Literatura académica sobre el tema "Jerome Robbins"
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Artículos de revistas sobre el tema "Jerome Robbins"
Warren Sonbert. "“Jerome Robbins”". Framework: The Journal of Cinema and Media 56, n.º 1 (2015): 31. http://dx.doi.org/10.13110/framework.56.1.0031.
Texto completoSolomon, Alisa. "Balancing Act: Fiddler's Bottle Dance and the Transformation of “Tradition”". TDR/The Drama Review 55, n.º 3 (septiembre de 2011): 21–30. http://dx.doi.org/10.1162/dram_a_00091.
Texto completoKnyt, Erinn E. ""Just to Be , and Dance ": Jerome Robbins, J. S. Bach, and Late Style". BACH: Journal of the Riemenschneider Bach Institute 54, n.º 2 (2023): 273–303. http://dx.doi.org/10.1353/bach.2023.a907243.
Texto completoRogoff, Jay. "Still Youthful at 100 by Jerome Robbins". Hopkins Review 12, n.º 1 (2019): 135–42. http://dx.doi.org/10.1353/thr.2019.0018.
Texto completoSaumaa, Hiie. "Somaticist in the dance archives: Exploring Jerome Robbins’ diaries through somatics". Journal of Dance & Somatic Practices 12, n.º 2 (1 de diciembre de 2020): 229–38. http://dx.doi.org/10.1386/jdsp_00025_1.
Texto completoZHU, YING y DANIEL BELGRAD. "“This Cockeyed City Is THEIRS”: Youth at Play in the Dances of West Side Story". Journal of American Studies 51, n.º 1 (18 de mayo de 2016): 67–91. http://dx.doi.org/10.1017/s002187581600061x.
Texto completoRorem, Ned. "“Ballet for Jerry”: Three letters from Jerome Robbins to Ned Rorem". Dance Chronicle 23, n.º 3 (enero de 2000): 263–73. http://dx.doi.org/10.1080/01472520008569391.
Texto completoWest, Martha Ullman. "A Review of: “Jerome Robbins: His Life, His Theater, His Dance”". Dance Chronicle 28, n.º 2 (mayo de 2005): 265–69. http://dx.doi.org/10.1081/dnc-200061521.
Texto completoBaber, Katherine. "“American First Aid”: Jerome Robbins and Leonard Bernstein at the Salzburg Festival, 1959". Journal of Austrian-American History 6, n.º 1 (18 de mayo de 2022): 74–88. http://dx.doi.org/10.5325/jaustamerhist.6.1.0074.
Texto completo정옥희. "Critical Reconsiderations of Dance Media Archives: The Case of the New York Public Library’s Jerome Robbins Dance Division". Korean Journal of Dance Studies 34, n.º 34 (diciembre de 2011): 215–57. http://dx.doi.org/10.16877/kjds.34.34.201112.215.
Texto completoTesis sobre el tema "Jerome Robbins"
Forster, Lou. "Page à la main. ː : Lucinda Childs et les pratiques de danse lettrée". Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0015.
Texto completoLucinda Childs is a major figure in twentieth-century dance. In the early 1960s, she was one of the founding members of the Judson Dance Theater, a group of dancers, choreographers, artists and composers in New York City who reinvigorated dance forms and practices. With the establishment of her company in 1973, she emerged as one of the leading figures of American minimal dance and postmodern dance, while collaborating from the 1980s onward with major ballet companies in Europe and the United States. Whether with her own company, with repertory dance companies, or at Judson, literacy plays a crucial role in the conceiving, embodying, and performing of her dances. Through an anthropological investigation within dance studios, Lou Forster demonstrates that the technical gesture of dancing, page in hand, is constructed at the intersection of two parallel histories. In the 1950s, John Cage and Merce Cunningham devised a range of reading and writing practices in order to oppose, divert and reconfigure academic methods in which literacy serves as a foundation to establish disciplinary divisions and hierarchies. This neo-avant-garde approach played a crucial role at Judson. Among the members of this group, Childs was one of the choreographers who paid the most attention to these literacy practices, as they tied in with a lesser-known aspect of her dance training. From 1955 to 1962, she studied modern dance within the extensive network of the German diaspora in New York. Specifically, she attended the school run by the choreographer Hanya Holm (1893-1992), where an Americanised form of dance of expression (Ausdruckstanz) was taught. There Childs discovered Kinetography Laban or Labanotation, the system of analysing and writing movement developed by the Austro-Hungarian choreographer Rudolf Laban (1879-1958), in which dancers rehearse with page in hand. Fifteen years later she turned toward this literacy event, unusual for the dance world, to work with her company. Art history and dance history dissociated these two aspects of choreographic modernity when, from 1933, part of the dance of expression became involved with the Nazi regime. In the United States, the myth of the originality of American Modern dance began to take shape, further emphasized during the Cold War. Childs' unique position in this connected history meant that graphic practices became a matrix for postmodernism. Since 1973, she embraced all canonical techniques of Western dance, moving over the years from dance of expression to pedestrian activities, to Neoclassical and then to the Baroque. Positioning herself as an appropriationist, she developed a historical and critical perspective on these borrowed techniques. In her pieces, she seeks to bring together practices, genres and histories of dance that have been separated and disjointed, crafting a genuine poetics of relation
Libros sobre el tema "Jerome Robbins"
Vaill, Amanda y Judy Kinberg. Jerome Robbins: Something to dance about. West Long Branch, N.J: Kultur, 2009.
Buscar texto completoJowitt, Deborah. Jerome Robbins: His life, his theater, his dance. New York: Simon & Schuster, 2004.
Buscar texto completoBocher, Barbara. The cage: Dancing for Jerome Robbins and George Balanchine, 1949-1954. [North Charleston, S.C: CreateSpace], 2012.
Buscar texto completoLaurents, Arthur. West side story: A musical : based on a conception of Jerome Robbins. London: Heinemann Educational, 1985.
Buscar texto completoSchlundt, Christena L. Dance in the musical theatre: Jerome Robbins and his peers, 1934-1965 : a guide. New York: Garland Pub., 1989.
Buscar texto completoFinn, Felicity. Jeremy and the aunties. Toronto: Second Story Press, 1992.
Buscar texto completoLesser, Wendy. Jerome Robbins. Yale University Press, 2018. http://dx.doi.org/10.12987/9780300240429.
Texto completoJerome Robbins. Rosen Publishing Group, 2009.
Buscar texto completoJerome Robbins. Rosen Publishing Group, 2009.
Buscar texto completoVaill, Amanda. Jerome Robbins. Little, Brown Book Group Limited, 2006.
Buscar texto completoCapítulos de libros sobre el tema "Jerome Robbins"
"Jerome Robbins". En The Show Makers, 201–18. Routledge, 2002. http://dx.doi.org/10.4324/9780203906651-12.
Texto completo"Front Matter". En Jerome Robbins, i—vi. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.1.
Texto completo"Fiddler on the Roof". En Jerome Robbins, 104–18. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.10.
Texto completo"Dances at a Gathering". En Jerome Robbins, 119–34. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.11.
Texto completo"The Goldberg Variations". En Jerome Robbins, 135–54. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.12.
Texto completo"In Memory Of . . ." En Jerome Robbins, 155–69. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.13.
Texto completo"Coda". En Jerome Robbins, 170–80. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.14.
Texto completo"NOTES". En Jerome Robbins, 181–90. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.15.
Texto completo"ACKNOWLEDGMENTS". En Jerome Robbins, 191–92. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.16.
Texto completo"INDEX". En Jerome Robbins, 193–201. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.17.
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