Bibliografías temáticas / Kipling

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Literatura académica sobre el tema "Kipling"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 31 de julio de 2024

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Artículos de revistas sobre el tema "Kipling"

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Kamovnikova, Natalia. "“Once, Twice and Again!” Kipling’s Works in the Russian Twentieth Century Retranslations." TranscUlturAl: A Journal of Translation and Cultural Studies 12, no. 1 (August 6, 2020): 140–56. http://dx.doi.org/10.21992/tc29484.

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The article traces the evolution of the image of Rudyard Kipling and of the role his works played in the Russian literature and culture. The study is performed on the material of Russian retranslations of Kipling’s poetry and of The Jungle Book, which followed different patterns and contributed differently and at times even dissonantly to the construction of the image of Kipling and his literary legacy in the Soviet Union. Strong competition of big independent publishers in the Russian Empire ensured multiple retranslations of The Jungle Book in order to cater for the demands of the wide reade
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Brearton, Fran. "Yeats, Dates, and Kipling: 1912, 1914, 1916." Modernist Cultures 13, no. 3 (August 2018): 305–22. http://dx.doi.org/10.3366/mod.2018.0214.

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This article proposes that W. B. Yeats's ‘Easter 1916’, intertextually linked to ‘September 1913’ and ‘Nineteen Hundred and Nineteen’, is also a subtle response to the political and sectarian quarrels of 1912–1914 as manifest in Rudyard Kipling's poems ‘Ulster (1912)’ and ‘The Covenant’. It examines the ways in which Kipling, and those in Ireland who reacted negatively to him, drew on the Easter sacrificial rhetoric later to be associated with the 1916 Rising, and illustrates how Yeats's poetry during and after the Rising may be read as implicitly engaged in a quarrel with Kipling's aesthetic.
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Habibullah, Md. "Kipling's Manipulation of Religions in Kim: A Document of his Imperialist Position." Victoriographies 13, no. 2 (July 2023): 192–209. http://dx.doi.org/10.3366/vic.2023.0492.

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Since the publication of Rudyard Kipling's (1865–1936) Kim (1901), most critics have agreed that the novel falls into the genre of colonial fiction. But they are divided into two groups – defenders and detractors – regarding Kipling's treatment of religions in the novel. The defenders celebrate his accomplishment and sympathy in depicting the devotion and attraction of the Victorian Era towards Buddhism. On the other hand, the detractors blame Kipling for fictionalising the confrontation between pragmatic Western rationality and Eastern mystical irrationality. Against this backdrop, this artic
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Ghosh, Bishnupriya. "THE COLONIAL POSTCARD: THE SPECTRAL/TELEPATHIC MODE IN CONAN DOYLE AND KIPLING." Victorian Literature and Culture 37, no. 2 (September 2009): 335–57. http://dx.doi.org/10.1017/s1060150309090226.

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Such Enlightenment, the narrator tellsus facetiously, is effected by an elastic religion known as the Simla Creed, alive at the edges of the British Empire where he, an unnamed Englishman, is stationed. An amalgam of occult practices, the creed stretched itself and embraced pieces of everything that the medicine-men of all ages have manufactured (63). So Rudyard Kipling mockingly observes in this satire of British Victorian forays into the marginal sciences of occultism, Spiritualism, and Mesmerism. An early Kipling tale, “The Sending of Dana Da” (1888) is one of Kiplings first engagements wit
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Shehata, Abdel Kareem. "The "Demonic Other” and the Colonial Figures in Kipling’s The White Man’s Burden and Taher’s Sunset Oasis: A Comparative Study." International Journal of Language and Literary Studies 4, no. 4 (December 29, 2022): 12–26. http://dx.doi.org/10.36892/ijlls.v4i4.1066.

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In 1899, The British poet Rudyard Kipling directed his poem, The White Man’s Burden, to the United States on the occasion of the invasion of the Philippine Islands. In his poem, Kipling mainly encourages the States to occupy the Islands. Kipling also draws a portrait of the colonized peoples. In 2007, the Egyptian novelist Bahaa Taher published his novel (Waht Al Ghoroub), Sunset Oasis. In his novel, Taher presents a group of Egyptian, English, Irish and Circassian characters who live in Egypt during and after the Urabi Revolution (1882). The first aim of this paper is to show the main feature
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Gadylshin, Timur Rifovich. "Features of R. Kipling’s Work in the Naturalist Prose of F. Norris." Litera, no. 10 (October 2022): 95–105. http://dx.doi.org/10.25136/2409-8698.2022.10.39055.

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The article focuses on estimating the influence of Rudyard Kipling’s figure on the works of his younger contemporary, the American Frank Norris. The author comes to the conclusion that the English writer fundamentally determined his literary follower’s development vector. Kipling who has become extremely popular among American readers raises Norris’s interest toward neo-romantic short story. The early stage of Norris’s work is noted by Kipling’s powerful influence and the article reveals common plot, compositional and stylistic elements in their works. The writers are united by artistic ideals
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Mufti, Nasser. "Kipling’s Art of War." Nineteenth-Century Literature 70, no. 4 (March 1, 2016): 496–519. http://dx.doi.org/10.1525/ncl.2016.70.4.496.

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Nasser Mufti, “Kipling’s Art of War” (pp. 496–519) This essay looks at the British empire’s most ambitious years, when it saw Britain and its settler colonies as belonging to a global nation-state, most commonly referred to as “Greater Britain.” The apex of this imperial-national imagination came with the outbreak of the Second Anglo-Boer War, which jingoists like Arthur Conan Doyle and Rudyard Kipling celebrated as a civil war because it was seen to be a conflict between the “blood brotherhood” of empire: Britons and Boers. Hence the characterization of the Boer War as “the last of the gentle
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Marcu, Nicoleta Aurelia. "Kipling and the Age of the Empire." Acta Marisiensis. Philologia 1, no. 1 (September 1, 2019): 1–7. http://dx.doi.org/10.2478/amph-2022-0010.

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Abstract Rudyard Kipling was always a writer of his time yet strangely not of it. Born in an era of uncertainties, the age of Victoria, when the British Empire was the dominant power in the world, he died in a time of fragmentation, on the eve of the Second World War, at a time when Britain could neither compete with her rivals, nor ignore the rising of the anti-colonial tide. A controversial literary figure, Kipling was both acclaimed and sanctioned for being the voice of Anglo-Saxon imperialism. His literary work was a political and ideological response to a historical reality. The writer is
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Han, Bianca-Oana. "Nicoleta Aurelia Marcu (Medrea) - Kipling’s Vision of India and the Problem of Split Consciousness– Pro Universitaria, București, 2021." Acta Marisiensis. Philologia 5, no. 1 (September 1, 2023): 1–3. http://dx.doi.org/10.2478/amph-2023-0097.

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Abstract The book ‘Kipling’s Vision of India and the Problem of Split Consciousness’ signed by Nicoleta Aurelia Marcu (Medrea) elegantly captures the duality triggered by Kipling’s process of internalization of the two perspectives that defined him as an individual and as a writer, torn -or completed- by being part of the empire, and country of origin. Belonging to both these worlds, Kipling simultaneously identified himself as part of the two worlds, that shaped and framed his personality. The book before us maps the turmoil in confrontation and completion generated by Kipling’s dual quest fo
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Walters, Alisha. "A “WHITE BOY . . . WHO IS NOT A WHITE BOY”: RUDYARD KIPLING'S KIM, WHITENESS, AND BRITISH IDENTITY." Victorian Literature and Culture 46, no. 2 (May 16, 2018): 331–46. http://dx.doi.org/10.1017/s1060150318000037.

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Rudyard Kipling's final novel, Kim (1901), begins with an intriguing – if paradoxical – description of the eponymous Kim, or Kimball O'Hara: he is an “English” boy with an Irish name and Irish parentage who speaks “the [Indian] vernacular by preference” (1). While the narrator hastens to reassure the reader that Kim is both “white” and “English,” Kim is also “burned black as any native” and speaks his supposed “mother tongue,” English, in an “uncertain sing-song” (1). If we are to take Kipling's assertion at face value, that Kim is, indeed, “English,” then certainly this is a kind of Englishne
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Tesis sobre el tema "Kipling"

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Louttit, Erin. "Rudyard Kipling and Victorian Buddhism." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3543.

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The thesis recontextualises the fiction of the nineteenth- and twentieth-century writer Rudyard Kipling by exploring aspects of Victorian Buddhism in a selection of his published work. It demonstrates his engagement with a variety of Buddhist histories and cultures, showing a serious artistic and imaginative response to and interpretation of Buddhism. Focusing primarily on the novel Kim, the thesis develops existing criticism, examining the character of the lama. Additionally, it studies features of Victorian Buddhism other than textual sources, drawing on work by scholars in fields such as th
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Ranatunga, Gayanthi. "Kipling, Woolf, and Orwell: literary ethnographers." Thesis, Wichita State University, 2011. http://hdl.handle.net/10057/5194.

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The beginning of the 20th century was marked by a need for a departure, for Britain, from the Victorian sentiments of a bygone era, foremost among which were the soon-to-be antiquated thoughts about her colonies and colonial subjects. Because that moment was quite past the high noon of the British Empire, and yet, it was still significant enough geographically for the sun to never have to set on it, its shadows were looming long and haunting. At this juncture, it became the calling of a few to insist on a restatement of what it meant to be British in the larger context of the world, much of wh
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Welz, Stefan. "'Abreast of the age' : Arbeit und Technologie im Werk Rudyard Kiplings /." Hildesheim : G. Olms Verlag, 2003. http://catalogue.bnf.fr/ark:/12148/cb39248104c.

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Wells, Selma Ruth. "Rudyard Kipling : the making of a reputation." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/42978/.

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When Rudyard Kipling died in January 1936, the resulting national and international mourning indicated the popularity and enormous influence of his life and work. It demonstrated the esteem in which he was still held and the consequent longevity of his literary success. This thesis examines how Kipling established, maintained and protected his reputation, his purpose in doing so and considers if concern about his own ethnic purity was a central motivation for him in this regard. This thesis explores Kipling‟s preoccupation with the reputation of the enlisted man – or „Tommy Atkins‟ figure – an
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Swidzinski, Joshua. "Rudyard Kipling and the poetics of failure /." Access restricted. DAL users only, 2008.

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Amrani, Ourida. "La valeur symbolique de l'Inde chez Rudyard Kipling." Paris 4, 1990. http://www.theses.fr/1990PA040032.

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Dans la symbolique de l'Inde, le mot "symbole" tel que nous l'avons distingué est "image". C'est l'image de l'Inde elle-même. Cette Inde est suggérée par l'objet immédiat et la description qu'en donne Kipling s'élargit jusqu'à devenir une "vision" puis un "symbole". L'Inde est le symbole du monde et de la vie et comme l'inde est intimement liée aux étapes et aux racines de la vie de Kipling, elle est non seulement un symbole extérieur mais c'est aussi un symbole intérieur car elle est liée à ce qu'il y a de plus intime dans la nature personnelle, la vie, les sentiments et les idées de l'homme
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Dor, Laili. "L'ecriture plurielle dans la fiction de rudyard kipling." Paris 3, 1999. http://www.theses.fr/1999PA030100.

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Le present travail envisage l'oeuvre de kipling comme la transcription d'un monde sans cesse menace d'eclatement, qu'il s'agisse des crises intestines de l'empire ou de la premiere guerre mondiale. Kipling renonce aux canons litteraires victoriens pour adopter une ecriture novatrice, fondee sur la pluralite. Cette ecriture plurielle se caracterise par sa fragmentation : kipling privilegie la nouvelle, et rompt le fil du recit, en introduisant notamment dans le texte une variete de langues et de dialectes. La pluralite, pour kipling, est aussi profondeur, depuis la profondeur concrete des entra
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Nightingale, Nicola. "A man for all reasons : colonialism and the cult of masculine reticence in Kipling's writing /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19977001.

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Lall, Sumita. "Rudyard Kipling, Hollywood, and the imperial gaze, the politics of looking in Kipling's 1901 novel and MGM's 1950 film Kim." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0011/MQ52591.pdf.

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Kemp, Sandra Dawn. "Limits and renewals : transformations of belief in Kipling's fiction." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385495.

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Libros sobre el tema "Kipling"

1

Dillingham, William B. Being Kipling. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614710.

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Seymour-Smith, Martin. Rudyard Kipling. London: Macdonald/Queen Anne Press, 1989.

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Mallett, Phillip. Rudyard Kipling. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403937759.

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Mallett, Phillip, ed. Kipling Considered. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20062-7.

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Rudyard, Kipling. Rudyard Kipling. Oxford: Oxford University Press, 1999.

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1946-, Mallett Phillip, ed. Kipling considered. Basingstoke: Macmillan, 1989.

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Rudyard, Kipling. Rudyard Kipling. London: Aurum, 1992.

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Harold, Bloom, ed. Rudyard Kipling. Philadelphia: Chelsea House Publishers, 2004.

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Harold, Bloom, ed. Rudyard Kipling. New York: Chelsea House, 1987.

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Rudyard, Kipling. Rudyard Kipling. New York: C.N. Potter, 1992.

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Capítulos de libros sobre el tema "Kipling"

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Welz, Stefan. "Kipling, Rudyard." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8900-1.

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Dittmar, Wilfried, and Stefan Welz. "Rudyard Kipling." In Kindler Kompakt: Englische Literatur, 19. Jahrhundert, 186–91. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05527-9_44.

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Kingsmill, Hugh. "Rudyard Kipling." In The Progress of a Biographer, 27–37. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003272632-3.

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Welz, Stefan. "Kipling, Rudyard." In Englischsprachige Autoren, 160–62. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_62.

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Conrad, Joseph, H. Rider Haggard, Rudyard Kipling, and Lindy Stiebel. "Rudyard Kipling." In Lives of Victorian Literary Figures, Part VII, Volume 2, 151–72. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003513131-13.

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Dillingham, William B. "Introduction: Being Fit." In Being Kipling, 1–15. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614710_1.

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Dillingham, William B. "Being Practical." In Being Kipling, 139–55. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614710_10.

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Dillingham, William B. "Being English." In Being Kipling, 157–73. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614710_11.

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Dillingham, William B. "Being “it”." In Being Kipling, 175–89. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614710_12.

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Dillingham, William B. "Being Modest." In Being Kipling, 17–30. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614710_2.

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Actas de conferencias sobre el tema "Kipling"

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Kaypak, B. "The Kipling Method (5W1H) For Passive Microseismic Monitoring Methods (P3M)." In 9th Congress of the Balkan Geophysical Society. Netherlands: EAGE Publications BV, 2017. http://dx.doi.org/10.3997/2214-4609.201702616.

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Butko, N. H. "The story and a short analysis of Rudyard Kipling‟s poem „Mother o‟ Mine‟." In INNOVATIVE ASPECTS OF THE DEVELOPMENT OF PHILOLOGICAL SCIENCES. Baltija Publishing, 2023. http://dx.doi.org/10.30525/978-9934-26-311-8-5.

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Toporova, A. I. "PROPER NAMES AND THEIR TRANSLATIONS IN THE CYCLE OF SHORT STORIES «STALKY & CO.» (1899) BY R. KIPLING." In Proceedings of the IX (XXIII) International Scientific and Practical Conference of Young Scientists. TSU Press, 2022. http://dx.doi.org/10.17223/978-5-907572-04-1-2022-100.

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Hariyono, Hariyono, Putut Handoko, Sanhari Prawiradiredja, and Meithiana Indrasari. "Orientalism on Malay People in Kipling’s Limitation of Pambe Serang." In Proceedings of the 1st Asian Conference on Humanities, Industry, and Technology for Society, ACHITS 2019, 30-31 July 2019, Surabaya, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.30-7-2019.2287606.

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LeCavalier, Jesse. "Reading the Logistical Surface." In 105th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.am.105.79.

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The logistical surface is nimble and adaptable but illegible to its authors. To better understand the implications of this condition, this article makes connections between human and machine systems by looking first to Norbert Wiener and then two related short stories: Rudyard Kipling’s “With the Night Mail”and E.M. Forster’s “The Machine Stops.” The two texts establish political polarities that help to contextualize contemporary logistical worlds while also suggesting ways to discover alternative ones.
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Eray, Osman. "Kesir-mertebeli kayma kipli bulanık kontrolör tasarımı." In 2020 4th International Symposium on Multidisciplinary Studies and Innovative Technologies (ISMSIT). IEEE, 2020. http://dx.doi.org/10.1109/ismsit50672.2020.9254676.

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Informes sobre el tema "Kipling"

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Kettles, I. M., and P. H. Wyatt. Stratigraphy and lithological composition of Quaternary sediments from five boreholes, Kipling Township, Ontario. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1988. http://dx.doi.org/10.4095/122637.

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Dreeva, Dzhanetta Murzabekovna, and Bella Uruzmagovna Farnieva. MODAL VERBS AS MEANS OF EXPRESSING THE CATEGORY OF MODALITY IN ENGLISH (BASED ON THE WORKS OF R. KIPLING). DOI СODE, 2021. http://dx.doi.org/10.18411/doicode-2022.033.

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