde elle-même. Cette Inde est suggérée par l'objet immédiat et la description qu'en donne Kipling s'élargit jusqu'à devenir une "vision" puis un "symbole". L'Inde est le symbole du monde et de la vie et comme l'inde est intimement liée aux étapes et aux racines de la vie de Kipling, elle est non seulement un symbole extérieur mais c'est aussi un symbole intérieur car elle est liée à ce qu'il y a de plus intime dans la nature personnelle, la vie, les sentiments et les idées de l'homme Kipling. Nous avons utilisé la méthode psychologique associée à la méthode sociologique dans la première partie intitulée "l'Inde dans la vie de Kipling" la deuxième partie à été consacrée à Kipling et à la recherche de son identité, quête chargée de toute une portée symbolique héritée des réalités de l'occident autant que des songes de l'enfance. Enfin, notre troisième partie a été de recréer en recourant à toutes les formes possibles de l'analyse, plus qu'un paysage de l'Inde, un univers symbolique, ainsi l'Inde de Kipling a été décrite tour à tour comme symbole de paradis, de nostalgie ou d'enfer, symbole de l'empire britannique et du monde actif, symbole de la quête religieuse et enfin symbole du monde<br>In the symbolism of India, the word "symbol" is considered as meaning an "image". It is the "image" of India herself. Kipling's India is suggested by the immediate object and the description that he gives us grows into a "vision", then becomes a "symbol". India is the symbol of the world and of life. And, as India is intimately linked to the stages and roots of Kipling’s life, she is not only an external symbol, but also an inner one. India is linked to what is innermost in the personal nature of the man Kipling, his life, his sentiments and his ideas. To explain this, we have used the psychological method associated with the sociological one in the first part entitled "India in Kipling’s life", the second part is about Kipling’s search for identity, a quest for the other self with a whole symbolic value inherited of the realities of the west as well as of the dreams of childhood. Finally, in the third part we have described the landscape of India herself as a symbolic universe. Thus, Kipling’s India has been described as a symbol of paradise, of nostalgia, of hell, a symbol of the British Empire and the world of action, a symbol of the religious quest and lastly a symbol of the world

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Dor, Laili. "L'ecriture plurielle dans la fiction de rudyard kipling." Paris 3, 1999. http://www.theses.fr/1999PA030100.

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Le present travail envisage l'oeuvre de kipling comme la transcription d'un monde sans cesse menace d'eclatement, qu'il s'agisse des crises intestines de l'empire ou de la premiere guerre mondiale. Kipling renonce aux canons litteraires victoriens pour adopter une ecriture novatrice, fondee sur la pluralite. Cette ecriture plurielle se caracterise par sa fragmentation : kipling privilegie la nouvelle, et rompt le fil du recit, en introduisant notamment dans le texte une variete de langues et de dialectes. La pluralite, pour kipling, est aussi profondeur, depuis la profondeur concrete des entrailles de la terre jusqu'a la profondeur abstraite du sens cache. L'ecart entre surface et profondeur devient alors l'objet d'un jeu, par le biais de diverses pratiques de travestissement, qui trouvent leur apogee dans le great game, l'organisation d'espionnage de kim. Le travestissement est une incitation, pour les personnages comme pour le lecteur, a developper des capacites hermeneutiques, que kipling presente en contrepoint avec le parcours mystique de la quete. Dechiffrer le monde, comme dechiffrer le texte, c'est percevoir son sens profond et ses lignes de coherence. Le lecteur perspicace decouvre ainsi, tout au long de l'oeuvre de kipling, un reseau d'echos et de recurrences. L'organisation de la pluralite passe egalement par la mise en harmonie des differentes voix du texte, qui temoigne du reve de l'auteur de se faire (en)chanteur.

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Nightingale, Nicola. "A man for all reasons : colonialism and the cult of masculine reticence in Kipling's writing /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19977001.

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Lall, Sumita. "Rudyard Kipling, Hollywood, and the imperial gaze, the politics of looking in Kipling's 1901 novel and MGM's 1950 film Kim." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0011/MQ52591.pdf.

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Kemp, Sandra Dawn. "Limits and renewals : transformations of belief in Kipling's fiction." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385495.

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Libros sobre el tema "Kipling"

Dillingham, William B. Being Kipling. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614710.

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Seymour-Smith, Martin. Rudyard Kipling. London: Macdonald/Queen Anne Press, 1989.

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Mallett, Phillip. Rudyard Kipling. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403937759.

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Mallett, Phillip, ed. Kipling Considered. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20062-7.

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Rudyard, Kipling. Rudyard Kipling. Oxford: Oxford University Press, 1999.

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1946-, Mallett Phillip, ed. Kipling considered. Basingstoke: Macmillan, 1989.

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Rudyard, Kipling. Rudyard Kipling. London: Aurum, 1992.

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Harold, Bloom, ed. Rudyard Kipling. Philadelphia: Chelsea House Publishers, 2004.

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Harold, Bloom, ed. Rudyard Kipling. New York: Chelsea House, 1987.

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Rudyard, Kipling. Rudyard Kipling. New York: C.N. Potter, 1992.

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Capítulos de libros sobre el tema "Kipling"

Welz, Stefan. "Kipling, Rudyard." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8900-1.

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Dittmar, Wilfried, and Stefan Welz. "Rudyard Kipling." In Kindler Kompakt: Englische Literatur, 19. Jahrhundert, 186–91. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05527-9_44.

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Kingsmill, Hugh. "Rudyard Kipling." In The Progress of a Biographer, 27–37. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003272632-3.

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Welz, Stefan. "Kipling, Rudyard." In Englischsprachige Autoren, 160–62. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_62.

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Conrad, Joseph, H. Rider Haggard, Rudyard Kipling, and Lindy Stiebel. "Rudyard Kipling." In Lives of Victorian Literary Figures, Part VII, Volume 2, 151–72. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003513131-13.

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Dillingham, William B. "Introduction: Being Fit." In Being Kipling, 1–15. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614710_1.

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Dillingham, William B. "Being Practical." In Being Kipling, 139–55. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614710_10.

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Dillingham, William B. "Being English." In Being Kipling, 157–73. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614710_11.

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Dillingham, William B. "Being “it”." In Being Kipling, 175–89. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614710_12.

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Dillingham, William B. "Being Modest." In Being Kipling, 17–30. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614710_2.

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Actas de conferencias sobre el tema "Kipling"

Kaypak, B. "The Kipling Method (5W1H) For Passive Microseismic Monitoring Methods (P3M)." In 9th Congress of the Balkan Geophysical Society. Netherlands: EAGE Publications BV, 2017. http://dx.doi.org/10.3997/2214-4609.201702616.

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Butko, N. H. "The story and a short analysis of Rudyard Kipling‟s poem „Mother o‟ Mine‟." In INNOVATIVE ASPECTS OF THE DEVELOPMENT OF PHILOLOGICAL SCIENCES. Baltija Publishing, 2023. http://dx.doi.org/10.30525/978-9934-26-311-8-5.

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Toporova, A. I. "PROPER NAMES AND THEIR TRANSLATIONS IN THE CYCLE OF SHORT STORIES «STALKY & CO.» (1899) BY R. KIPLING." In Proceedings of the IX (XXIII) International Scientific and Practical Conference of Young Scientists. TSU Press, 2022. http://dx.doi.org/10.17223/978-5-907572-04-1-2022-100.

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Hariyono, Hariyono, Putut Handoko, Sanhari Prawiradiredja, and Meithiana Indrasari. "Orientalism on Malay People in Kipling’s Limitation of Pambe Serang." In Proceedings of the 1st Asian Conference on Humanities, Industry, and Technology for Society, ACHITS 2019, 30-31 July 2019, Surabaya, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.30-7-2019.2287606.

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LeCavalier, Jesse. "Reading the Logistical Surface." In 105th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.am.105.79.

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Resumen

The logistical surface is nimble and adaptable but illegible to its authors. To better understand the implications of this condition, this article makes connections between human and machine systems by looking first to Norbert Wiener and then two related short stories: Rudyard Kipling’s “With the Night Mail”and E.M. Forster’s “The Machine Stops.” The two texts establish political polarities that help to contextualize contemporary logistical worlds while also suggesting ways to discover alternative ones.

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Eray, Osman. "Kesir-mertebeli kayma kipli bulanık kontrolör tasarımı." In 2020 4th International Symposium on Multidisciplinary Studies and Innovative Technologies (ISMSIT). IEEE, 2020. http://dx.doi.org/10.1109/ismsit50672.2020.9254676.

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Informes sobre el tema "Kipling"

Kettles, I. M., and P. H. Wyatt. Stratigraphy and lithological composition of Quaternary sediments from five boreholes, Kipling Township, Ontario. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1988. http://dx.doi.org/10.4095/122637.

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Dreeva, Dzhanetta Murzabekovna, and Bella Uruzmagovna Farnieva. MODAL VERBS AS MEANS OF EXPRESSING THE CATEGORY OF MODALITY IN ENGLISH (BASED ON THE WORKS OF R. KIPLING). DOI СODE, 2021. http://dx.doi.org/10.18411/doicode-2022.033.

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