Tesis sobre el tema "Italian politics"
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Felsen, David. "The politics of the Italian budgetary process". Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368869.
Texto completoÇetin, Elif. "Political debates, policy objectives and outcomes in British and Italian immigration politics, 1997-2010". Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708065.
Texto completoMascitelli, Bruno. "A re-evaluation of the causes of the Italian political crisis 1992-94 /". Connect to thesis, 2005. http://eprints.unimelb.edu.au/archive/00001490.
Texto completoFerrari, Chara Francesca. "Translating stereotypes Italian television and the cultural politics of reformatting /". Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467887551&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texto completoAramaki, Michiko. "Family, paesani and networks : politics and economy of Montreal Italians". Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28413.
Texto completoFinn, Sarah. "'Padre della nazione italiana' : Dante Alighieri and the construction of the Italian nation, 1800-1945". University of Western Australia. European Languages and Studies Discipline Group. Italian Studies, 2010. http://theses.library.uwa.edu.au/adt-WU2010.0085.
Texto completoBellamy, Richard. "Modern Italian social theory : ideology and politics from Pareto to the present /". Stanford : Calif. : Stanford university press, 1987. http://catalogue.bnf.fr/ark:/12148/cb34951175x.
Texto completoGoÌmez, GutieÌrrez Juan JoseÌ. "Italian Communist Party cultural policies during the post-war period 1944-1951". Thesis, Open University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270093.
Texto completoThomas, Frances Ellen. "Michelangelo, the Medici Principate and Fiorentinismo : the politics of culture in mid-sixteenth-century Florence". Thesis, University of Leeds, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366229.
Texto completoD'Agresti, Attilio. "Silvio Berlusconi and the Americanization of Italian Politics: a Political Analysis Through The Commentaries of Il Corriere Della Sera". Connect to resource online, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1210604921.
Texto completoDi, Paola Pietro. "Italian anarchists in London (1870-1914)". Thesis, Goldsmiths College (University of London), 2004. http://eprints.lincoln.ac.uk/2586/.
Texto completoEyck, David ten. "The development and composition of Ezra Pound's Adams Cantos". Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251509.
Texto completoManuzi, Martin B. "Politics and the Italian state industrial sector, 1933-1980 : with two case studies". Thesis, Anglia Ruskin University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325398.
Texto completoCimino, Roberta. "Italian queens in the ninth and tenth centuries". Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5359.
Texto completoContini, Alice. "Italian racialized women and feminist activism : Exploring discourses of white women in Italian feminist activism work". Thesis, Linköpings universitet, Tema Genus, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-175386.
Texto completoRigoletto, Sergio. "The politics of masculinity : male subjectivity and social conflict in Italian cinema of the 1970s". Thesis, University of Reading, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529961.
Texto completoKrause, Elizabeth L. "Forward vs. Reverse Gear: The Politics of Proliferation and Resistance in the Italian Fascist State". University of Arizona, Department of Anthropology, 1993. http://hdl.handle.net/10150/112060.
Texto completoStanton, Alexandra. "Evaluating the specificity of contemporary Italian feminism : the theory of sexual difference and the social-symbolic practice of entrustment". Thesis, Queen Mary, University of London, 2005. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1824.
Texto completoCostambeys, Marios James. "Piety, property and power in eighth-century central Italy : the rise of the Abbey of Farfa in its social and political context, c. 690-787". Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/272818.
Texto completoLandon, William J. "Language, politics and patriotism : Niccolò Machiavelli's 'Secular Patria' and the creation of an Italian national identity". Thesis, University of Edinburgh, 2003. http://hdl.handle.net/1842/24809.
Texto completoSpedalieri, Francesca. "Seeing the Unseen, Staging the Unspoken: The Gender Politics and Political Language of Emma Dante’s Theatre in the Berlusconi Era (1994-2011)". The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1480594504188268.
Texto completoFerrero-Regis, Tiziana y n/a. "Public History, Private Memories: Historical Imagination in the New italian Cinema 1988-1999". Griffith University. School of Film, Media and Cultural Studies, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20050209.083648.
Texto completoFerrero-Regis, Tiziana. "Public History, Private Memories: Historical Imagination in the New italian Cinema 1988-1999". Thesis, Griffith University, 2004. http://hdl.handle.net/10072/366053.
Texto completoThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Film, Media and Cultural Studies
Full Text
Faherty, Douglas M. "Italian foreign policy : trends for the twenty-first century /". Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2003. http://library.nps.navy.mil/uhtbin/hyperion-image/03Jun%5FFaherty.pdf.
Texto completoThesis advisor(s): Donald Abenheim, Daniel J. Moran. Includes bibliographical references (p. 71-76). Also available online.
Perrotti, Assunta Luisa. "The politics of EC decision making : the case of State aid to the Italian public sector steel industry". Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310430.
Texto completoFaust, Veronica T. "'Music has learn'd the discords of the state' the cultural politics of British opposition to Italian Opera, 1706-1711 /". Diss., Connect to the thesis, 2006. http://hdl.handle.net/10066/664.
Texto completoAgnoletto, Stefano. "Building an economic ethic niche : Italian immigrants in the Toronto construction industry (1950s-1970s) : a case study". Thesis, Kingston University, 2013. http://eprints.kingston.ac.uk/28226/.
Texto completoLeist, Marnie. "The Virgin and Hell: An Anomalous Fifteenth-Century Italian Mural". Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1120757484.
Texto completoKennedy, Claire y n/a. "The Transformation of the Democratic Party in Italy 1989-2000: A Case Sudy in Venice". Griffith University. School of Arts, Media and Culture, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070208.095410.
Texto completoKennedy, Claire. "The Transformation of the Democratic Party in Italy 1989-2000: A Case Sudy in Venice". Thesis, Griffith University, 2006. http://hdl.handle.net/10072/367283.
Texto completoThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts, Media and Culture
Full Text
Elliott, Janis. "The Last Judgement scene in central Italian painting, c.1266-1343 : the impact of Guelf politics, papal power and Angevin iconography". Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/36355/.
Texto completoMaxson, Brian. "The Many Shades of Praise: Politics and Panegyrics in Fifteenth-Century Florentine Diplomacy". Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu-works/6187.
Texto completoJiménez, Carmona Susana. ""Fragmente-Stille, an Diotima" de Luigi Nono: escuchar lo imposible". Doctoral thesis, Universitat de Girona, 2015. http://hdl.handle.net/10803/671778.
Texto completoEn aquesta tesi ens acostem a Fragmente-Stille, an Diotima de Luigi Nono per a, partint de la seva anàlisi, anar rastrejant el que posa en joc aquesta obra per a quartet de cordes: les concepcions del so i del silenci implicades, la construcció espaciotemporal que genera, els seus vincles amb les altres obres i els textos del compositor, les ressonàncies amb els pensaments d’altres autors (músics, escriptors, filòsofs) i les implicacions polítiques que comporta tota aposta de món que és una obra d’art
Doctorat en Ciències Humanes, del Patrimoni i de la Cultura
Crawford, Pamela Ann Elizabeth. "Le Sacre du Printemps (the Ballets Russes, 1913) and Italian futurism : thematic confluence and the politics of social tension, stylistic repulsion and aesthetic dehumanisation". Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/17714/.
Texto completoPerò, Davide. "The politics of identity in left-wing Bologna : an ethnographic study of the discourses and practices of the Italian left in the context of migration". Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299027.
Texto completoPirisino, Claudio. "Autour de la "regìa". La mise en scène en Italie : 1893-1943. Protagonistes, histoires, débats". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA153.
Texto completoThis doctoral thesis challenges the simplistic doxa in theatre historiography that views genesis of theatre direction in Italy as a late phenomenon in comparison to other countries such as Germany, France, and Russia. This “delay” is thought to be due to the actor’s persistent self-referential tradition. According to the doxa, the Italian theatre system would have been resistant to the introduction of the new role of director, which was perceived as extraneous. This situation would have been caused in Italy by the popularity of wandering companies and the absence of a dominant theatrical focal point such as Paris was in France. The phenomenon of a strictly speaking regìa would have only emerged after the Second World War. This view has led to a series of misinterpretations and misunderstandings that oversimplify the phenomenon of the development of modern direction, favouring a teleological argument of qualitative progress. However, a number of studies carried out from the 2000’s encourage us to consider the direction as a complex aspect of the theatrical art. Concepts such as ‘proto-direction’ (Perrelli, 2005) and continuity/discontinuity (Sarrazac-Consolini, 2010), show the limits of an univocal definition of this art. In light of these studies, the Italian panorama appears as an uncharted territory. A recent study of the European directors’ tours in Italy for the years from the 1911 to 1940, has actually demonstrated the Italian system’s responsiveness (Schino, 2008).My research investigates the origin of the concept of “delay”, and the reasons by which theatre direction in Italy came to be considered by scholars as some sort of grail. I also highlight how direction in Italy emerges from the main source of the supposed delay itself: the actor. Indeed, the appearance of theatre direction is not abrupt; but rather a multifaceted art, which changes according to artists’ modus operandi and is dependent on the characteristics of the theatrical system
Duc, Séverin. "Un champ de forces et de luttes à la Renaissance : L’État de Milan (1515-1530)". Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040185.
Texto completoEager to conquer and dominate the State of Milan, Francis I (1515-1521) Francesco II Sforza (1522-1525) and Charles V (1526-1530) all three face a political ground with high centrifugal potential, what we call a "field of forces and struggles". Our comparative survey of their successive exercise of domination highlights three original strategies of direct exercise, delegation of power and integration/mediation by the elites or the Popolo. In their own way, each of the princes and their servants conceive their own power, its legal, geographic and symbolic limits, and the quality of dominated subjects. Each has its own mapping power relations in its origins land whether in Milan, France and Spain. Very importantly, each model is not static but in production, as a result of continuous dialectic between its heritage and a reality each day renewed, between its internal forces and external influences, between what he believes, and said to be, and that it expresses every day. In this context, the policy of adaptability, its terms and limits of the unknown and the unexpected becomes crucial to uphold its expectations and defend its political gains
Blasingame, Katrina S. ""I never/knew/a Florentine more kind and honest" (3.1.43-45) : the influence of Italian politics and nationality on English alterity through an economic reading of "Othello" /". Available to subscribers only, 2005. http://proquest.umi.com/pqdweb?did=1079667511&sid=27&Fmt=2&clientId=1509&RQT=309&VName=PQD.
Texto completoJeffers, Leah Rachel. "Fashion and Court-Building in the Sixteenth-Century Florentine Ducal Court: Politics, Agency, and Paleopathology in the Wardrobes of Eleonora di Toledo and Giovanna d'Austria". Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1024.
Texto completoDi, Ciommo Laurora Costanza. "L’asilo politico nelle relazioni franco-italiane : i signori nessuno e l’impossibile status dell’opposizione italiana all’estero (1920-1986)". Thesis, Paris, Institut d'études politiques, 2014. http://www.theses.fr/2014IEPP0024/document.
Texto completoThis thesis analyses how Italy and France dealt with handling and controlling Italian opposition in France. Chosen time interval elapses from 1920 to 1986. During these years two political opponents’ migratory waves were monitored by the two nations: anti fascist emigration and several revolutionary left wing former militants of the Seventies emigration. The thesis analysis by a long period perspective how French and Italian institutions confronted with such a phenomenon, particularly considering the issue of juridical status conferred to Italian opponents abroad. During analysed period Italy and France operated in a precise diplomatic context characterised by the multiplication of bilateral and multilateral interrelations that progressively became more and more crucial with regards to the states’ management of political emigration. Carried out analysis will underline continuity and breaches of this relation. Thesis first part analyses Italian Reign period from 1870 to end of Second World War. Introduction will mark the origin of asylum key principles that precedes chosen historical period but is fundamental to analyse the juridical frame of France and Italy future steps. First and Second Chapter focus on years between 1920 and 1940, with particular attention to political emigration handling by a bilateral (Chap. 1) and by a multilateral perspective (Chap. 2). Thesis Second part focuses on Republican Italy. The Introduction retraces juridical frame partial changes and focuses on asylum debate in the Italian Constituent. Analysis of political emigration handling will be carried out both from a bilateral (Chap. 3) and multilateral perspective (Chap. 4)
Biasutti, Giambattista. "La politica indigena italiana in Libia : dall'occupazione al termine del governatorato di Italo Balbo (1911-1940) /". Pavia : Centro studi popoli extraeuropei, Università degli studi di Pavia, 2004. http://catalogue.bnf.fr/ark:/12148/cb392644337.
Texto completoHENSCHEL, JAN. "“E che diavolo è preso agli italiani?” – Il quadro del sistema politico italiano nella stampa di qualità tedesca". Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/930.
Texto completoIn the ongoing discourse about Italy's political image in Germany, the dissertation adds to the discussion the analysis of the modalities about how the present-day image of Italy's political system is handled in the German media during the so-called “Second Republic”. More than the illustration of Italy´s political institutions, parties and leader images in German media, the paper consults theories of gatekeeping, news bias, news values, and framing handles with the origins of the perception and in particular with the communication processes that reduce the accuracy in political foreign news. The analysis of journalist's daily work through 90 interviews / questionnaires and a content analysis of 1.024 newspaper articles shows that the media image of Italy's political system is not so much characterized as permanently negative as it is a never-ending personalization of Italy's political leaders. Finally, the dissertation shows the political orientation of newspapers in contrast to national news doesn't significantly influence foreign news. Moreover it was demonstrated the processes of perception and communication that take place in foreign news is determinant. Under these restrictions the correspondents are able to use the scope of development for writing articles and judging the events and the characters of Italy's political system.
D'Errico, Dora. ""Bisogna fatti et non più parole", Rhétorique et politique du conseil dans les Consulte e Pratiche della Repubblica fiorentina, 1494-1512". Thesis, Lyon, École normale supérieure, 2011. http://www.theses.fr/2011ENSL0675.
Texto completoWars raging in Italy at the beginning of the XVIth century outline a new political space which alters the usual language of power and politics. In this context, our study concentrates on a quite forsaken corpus : the Consulte e Pratiche della Repubblica fiorentina. These texts gather the proceedings and the minutes of the meetings where « savi cittadini », summoned by the Signoria, tried to deliver advices and judgments on the current political affairs. From a philological and political perspectives, these verbali allow to restore the pratica in its central fonction of counselling and discussing all important political matters in Florence, between 1494 and 1512. They permit also to have a closer insight upon the machiavellian terminology, by stressing out all the common lexical sources and images where consiglieri and members of the political elite alike used to find a general frame for their thoughts. By doing so, this study emphatizes the diversity and the richness of a republican institution, the pratica, during times of troubles and violence
DE, FEUDIS ELISABETTA. "DISPERSIONE SCOLASTICA: POLITICA EUROPEA E CONTESTI NAZIONALI. LE POLITICHE PUBBLICHE DI ITALIA, FRANCIA E SPAGNA". Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/19575.
Texto completoThe present work analyses the phenomenon of school dropout and the policy making of states and regions: particularly and in a comparative key, the policies of three Member States, Italy, France and Spain, involved with different reforms of the school system, and two regions for each of them, Lombardy Region, Puglia Region; Aquitaine Region, Rhone-Alpes Region, Andalucia Region and Region of Madrid. Starting from the analysis of European documents ET2010 Lisbon Strategy and ET2020 Europe Strategy, this work focuses on the second of the two documents and one of the five objectives indicated, especially the 10% reduction in the school dropout rate for young people aged between 18 and 24 years. Reference is made to the time period between the academic year 2008-2009 and 2015-2016, between the end of the Lisbon Strategy, the new ten-year phase of the Community policies launched with the Europe 2020 Strategy.
Repetto, Benedetto. "Le documentaire Italien : la contestation cinématographique dans l'ère Berlusconienne". Thesis, Université Paris-Saclay (ComUE), 2018. http://www.theses.fr/2018SACLV069.
Texto completoThe present study debates the Italian documentary in Berlusconi’s era reflecting on its interactions with historical and cultural transformations in Italy. This documentary production reveals the urge to expose power mechanisms and seek truth in a moment when making political cinema looked difficult. We started from the theory that a political protest documentary certainly existed, and the study of the social context in which a certain movie was realized allows us to establish the frame in which the authors operated their criticism. The documentary focused on reality, correlating with history and memory. It served as an archive for struggles. These movies witness painful stories, but also show the resisting fraction of a people. This kind of documentary aspires to being the historical memory of that Italy
Silveira, Marcel Camargo. "Imigração italiana em Limeira-SP : terra, politica e instrução escolar". [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252415.
Texto completoDissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2018-08-08T15:15:42Z (GMT). No. of bitstreams: 1 Silveira_MarcelCamargo_M.pdf: 3712890 bytes, checksum: 9512e34a37c40f1e24c9816e36896ab0 (MD5) Previous issue date: 2007
Resumo: O presente trabalho é resultado de extensa pesquisa documental e de entrevistas com descendentes de italianos que imigraram à época da substituição do trabalho escravo pela mão-de obra assalariada e predominantemente européia, no Brasil, quando da iminência da proclamação da República. Os subsídios teóricos que embasam o desenvolvimento desta dissertação compreendem uma reflexão dialética dos acontecimentos, enfocando os homens e suas ações em assonância com o contexto maior em que se inseriam. Trata-se, pois, de uma análise histórica que relaciona a sociedade, a política e a educação enquanto forças que antagonicamente se atraem, em confluência com o movimento mundial do capital. Neste trabalho, documenta-se e reconstitui-se historicamente a imigração italiana na região de Limeira, estado de São Paulo, no final do século XIX, à época da substituição do trabalho escravo pela mão-de-obra assalariada e européia - a italiana, em especial -, nas fazendas de café locais
Abstract: The present work is resulted of extensive documentary research and interviews with descendants of Italians who had immigrated to the time of the substitution of the enslaved work for the wage-earning and predominantly European man power, in Brazil, when of the imminence of the announcement of the Republic. The theoretical subsidies that base the development of this work understand a reflection dialectic of the events, focusing the men and its action in relationship with the context biggest where if they inserted. It is treated, therefore, of a historical analysis that relates the society, the politics and the education while forces that antagonistically are attracted, in confluence with the world-wide movement of the capital. In this work, it is registered and one reconstituted historically Italian immigration in the regions of Limeira, state of São Paulo, in the end of centuryXIX, to the time of the substitution of the enslaved work for the wage-earning and European man power - the Italian, in special-, in the local farms of coffee
Mestrado
Historia e Filosofia da Educação
Mestre em Educação
Strina, Arnaud. "L'évolution de la société italienne contemporaine face à la catastrophe : l'exemple du séisme de l'Aquila en 2009". Thesis, Université Côte d'Azur, 2020. http://www.theses.fr/2020COAZ2008.
Texto completoMessina 1908, The Aquila 2009, one hundred years have passed between these two earthquakes, an Italy has taken shape. This -so called - geographical expression, has become a Nation. The contours of internal borders have been blurred and the peninsula now seems unified. The History of Italy cannot, however, be divorced from a revengeful Geography, and from its expression, which is, to say the least, upsetting. Earthquakes are being added to a list of risks present on the transalpine territory: landslides, floods and forest fires are among the most important natural hazards. The young republic is not exempt from anthropic or man-made hazards (health, technological, energy, terrorist, related to transport or even land use planning) which sometimes amplify the consequences of natural events when they do not directly and primarily affect the environment. An earthquake, since this is what we will mainly be talking about, could be seen as nothing more than a calamitous geophysical phenomenon. Beyond the impact on people, property and the environment, these phenomena are what we call disasters. Thus, it is important to discern from the outset this key notion: the disaster has a real cathartic and revealing function. It may seem provocative to set under this gnoseological objective events where death and human suffering predominate. However, this is here our aim to study Italian society. The state of crisis into which a society is plunged when it is affected by a catastrophe will be for us more than a prism through which we want to observe it. It will also, and above all, be the revealing element of a reality that is too hidden by the superficial and promotional functioning of modern information channels
Parcianello, Juciane Ferigolo. "REESCRITURAS DO POLÍTICO: LÍNGUA ITALIANA X LÍNGUA DOS IMIGRANTES". Universidade Federal de Santa Maria, 2015. http://repositorio.ufsm.br/handle/1/4000.
Texto completoThis thesis studies the political in the language and in the relationship between the languages, considering the space of enunciation of the Associação Italiana de Santa Maria (AISM), designed to "preserve", "protect" the cultural patrimony of Italian immigrants of the Santa Maria region and Quarta Colônia region, and also to promote, develop and teach the Italian language of Italy. We seek, for the theoretical perspective of the Semântica do Acontecimento, from Eduardo Guimarães (2002), analyze the rewriting of designations Italian language, dialect(s), immigrant/Italian/descendant, culture (Italian) and italianity, in the statute text of three institutions: Società Italiana di Mutuo Soccorso e Ricreativa, founded in 1896, in Santa Maria, Sociedade de Cultura Ítalo-Brasileira Dante Alighieri, founded in1985, in the same city, and Associação Italiana de Santa Maria, founded in 1992, in the same place, and successor to the previous Society. The analysis of the semantic functioning of designations exposes the conflicts established mainly between the unequal distribution of places allotted to the Italian language, that in the statutory text of AISM means official language of Italy, language of the great Italian writers, language that should be taught, and to the language of Italian immigrants, whose designation dialect assigned to it means cultural patrimony of immigrants, no place in the teaching. There are many other forms of contradiction in the analyzed texts, but always manifested by differences of meanings and of places with respect to the Italian language and dialect. At this inevitable and irreversible contradiction, which constitutes of enunciation space, Guimarães designates political, and this notion is a displacement of the concept of political from Rancière (2007). Like main scope, through analysis, we intend to answer the following questions:1) which the political meaning of an Italian association that mobilizes the memory of Italian immigration and stands as a representative of immigrants and their descendants? 2) Who and what is this Association representes, and who and what is out of it? 3) What place does the Italian language and the language of immigrants in the space of AISM? The conclusion to which we come, with this study, it is that, in the enunciation space of AISM, the confrontation is between the languages of Italian immigrants and the Italian language from Italy, and not among the languages of immigrants and the national language as happened previously, in the Era Vargas .
Esta tese versa sobre o político na língua e na relação entre as línguas, considerando o espaço de enunciação da Associação Italiana de Santa Maria (AISM), criada para preservar , resguardar o patrimônio cultural dos imigrantes italianos da região de Santa Maria e da Quarta Colônia, e também para divulgar, valorizar e ensinar a língua italiana da Itália. Buscamos, pela perspectiva teórica da Semântica do Acontecimento, do linguista Eduardo Guimarães (2002), analisar as reescrituras das designações língua italiana, dialeto(s), imigrante/italiano/descendente, cultura (italiana) e italianidade, no texto estatutário de três instituições: Società Italiana di Mutuo Soccorso e Ricreativa, fundada em 1896, na cidade de Santa Maria, Sociedade de Cultura Ítalo-Brasileira Dante Alighieri, fundada em 1985, na mesma cidade, e Associação Italiana de Santa Maria, fundada em 1992, no mesmo local, sendo sucessora da Sociedade anterior. A análise do funcionamento semântico das designações expõe os conflitos que se estabelecem principalmente entre a distribuição desigual dos lugares atribuídos à língua italiana, que no texto estatutário da AISM significa língua oficial da Itália, língua dos grandes escritores italianos, língua que deve ser ensinada, e à língua dos imigrantes italianos da região, cuja designação dialeto atribuída a ela significa patrimônio cultural dos imigrantes, sem lugar no ensino. Há muitas outras formas de contradição nos textos analisados, porém sempre manifestas pelas diferenças de sentidos e de lugares dados no que se refere à língua italiana e a dialeto. A essa contradição inevitável e irreversível constitutiva do espaço de enunciação, Guimarães designa político, sendo esta noção um deslocamento da noção de político de Rancière (2007). Como escopo principal, por meio das análises, pretendemos responder as seguintes questões: 1) qual o sentido político de uma associação italiana que pela memória da imigração italiana se coloca como representante dos imigrantes e seus descendentes? 2) Quem e o que essa Associação representa e quem e o que está fora dela? 3) Que lugar tem a língua italiana e a língua dos imigrantes no espaço da AISM? A conclusão a qual chegamos, com este estudo, é a de que, no espaço de enunciação da AISM, o confronto se dá entre as línguas dos imigrantes italianos e a língua italiana da Itália, e não mais entre as línguas dos imigrantes e a língua nacional, como ocorreu outrora, na Era Vargas.
Giugliarelli, Letizia. "Un univers ouvert, hétérogène et incomplet : Textes et contextes dans les romans des Wu Ming". Thesis, Université Côte d'Azur, 2020. http://www.theses.fr/2020COAZ2024.
Texto completoThis research focuses on collective novels by the group of writers known before as Luther Blissett and afterward as Wu Ming: these literary works constitute a compact corpus as regards both formal features and messages transmitted by the plots. The six novels, as a whole, are expressive of showing to the readers and the critics many references and stimulations of reflection: observing their morphology, considering their expressive potential, they can understand that the literary works are structured as a network of relationships between events and people. The authors handle such a narrative material with audacious ability, by experimenting and innovating models: this research is structured to consider both resemblances persistence and differences diachronic evolution. The Wu Ming’s idea of literature social role is substantial. The group cultural activity openly aims at claiming literature political value. Indeed, we investigate the importance in the novels of communities and of the knowledge spread within them. Furthermore, we would verify the coherence between texts substance and reflection sparks that the writers would come to let their audience share. Intending to gather Wu Ming’s writing tendencies, we employ a method which is a key of highlighting novels different facets, in order to understand their rich meaning. So this investigation is structured on many levels. At the beginning it is focused on texts morphology and narrative structure elements; then, it is enriched by the comparison with significant resemblances of other literary works; in conclusion, it is oriented to reach the novels specific meaning in relation to necessities and features of the cultural milieu they are produced in
Nanni, Emanuela. ""Poésie et traduction poétique en Italie pendant les années 30 et 40 du XXè siècle"". Thesis, Grenoble, 2012. http://www.theses.fr/2012GRENL047/document.
Texto completoThis thesis focuses on a historical definition given by Cesare Pavese, when he defined the 30s and 40s of the twentieth century as the translation's period par excellence in Italy. The previous studies have looked extensively on the translation of novels and most of these researches choose English or French as principal language sources. This Phd thesis concentrates instead the analysis first of all on poetic translation and also on writing poetry as well as on poetic criticism ‘made' in the inter-war period until the late 40s. Poetry was incontestably the critical, translational and creative locus. Poetry was the main interest of the circles of Italian intellectuals in Florence and in Milan, in Parma, in Rome and in Turin also. Exchanges between artists, critics, poets and translators played mostly in the field of poetry, more or less without being particularly hampered by the fascist censorship, until the mid-30s. Poetry became a field of concrete action because it upsets language's syntactic order and this encourages a new conception and design of the reality, as well a way to fight every monolithic solution refusing opacity and incompleteness.Using an expression of Henri Meschonnic poetry is “against the maintenance of the order”, and presents itself as a form of deep commitment (in order words a form of “engagement”) that involves awareness and taking a stand against reality. In a poetic discourse the political element is closed involved. In fact we assume that “politics” is any attempt to fight for the welfare of man and every attempt to achieve the highest degree of freedom of every individual.The subject of criticism and translating poetry inevitably merge with poetry at all, and it is to consider that poetry is in any case always a translation. Poetry and its effects have become the axes of this study that tries to present consistently the voices of several people who were poets, translators and literary critics at the same time. The final part of this work concentrates on the birth of a new type of intellectual who is a poet, a translator, a critic and often also a publisher.We tried to show also what type of engagement may trigger the writing of poems and the practice of poetic translation, describing how deep and passionate activism may arise 'attending' poetry. Poetry is always proposed as a constellation of meaning constantly "building" as a presence never definitive. This enhancement of the unfinished contributes to the questioning of the subject's identity and to the pursuit of his salvation. Every poetic multiplication of hypotheses allows the opening of a lot of horizons. Offering her moving body poetry has been, even during Fascism, a lever of great indisciplinarity face to the rule settled by the dictatorship and it has been an unsuspected instrument of protest and resistance