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Libros sobre el tema "Isolation in gothic landscapes"

Autor: Grafiati
Publicado: 5 de diciembre de 2024

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1

Yang, Sharon Rose, and Kathleen Healey, eds. Gothic Landscapes. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33165-2.

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2

Wołkowycki, Dan. Różnicowanie i ujednolicanie się flor ruderalnych w warunkach izolacji środowiskowej: Differentiation and unification of ruderal floras in environmental isolation conditions. Polskie Tow. Botaniczne, 2000.

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3

Vassar College. Frances Lehman Loeb Art Center, ed. Utopian mirage: Social metaphors in contemporary photography and film : May 25 - July 29, 2007. The Frances Lehman Loeb Art Center, Vassar College, 2007.

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4

Shirley, Jackson. Abbiamo sempre vissuto nel castello. Adelphi, 2009.

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5

Shirley, Jackson. We Have Always Lived in the Castle. Penguin Books, 2006.

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6

Shirley, Jackson. We have always lived in the castle. Robinson, 1987.

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7

Battaglia, Beatrice. Paesaggi e misteri: Riscoprire Ann Radcliffe. Liguori, 2008.

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8

Kullmann, Thomas. Vermenschlichte Natur: Zur Bedeutung von Landschaft und Wetter im englischen Roman von Ann Radcliffe bis Thomas Hardy. Max Niemeyer Verlag, 1995.

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9

Andrews, V. C. Flowers in the attic. HarperCollins Publishers, 2005.

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10

Andrews, V. C. Kind der Dämmerung. 2nd ed. Goldmann, 1993.

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11

Andrews, V. C. Flowers in the attic. Guild, 1986.

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12

Andrews, V. C. Flowers in the Attic. 5th ed. Pocket Books, 2005.

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13

Andrews, V. C. Fleurs captives. J'ai lu, 1986.

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14

Andrews, V. C. Flowers in the Attic. Pocket Books, 1989.

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15

Andrews, V. C. Flowers in the attic. HarperCollins, 1993.

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16

Andrews, V. C. Flores en el ático. DeBolsillo, 2010.

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17

Andrews, V. C. Kwiaty na poddaszu. Phantom Press International, 1993.

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18

Andrews, V. C. Flowers in the attic. Ishi Press International, 2010.

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19

Andrews, V. C. Fleurs captives. France loisirs, 1987.

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20

Andrews, V. C. Flowers in the Attic. HarperCollins Publishers, 1995.

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21

Andrews, V. C. Flowers in the Attic. 2nd ed. HarperCollins Publishers, 2012.

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22

Andrews, V. C. Flowers in the Attic. Charnwood, 2016.

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23

Andrews, V. C. Flowers in the Attic. 3rd ed. HarperCollins Publishers, 2012.

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24

Andrews, V. C. Flowers in the Attic. Piatkus, 1991.

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25

Andrews, V. C. Flores en el ático. 8th ed. Plaza & Janes Editores, S.A., 1998.

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26

Andrews, V. C. Flowers in the Attic and Petals on the Wind. BCA, 1996.

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27

Andrews, V. C. Flowers in the Attic / Petals on the Wind. Grafton, 2005.

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28

Sanderson Miller and his landscapes. Phillimore, 2006.

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29

Brewster, Scott, and Lucie Armitt. Gothic Travel Through Haunted Landscapes: Climates of Fear. Anthem Press, 2022.

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30

Brewster, Scott, and Lucie Armitt. Gothic Travel Through Haunted Landscapes: Climates of Fear. Anthem Press, 2022.

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31

Brewster, Scott, and Lucie Armitt. Gothic Travel Through Haunted Landscapes: Climates of Fear. Anthem Press, 2022.

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32

Healey, Kathleen, and Sharon Rose Yang. Gothic Landscapes: Changing Eras, Changing Cultures, Changing Anxieties. Springer International Publishing AG, 2016.

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33

Healey, Kathleen, and Sharon Rose Yang. Gothic Landscapes: Changing Eras, Changing Cultures, Changing Anxieties. Palgrave Macmillan, 2018.

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34

Healey, Kathleen, and Sharon Rose Yang. Gothic Landscapes: Changing Eras, Changing Cultures, Changing Anxieties. Palgrave Macmillan, 2016.

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35

Corrêa, Graça. Gothic Theory and Aesthetics: Transdisciplinary Landscapes in Film, Theatre, Architecture and Literature. Caleidoscópio, 2020. http://dx.doi.org/10.30618/9789896586508.

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36

Hassall, Linda. Theatres of Dust: Climate Gothic Analysis in Contemporary Australian Drama and Performance Landscapes. Springer Singapore Pte. Limited, 2021.

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37

Gothic theory and aesthetics: Transdisciplinary landscapes in film, theatre, architecture and literature : art studies. Caleidoscópio, 2020.

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38

Conan Doyle, Arthur. Gothic Tales. Edited by Darryl Jones. Oxford University Press, 2018. http://dx.doi.org/10.1093/owc/9780198734307.001.0001.

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‘There was a rumour, too, that he was a devil-worshipper, or something of that sort, and also that he had the evil eye…’ Arthur Conan Doyle was the greatest genre writer Britain has ever produced. Throughout a long writing career, he drew on his own medical background, his travels, and his increasing interest in spiritualism and the occult to produce a spectacular array of Gothic Tales. Many of Doyle’s writings are recognised as the very greatest tales of terror. They range from hauntings in the polar wasteland to evil surgeons and malevolent jungle landscapes. This collection brings together over thirty of Conan Doyle’s best Gothic Tales. Darryl Jones’s introduction discusses the contradictions in Conan Doyle’s very public life - as a medical doctor who became obsessed with the spirit world, or a British imperialist drawn to support Irish Home Rule - and shows the ways in which these found articulation in that most anxious of all literary forms, the Gothic.
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39

Trigg, Stephanie. Medievalism and the Gothic in Australian Culture. Melbourne University Publishing, 2006.

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40

Shirley, Jackson. Wir haben schon immer im Schloss gelebt. Festa Verlag, 2019.

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41

Shirley, Jackson. We Have Always Lived in the Castle. Blackstone Audio, Inc., 2010.

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42

We Have Always Lived in the Castle. Peguin Group, 2009.

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43

Shirley, Jackson. Nous Avons Toujours Habite Dans Le Chateau. Pocket, 1999.

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44

Shirley, Jackson. We Have Always Lived in the Castle. Arcturus Publishing, 2019.

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45

Shirley, Jackson. We Have Always Lived in the Castle: Library Edition. Blackstone Pub, 2010.

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46

Shirley, Jackson. We Have Always Lived in the Castle. Quality Paperback Book Club, 1991.

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47

Shirley, Jackson. We Have Always Lived in the Castle. Penguin Classics, 2016.

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48

Shirley, Jackson. We Have Always Lived in the Castle. Penguin Books, Limited, 2009.

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49

Shirley, Jackson. We Have Always Lived in the Castle. Tandem Library, 1999.

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50

We Have Always Lived in the Castle. Penguin Books, 2010.

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