Literatura académica sobre el tema "Installations (Art) – 21st century – Australia"
Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros
Índice
Consulte las listas temáticas de artículos, libros, tesis, actas de conferencias y otras fuentes académicas sobre el tema "Installations (Art) – 21st century – Australia".
Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.
También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.
Artículos de revistas sobre el tema "Installations (Art) – 21st century – Australia"
Barashkov, Viktor V. "THE MAIN TRENDS OF AESTHETICAL MODERNIZATION OF CHRISTIAN RELIGIOUS IMAGES IN EUROPE AT THE BEGINNING OF THE 21ST CENTURY". Study of Religion, n.º 2 (2018): 122–30. http://dx.doi.org/10.22250/2072-8662.2018.2.122-130.
Texto completoNie, Sen y Yan Liu. "Analysis of Application of Digital Media Arts". Advanced Materials Research 989-994 (julio de 2014): 4223–25. http://dx.doi.org/10.4028/www.scientific.net/amr.989-994.4223.
Texto completoBarrymore, Stuart J. y Jane Ballard. "Decommissioning – a path forward for Australia". APPEA Journal 59, n.º 1 (2019): 25. http://dx.doi.org/10.1071/aj18143.
Texto completoBurganova, Maria y Julia Smolenkova. "Alexander Burganov: a New Code of Time and Space". Scientific and analytical journal Burganov House. The space of culture 16, n.º 1 (10 de marzo de 2020): 19–37. http://dx.doi.org/10.36340/2071-6818-2020-16-1-19-37.
Texto completoGonzález Zarandona, José Antonio. "Between destruction and protection: the case of the Australian rock art sites". ZARCH, n.º 16 (13 de septiembre de 2021): 148–53. http://dx.doi.org/10.26754/ojs_zarch/zarch.2021165087.
Texto completoSchuster, J. Mark. "Cultural policy—state of the art “taking cultural policy into the 21st century’ Brisbane, Queensland, Australia, 28–30 June 1995". European Journal of Cultural Policy 2, n.º 1 (octubre de 1995): 185–88. http://dx.doi.org/10.1080/10286639509358011.
Texto completoThorner, Sabra G. "The photograph as archive: Crafting contemporary Koorie culture". Journal of Material Culture 24, n.º 1 (9 de julio de 2018): 22–47. http://dx.doi.org/10.1177/1359183518782716.
Texto completoLavrentiev, Alexander. "Vyacheslav Koleichuk as the Engine of the Russian Kinetic Art. Imaginary dialogue at the exhibition". Scientific and analytical journal Burganov House. The space of culture 17, n.º 1 (10 de marzo de 2021): 95–117. http://dx.doi.org/10.36340/2071-6818-2021-17-1-95-117.
Texto completoSafitri, Ragil y Sugirin Sugirin. "Senior high school students’ attitudes towards intercultural insertion into the ELT: Yogyakarta context". EduLite: Journal of English Education, Literature and Culture 4, n.º 2 (4 de septiembre de 2019): 261. http://dx.doi.org/10.30659/e.4.2.261-274.
Texto completoBURKE, PETER. "Introduction". European Review 14, n.º 1 (3 de enero de 2006): 99–103. http://dx.doi.org/10.1017/s1062798706000081.
Texto completoTesis sobre el tema "Installations (Art) – 21st century – Australia"
Wise, Gianni Ian Media Arts College of Fine Arts UNSW. "Scenario House". Awarded by:University of New South Wales. Media Arts, 2006. http://handle.unsw.edu.au/1959.4/26230.
Texto completoGodfrey, Laura. "Contemplations of connection through the notion of boundaries : installations and ideas of paradox". Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1272765.
Texto completoDepartment of Art
Cloete, Zelda. "Site-specificity in The educators new clothes by Mark Rautenbach". Diss., 2019. http://hdl.handle.net/10500/27031.
Texto completoThis study is an enquiry into how The educator’s new clothes by Mark Rautenbach is an example of site-specific art. The aim is to demonstrate how boundaries in TENC become blurred between site-specific performance, other art forms, and every-day activities. The key concepts explored are: Rautenbach’s approach to the concept of site, the connections that develop between his performance and each site that he travels to; his use of the art gallery and viewer participation. Through literature study relevant theory is explored, and several arguments are applied in a selective manner to my analysis of TENC. Various International and South African site-specific artworks are discussed as an indication of how site-specificity can be applied in alternative ways. In October 2017 I installed GREENER?, a site-specific exhibition in the UNISA Art gallery. The works on the show underline the theoretical findings and highlight the flexible application of theory relating to site-specificity.
Dinyakišišo tše ke phatišišo mabapi le seo se dirago bokgabo bja The educator’s new clothes (TENC) ka Mark Rautenbach go ba mohlala wa bokgabo bja lefelong le itšego. Maikemišetšo ke go laetša ka fao ka go TENC mellwane magareng ga mošomo wa ka lefelong le mehuta ye mengwe ya bokgabo le mediro ya ka mehla di thomago go se sa bonagala gabotse. Mareo ao a šomišwago ke: mokgwa wa Rautenbach go kgopolo ya lefelo, dikgokagano tše di hlamegago magareng ga phethagatšo ya ya gagwe ya mošomo le lefelo le lengwe le le lengwe leo a yago go lona, tšhomišo ya gagwe ya kalari ya tša bokgabo le go kgatha tema ga babogedi. Ka go diriša dingwalwa teori ya maleba e a utollwa, gomme dintlha tše mmalwa di a dirišwa ka mokgwa wa go kgetha go tshekatsheko ya ka ya TENC. Mešomo ya bokgabo ya ka lefelong le itšego ya mehutahuta e a ahlaahlwa bjalo ka kutollo ya ka fao bokgabo bja ka mafelong bo ka dirišwago ka ditsela tše dingwe. Ka Oktoboro 2017 ke hlomile GREENER?, e lego pontšho ya bokgabo ya ka lefelong le itšego, ka Kalaring ya Bokgabo ya ka Unisa. Mešomo ye e bontšhitšwego e laeditše dikutollo tša teori le go laetša tirišo ye e fetogago ya teori mabapi le mešomo ya bokgabo ya ka lefelong le itšego.
Hierdie studie behels ʼn ondersoek na wat van The educator’s new clothes (TENC) deur Mark Rautenbach plekspesifieke kuns maak. Die oogmerk is om aan te toon hoe die grense tussen plekspesifieke uitvoering, ander kunsvorme en daaglikse bedrywighede vervaag. Die kernkonsepte wat verken word, is Rautenbach se beskouing van die konsep van plek, die verband tussen sy uitvoering en elke plek waarheen hy reis, sy aanwending van ʼn kunsgalery, en kykerdeelname. Die tersaaklike teorie word aan die hand van ʼn literatuurstudie verken, en ʼn aantal argumente word op selektiewe wyse op my ontleding van TENC toegepas. Verskeie internasionale en Suid-Afrikaanse plekspesifieke kunswerke word bespreek as ʼn verkenning van hoe plekspesifisiteit op ander maniere toegepas word. Ek het in Oktober 2017 ʼn plekspesifieke uitstalling met die titel GREENER? in die Unisa Kunsgalery gehou. Die werke wat uitgestal is, onderstreep die teoretiese bevindings en vestig die aandag op die buigsame toepassing van die teorie in verband met plekspesifisiteit.
Art History, Visual Arts and Musicology
M.V.A.
Libros sobre el tema "Installations (Art) – 21st century – Australia"
1950-, Desmond Michael y National Gallery of Australia, eds. Islands: Contemporary installations from Australia, Asia, Europe and America. Canberra: National Gallery of Australia, 1996.
Buscar texto completo1945-, McCarthy Paul y Whitney Museum of American Art., eds. Paul McCarthy: Central symmetrical rotation movement : three installations, two films. New York: Whitney Museum of American Art, 2008.
Buscar texto completoInside installations: Theory and practice in the care of complex artworks. [Amsterdam]: Amsterdam University Press, 2011.
Buscar texto completoLam, Centro Wifredo y Mattress Factory, eds. Queloides: Race and racism in Cuban contemporary art = raza y racismo en el arte Cubano contemporâaneo. Pittsburgh, Pa: Mattress Factory, 2010.
Buscar texto completoStarling, Simon. Simon Starling. London: The Showroom, 1995.
Buscar texto completoKen, Watson, Jones Jonathan y Perkins Hetti 1965-, eds. Tradition today: Indigenous art in Australia. Sydney: Art Gallery of New South Wales, 2004.
Buscar texto completoAngus, Fairhurst, Cahill James 1926-, Sadie Coles HQ y Arnolfini (Organization), eds. Angus Fairhurst. London: PWP, in association with Sadie Coles HQ, 2008.
Buscar texto completoCraddock, Sacha. Angus Fairhurst. London: PWP, in association with Sadie Coles HQ, 2008.
Buscar texto completoCraddock, Sacha. Angus Fairhurst. London: PWP, in association with Sadie Coles HQ, 2008.
Buscar texto completoParochial, Singuhr-Hörgalerie in, ed. Singuhr-Hoergalerie in Parochial, 1996 bis 2006: Sound Art in Berlin = Singuhr-Hoergalerie in Parochial, 1996 to 2006. Heidelberg: Kehrer, 2010.
Buscar texto completo