Literatura académica sobre el tema "Kalamkari"

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Artículos de revistas sobre el tema "Kalamkari"

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Vedha S, Swetha S, K. M. Pachiyappan, R. Divya Sathyam, and Sharmila M. "Review on pattachitra." World Journal of Advanced Research and Reviews 24, no. 1 (October 30, 2024): 686–92. http://dx.doi.org/10.30574/wjarr.2024.24.1.3047.

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Kalamkari is a highly esteemed traditional art form that has long drawn admirers due to its intricate hand-painted designs on fabrics. This article explores the complex world of Kalamkari, a classic Indian art form that is well-known for its intricately painted textile pieces. Through a multifaceted investigation, the study seeks to understand Kalamkari's historical development, cultural value, and current relevance. The process includes a comprehensive reading of the material, a field investigation, a visual analysis of the artwork, and a comparison analysis between different locations and eras of history. While the field study entails interacting with artists and documenting their methods and processes, the literature review offers insights into the history, methods, and sociocultural aspects of Kalamkari. Visual analysis examines the narrative components, colours, and motifs in Kalamkari textiles to shed light on their artistic and symbolic meanings.
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Vedha, S., S. K. M. Pachiyappan Swetha, Divya Sathyam R., and M. Sharmila. "Review on pattachitra." World Journal of Advanced Research and Reviews 24, no. 1 (October 30, 2024): 686–92. https://doi.org/10.5281/zenodo.15012243.

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Kalamkari is a highly esteemed traditional art form that has long drawn admirers due to its intricate hand-painted designs on fabrics. This article explores the complex world of Kalamkari, a classic Indian art form that is well-known for its intricately painted textile pieces. Through a multifaceted investigation, the study seeks to understand Kalamkari's historical development, cultural value, and current relevance. The process includes a comprehensive reading of the material, a field investigation, a visual analysis of the artwork, and a comparison analysis between different locations and eras of history. While the field study entails interacting with artists and documenting their methods and processes, the literature review offers insights into the history, methods, and sociocultural aspects of Kalamkari. Visual analysis examines the narrative components, colours, and motifs in Kalamkari textiles to shed light on their artistic and symbolic meanings.
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Ramya Sri, G. "A Study on Standard of Living Kalamkari Artisans." Shanlax International Journal of Management 7, no. 2 (October 3, 2019): 89–95. http://dx.doi.org/10.34293/management.v7i2.722.

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The birth place of textiles, India has always been known for its art, crafts, tradition and culture. The soothing weaves, vibrant colours, intricate embroideries, decorative motifs, and elaborate costumes have been most sought after inspirations and possessions. The integration of tradition with methods and techniques denotes the fact that work is treated as worship, and thus has been followed with great devotion and reverence. Keeping in tune to its cultural traditions is one such textile craft, kalamkari, the hand painted and block printed textile of India. Hand painted and block printed kalamkari also known as the Machilipatnam kalamkari is widely used in clothing, home decor and lifestyle products today. The objective of this research is to understand the evolution of hand painted and block printed kalamkari and the artisans, their life style, their standard of living . Secondary data was largely collected through books and also from blogs, newspapers, articles and various websites. To understand the standard of living of the artisans, a visit was paid to Machilipatnam. The research was exploratory and the findings were mainly qualitative in nature. After collecting the sufficient information, the paper analyses issues and challenges faced by the kalamkari artisans and then introduces possible solutions. Some conclusions are developed on the basis of this analysis.
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Rani, Dr Archana. "Beautiful Timeless Art: Kalamkari Painting." Journal of Commerce & Trade 16, no. 2 (October 1, 2021): 54–57. http://dx.doi.org/10.26703/jct.v16i2-10.

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Rosenfield, Yael, and Nobuko Shibayama. "The Color Red: Madder Dyes as Determinants of Provenance in a Group of Kalamkari Textiles." Textile Museum Journal 47, no. 1 (2020): 83–107. http://dx.doi.org/10.1353/tmj.2020.a932816.

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Abstract: This research revisits a renowned group of Indian printed and painted textiles, known as kalamkari , at The Metropolitan Museum of Art. Identifying the type of red dye used, as a basis for classifying the textiles geographically, would enable the textiles’ production to be linked with art historical data. Most dye plants are native to a particular region and ecosystem; their resulting colorants can be identified by performing high-performance liquid chromatography with photodiode array detection. Such results can help locate the place of production and provide information about the textile’s history and dyeing methodology. Nineteen kalamkari textiles with red colorants were chosen for this study and dye analysis was performed. Madder dye is known to be the dye traditionally and ubiquitously used for cotton in India. However, there are many local species of madder within the botanical family; in view of this, we hoped that determining the species would provide clues to the region of the textiles’ production. Kalamkari usually refers to painted textiles, but some are also made by block printing. Furthermore, some kalamkari combine both painting and printing techniques. Painted textiles were predominantly the product of workshops along the Coromandel Coast on the east, while printed textiles were generally made in Gujarat in the northwest and some other regions. This research will examine traditional production methods still used in Gujarat and the Coromandel Coast, both areas that were explored in field trips to visit artisans, block printers, and dyers. An examination of the various madder dyes and their present and past use will be followed by dye analysis and its results.
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Aligina, Anvitha Sudheshna, and Babel Rupal. "DIGITALIZATION AND FUSION OF INDIAN FOLK ARTS KALAMKARI AND BIDRIWARE AND THEIR ADAPTATION ON HOME TEXTILES." International Journal of Multidisciplinary Research and Modern Education 5, no. 1 (May 26, 2019): 145–48. https://doi.org/10.5281/zenodo.3229232.

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India is a country which is rich is traditions, culture and conventional arts and crafts. Every region in India has its own style of art and craft pattern which is generally known as folk art. The folk art is very ethnic and simple yet vibrant and colourful which speaks volumes about its richness. Witnessing the temple paintings of Srikalahasti which is popularly known as Kalamkari and a creative metal inlay from Nampallyknown as Bidriware.Traditional designs needs to be contemporized to encourage the traditional crafts and modernizing them will help the artisans to encourage their craft and livelihood.The present study is an attempt to develop fusion designs using Kalamkari and Bidriware crafts.Traditionally these paintings and handicrafts were done with the help of hand and other technical things available in the surrounding areas. But due to advancement in technology the designs can be created with the help of various designing softwares like coral draw suit, adobe illustrator and photoshop etc. It is possible through CAD to go straight to the color combination and fabric styles and can modify designs flexibly within short period of time with high accuracy and flexibility. The present study is an attempt to contemporise the traditional folk arts Kalamkari and Bidriware to new avenue of textiles as an experimentation through CAD. Designs were collected from both primary and secondary sources and screened for their creative latency. Thirty designs from both Kalamkari and Bidriware are collected and fused to develop fusion motifs. Developed fusion motifs were given to a panel of experts for evaluation. Results showed that 72 percent of the developed fusion motifs were highly accepted by the respondents.
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Ritika, Dua &. Ridhima Chaturvedi (B.Des FD FDDI Noida) Mr. Saurabh Srivastava Professor (Jr Faculty FDDI Noida). "Kalamkari: The Timeless Art of Andhra Pradesh." Science world a Monthly e magazine 5, no. 3 (April 30, 2025): 6665–68. https://doi.org/10.5281/zenodo.15307652.

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Kalamkari, an ancient Indian art form, weaves together history, culture, and craftsmanship into vibrant tapestries of color and design.&nbsp;<em>Derived from the Persian words "kalam" (pen) and "kari" (work), the term literally translates to "pen work," reflecting its essence as a hand-painted or block-printed textile tradition.</em> With roots stretching back over 3,000 years, Kalamkari is a testament to India&rsquo;s rich heritage, flourishing primarily in the southeastern state of Andhra Pradesh. This article delves into the art&rsquo;s origins, the places where it thrives, the weather that shapes its creation, and the techniques that define its beauty.
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Gommans, Jos. "Cosmopolitanism and Imagination in Nayaka South India." Archives of Asian Art 70, no. 1 (April 1, 2020): 1–21. http://dx.doi.org/10.1215/00666637-8124961.

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Abstract Questions arising from the so-called Brooklyn kalamkari, a seven-panel, hand-painted cotton textile, have confronted art historians for decades: what do we see, who produced it for whom, what does it mean? With royal court scenes from all over the Indian Ocean world, the Brooklyn kalamkari represents a uniquely cosmopolitan worldview from early-seventeenth-century South India. In this essay I discuss the makings of this particular worldview in the context of early modern processes of globalization and state-formation. By engaging with the work of Indologists Johan Huizinga, Jan Heesterman, and David Shulman on Indian kingship and theater, I then attempt to decode the local and the global, as well as the seen and unseen, meaning of this textile.
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BABEL, RUPAL, and TEJASHWINI CHOUHAN. "Designing shoes through hand painting using Kalamkari designs." ASIAN JOURNAL OF HOME SCIENCE 12, no. 2 (December 15, 2017): 579–82. http://dx.doi.org/10.15740/has/ajhs/12.2/579-582.

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Gächter, Othmar. "Ramani, Shakuntala: Kalamkari and Traditional Design Heritage of India." Anthropos 104, no. 1 (2009): 246–48. http://dx.doi.org/10.5771/0257-9774-2009-1-246-1.

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Libros sobre el tema "Kalamkari"

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Rao, Akurathi Venkateswara. The Kalamkari industry Kalamkari industry of Masulipatam: None. Hyderabad, India: Shuttle-Craft Publications, 1992.

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Prakash, K. Kalamkari: Figures and designs. Mumbai: English Edition Publishers & Distributors (India), 2003.

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Isler, Andreas. Kalamkari: Erzählstoff aus Indien. Zürich: Völkerkundemuseum der Universität Zürich, 2016.

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Sethna, Nelly H. Kalamkari: Painted & printed fabrics from Andhra Pradesh. New York: Mapin, 1985.

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Sethna, Nelly H. Kalamkari: Painted & printed fabrics from Andhra Pradesh. New York: Mapin International, 1985.

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Sethna, Nelly H. Kalamkari: Painted & printed fabrics from Andhra Pradesh. New York: Mapin International, 1985.

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Sethna, Nelly H. Kalamkari: Painted & printed fabrics from Andhra Pradesh. New York: Mapin International, 1985.

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Sethna, Nelly H. Kalamkari: Painted & printed fabrics from Andhra Pradesh. New York: Mapin, 1985.

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Sethna, Nelly H. Kalamkari: Painted & printed fabrics from Andhra Pradesh. New York: Mapin, 1985.

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University of California, Los Angeles. Museum of Cultural History., ed. Scenes for a raja: Study of an Indian kalamkari found in Indonesia. Los Angeles: University of California, Los Angeles, Museum of Cultural History, 1986.

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Capítulos de libros sobre el tema "Kalamkari"

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Kolpakov, A. G., and S. I. Rakin. "The Problem of the Local Stress/strain Modes in the Matrix of Fibrous Composites." In Lecture Notes in Civil Engineering, 579–94. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-2532-2_49.

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AbstractOn the basis of numerical solutions of the cellular problem of the theory of elasticity, an analysis was made of the deformation modes of the binder cross-reinforced with fibers of the composite at the microlevel. All possible types of local deformation of the binder of the fiber-reinforced composite, predicted in the simplified model in (Kalamkarov A L, Kolpakov A G: Analysis, Design and Optimization of Composite Structures. Wiley, Chichester (1997)), are found in numerical calculations. It is found that the local stress–strain state of the binder depends on the cross-sectional shape of the fibers. In particular, for fibers with a circular cross-section, one of the modes is strongly weakened. Numerical calculations do not show the presence of modes other than those described in (Kalamkarov A L, Kolpakov A G: Analysis, Design and Optimization of Composite Structures. Wiley, Chichester (1997)). If, in the case of square fibers, the assessment of the stress–strain state value is possible using simplified formulas from (Kalamkarov A L, Kolpakov A G: Analysis, Design and Optimization of Composite Structures. Wiley, Chichester (1997)), then for fibers of other sections, it is necessary to use a computer to calculate the stress–strain state.
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Li, Xuanran, Rongrong Jin, Libing Fu, Bifeng Xu, and Zihan Zhang. "Water-Out Characteristics and Remaining Oil Distribution of Delta Front Reservoir—Take J-2C Reservoir of Kalamkas Oilfield in Kazakhstan as an Example." In Proceedings of the International Field Exploration and Development Conference 2018, 1527–35. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-7127-1_146.

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Gächter, Othmar. "Jesus Christ and Krishna. Salvation Stories of Kalamkari Iconography." In Giants’ Footprints, 233–52. Academia – ein Verlag in der Nomos Verlagsgesellschaft, 2021. http://dx.doi.org/10.5771/9783985720156-233.

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Actas de conferencias sobre el tema "Kalamkari"

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Divakala, Malini. "The Indian Kalamkari (Vraathapani): A Case of Optimism, Resilience and Transformation in Cultural Textiles." In The IAFOR International Conference on Arts & Humanities – Hawaii 2024. The International Academic Forum(IAFOR), 2024. http://dx.doi.org/10.22492/issn.2432-4604.2024.11.

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Priya, P. Krishna, Sabbineni Poojitha, K. Bhargavi, and P. Manasa. "Factors influencing online buying behavior of Kalamkari textiles: A study with special reference to software women employees." In CONTEMPORARY INNOVATIONS IN ENGINEERING AND MANAGEMENT. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0158815.

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Sahuc, B., E. Engles, and Z. Abirov. "An Alternative Approach of Polymer Flooding Implementation for the Fields of Kazakhstan." In SPE Caspian Technical Conference and Exhibition. SPE, 2024. http://dx.doi.org/10.2118/223434-ms.

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Abstract Polymer flooding, an enhanced oil recovery (EOR) method, has been widely implemented in various oil fields worldwide to increase oil recovery rates by improving the viscosity of injected water and, consequently, the sweep efficiency in the reservoir. Its implementation strategies can vary significantly depending on the specific characteristics of an oil field. This paper compares two different polymer flooding strategies for the field of Kalamkas: (1) the distributed pilot strategy, which involves injecting polymers at several different locations across multiple horizons, and (2) the single-horizon pilot strategy, which focuses on a reduced number of pilot injections within a single reservoir horizon. By analyzing the advantages, disadvantages, and effectiveness of each approach, this paper aims to identify which strategy offers better efficiency and oil recovery rates in the challenging conditions of Kalamkas oil field, which could be implemented on other fields.
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Sagyndikov, Marat, Randall Seright, and Nauryzbek Tuyakov. "An Unconventional Approach to Model a Polymer Flood in the Kalamkas Oilfield." In SPE Improved Oil Recovery Conference. SPE, 2022. http://dx.doi.org/10.2118/209355-ms.

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Abstract This article describes the main features of an unconventional approach to model a polymer flood in the Kalamkas oilfield. This non-standard simulation method is based on specially performed inter-well tracer tests, step-rate tests, pressure fall-off tests, dedicated field studies, well monitoring, and lab analysis. Our approach excludes permeability reduction as a mechanism to provide more mobility reduction than expected from rheology measurements (resistance factor) and by improving the recovery during post-polymer water flooding (residual resistance factor). Evidence is presented to support this exclusion for real field applications. Additionally, our approach places a significant emphasis on history matching bottomhole pressures. Our effort accounts well for the decreased mobility of the injected polymer solution and increased rock permeability during a polymer flood. In contrast to most other simulation approaches to polymer flooding, our method incorporates open fractures during polymer injection and their impact on injectivity and sweep efficiency. A literature review (lab tests and field cases) and our laboratory and field studies confirm the validity of our approach and its advantages over other modern simulator modeling of polymer flooding. From viscosity measurements of back-produced polymer solutions from injectors and well tests (inter-well tracer tests, pressure fall-off tests, step rate tests), we proved that polymer flooding induces fractures or fracture-like features and consequently, the polymer solution flows through the fracture with increased injectivity proportional to a resistance factor. Also, incorporated are expectations during a brine post-flush and the absence of the residual resistance factor (i.e., equal to 1). Implementation of these concepts brings our model closer to reality for simulating polymer floods.
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Kushekov, R. M., M. S. Sagyndikov, T. I. Ispanbetov, P. Pourafshary, and D. A. Shyrakbayev. "Full-Field Polymer Flooding Project – Principles and Challenges at the Kalamkas Oilfield." In SPE Improved Oil Recovery Conference. SPE, 2024. http://dx.doi.org/10.2118/218213-ms.

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Abstract The Kalamkas oilfield is one of the largest brownfields in Kazakhstan and has a 45-year development history. With a 27% recovery factor, it still has the potential to make a valuable contribution to Kazakhstan’s oil production. Polymer flooding (PF) is supposed to be the most effective technique to reveal this potential since the first pilot projects in 80’s conducted. Nowadays, when new explorations are expensive, the application and expansion of such technologies are critical to field development. This article presents the main features of modern polymer flooding implementations. Features such as mobile polymer flooding units and their complex reservoir-oriented injections help to create cost-effective staged full-field planning. Strong selection criteria consisting of basic geological and production characteristics were developed to target the "sweet spots" of the reservoir. An analytical method for oil production forecasting was applied to evaluate the feasibility of each selected area. The consistency and duration of polymer flooding areas were identified based on the forecasting results. Moreover, this pragmatic approach is time-saving and allows fast decision-making compared to simulation studies. 26 new polymer areas involving 80 injection wells (~15% of Kalamkas injectors) and over 600 offset producers were selected for polymer flooding. New areas were ranked in terms of their predicted efficiency and considered to be covered by polymer flooding step-by-step for the next 20 years. With the availability of mobile polymer flooding units, it is possible to switch units from completed areas to new involving areas, significantly improving the project’s cost-effectiveness. Another feature of our case is that polymer flooding areas can be grouped by geographical principles and their technical reasons for using the same type of polymer. Thus, polymer flooding units handle multiple formations located at different depths even with different rock and fluid properties. It is also observed that most PF areas are expected to be economically feasible with up to 70% pore volume injection; this parameter can be increased even further if local polymer price is optimized. In conclusion, the developed full-field polymer flooding project is expected to provide 7.5% incremental oil recovery. The current experience of PF pilot projects and lessons learned provide a strong foundation for future extension strategy. Full-field polymer flooding project at the Kalamkas oilfield is expected to be one of the largest chemical EOR projects in the Commonwealth of Independent States (CIS) despite harsh water conditions (~130 g/l salinity) compared to other projects such as Daqing, Mangala, Marmul, and Pelican Lake.
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Sagyndikov, Marat, Bolat Mukhambetov, Yermek Orynbasar, Aslanbek Nurbulatov, and Sanat Aidarbayev. "Evaluation of Polymer Flooding Efficiency at Brownfield Development Stage of Giant Kalamkas Oilfield, Western Kazakhstan." In SPE Annual Caspian Technical Conference and Exhibition. Society of Petroleum Engineers, 2018. http://dx.doi.org/10.2118/192555-ms.

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Sagyndikov, Marat, Bolat Mukhambetov, Yermek Orynbasar, Aslanbek Nurbulatov, and Sanat Aidarbayev. "Evaluation of Polymer Flooding Efficiency at Brownfield Development Stage of Giant Kalamkas Oilfield, Western Kazakhstan (Russian)." In SPE Annual Caspian Technical Conference and Exhibition. Society of Petroleum Engineers, 2018. http://dx.doi.org/10.2118/192555-ru.

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Davoli, Giancarlo, Alberto Boz, Luca Baruffini, Matteo Minervini, and Vyacheslav G. Zhemchuzhnikov. "The Karatau Mountains Jurassic Succession (Western Kazakhstan): An Outcrop Analogue for the Kalamkas Offshore Reservoir System (North Caspian Sea)." In International Petroleum Technology Conference. International Petroleum Technology Conference, 2013. http://dx.doi.org/10.2523/16951-abstract.

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Davoli, Giancarlo, Alberto Boz, Luca Baruffini, Matteo Minervini, and Vyacheslav G. Zhemchuzhnikov. "The Karatau Mountains Jurassic Succession (Western Kazakhstan): An Outcrop Analogue for the Kalamkas Offshore Reservoir System (North Caspian Sea)." In International Petroleum Technology Conference. International Petroleum Technology Conference, 2013. http://dx.doi.org/10.2523/iptc-16951-abstract.

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Gu¨rtner, Arne, Ove Tobias Gudmestad, Alf To̸rum, and Sveinung Lo̸set. "Innovative Ice Protection for Shallow Water Drilling: Part I — Presentation of the Concept." In 25th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2006. http://dx.doi.org/10.1115/omae2006-92181.

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Recent discoveries of hydrocarbons in the shallow waters of the Northern Caspian Sea arise the need for intensive drilling activities to be carried out in the near future in order to explore the potentials. Experience with mobile drilling units in the seasonally ice infested waters solely originates from the current drilling campaign of the Sunkar drilling barge at Kashagan and Kalamkas. However, with increased drilling activities upcoming, innovative drilling concepts are desirable due to the objective of maintaining drilling operations during the ice period with conventional non-ice-resistant drilling platforms. Hence, this paper suggests the employment of external Shoulder Ice Barriers (SIBs) to protect a conventional jack-up drilling rig from the hazards of drifting ice in shallow water. The SIB’s design is suggested to increase the ice rubble generation at the ice facing slope and thereby provide sufficient protection from drifting ice impacts. The modular concept of the SIB makes it possible to deploy each module in a floating mode to site, whereupon they are ballasted and connected to each other, forming a sheltered position for the jack-up. Subsequent to the termination of the drilling campaign the SIB modules may be retrieved by de-ballasting and tow out, without having significant impact on the environment. This paper presents, on a technical feasible level, the concept of ice protection in shallow water by means of SIBs.
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