Literatura académica sobre el tema "Kaija"
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Artículos de revistas sobre el tema "Kaija"
Gray, Mary W. "Émilie by Kaija Saariaho". Mathematical Intelligencer 38, n.º 4 (19 de octubre de 2016): 84–85. http://dx.doi.org/10.1007/s00283-016-9642-5.
Texto completoMunk, J. "Kaija Saariaho. By Pirkko Moisala." Music and Letters 92, n.º 1 (1 de febrero de 2011): 174–76. http://dx.doi.org/10.1093/ml/gcq096.
Texto completoJärvensivu, Anu. "Näkökulmia työhön ja oppimiseen yksien kansien sisällä". Aikuiskasvatus 29, n.º 1 (15 de febrero de 2009): 71–72. http://dx.doi.org/10.33336/aik.94176.
Texto completoOjala, Hanna. "Avauksia toimijuuteen aikuiskasvatuksessa". Aikuiskasvatus 31, n.º 3 (15 de septiembre de 2011): 220–21. http://dx.doi.org/10.33336/aik.93945.
Texto completoKaija, Sandra. "Izmeklēšanas noslēpums procesā par noziedzīgi iegūtu mantu". SOCRATES. Rīgas Stradiņa universitātes Juridiskās fakultātes elektroniskais juridisko zinātnisko rakstu žurnāls / SOCRATES. Rīga Stradiņš University Faculty of Law Electronic Scientific Journal of Law 2, n.º 8 (2017): 14–24. http://dx.doi.org/10.25143/socr.08.2017.2.14-24.
Texto completoSternburg, Judith von. "Requiem für ein Genie". Opernwelt 65, n.º 7 (2024): 14–15. http://dx.doi.org/10.5771/0030-3690-2024-7-014.
Texto completoPepper, Kaija. "kraftfelder". tanz 14, n.º 2 (2023): 22–27. http://dx.doi.org/10.5771/1869-7720-2023-2-022.
Texto completoTsaregradskaya, Tatiana V. "Kaija Saariaho and Her Laterna Magica". Vestnik of Saint Petersburg University. Arts 11, n.º 4 (2021): 607–35. http://dx.doi.org/10.21638/spbu15.2021.403.
Texto completoPasanen, Heikki. "Keskustelunavaus yli koulukuntarajojen". Aikuiskasvatus 31, n.º 2 (15 de mayo de 2011): 150–51. http://dx.doi.org/10.33336/aik.93929.
Texto completoPepper, Kaija. "krimifieber". tanz 15, n.º 5 (2024): 4–7. http://dx.doi.org/10.5771/1869-7720-2024-5-004.
Texto completoTesis sobre el tema "Kaija"
Oskala, Anni Katariina. "The voice in Kaija Saariaho's Music 1977-2000". Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491077.
Texto completoKaunisaho, Kaija Veronika [Verfasser]. "Volumenänderung der Beckenkammaugmentate nach Transplantation im menschlichen Kiefer / Kaija Veronika Kaunisaho". Köln : Deutsche Zentralbibliothek für Medizin, 2013. http://d-nb.info/1034343920/34.
Texto completoDebus, Kaija [Verfasser] y Ralf [Akademischer Betreuer] Bialek. "Importierte Parasitosen bei Kindern in Deutschland / Kaija Debus ; Betreuer: Ralf Bialek". Tübingen : Universitätsbibliothek Tübingen, 2011. http://d-nb.info/1161464646/34.
Texto completoZerbinatti, Camila Durães. "Sept Papillons, de Kaija Saariaho : análise musical e aspectos da performance". Universidade do Estado de Santa Catarina, 2015. http://tede.udesc.br/handle/handle/1561.
Texto completoCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This dissertation presents a musical analysis and discusses some interpretative aspects of the piece Sept Papillons (2000) for solo cello, by the Finnish composer Kaija Saariaho (1952). A broad contextualization is presented in which we approached the composer s history, its main compositional characteristics, its aesthetic influences, the inter-relations between subjectivity and music making in her work, her gendered position in music and the importance of personal collaborations on the developing of her cello work. Musical analysis is preceded by the context of the piece, its situation on the cello repertoire, its influences and main characteristics. Due to the predominant use of natural harmonics a transcription of the original score is displayed. Musical analysis is then presented through the approach of formal and structural aspects. Research on the pitch, rhythmic, texture, timbral, gestures, instrumental and visual (metaphorical) dimensions of the piece is presented. Relations are established between the Sept Papillons building and Saariaho´s compositional processes. Technical and interpretative aspects of Sept Papillons performance and practice are addressed in dialogue with texts by performers and musicologists that work with her works and also through five interviews with cellists who have been played Sept Papillons in high level performances and recordings. It is observed the place of the body in music performance, on the sophisticated coordination on instrumental actions necessary for the performance. It is seen that Saariaho expands both the cello technique and the cello writing. Our work is justified by the contributions made to the field of knowledge on Kaija Saariaho, on analysis and performance of the contemporary repertoire, and on cello technique and cello music.
Esta dissertação apresenta uma análise musical e aborda alguns aspectos interpretativos da peça Sept Papillons (2000) para violoncelo solo, da compositora finlandesa Kaija Saariaho (1952). É apresentada uma ampla contextualização da compositora na qual abordamos sua trajetória, suas principais características composicionais, suas influências estéticas, as inter-relações entre subjetividade e fazer musical em sua obra, sua condição de gênero na música e a importância de colaborações pessoais no desenvolvimento de sua obra para violoncelo. A análise musical é precedida pela contextualização da peça, sua localização no repertório violoncelístico, suas influências e principais características. Por conta do predominante uso de harmônicos naturais uma transcrição da partitura original é apresentada. A análise musical é então realizada através da abordagem de aspectos formais e estruturais da investigação da dimensão das alturas, das dimensões rítmica, textural, tímbrica, gestual, instrumental e imagética (metafórica). São estabelecidas relações entre a construção de Sept Papillons e os processos composicionais de Saariaho. Aspectos técnicos e interpretativos da performance de Sept Papillons são abordados, em diálogo com textos de intérpretes e musicólogos (as) que trabalham com as obras da compositora e também através de cinco entrevistas realizadas com intérpretes que já apresentaram Sept Papillons em performances e gravações de alta qualidade. É observado o lugar do corpo na performance, na coordenação de sofisticadas ações instrumentais necessárias e também de que forma Saariaho expande a técnica e a escrita violoncelística. Nosso trabalho se justifica pelas contribuições oferecidas ao campo de conhecimento sobre Kaija Saariaho, sobre análise e performance do repertório contemporâneo e sobre técnica e interpretação do violoncelo.
Chou, Chao-Chiun. "Giacinto Scelsi, Gérard Grisey et Kaija Saariaho : Trois esthétiques à partir du son". Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080005.
Texto completoThis thesis studies three composers connected around the "spectral music" andwhose thoughts and works are strongly marked at first by the awareness of the"dynamic" nature of sound: Giacinto Scelsi, Gérard Grisey and Kaija Saariaho, threecomposers representing three different periods in the history of the spectral current. Intheir works and their theoretical writings, several questions arise or derive from the"energetic" conception of the material and go beyond the framework of the material:perception, form, musical time, expressivity, relation to the tradition, etc. Moregenerally, an essential question arises: what exists beyond the sound, beyond theenergy within the sound?To answer this question, this research analyses several works by the threecomposers while keeping in mind the adornian conception of material whichquestions the "naturalist" idea of material and the idea of an isolated sound as selfsufficient.Several categories, such as "mediation", "articulation", "tradition","history", "culture / nature" come into play. Thus, this study has managed to highlightthree different "aesthetics" that develop from a common base of "sound energy" as thebearer of musical form — the aesthetics of sound energy, the aesthetics of process,and the aesthetics of expression, three aesthetics that seem to show an evolutiontowards an "interpenetration of the energetics and the semiotics"
Chou, Chao-Chiun. "Giacinto Scelsi, Gérard Grisey et Kaija Saariaho : Trois esthétiques à partir du son". Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080005.
Texto completoThis thesis studies three composers connected around the "spectral music" andwhose thoughts and works are strongly marked at first by the awareness of the"dynamic" nature of sound: Giacinto Scelsi, Gérard Grisey and Kaija Saariaho, threecomposers representing three different periods in the history of the spectral current. Intheir works and their theoretical writings, several questions arise or derive from the"energetic" conception of the material and go beyond the framework of the material:perception, form, musical time, expressivity, relation to the tradition, etc. Moregenerally, an essential question arises: what exists beyond the sound, beyond theenergy within the sound?To answer this question, this research analyses several works by the threecomposers while keeping in mind the adornian conception of material whichquestions the "naturalist" idea of material and the idea of an isolated sound as selfsufficient.Several categories, such as "mediation", "articulation", "tradition","history", "culture / nature" come into play. Thus, this study has managed to highlightthree different "aesthetics" that develop from a common base of "sound energy" as thebearer of musical form — the aesthetics of sound energy, the aesthetics of process,and the aesthetics of expression, three aesthetics that seem to show an evolutiontowards an "interpenetration of the energetics and the semiotics"
Nable, Frederico Arantes. "Sept Papillons de Kaija Saariaho: uma an?lise dos elementos t?cnico-interpretativos". Universidade Federal do Rio Grande do Norte, 2015. http://repositorio.ufrn.br/handle/123456789/20199.
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A pe?a Sept Papillons de Kaija Saariaho ? considerada uma obra de destaque na produ??o atual para violoncelo. O presente trabalho busca contextualiz?-la e oferecer reflex?es sobre as dificuldades t?cnicas encontradas em seu estudo, discorrendo tamb?m sobre conceitos importantes para a interpreta??o. Como procedimento metodol?gico foram estudados autores como MOISALA (2009) e VICTORIO (2015) que d?o fundamenta??o ao entendimento do processo composicional e ? an?lise dos gestos propostos pela compositora. Em um segundo momento foi realizada uma entrevista com Natasha Farny, uma violoncelista reconhecida por sua performance da obra, a qual utilizamos como refer?ncia junto ? performance da coreana Seung Ri Jung e a grava??o do violoncelista Anssi Karttunen, a quem foi dedicada a pe?a. Concomitantemente ao estudo do material bibliogr?fico e realiza??o das entrevistas, a pe?a foi trabalhada e apresentada no ?mbito do PPGMUS-UFRN. A experi?ncia obtida pelos recitais e pela pesquisa da obra resultou em sugest?es para violoncelistas interessados no estudo e na performance da mesma.
Sept Papillons by Kaija Saariaho is a relevant piece in the contemporary cello repertoire. This research aims to study the context of the piece and approaches the technical and musical challenges presented in the work. As a methodological procedure, authors like MOISALA (2009) and VICTORIO (2015) were studied, giving basis to the understanding of the compositional process and to the analysis of the gestures proposed by the composer. Following, an interview was carried out with Natasha Farny, a cellist recognized for her performance of the work and utilized as reference, together with the Korean cellist Seung Ri Jung?s performance and the recording of Anssi Karttunen, to whom the piece was dedicated. Whilst the research of the bibliographical material and the interviews were taking place, the piece was studied and performed at the Masters of Music Program at UFRN. The experience obtained by the recitals and the research resulted in suggestions for cellists interested in its study and performance.
Diaz, Garcia Maria Mercedes. "The Shaping of Time in Kaija Saariaho's Émilie: a Performer's Perspective". Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1579431479557928.
Texto completoMadar, Armaan. "Kaija Saariaho’s Quatre Instants from a pianist’s point of view : an interpretation of the song cycle". Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3630.
Texto completoThe sounding part of the work consists of the following recording: ljud. The Corona virus situation spring semester 2020 has caused limitations in the recording possibilities. The recording is archived and may be supplemented.
Allen, John Clay. "An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition". Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc799510/.
Texto completoLibros sobre el tema "Kaija"
1960-, Winterfeldt Susanne, ed. Kaija Saariaho. Berlin: Musikfrauen e.V., 1991.
Buscar texto completoHautala-Hirvioja, Tuija. Kaija Kiuru. Rovaniemi: Lapin yliopistokustannus, 2011.
Buscar texto completoRisto, Nieminen y IRCAM (Research institute : France), eds. Kaija Saariaho. Paris: IRCAM-Centre Georges Pompidou, 1994.
Buscar texto completoKaija, Saariaho, ed. Elektronisia unelmia: Kirjoituksia Kaija Saariahon musiikista. Helsinki: Yliopistopaino, 2005.
Buscar texto completoHautsalo, Liisamaija. Kaukainen rakkaus: Saavuttamattomuuden semantiikka Kaija Saariahon oopperassa. Helsinki: Suomen Musiikkitieteellinen Seura, 2008.
Buscar texto completoSaariaho, Kaija y Pekka Hako. Aistit, uni, rakkaus: Kaksitoista katsetta Kaija Saariahoon. Helsinki: Lurra Editions, 2012.
Buscar texto completoPakkanen, Kaija. Joka oksalla satu: Kaija Pakkasen satuja ja runoja. Helsinki: Metsälehti, 1999.
Buscar texto completoNascimento, Márcia y Nuno Costa, eds. Käräjäkivet 08: Lingonsö ‘Chapel’: Heikki and Kaija Siren, Lingonsö - Finland, 1966-69. Barcelos, Portugal: Käräjäkivet, 2021.
Buscar texto completoAkutagawa Ryūnosuke: Kaiga, kaika, toshi, eiga. Tōkyō: Kanrin Shobō, 2006.
Buscar texto completoNamiki, Seishi. Kaiga no hen: Nihon bijutsu no kenrantaru kaika. Tōkyō: Chūō Kōronsha, 2009.
Buscar texto completoCapítulos de libros sobre el tema "Kaija"
Stephan, Ilja. "Saariaho, Kaija". En Komponisten Lexikon, 520–21. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_262.
Texto completoEverett, Yayoi Uno. "Pianto as a topical signifier of grief in contemporary operas by John Adams, Thomas Adès, and Kaija Saariaho". En The Routledge Handbook of Music Signification, 333–44. [1.] | New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351237536-29.
Texto completoDahlke, Birgit. "Lange-Müller, Katja". En Metzler Autorinnen Lexikon, 285–86. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_200.
Texto completoTeckentrup, Gabriele. "3. Katja Leyrer". En Frauen in der 68er Bewegung, 73–96. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839468104-015.
Texto completoMüller, Katja y Karoline Noack. "Einleitung: Digitalisierung ethnologischer Sammlungen - Herausforderungen und Chancen". En Edition Museum, 11–30. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839457900-002.
Texto completoMüller, Katja. "Sammlungen online". En Edition Museum, 285–98. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839457900-016.
Texto completoSantro, Kaja. "Softwareentwicklerin (Unternehmen): Kaja Santro". En Geisteswissenschaften studieren - und dann?, 177–82. Stuttgart: J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05746-4_24.
Texto completoStruve, Ulrich. "Katja Lange-Müller (geb. 1951)". En Der Findling Kaspar Hauser in der Literatur, 337–43. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03383-3_73.
Texto completoBöhm, Stanislav, Marek Běhálek y Ondřej Garncarz. "Developing Parallel Applications Using Kaira". En Digital Information Processing and Communications, 237–51. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22389-1_22.
Texto completoKissler, Marie-Luise. "Personalchefin und Juristin: Katja Borghaus". En 80 Menschen – 80 Storys, 75–80. Wiesbaden: Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-37905-6_12.
Texto completoActas de conferencias sobre el tema "Kaija"
Saamishvili, Natalia. "Some Features of Libretto and Musical Composition in “L’amour de loin” by Kaija Saariaho". En Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.132.
Texto completoPauloski, J. Gregory, Qi Huang, Lei Huang, Shivaram Venkataraman, Kyle Chard, Ian Foster y Zhao Zhang. "KAISA". En SC '21: The International Conference for High Performance Computing, Networking, Storage and Analysis. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3458817.3476152.
Texto completoShaftel, Ethan. "Kaiju Confidential". En SIGGRAPH '19: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3302502.3318146.
Texto completoScrocca, Mario, Riccardo Tommasini, Alessandro Margara, Emanuele Della Valle y Sherif Sakr. "The Kaiju project". En DEBS '20: The 14th ACM International Conference on Distributed and Event-based Systems. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3401025.3401740.
Texto completoBöhm, Stanislav. "Implementation of collective communication in Kaira". En PROCEEDINGS OF THE INTERNATIONAL CONFERENCE ON NUMERICAL ANALYSIS AND APPLIED MATHEMATICS 2014 (ICNAAM-2014). AIP Publishing LLC, 2015. http://dx.doi.org/10.1063/1.4913033.
Texto completoKARALIŪNAS, Viktoras y Darius JARMALAVIČIUS. "LIETUVOS BALTIJOS JŪROS KRANTO MORFOLOGIJOS KLAIPĖDOS UOSTO POVEIKIO ZONOJE KAITA IR STABILUMAS". En Conference for Junior Researchers „Science – Future of Lithuania“. VGTU Technika, 2018. http://dx.doi.org/10.3846/aainz.2018.011.
Texto completoAzman, Syafiq Bin Shamsul y Albert Quek. "VR Kaiju game with growth enhancement mechanic". En 3RD INTERNATIONAL CONFERENCE ON COMPUTER, INFORMATION TECHNOLOGY, AND INTELLIGENT COMPUTING (CITIC2023). AIP Publishing, 2024. http://dx.doi.org/10.1063/5.0217149.
Texto completoBehalek, Marek, Stanislav Bohm, Pavel Kromer, Martin Surkovsky y Ondrej Meca. "Parallelization of ant colony optimization algorithm using Kaira". En 2011 11th International Conference on Intelligent Systems Design and Applications (ISDA). IEEE, 2011. http://dx.doi.org/10.1109/isda.2011.6121707.
Texto completoWuisang, Justien. "Contextual Approaches In Kaiwa Learning (Speaking) Japanese Language". En Proceedings of the International Conference on Social Science 2019 (ICSS 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icss-19.2019.60.
Texto completoPaškevičienė, Justina y Rima Tamošiūnienė. "FINANSINIŲ RODIKLIŲ RYŠYS SU LISTINGUOJAMOS ĮMONĖS AKCIJŲ KAINA NUSTATANT VERTĘ". En Conference for Junior Researchers „Science – Future of Lithuania“. VGTU Technika, 2016. http://dx.doi.org/10.3846/mla.2015.899.
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