Literatura académica sobre el tema "Italian Naturalists"
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Artículos de revistas sobre el tema "Italian Naturalists"
Čermáková, Lucie. "‘Where have all the flowers grown’: the relationship between a plant and its place in sixteenth-century botanical treatises". Gardens and Landscapes of Portugal 6, n.º 1 (1 de septiembre de 2019): 20–36. http://dx.doi.org/10.2478/glp-2019-0010.
Texto completoABBRI, FERDINANDO. "«COMMERCIO DI LIBRI E PRODUZIONI NATURALI»". Nuncius 7, n.º 2 (1992): 119–39. http://dx.doi.org/10.1163/182539192x00893.
Texto completoDurling, Richard J. "A Guide to the Medical Manuscripts Mentioned in Kristeller's Iter Italicum V–VI". Traditio 48 (1993): 253–316. http://dx.doi.org/10.1017/s0362152900012940.
Texto completoPedrosa, José Manuel. "Rosso Malpelo (1878), infrahéroe y fantasma: mitologías de la mina y el infierno". Estudios Humanísticos. Filología, n.º 36 (18 de diciembre de 2014): 19. http://dx.doi.org/10.18002/ehf.v0i36.1351.
Texto completoCIANCIO, LUCA. "The correspondence of a “virtuoso” of the late Enlightenment: John Strange and the relationship between British and Italian naturalists". Archives of Natural History 22, n.º 1 (febrero de 1995): 119–29. http://dx.doi.org/10.3366/anh.1995.22.1.119.
Texto completoPOGLIANO, CLAUDIO. "BACHI, POLLI E GRANI. APPUNTI SULLA RICEZIONE DELLA GENETICA IN ITALIA (1900-1953)". Nuncius 14, n.º 1 (1999): 133–68. http://dx.doi.org/10.1163/182539199x00797.
Texto completoZocchi, Paola. "Natura e patria. I congressi della Società Italiana di Scienze Naturali nel processo di costruzione dell’identità nazionale". Natural History Sciences 152, n.º 2 (1 de septiembre de 2011): 123. http://dx.doi.org/10.4081/nhs.2011.123.
Texto completoOrrego González, Francisco. "«El jardín de la América meridional»… ciencia como deleite, información y el encanto de los jardines ingleses en un naturalista chileno en el Illuminismo italiano". Revista de Indias 80, n.º 278 (7 de abril de 2020): 131. http://dx.doi.org/10.3989/revindias.2020.005.
Texto completoGualpa, Carolina. "Lo místico en lo terrenal en "Las siete obras de misericordia" de Caravaggio". Ánima 3 (14 de julio de 2023): 17–35. http://dx.doi.org/10.18272/anima.v3i.2974.
Texto completoOpieliński, Krzysztof J. "Special Issue on Ultrasound Technology in Industry and Medicine". Applied Sciences 13, n.º 3 (22 de enero de 2023): 1455. http://dx.doi.org/10.3390/app13031455.
Texto completoTesis sobre el tema "Italian Naturalists"
Taschian, Helen. "Naturalism and Libertinism in Seventeenth-Century Italian Painting". Thesis, University of California, Santa Barbara, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3612041.
Texto completoThe work of Caravaggio, which was recognized as revolutionary in his own time and exerted a profound influence on seventeenth century painting all over Europe, has prompted a wide range of interpretations among modern art historians. Some, emphasizing the controversy generated by his religious pictures, have seen him as a daringly irreverent artist, while others have found his unidealized "naturalistic" style fundamentally well-suited to the spirit of the Catholic Counter-Reformation. Some detect a boldly overt homoeroticism in many of his pictures, while others claim not to see it at all. Some understand him to have worked in an unprecedentedly direct, almost visceral way, while others emphasize his sympathy with new directions in the sciences or the intellectual sophistication with which he played his naturalistic style against the precedents of classical and earlier Renaissance art.
Caravaggio's difficult personality has also lent itself to different readings. Some see him as a sociopath, if not a psychopath, while others see him calculatedly performing the role of social rebel in a manner that looks forward to the self-consciously dissident posturings of modern artists. Some art-historians have been led to conclude that he had highly-developed non-conformist values and tendencies that could be described as "libertine" in at least some of the varied senses in which that word was used during his time.
The aim of this dissertation is to discuss the relation of Caravaggio's work and personal example to his immediate art-historical and cultural context, but also to trace their influence on an ever-more-disparate group of artists active in the seventeenth century in order to see whether his style, sometimes characterized as "Baroque Naturalism," actually implied a set of values beyond its efficacy as an artistic strategy, whether a commitment to it implied or was understood to imply a non-conformist or libertine orientation that might be a matter of deep conviction on the part of the artist or a position felt to be appropriate to certain themes or in certain contexts.
The first chapter examines Caravaggio himself, while the second discusses three artists—Giovanni Baglione, Orazio Gentileschi, and Guido Reni—who knew him personally and responded to his work as it burst so dramatically on the scene in the very first years of the century. The third chapter discussed three artists who were active shortly afterward, whose engagement with Caravaggio testifies to a wider field of influence: Valentin de Boulogne, Domenico Fetti, and Guido Cagnacci. The final chapter sets two very different artists—Salvator Rosa and Nicolas Poussin—side by side in order to expose both the radically different responses to Caravaggio's legacy and the diverse senses in which the word "libertine" must be understood.
While the evidence does seem to suggest that at least some artists utilized Caravaggesque naturalism in order to invoke a well-defined "alternative tradition," one that was understood to imply a certain range of values, very few committed themselves to his approach strictly or for very long. Poussin rejected it emphatically. Yet Poussin, too, deliberately positioned himself on the margins of the Roman art world in order to cultivate a distinctive approach to art, one that seems to have been consciously based on deeply-held philosophical convictions. The lesson seems to be that Caravaggio's example made it possible for later artists to develop strategies with which to express their dissent from the prevailing values and practices of their time, and that even if their work did not look like his, they were indebted to him.
Pizzato, Giovanni <1996>. "Learning Italian as an L1: a longitudinal naturalistic case study based on the transcription and analysis of family tapes". Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/20881.
Texto completoConesa, Tejada Salvador. "PERSPECTIVA NATURALIS Y PERSPECTIVA ARTIFICIALIS, EL ESPACIO PERSPECTIVO EN LA PINTURA PRIMITIVA ITALIANA. PROPUESTAS PARA LA CREACIÓN ARTÍSTICA". Doctoral thesis, Universitat Politècnica de València, 2011. http://hdl.handle.net/10251/11002.
Texto completoConesa Tejada, S. (2011). PERSPECTIVA NATURALIS Y PERSPECTIVA ARTIFICIALIS, EL ESPACIO PERSPECTIVO EN LA PINTURA PRIMITIVA ITALIANA. PROPUESTAS PARA LA CREACIÓN ARTÍSTICA [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/11002
Palancia
IZZO, ANNA. "Ragioni e passioni di una fine. Per una poetica della clôture narrativa nel romanzo realista-naturalista". Doctoral thesis, Scuola Normale Superiore, 2006. http://hdl.handle.net/11384/86085.
Texto completoBorrelli, Marco. "Le développement de la nouvelle dans le cadre des journaux et des revues italiens : le cas de la Rassegna Settimanale (1878-1882)". Thesis, Lyon, 2020. http://www.theses.fr/2020LYSEN012.
Texto completoThis research was originally based on the objective to individuate the newspapers and the periodicals that, in the early post-unity era, hosted the novellas of the most important writers of the time. However, even if we took into account some interesting publishing examples and the evolution of press in the 19th century, we decided to focus on the case of “Rassegna Settimanale”, since we believe that this hebdomadal, founded by Leopoldo Franchetti and Sidney Sonnino in 1878 in Florence, played an essential role in the evolution of modern novella. Therefore, in order to give the reader the opportunity to gather the innovations produced by the Florentine periodical, the first chapter illustrates the historical, political and socio-cultural context of the journal. While during Risorgimento the idealistic and oligarchic concept of society was prevailing, starting from the ‘70s Franchetti and Sonnino’s thought introduced new subjects into the debate about the relationship between elites and farming masses, between the North and the South. In their thought there is a new idea of State, seen as a super partes welfarist authority, called to intervene in the economic life of the Country to fight mistreatments and social disequilibrium. The new perspective about masses and poverty is the foothold for the rise of verism and novella, which becomes the typical genre of modernity when novelists dismiss omniscient narration and opt for a type of narrator supporting a less stylized idea of the working class. That is, novella turns into short story when it assumes the ideological perspective suggested by the directors of “Rassegna Settimanale”. Taking into consideration the theories of novella composition advocated by Edgar Allan Poe, the contraintes established by the journal (especially standard length and organic connection with the social themes dear to the two directors) turn out to be essential to the future acknowledgment of the genre. For these reasons, the last part of this research consists of a reinterpretation of novellas of the journal’s most renowned writers, such as Giovanni Verga, Mario Pratesi, Matilde Serao, Renato Fucini, Emilio De Marchi, in light of the new publishing conditions fostered by Sonnino and Franchetti
Il presente lavoro muove da una ricerca preliminare volta all’individuazione dei quotidiani e dei periodici che nei primi decenni postunitari hanno ospitato sulle proprie colonne le novelle dei più importanti scrittori dell’epoca. Tuttavia, sebbene si tenga conto di alcune interessanti proposte editoriali (con un focus sulle seguenti aree geografiche: Milano, Torino, Firenze, Roma) e, in linea generale, dell’evoluzione conosciuta dal mondo della stampa nel XIX secolo, si è deciso di affrontare il caso specifico della “Rassegna Settimanale” perché si è convinti che a questo particolare ebdomadario, fondato nel 1878 a Firenze da Leopoldo Franchetti e Sidney Sonnino, sia legato un momento di svolta del giornalismo nonché della narrativa nazionale e, soprattutto, lo sviluppo della novella moderna. Così, affinché il lettore possa cogliere nella loro entità le rivoluzionarie novità apportate dalla rivista fiorentina, nel primo capitolo della tesi si è illustrato il contesto storico, politico e socioculturale nel quale il periodico va ad inserirsi. Se durante il Risorgimento predomina una concezione idealista e oligarchica della società e i bisogni del popolo restano essenzialmente inascoltati, a partire dai primi anni ’70 la riflessione stimolata da Franchetti e Sonnino introduce nuovi argomenti nel dibattito riguardante le relazioni tra potere e masse contadine, tra Nord e Sud. Nel loro pensiero politico trova posto una nuova idea di Stato, definibile a tutti gli effetti assistenzialista, dal momento che, in quanto ente super partes, è chiamato ad intervenire nella vita economica del Paese per far fronte a fenomeni di sfruttamento e al disequilibrio sociale. Il nuovo sguardo sulle masse e sulla povertà diventa il punto d’appoggio per l’ascesa del verismo e della novella: quest’ultima comincia a delinearsi come genere tipico della modernità quando gli scrittori adottano, nella finzione narrativa, non più la prospettiva di un narratore onnisciente bensì la voce di un narratore che si fa portavoce di una concezione diversa del mondo popolare, meno stilizzato; la novella, cioè, diventa short story quando si impreziosisce della prospettiva ideologica suggerita dai direttori della “Rassegna Settimanale”. Dal punto di vista formale, con uno sguardo rivolto alle teorie sulla composizione della novella avanzate da Edgar Allan Poe, le contraintes fissate dalla rivista – due su tutte: la lunghezza standard e il rapporto organico con le tematiche sociali care ai due direttori – si rivelano necessarie per la futura canonizzazione del genere. L’ultima parte del presente lavoro, pertanto, verte su una rilettura delle novelle pubblicate dagli scrittori più rinomati della rivista, quali Giovanni Verga, Mario Pratesi, Matilde Serao, Renato Fucini, Emilio De Marchi, alla luce delle condizioni editoriali favorite da Sonnino e Franchetti
Masselli, Anna Elena. "Giovanni Targioni Tozzetti, uno seicenziato naturalista e viaggiatore Italiano del settecento=Giovanni Targioni Tozzetti, an eighteenth century Italian natural scientist and traveller". Thesis, 2014.
Buscar texto completoCorreia, Mário João Rosas Rebelo. "A Questio perutilis de cuiuscumque scientie subiecto, principaliter tamen naturalis phiilosophie de Frei Gomes de Lisboa - um escotista no Renascimento italiano". Master's thesis, 2015. https://repositorio-aberto.up.pt/handle/10216/80690.
Texto completoCorreia, Mário João Rosas Rebelo. "A Questio perutilis de cuiuscumque scientie subiecto, principaliter tamen naturalis phiilosophie de Frei Gomes de Lisboa - um escotista no Renascimento italiano". Dissertação, 2015. https://repositorio-aberto.up.pt/handle/10216/80690.
Texto completoGrundy, Susan Audrey. "The projected image and the introduction of individuality in Italian painting around 1270". Thesis, 2008. http://hdl.handle.net/10500/3020.
Texto completoArt History
D.Litt. et Phil. (Art History)
Libros sobre el tema "Italian Naturalists"
The naturalists: A field guide : Castelluccio La Foce, 2013. Pistoia: Gli ori, 2013.
Buscar texto completoAngelo, Barili, Gentili Sergio y Romano Bruno, eds. Un naturalista perugino nel Corno d'Africa: Atti della giornata di studi su Orazio Antinori (1811-1882), Perugia, 24 maggio 2002. Perugia: Ali&no, 2007.
Buscar texto completoI due viaggiatori: Alla scoperta del mondo con Odoardo Beccari ed Emilio Salgari. Firenze: Mauto Pagliai, 2010.
Buscar texto completoMacellari, Elena. Botaniche italiane: Scienziate, naturaliste, appassionate. Trento: Tipografia editrice Temi s.a.s., 2015.
Buscar texto completoTeresa, Isenburg, ed. Viaggiatori naturalisti italiani in Brasile nell'Ottocento. Milano, Italy: F. Angeli, 1989.
Buscar texto completoEsploratori perduti: Storie dimenticate di naturalisti italiani di fine Ottocento. Torino: Codice, 2011.
Buscar texto completoTeresa, Isenburg, ed. Naturalistas italianos no Brasil. São Paulo, SP: Arquivo do Estado, 1991.
Buscar texto completoMonti, Raffaele. Signorini e il naturalismo europeo. Roma: De Luca edizioni d'arte, 1989.
Buscar texto completoElena, Corradini y Foro Boario (Modena Italy), eds. Naturalismo nella pittura italiana tra '800 e '900. Milano: F. Motta, 2008.
Buscar texto completoCeglie, Rossella De. L'anello mancante: L'opera di O.G. Costa nella biologia italiana del primo Ottocento. Bari: Edizioni Giuseppe Laterza di Giuseppe Laterza, 1999.
Buscar texto completoCapítulos de libros sobre el tema "Italian Naturalists"
Gipper, Andreas y Diego Stefanelli. "Die Wissenschaftsübersetzung als Generator symbolischen Kapitals". En Übersetzungskulturen der Frühen Neuzeit, 161–84. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62562-0_8.
Texto completoRizzo, Maria y Patrizia Gasparini. "Forest Health". En Springer Tracts in Civil Engineering, 447–68. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98678-0_10.
Texto completo"2 New World and other Exotic Animals in the Italian Renaissance: the Menageries of Lorenzo Il Magnifico and his Son, Pope Leo X". En Naturalists in the Field, 40–75. BRILL, 2018. http://dx.doi.org/10.1163/9789004323841_003.
Texto completoRamsey-Portolano, Catherine. "The Gothic Body". En Italian Gothic, editado por Marco Malvestio y Stefano Serafini, 185–96. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474490160.003.0013.
Texto completo"El futurismo italiano y nuestro modernismo naturalista". En Vanguardia latinoamericana, Tomo III, 150–51. Vervuert Verlagsgesellschaft, 2004. http://dx.doi.org/10.31819/9783964564207-018.
Texto completo"“Something Of What I Am After”: Lawrence, Marinetti and Zola’s Naturalism". En D.H. Lawrence and Italian Futurism, 31–70. BRILL, 2003. http://dx.doi.org/10.1163/9789004483583_007.
Texto completoDalle Vacche, Angela. "Science". En André Bazin's Film Theory, 55–97. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190067298.003.0003.
Texto completoVermeren, Hugo. "Chapitre 4. Les naturalisés : une position singulière en situation coloniale". En Les Italiens à Bône (1865-1940), 173–231. Publications de l’École française de Rome, 2017. http://dx.doi.org/10.4000/books.efr.35415.
Texto completo"Drawing the Elephant: On the Natures of Naturalism before and in the Cinquecento". En Visualizing the Past in Italian Renaissance Art, 108–33. BRILL, 2021. http://dx.doi.org/10.1163/9789004447776_008.
Texto completoSimons, Patricia. "Portraiture, Portrayal, and Idealization: Ambiguous Individualism in Representations of Renaissance Women". En Language and Images of Renaissance Italy, 263–311. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198203186.003.0013.
Texto completoActas de conferencias sobre el tema "Italian Naturalists"
Curci, Selima, Alessando Mura y Daniele Riboni. "Toward Naturalistic Self-Monitoring of Medicine Intake". En CHItaly '17: 12th Biannual Conference of the Italian SIGCHI Chapter. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3125571.3125582.
Texto completoDelli Santi, Maurizio y Massimiliano Passarelli. "Ricostruzione 3D del sito fortificato di Monte Croccia (Basilicata, Italia)". En FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18118.
Texto completoCicoria, Massimiliano. "Legal Subjectivity and Absolute Rights of Nature". En The 8th International Scientific Conference of the Faculty of Law of the University of Latvia. University of Latvia Press, 2022. http://dx.doi.org/10.22364/iscflul.8.2.06.
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