Bibliografías temáticas / Jewish dance in literature

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Literatura académica sobre el tema "Jewish dance in literature"

Autor: Grafiati
Publicado: 26 de julio de 2024

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Artículos de revistas sobre el tema "Jewish dance in literature"

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Nitza Davidovitch, Nitza, and Eyal Lewin. "The Polish-Jewish Lethal Polka Dance." Journal of Education Culture and Society 10, no. 2 (2019): 15–31. http://dx.doi.org/10.15503/jecs20192.15.31.

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Aim. This paper analyses the inherent paradoxes of Jewish-Polish relations. It portrays the main beliefs that construct the contradicting narratives of the Holocaust, trying to weigh which of them is closer to the historic truth. It seeks for an answer to the question whether the Polish people were brothers-in-fate, victimized like the Jews by the Nazis, or if they were rather a hostile ethnic group.
 Concept. First, the notion of Poland as a haven for Jews throughout history is conveyed. This historical review shows that the Polish people as a nation have always been most tolerant towards the Jews and that anti-Semitism has existed only on the margins of society. Next, the opposite account is brought, relying on literature that shows that one thousand years of Jewish residence in Poland were also a thousand years of constant friction, with continuous hatred towards the Jews. Consequently, different accounts of World War II are presented – one shows how the Polish people were the victims, and the others deal with Poles as by-standers and as perpetrators.
 Results and conclusion. Inconsistency remains the strongest consistency of the relations between Jews and Poles. With the unresolved puzzle of whether the Polish people were victims, bystanders or perpetrators, this paper concludes with some comments on Israeli domestic political and educational attitudes towards Poland, that eventually influence collective concepts.
 Cognitive value. The fact that the issue of the Israeli-Polish relationship has not been deeply inquired, seems to attest to the reluctance of both sides to deal with what seems to form an open wound. At the same time, the revival of Jewish culture in Poland shows that, today more than ever, the Polish people are reaching out to Israelis, and are willing to deal with history at an unprecedented level. As Israelis who wish to promote universal values, a significant encounter with the Polish people may constitute a door to acceptance and understanding of others. Such acceptance can only stem from mutual discourse and physical proximity between the two peoples.
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BAĞIROVA, G. M. "ROMAN QARİNİN “ÇİNGİZ XAİMANIN RƏQSİ” ROMANINDA POSTMODERNİST ELEMENTLƏR." Actual Problems of study of humanities 2, no. 2024 (2024): 115–19. http://dx.doi.org/10.62021/0026-0028.2024.2.115.

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Postmodernist Elements in Romain Gary’s Novel “The Dance of Genghis Cohn” Summary An outstanding representative of French literature of the 20th century, Romain Gary’s literary career is distinguished by its variety and color. The writer periodically presents the problems of the time he lived in and the Jewish identity to which he belongs. Also in his works “The dance of Genghis Cohn” highlighted the German-Jewish problem in a unique way. Using various principles of the postmodern novel, Romain Gary has created an interesting novel. From this point of view, the article first gives brief information about postmodern literature, and then analyzes the novel. Key words: Postmodernism, French literature, irony, the grotesque, the Holocaust
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Solomon, Alisa. "Balancing Act: Fiddler's Bottle Dance and the Transformation of “Tradition”." TDR/The Drama Review 55, no. 3 (2011): 21–30. http://dx.doi.org/10.1162/dram_a_00091.

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The Bottle Dance in Fiddler on the Roof was inspired by what the director/choreographer Jerome Robbins called “field research” at Orthodox Jewish weddings. Reshaped and expanded by Robbins's masterful showbiz sensibility, it became a show-stopping number—and, thus transformed, filtered back out of the musical into Jewish celebrations to confer “tradition.”
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Hezser, Catherine. "Freak, not Sage: An Exploration into Freakishness in Modern Jewish Culture." Culture and Dialogue 3, no. 1 (2015): 51–71. http://dx.doi.org/10.1163/24683949-00301006.

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The images of the clown and the freak and representations of the grotesque body are recurrent motifs in modern Jewish literature, film, art, theatre and dance. Kafka’s novella Metamorphosis is an early prototype of the changeling who leaves conventional human appearance behind and is gradually transformed into an insect-like creature. The story served as a prototype for Woody Allen’s film Zelig, in which the main protagonist adopts a variety of different personas, amongst them a Nazi in the Third Reich. The theme of morphing into a freak, clown, or grotesque body reappears in various forms in contemporary Jewish culture and art: The American Jewish writer Philip Roth declared in the 1960s that he was not a Jewish sage but a Jewish freak. Freakishness, clowns, and the circus have a subversive potential: they constitute a digression from what is considered normal appearance and behaviour and play with presumptions, expectations, and social values. A study of this subject reveals the constant dialogue between religion and culture as far as Judaism is concerned.
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Repertório, Teatro &. Dança. "MOVIMENTOS DE DANÇA E LITERATURA: SALOMÉ E A CABEÇA DE JOÃO BATISTA NO RELATO DE MARCOS [Enéias Farias Tavares (UFSM)] [Juliana de Abreu Werner T. (UFRGS)]." REPERTÓRIO, no. 15 (July 7, 2010): 176. http://dx.doi.org/10.9771/r.v0i15.5223.

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<div>A dança perpassa a história de todas as civilizações antigas. Na cultura primitiva, ela estabelece uma forma de comunicação única entre um povo e suas tradições. Essa comunicação ocorre por meio de um vocabulário próprio de movimentos e gestos corporais que também farão parte dos rituais religiosos. No caso dos textos judaicos, a dança está associada a comemorações bélicas, à conquista militar, à realização pessoal e ao culto à divindade, além de exemplificar um aspecto do “ritual pagão” dos povos não-judaicos. Por sua vez, o episódio envolvendo a filha de Herodias, Salomé, registrado nos evangelhos de <em>Mateus e Marcos</em>, foi relido nos séculos posteriores figurando sua dança apenas em associação com a licenciosidade romana. O objetivo desse texto é analisar a relação dos textos velho-testamentários com a dança e opô-la ao relato de Marcos, ressaltando o modo peculiar com que o autor constrói sua narrativa. Nesse sentido, buscamos uma aproximação entre o texto literário bíblico e as práticas da dança no contexto judaico e romano.</div><div><br /></div><div><div><br />Dance passes through the history of all ancient civilizations. In the culture of primitive society, it provides a unique form of communication between people and their traditions. This communication occurs through a specific vocabulary of movements and body gestures which is also part of religious rituals. In the case of Jewish texts, the dance is associated with the celebration of war, military conquest, personal accomplishment and to worship their god, besides its "pagan worship" nature in non-Jewish cultures. On the other hand, the story of the dance of Salome, in <em>Matthew and Mark</em>, was reread in later centuries fi guring dance only in association with the Roman licentiousness. The aim of this paper is to analyze the relationship of old-testamentary texts with dance and oppose them to Mark's account, highlighting the peculiar way in which the author described the dance, the setting and characters of the story. In this sense, we seek an approximation between biblical literary text and the practice of dance in a Jewish and Roman context.</div></div>
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DE SIMONE, MARIA. "Sophie Tucker, Racial Hybridity and Interracial Relations in American Vaudeville." Theatre Research International 44, no. 2 (2019): 153–70. http://dx.doi.org/10.1017/s0307883319000038.

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This article discusses Sophie Tucker's racialized performance in the context of early twentieth-century American vaudeville and black–Jewish interracial relations. Tucker's vaudeville musical acts involved mixed racial referents: ‘black-style’ music and dance, Jewish themes, Yiddish language and the collaboration of both African American and Jewish artists. I show how these racial combinations were a studied tactic to succeed in white vaudeville, a corporate entertainment industry that capitalized on racialized images and fast changes in characters. From historical records it is clear that Tucker's black signifiers also fostered connections with the African American artists who inspired her work or were employed by her. How these interracial relations contended with Tucker's brand of racialized performance is the focus of the latter part of the article. Here I analyse Tucker's autobiography as a performative act, in order to reveal a reparative effort toward some of her exploitative approaches to black labour and creativity.
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Batstone, Leah. "A Dance from Iglau: Gustav Mahler, Bohemia, and the Complexities of Austrian Identity." 19th-Century Music 44, no. 3 (2021): 169–86. http://dx.doi.org/10.1525/ncm.2021.44.3.169.

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A survey of Mahler’s correspondents, especially his classmates at the University of Vienna in the 1870s, reveals a multifaceted identity he shared with them. Most of his fellow members of the Pernerstorfer Circle, young intellectuals who met to discuss art and politics during their university years, had a similar background: German-speakers with a Jewish heritage and an upbringing in one of the Eastern minority communities of the Habsburg Empire. While some of Mahler’s music has been examined with respect to his Jewish background, little has been said about the influence of Bohemia on the composer, and even less about how this Austrian configuration of identity influenced his worldview and composition. We often repeat Mahler’s famous quote that he was thrice homeless, as a Bohemian in Austria, as an Austrian among Germans, and as a Jew throughout the world, yet the meaning of being Austrian rather than German has been underexplored in Mahler’s music. In this article, I suggest that the mixture of ethnic identities was Austrian for the composer, placing Mahler within a group of like-minded Austrians whose complex allegiances to multiple traditions influenced their contributions to the field of politics, literature, philosophy, and music. Focusing on Mahler’s early symphonies, I demonstrate the interface between Jewish, Bohemian, and Austro-German musical characteristics, and I compare this musical synergy to similar interactions in the publications of members of the Mahler’s university peers, as well as other intellectuals of his generation including Karl Emil Franzos. This article reveals multiethnic networks of influence in Mahler’s music and reconsiders Austrian identity uncoupled from the traditional Austro-German formulation.
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Mollona, Massimiliano. "Seeing the Invisible: Maya Deren's Experiments in Cinematic Trance." October 149 (July 2014): 159–80. http://dx.doi.org/10.1162/octo_a_00188.

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In July 1791, the story goes, a small voodoo gathering in Santo Domingo sparked the Haitian Revolution, the first black anti-colonial revolution in history. The glorious history of the “Republic of the black Jacobins” was often celebrated by Surrealist artists in New York and Paris in their exposé of the decadent state of colonial powers in the aftermath of the Second World War. For instance, Haiti is central to André Breton's anti-colonial manifesto, Aimé Cesaire's idea of negritude, Rudy Burckhardt's lyric film symphonies, and Zora Neale Hurston's novels on creole culture. In New York, negritude did not have quite the same revolutionary appeal as in Paris, where Josephine Baker was hailed as a Surrealist goddess of “natural” beauty and power. But the electric Haitian voodoo performances of dancer and choreographer Katherine Dunham attracted a diverse community of African-American artists, émigrés, intellectuals, and communist sympathizers in the off-limits clubs, cafés, and private parties in Harlem. In its uncontainable, carnivalesque power, open forms, and sexual energy, Haitian voodoo captured an attraction to the “primitive” that affected American intellectuals and popular culture alike. Before becoming a Hollywood star, Dunham, of mixed West African and Native American roots, traveled to Haiti to study voodoo rituals for an anthropology degree at the University of Chicago. Fusing American dance, European ballet, and voodoo movements, she became a symbol of the black diaspora. In a recent film interview, Dunham recalls how her young assistant (or “girl Friday,” in the parlance of the time) Maya Deren was fascinated by Haitian dance and would use it to steal the show in rehearsals, public performances, and glitzy parties. The daughter of Russian Jewish émigrés and Trotskyite activists, Deren was struck by the power of this syncretic dance, which blended different cultural backgrounds and formed political consciousnesses while always providing entertainment and energizing dinner parties and giving voice to invisible deities. In her experimental filmmaking, Deren infused this magnetic power of dance into cinema.
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Rossen, Rebecca. "Uneasy Duets: Contemporary American Dances about Israel and the Mideast Crisis." TDR/The Drama Review 55, no. 3 (2011): 40–49. http://dx.doi.org/10.1162/dram_a_00093.

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Jewish choreographers have consistently created dances that embody the shifting role of Israel in American Jewish life. Countering the Zionism of mid-century dances about Israel, contemporary Jewish American choreographers such as Liz Lerman and Kristen Smiarowski actively question the ideology of unconditional support, deftly grapple with the Israeli-Palestinian conflict, and situate performance as an opportunity for activism, inquiry, and debate.
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Markenson, C. Tova. "Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance. By Rebecca Rossen. Oxford: Oxford University Press, 2014. Pp. 336 + 50 illus. $99 Hb; $29.95 Pb." Theatre Research International 41, no. 1 (2016): 89–91. http://dx.doi.org/10.1017/s0307883315000681.

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Tesis sobre el tema "Jewish dance in literature"

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Burrelli, Robert J. "Dance and related expressions of worship." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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Shere, Jeremy. "Jewish American canons assimilation, identity, and the invention of postwar Jewish American literature /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3204536.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2006.<br>Source: Dissertation Abstracts International, Volume: 67-01, Section: A, page: 0188. Adviser: Alvin Rosenfeld. "Title from dissertation home page (viewed Dec. 11, 2006)."
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Bellantuono, Antonella. "Divine epithets in Jewish-Hellenistic literature." Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAK006.

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Cette thèse se propose d’examiner en profondeur un thème négligé jusqu'ici dans le domaine de l’histoire des religions et de l’exégèse biblique: la manière dont les juifs hellénisés ont utilisé des concepts grecs pour parler de Dieu. Les textes de la littérature de la diaspora juive de langue grecque présentent la figure de YHWH enrichie par des concepts grecs qui étaient étrangers aux écrits bibliques rédigés en langue hébraïque. Il s’agit surtout des vertus suivantes: φιλανθρωπία “humanité́”, εὐεργεσία “faire du bien”, ἐπιείκεια “clémence” et χρηστότης “bonté”. Ces attributs sont nouveaux et s’ajoutent à ceux qui sont propres à la Bible hébraïque. Plutôt que de maintenir les anciennes dénominations ou caractérisations, les traducteurs et les écrivains juifs de langue grecque ont préféré emprunter à la culture grecque contemporaine des termes utilisés avant tout dans les domaines philosophiques, littéraires ou historiques<br>This thesis aims to examine in depth a theme that has hitherto been neglected in the field of history of religions and biblical exegesis: the way in which Hellenized Jews used Greek concepts to speak of God. The texts of the Greek-speaking Jewish diaspora literature present the figure of YHWH enriched by Greek concepts that were foreign to the biblical writings written in Hebrew. These are mainly the following virtues: φιλανθρωπία “humanity”, εὐεργεσία “benevolence”, ἐπιείκεια “clemence” and χρηστότης “kindness”. These attributes are new and are in addition to those specific to the Hebrew Bible. Rather than maintaining old denominations or characterizations, Greek-speaking Jewish translators and writers have preferred to borrow from contemporary Greek culture terms used primarily in the philosophical, literary or historical fields
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Tatonetti, Lisa Marie. "From Ghost Dance to Grass Dance : performance and postindian resistance in American Indian Literature /." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392799368.

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Stern, Sacha David. "Jewish identity in early rabbinic writings." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334821.

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Aviv, Aviva. "Ahad Ha-Am's concept of Jewish nationalism." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359620.

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Gordon, Alex. "Zwischenmensch : contradiction, postmodernity and American-Jewish identity." Thesis, University of East Anglia, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246952.

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Costello, James Patrick. "A journey inside the writer's mind: a Jewish poet's perspective." Thesis, Boston University, 1998. https://hdl.handle.net/2144/27626.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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Plapp, Laurel A. "The Orient in Europe : Zionism and revolution in European-Jewish literature /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2005. http://wwwlib.umi.com/cr/ucsd/fullcit?p3170245.

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Dell, Katharine J. "The book of Job as sceptical literature." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303538.

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Libros sobre el tema "Jewish dance in literature"

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Kimmelman, Leslie. Dance, sing, remember: A celebration of Jewish holidays. HarperCollins, 1999.

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Katz, David S. Meḥol ha-maṿet: Misṭiḳat emunot, omanuyot ṿe-sifrut. Y. L. Perets, 1999.

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Dante, Jan Herman. 26. november: Fire fortellinger fra det norske Holocaust, basert på intervjuer med Gerd Golombek, Rosa Tankus, Sigmund Korn og Samuel Steinmann ; etterord ved Jan Herman Dante. No Comprendo Press, 2010.

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Seeing Israeli and Jewish dance. Wayne State University Press, 2011.

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Ingber, Judith Brin. Seeing Israeli and Jewish dance. Wayne State University Press, 2011.

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Dance. Rourke Pub., 2010.

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Maurice, Carr, Karr Hazel, Norich Anita, and Stavans Ilan, eds. The dance of the demons. Feminist Press at the City University of New York, 2009.

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VanVoorst, Jenny Fretland. Dance. Jump!, Inc., 2016.

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Friedman, C. Y. Sefer Ketsad meraḳdin: ʻal ʻinyene riḳudim : otsar nifla ... Mekhon "Be-ḥaye Mosheh", 2004.

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Crónica de los judíos en el tango. Milá, 2015.

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Capítulos de libros sobre el tema "Jewish dance in literature"

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Jones, Susan. "Dance." In A Companion to Modernist Literature and Culture. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch29.

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Seymour-Smith, Martin. "Jewish Literature." In Guide to Modern World Literature. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-06418-2_21.

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Gruen, Erich S. "Jewish Literature." In A Companion to Hellenistic Literature. Blackwell Publishing Ltd, 2014. http://dx.doi.org/10.1002/9781118970577.ch27.

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Bose, Mandakranta. "The Literature of Dance." In Movement and Mimesis. Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-3594-8_2.

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Adamczyk-Garbowska, Monika, and Antony Polonsky. "Polish-Jewish literature." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2004. http://dx.doi.org/10.1075/chlel.xix.51ada.

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Gollance, Sonia. "The Choreography of Acculturation." In It Could Lead to Dancing. Stanford University Press, 2021. http://dx.doi.org/10.11126/stanford/9781503613492.003.0002.

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The prohibition on men and women dancing together was derived from biblical precedent and Jewish laws regulating sexual behavior. While even traditional communities had varied interpretations of what mixed-sex dancing entailed, in literature such boundaries were frequently transgressed. Where rabbinic condemnations of mixed-sex dancing before 1780 emphasize the connection between dancing and forbidden sexual behavior, later and more literary texts use dance to discuss influences from outside of the Jewish community. Writers utilized dance as a metaphor for Jewish modernity, which communicates their concerns with society while entertaining their readers. German Jewish and Yiddish literature targeted readerships that often differed in terms of class background and knowledge of Jewish tradition, yet they shared a fascination with literary dance scenes.
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Malinovich, Nadia. "The Beginnings of a French Jewish Literature." In French and Jewish. Liverpool University Press, 2007. http://dx.doi.org/10.3828/liverpool/9781904113409.003.0003.

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This chapter explores the tension between universalism and particularism as expressed in the pre-war poetry, novels, and essays of André Spire, Edmond Fleg, Henri Franck, and Jean-Richard Bloch. It examines the question of Jewish identity in the modern world through writers that paved the way for the much more widespread phenomenon of Jewish self-questioning in the post-war years. It also looks at André Spire's ground-breaking Poèmes juifs and Quelques Juifs that offered a scathing critique of both Jewish assimilation and French antisemitism. It discusses Henri Franck's prose poem La Danse devant l'arche, which describes a young man's quest for the meaning of life and reveals a similar tension between affirming the specificity of Jewish roots and embracing a larger French cultural heritage.
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Diner, Basia R. "A Political Tradition? American Jewish Women and the Politics of History." In Studies in contemporary jewry An annual XVI. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195140811.003.0003.

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Abstract In 1997, the publication of Jewish Women in America: An Historical Encyclopedia announced to the world of American Jewish historical scholarship that the consistent neglect of women and women’s activities in the Jewish past had come to an end. After even a cursory skim of the encyclopedia’s 1,770 pages with its 910 entries-800 biographical profiles and 110 topical entries-no one could possibly claim that Jewish women did not have a history worth telling, or that their lives had been lived out in such domestic obscurity that they could not be reconstructed. Topical entries included sports, science, law, medicine, scholarship, literature, art, dance, and academia, all of which represented zones of endeavor in which Jewish women contributed mightily. Moreover, Jewish Women in America made it abundantly clear that women helped to shape the American Jewish world. ln the realm of American Judaism as a system of ritual and belief, Jewish women played formative roles in sustaining traditional practice, fostering Jewish learning and loyalty, and creating new modes of expression and behavior.
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"A Dance." In From the Jewish Provinces. Northwestern University Press, 2021. http://dx.doi.org/10.2307/j.ctv209xnb3.27.

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"The dance history literature." In Dance History. Routledge, 2006. http://dx.doi.org/10.4324/9780203137369-9.

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Actas de conferencias sobre el tema "Jewish dance in literature"

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Vasiljeva, Elina. ""JEWISH TEXT� OF LATVIAN LITERATURE: DRAMA AND THEATRE." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s11.22.

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"Research on Jewish National Customs and Religious Origins." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.35.

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Eloisa Aznar Bigcas, Alva Celina. "Hip-hop: Street Dance Lexicon in Singapore." In Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3566_l315.68.

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Tang, Jie, and Changfei Yu. "The Heterotopia of Exile in the Autobiography of Jewish Refugee." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.490.

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Adelgeym, Irina. "The Polish-Jewish past and its representation in the young Polish prose of the 2010s. (P. Paziński, S. Chutnik, I. Ostachowicz)." In Slavic collection: language, literature, culture. LLC MAKS Press, 2019. http://dx.doi.org/10.29003/m.slavcol-2018/329-336.

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Padalia, Andi, and Bau Salawati. "Analysis of the Need for Development of Dance Learning Devices in South Sulawesi in Students of Sendratasik Education FSD, State University, Makassar (Dance CD Dance Mallatu ’Pakkuru Sumange Coffee and Dance’)." In Proceedings of the International Conference Primary Education Research Pivotal Literature and Research UNNES 2018 (IC PEOPLE UNNES 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/icpeopleunnes-18.2019.13.

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Liu, Jingxian. "Research on the Artistic Conception Creation of National Dance Works." In 2021 4th International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2021. http://dx.doi.org/10.25236/icallh.2021.002.

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Artistic conception is an important part of Chinese classical art creation, which is the highest realm in the process of artistic pursuit, and also the highest requirement of dance art creation. Especially in the new era, art presents a trend of diversified development, and the creation of artistic conception in national dance works has become an important embodiment of its own artistic attainments. This paper mainly analyzes the related content of national dance artistic conception, and studies the artistic conception creation of national dance works, hoping to provide some reference for the creation of national dance works in China.
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Zong, Xueliang. "A Comparative Analysis of Daozhen Nuo Dance and Yongjing Nuo Dance From the Perspective of Intangible Heritage." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.518.

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"Analysis of Design Principles and Elements of Square Fitness Dance." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.13.

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Brause, Caryn, and Madison Dehaven. "Communal Provisioning and Community Abundance: Operationalizing Jewish Concepts of Gleaning through Design." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.61.

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Each year, more than 10% of the U.S. population experiences food insecurity.1 Historically, many faith-based organizations have focused on alleviating hunger as an expression of their values. As these organizations are some of the largest non- governmental landowners in the world,2 some of their less productive land holdings could be repurposed to directly address food justice. In Jewish practice, Biblical literature outlines laws providing agricultural support in the form of fallen grain and fruit available for post-harvest gleaning.3 Two associated projects, Abundance Farm and the Food Security and Sustainability Hub, provide design examples that address food justice by operationalizing Jewish traditions of the commons.
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Informes sobre el tema "Jewish dance in literature"

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Maia, Maercio, Abrahão Baptista, Patricia Vanzella, Pedro Montoya, and Henrique Lima. Neural correlates of the perception of emotions elicited by dance movements. A scope review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2023. http://dx.doi.org/10.37766/inplasy2023.2.0086.

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Review question / Objective: The main question of the study is "how do dance neuroscience studies define and assess emotions?" The main objective is to establish, through the available literature, a scientific overview of studies in dance neuroscience that address the perception of emotions in the context of neuroaesthetics. Specifically, it is expected to verify if there is methodological homogeneity in studies involving the evaluation of emotions within the context of dance neuroscience; whether the definition of emotion is shared in these studies and, furthermore, whether in multimodal studies in which dance and music are concomitantly present, whether there is any form of distinction between the contribution of each language on the perception of emotions evoked by the stimulus.
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programme, CLARISSA. The Need for an ‘Association’ to Improve Night Entertainment Business Management Practices to Reduce Worst Forms of Child Labour. Institute of Development Studies, 2024. http://dx.doi.org/10.19088/clarissa.2024.035.

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In late 2020, CLARISSA undertook scoping studies and literature reviews into supply chain/human chain/urban neighbourhood dynamics in Kathmandu, and their impact on worst forms of child labour (WFCL). To address the evidence gaps identified, the team developed a research framing for exploring in greater detail how small Adult Entertainment Sector (AES) businesses were being run – exploring factors such as managing seasonality, relationships between informal and formal businesses, loans and debts carried by small businesses, and business norms in the sector – and how these factors can perpetuate WFCL. Twenty-five AES business owners running dohoris, dance bars, khaja ghars (small eateries), and massage and spa venues were then interviewed, and the findings were analysed and validated by business owners. The next step was the formation of three Action Research Groups (ARGs) with AES business owners, to undertake further evidence gathering and then formulate and deliver actions and innovations to reduce WFCL. It was decided that one ARG, the focus of this report, would focus on owners of dohoris and dance bars. The chosen location for the group is a major entry point into Kathmandu from the eastern side of Kathmandu Valley, and this has led to a large number of new AES businesses being set up.
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