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Libros sobre el tema "Interpretation formalism"

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Publicado: 29 de marzo de 2025

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1

Stephen, Cohen, ed. Shakespeare and historical formalism. Aldershot, England: Ashgate, 2007.

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2

Richard, Woodfield y Sedlmayr Hans 1896-, eds. Framing formalism: Riegl's work. Amsterdam: G+B Arts International, 1999.

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3

Twitchell, Beverly H. Cézanne and formalism in Bloomsbury. Ann Arbor, Mich: UMI Research Press, 1987.

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4

Center, Langley Research, ed. Interpretation of IEEE-854 floating-point standard and definition in the HOL system. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1995.

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5

Center, Langley Research, ed. Interpretation of IEEE-854 floating-point standard and definition in the HOL system. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1995.

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6

Faulkner and Yoknapatawpha Conference (35th 2008 University of Mississippi). Faulkner and formalism: Returns of the text : Faulkner and Yoknapatawpha, 2008. Jackson: University Press of Mississippi, 2012.

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7

Russia) Mezhdunarodnai͡a nauchnai͡a konferent͡sii͡a "Brikovskie chtenii͡a" (2nd 2013 Moscow. Metodologii︠a︡ i praktika russkogo formalizma: Materialy mezhdunarodnoĭ nauchnoĭ konferent︠s︡ii "II Brikovskie chtenii︠a︡: Metodologii︠a︡ i praktika russkogo formalizma" Moskovskiĭ gosudarstvennyĭ universitet pechati imeni Ivana Fedorova Moskva, 20-23 marta 2013 goda = Methodology and Practices of Russian Formalism : Papers of the 2nd Osip Brik International Colloquium - a Linguistic and Interdisciplinary Conference held at the Ivan Fedorov Moscow State University of Printing Arts March 20-23, 2013. Moskva: Azbukovnik, 2014.

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8

Olin, Margaret Rose. Forms of representation in Alois Riegl's theory of art. University Park, Pa: Pennsylvania State University Press, 1992.

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9

Any, Carol Joyce. Boris Eikhenbaum: Voices of a Russian formalist. Stanford: Stanford University Press, 1994.

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10

Eberharter, Markus. Der poetische Formismus Tytus Czyżewskis: Ein literarischer Ansatz der fruehen polnischen Avantgarde und sein mitteleuropaeischer Kontext. Bern: Peter Lang International Academic Publishers, 2004.

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11

Matczak, Marcin. Summa iniuria: O błędzie formalizmu w stosowaniu prawa. Warszawa: Wydawn. Nauk. "Scholar", 2007.

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12

Urmanî, Nizar. Xwîn dihimbêza befrêda: Rexneyeka furmalistî şîkarîye. Dihok: [s.n.], 2005.

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13

Maksymczak, Marek. Bunt przeciw władzy i formalizmowi: Próba interpretacji twórczości grupy Wprost = Rebellion against authority and formalism : an attempt at interpreting the work of the group "Wprost". Warszawa: Instytut Sztuki PAN, 2017.

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14

Zherebkina, Irina. Metafizika kak zhanr. Kiev: T︠S︡GO NAN Ukrainy, 1996.

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15

Gampper, Gerhard. Ein formales Modell zur Interpretation platonischer Dialoge. Frankenthal: G. Gampper, 1989.

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16

Tyradellis, Daniel. Untiefen: Husserls Begriffsebene zwischen Formalismus und Lebenswelt. Würzburg: Königshausen & Neumann, 2006.

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17

1942-, Lea Sydney, ed. The Burdens of formality: Essays on the poetry of Anthony Hecht. Athens: University of Georgia Press, 1989.

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18

Mautner, Menachem. Yeridat ha-formalizm ṿa-ʻaliyat ha-ʻarakhim ba-mishpaṭ ha-Yiśreʼeli. Tel-Aviv: Maʻgele daʻat, 1993.

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19

Dovale, Carmiña. Geometría del orden: Estrategias formales en el lenguaje compositivo de Eduardo Chillida. Pamplona, España: EUNSA, 2020.

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20

Aleo, Giovanna. Una scrittura dell'errance: Percorsi esistenziali e formali nell'opera di Henri Michaux. Catania: CUECM, 1996.

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21

Araújo, Nara. Textos de teorías y crítica literarias: Del formalismo a los estudios poscoloniales. Rubí, Barcelona, Spain: Anthropos Editorial, 2010.

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22

Mautner, Menachem. Yeridat ha-formalizm ṿa-ʻaliyat ha-ʻarakhim ba-mishpaṭ ha-Yiśreʾeli. Tel-Aviv: Maʻgele daʻat, 1993.

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23

Bockemühl, Michael. Rembrandt, 1606-1669: The mystery of the revealed form. Köln: Benedikt Taschen, 1993.

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24

Pietrzak, Ewa. Od "indywidualnego formalizmu" do "nowej wrażliwości": Kryzys komunikacji i problematyka przekazu we wczesnych powieściach Petera Handkego. Wrocław: Wydawn. Uniwersytetu Wrocławskiego, 1986.

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25

Simposio, Español sobre Plutarco (4th 1994 Salamanca Spain). Estudios sobre Plutarco: Aspectos formales : actas del IV Simposio Español sobre Plutarco, Salamanca, 26 a 28 de Mayo de 1994. Madrid: Clásicas, 1996.

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26

Camilla, Tassi, ed. L'edificio ex G.I.L. di Macerata: Aspetti formali, tipologici, costruttivi e stato di conservazione. Firenze: Alinea, 2009.

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27

American formalism and the problem of interpretation. Houston, Tex: Rice University Press, 1986.

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28

Lobban, Michael. Legal Formalism. Editado por Markus D. Dubber y Christopher Tomlins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198794356.013.23.

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This chapter considers the era of ‘legal formalism’, which is usually taken to refer to the period in American legal thought between the 1860s and the 1920s, when a new generation of post-bellum treatise-writers and legal academics sought to discover the underlying principles of common law cases, and put them into a rational order. This period is sometimes also referred to as the era of ‘classical legal thought’. In contemporary jurisprudence, the term ‘formalism’ refers to a specific approach to adjudication and constitutional interpretation, which has its defenders as well as its critics. However, in the era under study, it was neither a term which jurists used to describe themselves, nor one which their critics used to describe them.
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29

Cohen, Stephen. Shakespeare and Historical Formalism. Taylor & Francis Group, 2016.

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30

Cohen, Stephen. Shakespeare and Historical Formalism. Taylor & Francis Group, 2016.

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31

Cohen, Stephen. Shakespeare and Historical Formalism. Taylor & Francis Group, 2016.

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32

Cohen, Stephen. Shakespeare and Historical Formalism. Taylor & Francis Group, 2016.

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33

Cohen, Stephen. Shakespeare and Historical Formalism. Taylor & Francis Group, 2016.

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34

Faflik, David. Urban Formalism. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288045.001.0001.

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Urban Formalism radically reimagines what it meant to “read” a brave new urban world during the transformative middle decades of the nineteenth century. At a time when contemporaries in the twin capitals of modernity in the West, New York and Paris, were learning to make sense of unfamiliar surroundings, city peoples increasingly looked to the experiential patterns, or forms, from their everyday lives in an attempt to translate urban experience into something they could more easily comprehend. Urban Formalism interrogates both the risks and rewards of an interpretive practice that depended on the mutual relation between urbanism and formalism, at a moment when the subjective experience of the city had reached unprecedented levels of complexity. What did it mean to read a city sidewalk as if it were a literary form, like a poem? On what basis might the material form of a burning block of buildings be received as a pleasurable spectacle? How closely aligned were the ideology and choreography of the political form of a revolutionary street protest? And what were the implications of conceiving of the city’s exciting dynamism in the static visual form of a photographic composition? These are the questions that Urban Formalism asks and begins to answer, with the aim of proposing a revisionist semantics of the city. This book not only provides an original cultural history of forms. It posits a new form of urban history, comprised of the representative rituals of interpretation that have helped give meaningful shape to metropolitan life.
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35

Shakespeare and Historical Formalism. Ashgate Pub Co, 2007.

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36

Woodfield, Richard. Framing Formalism: Riegl's Work. Taylor & Francis Group, 2013.

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37

Campbell, John, Joey Huston y Frank Krauss. Hard Scattering Formalism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199652747.003.0002.

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The hard scattering formalism is introduced, starting from a physical picture based on the idea of equivalent quanta borrowed from QED, and the notion of characteristic times. Contact to the standard QCD treatment is made after discussing the running coupling and the Altarelli–Parisi equations for the evolution of parton distribution functions, both for QED and QCD. This allows a development of a space-time picture for hard interactions in hadron collisions, integrating hard production cross sections, initial and final state radiation, hadronization, and multiple parton scattering. The production of a W boson at leading and next-to leading order in QCD is used to exemplify characteristic features of fixed-order perturbation theory, and the results are used for some first phenomenological considerations. After that, the analytic resummation of the W boson transverse momentum is introduced, giving rise to the notion of a Sudakov form factor. The probabilistic interpretation of the Sudakov form factor is used to discuss patterns in jet production in electron-positron annihilation.
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38

Woodfield, Richard. Framing Formalism: Riegl's Work. Taylor & Francis Group, 2013.

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39

Framing Formalism: Riegl's Work. Routledge, 2013.

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40

Cinema of Hal Hartley: Flirting with Formalism. Wallflower Press, 2016.

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41

Rybin, Steven. Cinema of Hal Hartley: Flirting with Formalism. Wallflower Press, 2016.

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42

Rybin, Steven. Cinema of Hal Hartley: Flirting with Formalism. Columbia University Press, 2016.

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43

Corbo, Stefano. From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman. Taylor & Francis Group, 2016.

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44

Shaman, Jeffrey M. Constitutional Interpretation. Praeger, 2000. http://dx.doi.org/10.5040/9798400630965.

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This study analyzes the process of constitutional interpretation, that is, the methodology by which the Supreme Court goes about interpreting the Constitution, and offers a comprehensive view of constitutional law through the lens of history, political science, and jurisprudence. Shaman examines the practice of creating meaning for the Constitution, the dichotomy of legal formalism and realism, the levels of judicial scrutiny, the perception of reality, and the puzzle of legislative motive. While the book traces the historical development of constitutional law, its main focus is on modern jurisprudence, including analyses of the major themes of constitutional interpretation developed by the Warren, Burger, and Rehnquist Courts. Shaman details the Warren Court's move to a more realistic jurisprudence and its development of a multi-level system of judicial review that has become increasingly more complex under the Burger and Rehnquist Courts. He critiques the Supreme Court's reversion in recent years to an old-fashioned formalistic jurisprudence and the growing tendency of the Court to look to the past rather than to future to interpret the Constitution. The book also includes discussion of recent major doctrinal developments such as constitutional theory underlying Supreme Court decisions on gender discrimination, discrimination on the basis of sexual preference, the right to die, abortion, and freedom of speech.
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45

Prison-House of Language: A Critical Account of Structuralism and Russian Formalism. Princeton University Press, 2020.

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46

From Formalism to Weak Form: The Architecture and Philosophy of Peter. Taylor & Francis Group, 2014.

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47

Istorii͡a i fikt͡sii͡a v tekstakh V. Shklovskogo i B. Ėĭkhenbauma v 1920-e gg. Tartu: Tartu University Press, 2003.

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48

Benaglia, Cecilia. Engagements de la Forme: Une Sociolecture des Oeuvres de Carlo Emilio Gadda et Claude Simon. Classiques Garnier, 2020.

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49

Der poetische Formismus Tytus Czyżewskis: Ein literarischer Ansatz der frühen polnischen Avantgarde und sein mitteleuropäischer Kontext. München: O. Sagner, 2004.

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50

Engagements de la Forme: Une Sociolecture des Oeuvres de Carlo Emilio Gadda et Claude Simon. Classiques Garnier, 2020.

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