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Libros sobre el tema "JACQUES SIMON"

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Publicado: 10 de marzo de 2023

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1

Maritain, Jacques. Jacques Maritain, Yves Simon: Correspondance. Tours: CLD, 2008.

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2

Jacques Simon: Empreintes éphémères = ephemeral traces. Paris: Ici Consultants Editions, 2009.

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3

Galí Izard, Teresa, 1968- author, Colafranceschi Daniela 1960- y Colafranceschi Daniela 1960-, eds. Jacques Simon: Gli altri paesaggi : idee e riflessioni sul territorio = Jacques Simon : the other landscapes, ideas and toughts on the territory. Melfi (Italia): Libria, 2018.

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4

Simon, Bernard-Jean. Jacques Simon: Peintre de la Kabylie au Mont Saint-Michel. Bayeux: OREP, 2015.

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5

Poétiques de l'événement: Claude Simon, Jean Rouaud, Eugène Savitzkaya, Jean Follain, Jacques Réda. Paris: Classiques Garnier, 2011.

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6

D, Torre Michael, ed. Freedom in the modern world: Jacques Maritain, Yves R. Simon, Mortimer J. Adler. Mishawaka, Ind: American Maritain Association, 1989.

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7

Ambec, Jacques. Saint Martin de Porres: Au service de la compassion : les freres cooperateurs dominicains Simon de Ballachi, Jacques d'Ulm et Jean Macias. Paris: Tequi, 2005.

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8

Chapsal, Madeleine. Si je vous dis le mot passion--: Françoise Dolto, Frédéric Rossif, Claude Simon, Yves Coppens, Sœur Emmanuelle, Jean-Jacques Servan-Schreiber, Hubert Reeves, Jean d'Ormesson, François Mitterrand. Paris: Fayard, 1999.

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9

Diderot, Denis. Jacques le fataliste. [Paris]: Le Livre de Poche, 1995.

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10

Diderot, Denis. Jacques le fataliste et son maître. Paris: Presses Pocket, 1989.

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11

Diderot, Denis. Jacques the fatalist and his master. Oxford: Oxford University Press, 2008.

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12

Diderot, Denis. Jacques le fataliste et son maître. Belgium: Marabout, 1995.

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13

Diderot, Denis. Jacques the fatalist and his master. Harmondsworth, Middlesex, England: Penguin Books, 1986.

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14

Diderot, Denis. Jacques the fatalist and his master. Oxford: Oxford University Press, 1999.

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15

Handayani, Christina S. Subyek yang dikekang: Pengantar ke pemikiran Julia Kristeva, Simone de Beauvoir, Michel Faoucault, Jacques Lacan. Jakarta: Komunitas Salihara, 2013.

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16

Diderot, Denis. Jacques le Fataliste et son maître: Extraits. Paris: Bordas, 1986.

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17

Diderot, Denis. Jacques le fataliste et son maître: Roman. Paris: Larousse, 2003.

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18

1925-, Ormesson Jean d', Chirac Jacques 1932- y Académie française, eds. Discours de réception de Simone Veil à l'Académie française et réponse de Jean d'Ormesson: Suivis de l'allocution prononcée à l'occasion de la remise de l'épée par Jacques Chirac. Paris: Laffont, 2010.

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19

Thibon, Gustave. Ils sculptent en nous le silence: Rencontres : Kierkegaard, saint Jean de la Croix, André Gide, Gabriel Marcel, Chateaubriand, Sénèque, Victor Hugo. Lanza del Vasto, Alain, Pascal, Racine, Maurras, Mistral, Olivier de Serres, Henri Moreau, Jacques Maritain, Simone Weil. Paris: F.-X. de Guibert, 2003.

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20

Tontongi. La parole indomptée: Essais en français sur Jean-Paul Sartre, Paul Laraque, Franck Laraque, Manno Charlemagne, Richard Brisson, Jacques Stéphen Alexis, Jean-Claude Martineau, René Depestre et Dany Laferrière = Pawol an mawonnaj ; suivi de, Memwa baboukèt : kritik literè an kreyòl ayisyen sou Paul Laraque, Jean-Paul Sartre, Simone de Beauvoir, Toni Morrison, Edwidge Danticat, Patrick Sylvain, Mumia Abu Jamal, Danielle Legros Georges et Jacques Roumain = Mémoire de la muselière / c Tontongi. Paris: L'Harmattan, 2015.

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21

1926-, Simon Jacques, ed. Articulture: Jacques Simon, paysagiste = Jacques Simon, landscape architect. Oostkamp: Stichting Kunstboek, 2006.

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22

Simon, Jacques. Jacques Simon: Articulture. Stichting Kunstboek, 2007.

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23

Torre, Michael D. Freedom in the Modern World: Jacques Maritain, Yves R. Simon, Mortimer J. Adler. Amer Maritime Assn, 1990.

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24

La Peinture après l'abstraction: 1955-1975 : Martin Barré, Jean Degottex, Raymond Hains, Simon Hantaï, Jacques Villeglé. Paris: Paris Musées, 1999.

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25

Freedom in the Modern World: Jacques Maritain, Yves R. Simon, Mortimer J. Adler (American Maritain Association Publications). University of Notre Dame Press, 1990.

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26

La peinture après l'abstraction, 1955-1975: Martin Barré, Jean Degottex, Raymond Hains, Simon Hantaï, Jacques Villeglé : Musée d'art moderne de la ville de Paris, 20 mai-19 septembre 1999. Paris: Paris musées, 1999.

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27

Hughes, Edward J. Egalitarian Strangeness. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348424.001.0001.

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The formulation ‘egalitarian strangeness’ is a direct borrowing from Courts voyages au pays du peuple [Short Voyages to the Land of the People] (1990), a set of essays by the contemporary French thinker Jacques Rancière. Perhaps best known for his theory of radical equality as set out in Le Maître ignorant [The Ignorant Schoolmaster] (1987), Rancière reflects on ways in which a hierarchical social order based on inequality can come to be unsettled. In the democracy of literature, for example, words and sentences, he argues, serve to capture any life and make that available to any reader. The present book explores embedded forms of social and cultural ‘apportionment’ in a range of modern and contemporary French texts (including prose fiction, socially engaged commentary, and autobiography), while also identifying scenes of class disturbance and egalitarian encounter. Part One considers the ‘refrain of class’ audible in works by Claude Simon, Charles Péguy, Thierry Beinstingel, Marie Ndiaye, and Gabriel Gauny. It also examines how these authors’ practices of language connect with that refrain. In Part Two, Hughes analyses forms of domination and dressage with reference to Simone Weil’s mid-1930s factory journal, Paul Nizan’s novel of class alienation Antoine Bloyé from the same decade, and Pierre Michon’s Vies minuscules [Small Lives] (1984) with its focus on obscure rural lives. The reflection on how these narratives draw into contiguity antagonistic identities is extended in Part Three, where individual chapters on Proust and the contemporary authors François Bon and Didier Eribon show enduring forms of cultural distribution being both consolidated and contested.
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28

Keefe, Terry. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036347.003.0017.

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In 1992 the French journal Roman 20–50. Revue d’étude du roman du XXe siècle printed a previously unpublished story of some 21,000 words by Simone de Beauvoir, which receives no explicit mention in her memoirs.1 The editor of the journal issue and of Beauvoir’s text, Jacques Deguy, suggests that “Malentendu à Moscou” (“Misunderstanding in Moscow”) was due to be included in the collection of short stories ...
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29

Diderot, Denis. Jacques le Fataliste et son maître. Seuil, 1997.

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30

Jacques der Fatalist und sein Herr. Weltbild, 2004.

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31

Diderot, Denis y Marie-Thérèse Ligot. Jacques le Fataliste et son maître. Pocket, 1999.

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32

Diderot, Denis. Jacques le Fataliste et son maître. Édition Parkstone, 1994.

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33

Mendes Limeira, Andreza, Diego Avelino de Moraes Carvalho, Felipe Ferreira Valoz Júnior, Fortunato Monge de Oliveira Neto, João Pedro Guelhardi Costa Ferreira, Maria Eliane Rosa de Souza, Marisa Alves Vento, Patricia de Oliveira Machado, Patricia Costa e Silva y Roni Ederson Krause de Oliveira. Fronteiras do pensar: filosofia e interdisciplinaridade. Brazil Publishing, 2022. http://dx.doi.org/10.31012/978-65-5861-536-1.

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The Nucleus of Studies and Research in Philosophy – IFG (NUPEFIL-IFG) emerges with the purpose of defending a multicampi and inter / transdisciplinary research practice, engaging researchers from different epistemological matrices, while articulated around the philosophical experience. This collection of texts materializes this research space of its members at the same time that it registers the scientific research efforts of [former] students who were under the supervision of their members in scientific initiation projects, TCC, etc. They are articles and essays that start from the philosophical axis, but that integrate different areas of knowledge such as history, literature, psychoanalysis on topics such as subjectivity, anguish, freedom, happiness, feminism, thought and creation and authors such as Friedrich Nietzsche, Arthur Schopenhauer, Sigmund Freud, Gilles Deleuze, Albert Camus, Jean-Jacques Rousseau, Aristotle, Simone de Beauvoir, etc.
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34

Cox, Christoph y Daniel Warner, eds. Audio Culture. Bloomsbury Publishing Inc, 2017. http://dx.doi.org/10.5040/9781501318399.

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The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture. This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some “crossover” between “high art” and “popular culture,” Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.
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35

Britton, Celia. The Sense of Community in French Caribbean Fiction. Liverpool University Press, 2009. http://dx.doi.org/10.5949/liverpool/9781846311376.001.0001.

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The Sense of Community in French Caribbean Fiction seeks to better understand the concept of community as a central and problematic issue in French Caribbean literature. The study examines representations of community in seven French Caribbean novels, including Jacques Roumain’s Gouverneurs de la rosée, Edouard Glissant’s Le Quatrième Siècle, Simone Schwarz-Bart’s Pluie et vent sur Télumée Miracle, Vincent Placoly’s L’Eau-de-mort guildive, Patrick Chamoiseau’s Texaco, Daniel Maximin’s L’Ile et une nuit, and Maryse Condé’s Desirada. Each novel is discussed in chronological order, demonstrating a progressive move away from the ‘closed’ community towards a newer sense of an ‘open’ community. In this study, Britton offers an understanding of the postcolonial societies of the Caribbean by looking at French Caribbean literature’s role in the creation of community. The seven novels analysed reveal a correlation between a tightly knit, purposeful community and a linear narrative that ends in definitive resolution, and, conversely, between a dispersed or heterogeneous community and a narrative structure that avoids linearity and closure.
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36

Hepburn, Allan. A Grain of Faith. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198828570.001.0001.

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During and after the Second World War, religion informed British literature and culture. Leading writers contributed to discussions about faith and spiritual life, inside and outside organized religion. Graham Greene, Muriel Spark, and Barbara Pym incorporated miracles, evil, and church-going into their novels, while Louis MacNeice, T. S. Eliot, and C. S. Lewis gave radio broadcasts about the role of Christianity in contemporary society. Certainly the war revived interest in aspects of Christian life: salvation and redemption were on many people’s minds. The Ministry of Information used images of bombed churches to stoke patriotic feeling, and King George VI led a series of Days of National Prayer that coincided with crucial events in the Allied cause. After the war and throughout the 1950s, approximately 1.4 million people converted to Roman Catholicism as a way of expressing their spiritual ambitions and solidarity with humanity on a world-wide scale. Eminent intellectuals, such as Paul Tillich, Ronal Niebuhr, Jacques Maritain, and Simone Weil, gave concerted thought to religion and statehood, often at the same time. The mid-century turn to religion offered ways to articulate statehood, not from the usual perspective of nationhood and politics, but from the perspective of moral action and improvement of the lot of humankind. Religion provided one way for writers to answer the question, ‘what is man?’ It also afforded ways to think about social obligation. Instead of being a retreat into seclusion and solitude, the mid-century turn to religion is a call to responsibility.
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37

Dyson, Kenneth. Conservative Liberalism, Ordo-liberalism, and the State. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198854289.001.0001.

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This book uses extensive original archival and elite interview research to examine the attempt to rejuvenate liberalism as a means of disciplining democracy and the market through a new rule-based economic and political order. This rebirth took the form of conservative liberalism and, in its most developed form, Ordo-liberalism. It occurred against the historical background of the great transformational crisis of liberalism in the first part of the twentieth century. Conservative liberalism evolved as a cross-national phenomenon. It included such eminent and cultured liberal economists as James Buchanan, Frank Knight, Henry Simons, Ralph Hawtrey, Jacques Rueff, Luigi Einaudi, Walter Eucken, Friedrich Hayek, Alfred Müller-Armack, Wilhelm Röpke, Alexander Rüstow, and Paul van Zeeland, as well as leading lawyers like Louis Brandeis, Franz Böhm, and Maurice Hauriou. It also played a formative role in establishing new international networks, notably the Mont Pèlerin Society. The book investigates the rich intellectual inheritance of this variant of new liberalism from aristocratic liberalism, ethical philosophy, and religious thought. It also locates the social basis of conservative liberalism and Ordo-liberalism in the cultivated bourgeois intelligentsia. The book goes on to examine the attempts to embed this new disciplinary form of liberalism in Britain, France, Germany, Italy, and the United States, and to consider the determinants of its varying significance across space and over time. It concludes by assessing the historical significance and contemporary relevance of conservative liberalism and Ordo-liberalism as liberalism confronts a new transformational crisis at the beginning of the new millennium. Is their promise of disciplining democracy and the market a hollow one?
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