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Artículos de revistas sobre el tema "John Lanchester"

Autor: Grafiati
Publicado: 11 de marzo de 2023

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1

Nanda, Samar. "Book review: John Lanchester, The Wall: A Novel". Indian Journal of Public Administration 68, n.º 1 (marzo de 2022): 133–37. http://dx.doi.org/10.1177/00195561211072354.

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2

De Bruyn, Ben. "The Great Displacement: Reading Migration Fiction at the End of the World". Humanities 9, n.º 1 (9 de marzo de 2020): 25. http://dx.doi.org/10.3390/h9010025.

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This paper examines how contemporary works of fiction and nonfiction reflect on anticipated cases of climate dislocation. Building on existing research about migrant agency, climate fiction, and human rights, it traces the contours of climate migration discourse before analyzing how three twenty-first-century novels enable us to reimagine the “great displacement” beyond simplistic militarized and humanitarian frames. Zooming in on stories by Mohsin Hamid, John Lanchester, and Margaret Drabble that envision hypothetical calamities while responding to present-day refugee “crises”, this paper explains how these texts interrogate apocalyptic narratives by demilitarizing borderscapes, exploring survivalist mindsets, and interrogating shallow appeals to empathy.
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3

P, Vijay y Vijayakumar M. "Representation of the Postcolonial Migrants’ Multi-Religious Cultures and the Fantasy of Christianity in John Lanchester’s Capital". ECS Transactions 107, n.º 1 (24 de abril de 2022): 6163–74. http://dx.doi.org/10.1149/10701.6163ecst.

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Literary writings have broadened that the world broaches the religious and cultural discrimination between the imperialist countries and the colonized immigrants. John Lanchester spreads over the conflicts of the multi-religious culture of migrants and the pride of the Christmas festival in European countries in his novel, Capital (2012). The Christian countries have defeated the migrants by showing pretentious prevailing city life in London. Unfortunately, some migrating laborers are illiterate to encounter them all. He forces migrants not to convert themselves from one religion to another for getting jobs. He also emancipates his presser to look after the life of migrating people in European countries. He then indirectly talks about the three religions: Hinduism, Islam, and Christianity. He proves that London is a place for Christianity, which is reflected in Christmas decorations. This novel elongates many themes related to the social and economic exploitation of poor migrants at Pepys Road in London.
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4

Posse, Clara. "Comentario a John Lanchester: ¡Huy! Por qué todo el mundo debe a todo el mundo y nadie puede pagar". Delito y Sociedad 1, n.º 41 (1 de enero de 2017): 180–83. http://dx.doi.org/10.14409/dys.v1i41.6205.

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5

Buchan, James. "Whoops! Why everyone owes everyone and no one can payWhoops! Why everyone owes everyone and no one can pay Lanchester John Penquin £9.99". Nursing Standard 25, n.º 17 (4 de enero de 2011): 29. http://dx.doi.org/10.7748/ns.25.17.29.s40.

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6

P, Vijay y Vijayakumar M. "Dissolution of Cultural Diversity, Morality and Immigrants’ Dreams in John Lanchester’s Capital". World Journal of English Language 12, n.º 5 (18 de mayo de 2022): 128. http://dx.doi.org/10.5430/wjel.v12n5p128.

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Immigrants from colonised countries live in many European countries, including Portugal, England, Germany and France. The prime reason for their immigration is to make money. Many post-colonial novels reflect the terrible condition of the immigrants in the world. In general, they highlight the ruin of multi-culturalism, morality and kindness in the prevailing society. The European countries focus on the fundamental needs and their expectations. They fail to protect the young immigrants and their aims. John Lanchester’s Capital boastfully describes the impact of the inevitable immigration of Asians and Africans to London. It is observed from the study that some immigrants are attracted by the life of aristocratic Londoners. This influences them to involve in criminal and immoral activities to live a luxurious life. As a result, London becomes a place of immorality. The dreams and cultures of the immigrants are entirely dissolute. On the one hand, the immigrants are considered to be slaves and criminals and on the other hand, they are exploited in sports, education and business contexts. This article brings out the condition of the immigrants in Europe with special reference to John Lanchester’s Capital through a qualitative study.
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7

Bernard, Catherine. "Writing Capital, or, John Lanchester’s Debt to Realism". Études anglaises 68, n.º 2 (2015): 143. http://dx.doi.org/10.3917/etan.682.0143.

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8

Korte, Barbara. "John Lanchester’s Capital: financial risk and its counterpoints". Textual Practice 31, n.º 3 (3 de marzo de 2017): 491–504. http://dx.doi.org/10.1080/0950236x.2017.1294894.

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9

Rundholz, Adelheid. "Unwelcome consequences: Christina Dalcher’s Vox and John Lanchester’s The Wall". Crossroads. A Journal of English Studies, n.º 37(2) (2022): 28–45. http://dx.doi.org/10.15290/cr.2022.37.2.02.

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The Bulletin of the Atomic Scientistsʼ Doomsday Clock, first introduced in 1947, recently movedthe fictional clock forward; it now rests at 100 seconds to midnight, or 100 seconds from destroying our selves. The numerous threats posed by nuclear weapons, pandemics, weaponized technology, and catastrophic climate change create an ʻenvironment of miseryʼ in which all action—and all inaction—is fraught with risk. Two recent novels employ dystopian visions of the United States and Britain, respectively, and explore the consequences of social engineering that takes place to minimize (perceived) risks and increase safety. Dalcherʼs Vox (2018) and Lanchesterʼs The Wall (2019) are two novels that are a commentary on a world in which risk is pervasive and in which (in)action can exacerbate dire circumstances. At the same time, the novels highlight that local (national) action is doomed to fail if it does not also consider the global interconnectedness of challenges and risks.
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10

Lanigan, Liam. "Toward a Realism of the World-System: John Lanchester’s Capital and the Global City". Modern Language Quarterly 82, n.º 4 (1 de diciembre de 2021): 499–526. http://dx.doi.org/10.1215/00267929-9365983.

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Abstract This essay explores how John Lanchester’s Capital adapts classical realism to represent the contemporary global city; it pays particular attention to how London’s position in the world-system disrupts Lukácsian totality. Because the novel attends to the complexity and extensiveness of the world-system, it depicts the city not as a representative totality but as embedded in the global circuits of capital, shaped by the influences of inward migration and global finance. In this the novel has affinities with many fictions of the global periphery, for instance portraying the city as at once socially fragmented and structurally connected. Furthermore, the novel departs from classical realism in its closure; though the 2008 financial crisis is omitted from the novel, it overshadows the entire plot, and its absence emphasizes the lack of finality in the story of this phase of capitalism itself. In demonstrating the temporal and spatial unknowability of contemporary capital, Lanchester’s novel both affirms the capacity of realism to trace deep systemic connections and reveals the fragility of its construction of a social totality, positing a realism attendant to its own perspectival limits within the world-system.
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11

YILMAZ, Hakan. "HUMAN EXCEPTIONALISM, PRECARIOUSNESS, AND ECONOMY OF SAMENESS IN JOHN LANCHESTER’S THE WALL". Karamanoğlu Mehmetbey Üniversitesi Uluslararası Filoloji ve Çeviribilim Dergisi 3, n.º 2 (31 de diciembre de 2021): 193–212. http://dx.doi.org/10.55036/ufced.1023083.

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12

J. Russell Perkin. "John Lanchester's Capital: A Dickensian Examination of the Condition of England". Journal of Modern Literature 41, n.º 1 (2017): 100. http://dx.doi.org/10.2979/jmodelite.41.1.07.

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13

Sandrock. "Border Temporalities, Climate Mobility, and Shakespeare in John Lanchester's The Wall". Journal of Modern Literature 43, n.º 3 (2020): 163. http://dx.doi.org/10.2979/jmodelite.43.3.10.

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14

Durham, Carolyn A. "A Menu for All Seasons: John Lanchester's The Debt to Pleasure and the New European Novel". English Language Notes 41, n.º 2 (1 de diciembre de 2003): 71–82. http://dx.doi.org/10.1215/00138282-41.2.71.

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15

Caporale-Bizzini, Silvia. "Narratives of Disposability in Contemporary British Fiction: Monica Ali's In the Kitchen and John Lanchester's Capital". English Studies 101, n.º 5 (3 de julio de 2020): 584–97. http://dx.doi.org/10.1080/0013838x.2020.1798139.

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16

Van Driessche, Joost. "JOHN LANCHESTERS DE MUUR: EEN LITERAIRE VERBEELDING VAN POLITIEK ONVERMOGEN". De Uil van Minerva 32, n.º 2 (1 de enero de 2020). http://dx.doi.org/10.21825/uvm.v32i2.15828.

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