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Artículos de revistas sobre el tema "Indonesian women"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Karolus, Meike Lusye. "Women in Indonesian Films about “Eastern Indonesia”." Jurnal Perempuan 23, no. 3 (2018): 143. http://dx.doi.org/10.34309/jp.v23i3.252.

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<p>The purpose of this study is to explain about women’s positions and roles that are represented in films as agents who frame identity and ethnical stereotype of “the East”. By using intersectional feminist perspective, the study analyse texts from three Indonesian films which using film sets in the regions of Eastern Indonesia as follows: <em>Aisyah: Let Us Be a Family </em>(2016), <em>Salawaku </em>(2016), and <em>Marlina, the Murderer in Four Acts</em> (2017). Findings show that films about Eastern Indonesia still embed with the perspectives of ori

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2

Karmila, Mokoginta, Arafah Burhanuddin, Rahman Fathu, and Abbas Herawaty. "Indonesian Women as Reflected in an English Textbook Used in Indonesia." International Journal of Arts and Social Science 4, no. 6 (2023): 323–37. https://doi.org/10.5281/zenodo.7747705.

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Many studies had been conducted to analyze cultural aspects reflected in textbooks used in teaching English as a Foreign Language (EFL), but only a few of them had utilized the Cultural Linguistics approach despite its rigorous mechanism of analysis. This study aims to fill in this gap by analyzing the representation of Indonesian women in an English textbook used in Indonesia. The analysis was conducted in three steps: analyzing the textbook, conducting an ethnographic survey about Indonesian women in Indonesia, and comparing the cultural schemas generated from the textbook and the ethnograph

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3

Tas'an, Ayu Kartika Julianingsih, and Rosnani Rosnani. "Projecting Gender Identity: Woman’s Portrayal in Indonesian Female Directors’ Films." VOX POPULI 6, no. 1 (2023): 17–28. http://dx.doi.org/10.24252/vp.v6i1.37392.

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This paper aims to assess the role of female filmmakers in the contemporary Indonesian film industries. Throughout history, the presence of women in the Indonesian film industry brings many effects on the way a woman is depicted on screen. As the portrayal of women in Indonesian films tends to be homogenous, many female filmmakers strive to give another image of women on screen and work against the stereotype of women in earlier Indonesian movies. Hence, this study argues that Indonesian female filmmakers challenge the depiction of women in the contemporary Indonesian film industry. This resea

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4

Febrina, Ria, Suhandano, and Adi Sutrisno. "Indonesian Women in Kamus Besar Bahasa Indonesia (KBBI) (1988–2018): A Lexicographic Corpus." JURNAL ARBITRER 11, no. 3 (2024): 297–313. http://dx.doi.org/10.25077/ar.11.3.297-313.2024.

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Indonesian women have undergone significant changes over time, as reflected in the vocabulary of the Kamus Besar Bahasa Indonesia (KBBI). This study aims to describe the representation of Indonesian women in the KBBI and to explain the development of their social and cultural lives over 30 years (1988–2018). The research employs a descriptive-qualitative approach by collecting data through the extraction of entries, definitions, compound words, and proverbs containing the terms “perempuan” (woman) and “wanita” (lady) from two printed editions of the KBBI: the first edition (1988) and the fifth

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5

Handayani, Sri Ana, and Dewi Salindri. "Budaya Wanita di Indonesia: Suatu Penelusuran ke Arah Rekonstruksi." Historia 4, no. 1 (2021): 57. http://dx.doi.org/10.19184/jhist.v4i1.28477.

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Indonesian women culture and manner change in chronological order could be searched from written source. This research problem questioned on how the Indonesian woman culture and manner changed in old order, new order, and reformation era. As a history study, this research used historical method with four stages of work, those are heuristic, critic, interpretation, and historiography. The occasion was analysed by cultural approach with postmodern theory by Derrida. The study showed that in old order, Indonesian woman started to understand feminism. However, the authority concept still covered i

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6

Michalik, Yvonne. "INDONESIAN WOMEN FILMMAKERS." Indonesia and the Malay World 43, no. 127 (2015): 378–96. http://dx.doi.org/10.1080/13639811.2015.1054139.

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7

Hayati, Yenni. "DUNIA PEREMPUAN DALAM KARYA SASTRA PEREMPUAN INDONESIA (Kajian Feminisme)." Humanus 11, no. 1 (2012): 85. http://dx.doi.org/10.24036/jh.v11i1.626.

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This article describes the world of and images of women depicted in women fiction writer, particularly in short story literature. In depicting women’s world, an Indonesian writer tends to focus on their domestic than public life. This is because domestic life is considered safer for women, and women are considered best settled in the domestic life. There are six images closely associated with women; a mother, a loyal woman, a successful woman, a second woman, an ideal woman, and a bad woman. Mother image is the most found, 14 of 15 fictions examined in this research. The description of domesti

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8

Globalisasi, Safitri Era, and Shuri Mariasih Gietty Tambunan. "Representation of Home: Negotiating Indonesian Identity through Vlogs of Indonesian Women in Transnational Marriage." Scriptura 14, no. 2 (2025): 177–86. https://doi.org/10.9744/scriptura.14.2.177-186.

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As the transnational marriages rise among Indonesians, family vlogs on transnational marriages perform as an indicator of their existence on YouTube. Through daily vlogs, it captures the complexity of transnational family’s life. The mixed culture and identity have become a great challenge for spouses to perform their everyday life, especially for Indonesian woman, who come as a migrant to follow their partners abroad. As a migrant who live in a foreign country, they have to adjust to the environment but as a part of transnational marriage they are carrying a responsibility to pass over both h

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9

WEINTRAUB, ANDREW N. "The Act of Singing: Women, Music, and the Politics of Truth and Reconciliation in Indonesia." Yearbook for Traditional Music 53 (December 2021): 1–44. http://dx.doi.org/10.1017/ytm.2021.6.

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Abstract (English/Indonesian)In this article, I show how the Dialita women’s choir uses music to contest the ongoing denial of state-sponsored violence that followed the Indonesian tragedy of 1965–66, particularly as it impacted women. More specifically, Dialita uses their experiences and positionalities as women to perform an alternative collective memory for younger generations of Indonesians. Composed in prison, Dialita’s musical repertoire memorialises the affects and effects of imprisonment, exile, trauma, and survival. Due to government censure and public condemnation, the songs had been

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10

Lestari, Novia Diah, and Dyani Masita Dewi. "THE HEGEMONY IN INDONESIAN ADVERTISEMENTS: DISCOURSE ANALYSIS." Journal of Language and Literature 10, no. 2 (2022): 196–205. http://dx.doi.org/10.35760/jll.2022.v10i2.7919.

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This paper attempts to investigate the hegemony in Indonesian advertisements. It aims to find out the hegemony contained in advertisements for Indonesian beauty products. How is this hegemony conveyed, as well as the reasons for choosing women who have mixed faces as models for advertising Indonesian beauty products. The writer applies a descriptive qualitative method in which describes and explains the phenomenon or events in the social world, and the objects of this research are Indonesian beauty product advertisements. The advertisements are analyzed into two sections, namely interpretation

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11

Doorn-Harder, Nelly van. "Indonesian Muslim Women Creating Justice." Nordic Journal of Human Rights 21, no. 01 (2003): 46–60. http://dx.doi.org/10.18261/issn1891-814x-2003-01-05.

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12

Hughes-Freeland, Felicia. "Book review: Indonesian Women Filmmakers." South East Asia Research 24, no. 2 (2016): 312–15. http://dx.doi.org/10.1177/0967828x16649537.

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13

Blackburn, Susan. "Indonesian women and political Islam." Journal of Southeast Asian Studies 39, no. 1 (2007): 83–105. http://dx.doi.org/10.1017/s0022463408000040.

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AbstractThis article investigates the history of women's relationship to political Islam in Indonesia over the last century. It addresses three questions: how Islamic women have been politically active in Indonesia, how Indonesian women have been affected by political Islam, and how they have influenced political Islam. Independence marked a turning point. In the colonial period, women were more active within radical Islamic organisations than in moderate ones. Since independence, however, the situation has changed. Instead, the role of women has strengthened in moderate organisations while ra

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14

Hani, Ummu, Ilma Nurul Rachmania, Santi Setyaningsih, and Rucita Cahyawati Putri. "Patterns of Indonesian Women Entrepreneurship." Procedia Economics and Finance 4 (2012): 274–85. http://dx.doi.org/10.1016/s2212-5671(12)00342-5.

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15

Wulan Sari, Venti. "A Multimodal Discourse Analysis in Pantene Advertisement." International Journal of Linguistics, Literature and Translation 4, no. 10 (2021): 21–30. http://dx.doi.org/10.32996/ijllt.2021.4.10.4.

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Advertisement is a persuasive media aimed at persuading and influencing the public. Every day, the advertisement can be found anywhere, such as in a newspaper, television, radio, and also magazine. Pantene is a shampoo product that is very famous especially among women. Its advertisement can be found almost in every media. In this research, the researcher aims to investigate how Pantene Indonesian ads verbally and visually represent the image of women with beautiful strong hair and the ads’ differences by means of Halliday’s transitivity system (2014) and Kress and van Leeuwen’s (2006) point o

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16

Thiono, Gabriella. "HERS: Understanding the Reason Behind a Woman’s Choice not to Get Married." K@ta Kita 7, no. 1 (2019): 32–37. http://dx.doi.org/10.9744/katakita.7.1.32-37.

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This creative project is a screenplay. The screenplay is about a woman who struggles to defy the idea of getting married. In the New Order, President Soeharto led Indonesia using Javanese culture. Until today, there is a belief that women in Indonesia are obliged to get married because of the culture. In Javanese culture, there is a value called 3M (macak, masak, manak). The value created a definition of a true woman. A true woman has to be able to look pretty and cook. In order to fulfil the third value, a woman has to get married and have a family. This value burdens some modern Indonesian w

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17

Ulfah, Elisa. "Religious Identity Negotiation in Japanese-Indonesian Intermarriage." International Journal of Cultural and Art Studies 7, no. 1 (2023): 30–40. http://dx.doi.org/10.32734/ijcas.v7i1.11682.

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This research is qualitative research using a life story approach. The informants of this study were seven Indonesian Muslim women and one Christian who married a Japanese man living in Japan. The study analyzes how religious identity is negotiated in the marriages of Japanese men and Indonesian women. The previous research informants were three Indonesian women who married Japanese people in Indonesia. The prior research indicates that all Japanese husbands follow the religion of their Indonesian wives. This study finds that all Japanese husbands, before marriage, follow the religion of their

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18

Rohman, Arif. "Does Education Empower the Indonesian Women?" Jurnal Ultima Humaniora 1, no. 2 (2013): 212–17. https://doi.org/10.2139/ssrn.2367284.

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The second feminist wave in the 1960s has influenced feminists to increase their campaign against patriarchy in almost all areas. This campaign aims to achieve equal legal, political and social rights for women. In this context, they view education as a vehicle to empower women in societies. Using Javanese culture as an example, this article will examine whether education has much impact on it, and to identify factors which prevent education from empowering women in Indonesia. From the analysis, it has shown that educated women still faced many obstacles to participate in economical, political

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19

Nisak, Bethania Amruh. "DETERMINANTS OF UNMET NEEDS IN MARRIED WOMEN IN INDONESIA (INDONESIAN DHS ANALYSIS 2017)." Jurnal Biometrika dan Kependudukan 10, no. 1 (2021): 1. http://dx.doi.org/10.20473/jbk.v10i1.2021.1-10.

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The incidence of unmet needs in Indonesia is still high, around 10.6 percent. For every 36 million couples of childbearing age, there are 4 million couples who experience unmet needs. The high number of unmet needs will trigger various effects on women of childbearing age. One of the impacts is unwanted pregnancy. This unwanted pregnancy can be a factor in morbidity and mortality in the mother, increasing maternal mortality if not addressed promptly. This study is an observational non-reactive study. This study aimed to determine the factors related to the unmet need for family planning in mar

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20

Hidayati, Niswatin Nurul. "WOMEN PORTRAYAL IN INDONESIAN FOLKLORES: A SEMIOTIC STUDY." An-Nas 3, no. 1 (2019): 66–81. http://dx.doi.org/10.36840/an-nas.v3i1.177.

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“Indonesia consists of many islands, tribes, and cultures, so that the folklores possessed by this country are diverse. For Indonesian people, those folklores are not only used as a tool of entertainment for children, but also as a device for adults in teaching values and norms of society. Most of the folklores tell about the relationship between woman and man, whether they are as husband and wife, parents and children, lovers, friends, and others. That kind of relationship is closely related to gender, especially about the woman’s position. This writing analyzed about 15 Indonesian folklores

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21

Kurnia, Novi. "CONSUMING GENDER AND DISABILITY IN INDONESIAN FILM." Jurnal ASPIKOM 3, no. 3 (2017): 570. http://dx.doi.org/10.24329/aspikom.v3i3.175.

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This study aims to examine the film audience reception on gender and disabilities representation towards What We Don’t Talk About When We Talk About Love (Yang Tidak Dibicarakan Ketika Membicarakan Cinta, 2013). This film directed by a prominent Indonesian woman film director, Mouly Surya, and produced in 2013. Such audience study is very important in the scholarship of women and Indonesian films dominated by studies on women representation in the film and women filmmakers. Employing reception analysis based on Stuart Hall’s work, this study involves six Indonesian students as informant of a s

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22

Yazid, Sylvia, and Elisabeth Dewi. "Women on the Steering Wheel: Identifying the Potentials of Women in Improving the Protection of Indonesian Women Migrant Workers." JAS (Journal of ASEAN Studies) 3, no. 2 (2016): 102. http://dx.doi.org/10.21512/jas.v3i2.844.

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This paper is based on a research that looked into the potentials of women as stakeholders in improving the protection of Indonesian women migrant workers abroad. It was designed based on the assumptions that an identification of the potentials of women at various levels and in various institutions may positively contribute to the efforts of finding solutions for the problems faced by women migrant workers and that rather than being seen merely as victims, women should be seen as actors who can actively participate in addressing the problems. This paper analyzes efforts made by a number of Ind

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23

Shandy, Ricky, and Retno Dewi Pulung Sari. "Law Implementation of Body Shaming that Leads to Sexual Harassment Against Women in Social Media." LEGAL BRIEF 11, no. 6 (2023): 3622–27. http://dx.doi.org/10.35335/legal.v11i6.638.

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Beauty is the main reason for someone, especially a woman, to look stunning. A woman who feels beautiful uploading a photo of herself often experiences body shaming in the form of hate speech and bad comments through social media. It leads to sexual harassment. The Indonesian government passes the Violence Crime Act on Sexual Harassment (TPKS) which is expected to be a brand-new breakthrough in the Indonesian legal system. As well as the existence of restorative justice, it is hoped that it will also be one of the breakthroughs in the legal world by seeking a solution by emphasizing re-electio

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24

Pramiyanti, Alila. "EXPLORING NETWORKED IDENTITIES OF INDONESIAN HIJABERS." Jurnal Ilmiah LISKI (Lingkar Studi Komunikasi) 5, no. 1 (2019): 1. http://dx.doi.org/10.25124/liski.v5i1.1816.

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This paper examines the networked identities of the Indonesian hijabers (a term for hijab-wearing woman who is fashion conscious). This study was undertaking in-depth interviews and participant-observations towards twenty-six hijabers who are actively taken part as a committee in the hijab communities. The term networked identity has been developed to adjust how community represents identity in the internet era. Most of the communities consider the importance of dynamic interactions and communication in the construction of networked identities. They mostly use Instagram for external communicat

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Theis, Julia. "Indonesian Women’s Struggle for Equality in Church and Society." Jurnal Teologi Amreta (ISSN: 2599-3100) 8, no. 2 (2025): 152–77. https://doi.org/10.54345/jta.v8i2.201.

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According to ancestral custom, the position of Indonesian women isequal to the men. Indonesian women have marriage’s right equal to men.The influence of Islam, among other things, caused the position of Indonesianwomen to be inferior to the men. Indonesian women were struggling forequality in the society. Although, women have a special position in thechurch because of their roles in the early history of Christianity, women haveto struggle for equality leadership roles in church. It was caused by the fallenhuman nature and the wrong interpretation of the Bible. The purpose of thispaper is to de

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26

Suwarta, Nyoman, Joko Susanto, Bambang Kusbandrijo, Ahmad Nurefendi Fradana, and Andriyanto Andriyanto. "IDENTITAS FEMINISME INDONESIA DALAM BUKU SARINAH." PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan 23, no. 1 (2023): 46–59. http://dx.doi.org/10.30996/parafrase.v23i1.8564.

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The social identity of Indonesian feminism is the result of a long process of interaction with universal feminism, but is rooted in the collective culture of the people of the archipelago, which is religious, polite and cultural. The feminist perspective in Sarinah's book is explained in three phases of human evolution, the first phase of women occupying a lower position than men, the second phase women occupy a higher position than men, the third phase women again occupy a lower position than men. The purpose of this study is to analyze the social identity of Indonesian feminism and understan

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27

Davies, Sharyn Graham, and Nurul Ilmi Idrus. "Participating in Parliamentary Politics: Experiences of Indonesian Women 1995�2010." Journal of Indonesian Social Sciences and Humanities 3, no. 1 (2018): 81–97. http://dx.doi.org/10.14203/jissh.v3i1.47.

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This article concerns itself with womens participation in politics and, more specifcally, the representation of women in elected legislatures, in Indonesia between 1995 and 2010. The article gives readers a brief overview of the various ways that Indonesian women participate in politics. Examples are given of women being traditional rulers, having political authority, exercising power, becoming presidents and cabinet ministers, participating in protest movements, and being elected to parliament. The article then moves to focus more specifcally on the election of women to the Indonesian parliam

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Simorangkir, Deborah. "THE INFLUENCE OF POPULAR MEDIA ON YOUNG INDONESIAN WOMAN WEARING HIJAB." Journal of Business And Entrepreneurship 12, no. 1 (2024): 23–34. http://dx.doi.org/10.46273/4mgxer41.

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Indonesia has been experiencing a rise in Islamic conservatism, and with that, a rapid increase in the number of women wearing the hijab. There has also been an increase in the production and consumption of Islamic content in popular media targeted at young Indonesians. This study analyzes how popular media influences girls in their decision to wear hijab. Findings from in-depth interviews with 10 university hijab-wearing students show that though they decided to wear the hijab because they believe it to be proper Islamic behavior, still, family, friends, and celebrities have also been influen

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Doewes, Rumi Iqbal, Sapta Kunta Purnama, Islahuzzaman N, and Manshuralhudlori. "The Miracle of Women Suporters’ Fanaticism in Indonesian Football." International Journal of Psychosocial Rehabilitation 24, no. 02 (2020): 2352–58. http://dx.doi.org/10.37200/ijpr/v24i2/pr200531.

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Maghfiroh, Devi Laila, та M. Anwar Masadi. "DIRĀSAH AL-MUQĀRANAH AL-ADABIYAH FI RIWĀYAH BELĀD BELĀ SAMA' WA RIWĀYAH 'AẒRA JĀKARTA". 3rd Annual International Conferences on Language, Literature, and Media, № 1 (25 серпня 2021): 424. http://dx.doi.org/10.18860/aicollim.v2i1.1376.

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This research explains the differences and similarities in the forms and representations of stereotypical ideas of women in Yemeni and Indonesian society in the novel “A Country Without a Sky” by Wajdi Al-Ahdal and “The Virgin of Jakarta” by Najib Al-Kilani. It uses comparative literature and Helen Sixus feminism focusing on the dualistic patriarchal opposition. Data collection techniques used reading and taking notes. The analysis refers to the comparative literary analysis model by François Just, through the phases of object-deepening, subject-study and focus analysis. The results show the s

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Cox, Murray P., Michael G. Nelson, Meryanne K. Tumonggor, François-X. Ricaut, and Herawati Sudoyo. "A small cohort of Island Southeast Asian women founded Madagascar." Proceedings of the Royal Society B: Biological Sciences 279, no. 1739 (2012): 2761–68. http://dx.doi.org/10.1098/rspb.2012.0012.

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The settlement of Madagascar is one of the most unusual, and least understood, episodes in human prehistory. Madagascar was one of the last landmasses to be reached by people, and despite the island's location just off the east coast of Africa, evidence from genetics, language and culture all attests that it was settled jointly by Africans, and more surprisingly, Indonesians. Nevertheless, extremely little is known about the settlement process itself. Here, we report broad geographical screening of Malagasy and Indonesian genetic variation, from which we infer a statistically robust coalescent

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Yazid, Sylvia. "Indonesian Labour Migration: Identifying the Women." Jurnal Global & Strategis 9, no. 1 (2018): 49. http://dx.doi.org/10.20473/jgs.9.1.2015.49-62.

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This paper is concerned with two main issues, Indonesian women workingabroad in the informal sector, mostly as domestic workers and the potentialsof other women stakeholders in addressing issues faced by women migrantworkers. This paper is written based on the assumption that an identificationof potential women at various levels and institutions may contribute to thesearch for solutions for the problems faced by the women migrant workersand that women should be seen as active actors that may contribute to theproblem solving. The identification in this paper has been able to identify theexisten

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Seniwati. "Indonesian Muslim Women: Jihad, Radicalism, Terrorism." global journal al thaqafah 11, no. 1 (2021): 134–42. http://dx.doi.org/10.7187/gjat072021-12.

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This study aimed to explore the understanding of Indonesian Muslim women regarding jihad, radicalism, and terrorism. The study found that women have an understanding that terrorism is all forms of adverse action, carried out in a structured and grouped manner. They understand that all forms of terrorism activities usually have goals to be achieved and are based on religious or ideological understandings that are considered correct according to terrorist groups. Muslim women try to minimize this Islamophobia through improving understanding for themselves, their family, and community. The involv

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Harjito, Harjito. "Supernatural Women Modernity in Indonesian Literature." Asian Social Science 13, no. 10 (2017): 65. http://dx.doi.org/10.5539/ass.v13n10p65.

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In Indonesia, people who have supernatural powers are not strange today and the past and in literary texts around daily life. They are called human supernatural man. In Javaarea, parts of Indonesia, the spirit and the magics that are spiritual are more superior and respectful than body and physicality. Those are indicated by the presence many pilgrims visiting the tomb. Supernatural man comes to protect their families, small communities, and environment. As a patron family, women who have supernatural power keep the family unity. As a protector of the people that is in lower social classes, sh

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Nurlaelawati, Euis. "Muslim Women in Indonesian Religious Courts." Islamic Law and Society 20, no. 3 (2013): 242–71. http://dx.doi.org/10.1163/15685195-0010a0003.

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Huda, Anam Miftakhul. "THE IDENTITY OF JAVANESE WOMEN (The study of Phenomenology Toward Indonesian Migrant Women Workers)." JARES (Journal of Academic Research and Sciences) 1, no. 1 (2016): 61–72. http://dx.doi.org/10.35457/jares.v1i1.506.

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The woman stands for Java language (wani ditoto) term used for Homo sapiens gender and has reproduction. The opposite sex from the woman is a man or a male. The woman is a word commonly used to describe mature women. Awareness of Indonesian women to work very large, although the country must work out to become migrant workers, this is shown by the increasing number of women migrant workers every year.Based BNP2TKI report in 2013 the number of migrants reached 512 168 people, consisting of 285 197 person formal workers (56 %) and 226 871 informal migrant workers (44 %). Whereas in 2012 migrant

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Huda, Anam Miftakhul. "THE IDENTITY OF JAVANESE WOMEN (The study of Phenomenology Toward Indonesian Migrant Women Workers)." Journal of Academic Research and Sciences (JARES) 1, no. 1 (2016): 61–72. http://dx.doi.org/10.30957/jares.v1i1.506.

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The woman stands for Java language (wani ditoto) term used for Homo sapiens gender and has reproduction. The opposite sex from the woman is a man or a male. The woman is a word commonly used to describe mature women. Awareness of Indonesian women to work very large, although the country must work out to become migrant workers, this is shown by the increasing number of women migrant workers every year.Based BNP2TKI report in 2013 the number of migrants reached 512 168 people, consisting of 285 197 person formal workers (56 %) and 226 871 informal migrant workers (44 %). Whereas in 2012 migrant

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38

Muflichah, Siti. "Restorying the Experiences of Muslim Women Academics in Indonesian State Islamic Higher Education: A Narrative Inquiry." Journal of Asian Social Science Research 2, no. 2 (2020): 159–74. http://dx.doi.org/10.15575/jassr.v2i2.24.

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In the last three decades, women have been the majority of undergraduate students in Indonesian higher education. However, the story is different when it comes to women as academics in Islamic higher education institutions. Compared to their male colleagues, female academics have unequal academic and lower leadership positions. There is a low percentage of female academics who have achieved the academic positions of associate professors or professors. They also have low productivity in research and publications. This article deals with the inequality facing Muslim women academics in Indonesian

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Aliyah, Ida Hidayatul, Siti Komariah, and Endah Ratnawaty Chotim. "Feminisme Indonesia dalam Lintasan Sejarah." TEMALI : Jurnal Pembangunan Sosial 1, no. 2 (2018): 140–53. http://dx.doi.org/10.15575/jt.v1i2.3296.

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This article studies the opinion of Muslim feminists on Islam and women empowerment. Using Indonesian history as the reference of being colonized, analytically the writer shows how these cultural and political problems placed Indonesian Muslim women into a kind of continuing struggle of independence. Having a careful consideration of Indonesian history and culture, the writer’s final idea was that Islam has a meeting point with feminism. It is suggested, then, that based on Indonesian Muslim history it should be acknowledged that Islam is compatible with the idea of progress for women.

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40

Prawira, Nanang Ganda, and Aditya Aditama Putri Hk. "Batik Dermayon: Expression of Femininity in North Coast of Java." HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades 16, no. 1 (2023): 131–46. http://dx.doi.org/10.37467/revhuman.v16.3284.

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To date, Javanese-Indonesian coastal women have only been part of the batik craft industry, but their strategic roles and expressions have never been disclosed or cared. Whereas the feminine side and the aesthetic symbolic adaptation of Batik-crafter women are very important issues in the creation of the Indonesian cultural repertoire. This study succeeded in explaining the visual identity signs and aesthetic structures described by the community of the crafter woman in the Paoman Village, as well as revealing the meaning of the Indramayu written batik motif as a sign in coastal culture.

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41

Prawira, Nanang Ganda, and Aditya Aditama Putri Hk. "Batik Dermayon: Expression of Femininity in North Coast of Java." HUMAN REVIEW. International Humanities Review / Revista Internacional De Humanidades 16, no. 1 (2023): 131–46. https://doi.org/10.37819/humanrev.v16i1.1473.

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To date, Javanese-Indonesian coastal women have only been part of the batik craft industry, but their strategic roles and expressions have never been disclosed or cared. Whereas the feminine side and the aesthetic symbolic adaptation of Batik-crafter women are very important issues in the creation of the Indonesian cultural repertoire. This study succeeded in explaining the visual identity signs and aesthetic structures described by the community of the crafter woman in the Paoman Village, as well as revealing the meaning of the Indramayu written batik motif as a sign in coastal culture.

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42

Prawira, Nanang Ganda, and Aditya Aditama Putri Hk. "Batik Dermayon: Expression of Femininity in North Coast of Java." HUMAN REVIEW. International Humanities Review / Revista Internacional De Humanidades 16, no. 1 (2023): 131–46. https://doi.org/10.37819/revhuman.v16i1.1473.

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To date, Javanese-Indonesian coastal women have only been part of the batik craft industry, but their strategic roles and expressions have never been disclosed or cared. Whereas the feminine side and the aesthetic symbolic adaptation of Batik-crafter women are very important issues in the creation of the Indonesian cultural repertoire. This study succeeded in explaining the visual identity signs and aesthetic structures described by the community of the crafter woman in the Paoman Village, as well as revealing the meaning of the Indramayu written batik motif as a sign in coastal culture.

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43

Aprela Agustin, Senja. "SEMIOTIC ANALYSIS OF EMBODIMENT IN THE DESIGN OF INDONESIAN WOMEN DESIGNERS." New Design Ideas 8, no. 2 (2024): 433–47. http://dx.doi.org/10.62476/ndi82433.

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For designers, the body is the main instrument for creating design works that indirectly reflect social reality. In social interpretation, body issues affect the relationship between men and women. Furthermore, these issues influence the aesthetic discourse of modern design, which is formed in the form of a binary opposition with the logic of “form follows function”. Women are associated with form, while men are associated with function. However, the unique experience of women designers indirectly reflects social reality in their design work. This unique experience is referred to as embodiment

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44

Nisa, Hoirun. "Obesity and Asthma Risk in Indonesian Adults: Findings from the 2018 Indonesia Basic Health Research." Kesmas: Jurnal Kesehatan Masyarakat Nasional 18, no. 1 (2023): 58. http://dx.doi.org/10.21109/kesmas.v18i1.6608.

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Obesity and asthma are both global public health challenges. Mounting evidence suggests that obesity may increase asthma risk in adults; however, the association by sex remains uncertain. This study examined the association of obesity with asthma risk in Indonesian adult men and women. Data were obtained from the 2018 Indonesia Basic Health Research. The analysis included 299,837 men and 333,218 women aged ≥18 years. Asthma was identified by the self-report of a doctor’s diagnosis. Obesity was defined as a body mass index ≥30 kg/m2. A logistic regression was used for data analysis. Asthma prev

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45

Rio Putra Pratama. "Analisis Semiotika Representasi Women Support Women dalam Film Qorin." Jurnal Kajian dan Penelitian Umum 1, no. 6 (2023): 42–61. http://dx.doi.org/10.47861/jkpu-nalanda.v1i6.613.

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Films with magical, astro or mystical nuances are the genre or feel of films that are most liked by Indonesian people, who are known as a religious and magical society. One film that combines the religious and magical cultural background of Indonesian society is the film Qorin . This research aims to analyze the spirit and movement of women supporting women implied in the film Qorin . This research uses the Semiotics theory coined by Charles Sanders Pierce combined with descriptive qualitative research methodology. This method is used to analyze scenes in the film Qorin which depict women supp

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Meilinawati, Lina. "JILBAB: BUDAYA POP DAN IDENTITAS MUSLIM DI INDONESIA." IBDA` : Jurnal Kajian Islam dan Budaya 14, no. 1 (2016): 139–55. http://dx.doi.org/10.24090/ibda.v14i1.623.

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The purpose of this study is to examine jilbab as a pop culture and Indonesian moslem identity. The use of jilbab (a headscarf or a head covering) for moslem women has gained its popularity since the last twenty year. This phenomenon is interesting to be investigated particularly from diverse jilbab or veiling practices in many different ways. Indonesian moslem women, for instance, used styles of jilbab and fashion which are different from those worn by moslem women in other countries. Hence, this shows characteristics of Indonesian moslem women in wearing or using jilbab which becomes an iden

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Diana, Puspitasari, and Suryadi Yudi. "Color Identity in the Beauty of Indonesian Women Who Construct Beauty Product Labels in the Cultural Industry Era." International Journal of Arts and Social Science 4, no. 5 (2023): 249–60. https://doi.org/10.5281/zenodo.7745021.

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The development of the media that has accelerated the spread of new ideologies in the discourse of beauty has caused instability in the construction of beauty, especially for Indonesian women. Color is one of the most attractive beauty ideologies for women and has become the identity and measure of a women's beauty. This article discusses beauty construction represented through local brand cosmetic advertisements from the 1990s to the beginning of 2010. This study is descriptive qualitative research with a cultural studies approach. In the cultural industry, capitalism always makes reprodu

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Burhan, Faika, Rasiah, Nurlailatul Qadriani, Islahuddin, and Fina Amalia Masri. "Identity Crisis of Tionghoa Ethnic in the Novel Naga Kuning by Yusiana Basuki." International Journal of Linguistics, Literature and Translation 6, no. 4 (2023): 154–60. http://dx.doi.org/10.32996/ijllt.2023.6.4.21.

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The "descent" label has created a distance between the Tionghoa ethnic and the indigenous people in Indonesia. The "descent" label creates the impression that the Tionghoa ethnic are ethically and morally different from the natives. The 1998 May riots in Jakarta further exacerbated ethnic Tionghoa sentiment in Indonesia. The Tionghoa community is considered as "others" in terms of physical and cultural attributes, so they are not considered part of Indonesian society, even though they are Chinese Indonesians. This has caused the Chinese community in Indonesia to experience an identity crisis.

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Srilaksmi, Ida Ayu Alit, and Calvin Damasemil. "The Construction Reality of Women Image as Patriarchal Objects in Indonesian Horror Film." Jurnal Audience 7, no. 1 (2025): 51–62. https://doi.org/10.33633/ja.v7i1.9905.

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As one of the film genres in Indonesia, horror films have different dynamics in terms of narrative and cinematography. The example is about the characterization of women in films. Women are often associated with victims, monsters, and other main characters in Indonesian horror films. This phase has an impact on the construction of reality in the image of women as a form of insertion of patriarchal culture in films. In patriarchal culture, women are formed through the depiction of figures full of negative emotions and synonymous with terror and revenge. This study aims to describe the forms of

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50

Saragupita, Angela Tanjung. "INDO BLACK MAGIC: DAYA PIKAT PEREMPUAN INDONESIA DALAM LAGU JEBUNG & BASBOI." Jurnal Ilmu Budaya 20, no. 2 (2024): 153–66. http://dx.doi.org/10.31849/jib.v20i2.19494.

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Jebung or Jessice Bunga is a newcomer singer whose songs are always unique. One of the songs entitled 'Indo Black Magic' has a theme related to pellets/witchcraft which is still believed by some Indonesian people. This research aims to find out how the image of Indonesian women is depicted in the Jebung song which is related to local myths in Indonesian society. This type of research is qualitative research where this research uses the concept of descriptive content analysis. The research data is in the form of lyrics to the song 'Indo Black Magic' sung by Jebung and Basboi, lyrics transmitted

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