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1

Blackmore, Ernie, Kerstin Knopf, Wendy Gay Pearson, and Corina Wieser-Cox. The Routledge Handbook of Indigenous Film. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003303022.

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2

Columpar, Corinn. Unsettling sights: The fourth world on film. Carbondale: Southern Illinois University Press, 2010.

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3

Columpar, Corinn. Unsettling sights: The fourth world on film. Carbondale: Southern Illinois University Press, 2010.

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4

Columpar, Corinn. Unsettling sights: The fourth world on film. Carbondale: Southern Illinois University Press, 2010.

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5

curator, Robertson Carmen, and MacKenzie Art Gallery, eds. The Sioux Project--Tatanka Oyate. Vancouver, BC: Information Office, 2020.

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6

Heider, Karl G. Seeing anthropology: Cultural anthropology through film. Boston: Allyn and Bacon, 1997.

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7

Heider, Karl G. Seeing anthropology: Cultural anthropology through film. 2nd ed. Boston: Allyn and Bacon, 2001.

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8

Limbrick, Peter. Making settler cinemas: Film and colonial encounters in the United States, Australia, and New Zealand. New York: Palgrave Macmillan, 2010.

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9

Clelland-Stokes, Sacha. Representing aboriginality: A post-colonial analysis of the key trends of representing aboriginality in South African, Australian and Aotearoa/New Zealand film. Højbjerg, Denmark: Intervention Press, 2007.

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10

editor, Rittstein Lukáš 1973, Šlapetová Barbora 1973-, DOX Centrum současného umění, Akademie výtvarných umění, Knihovna Václava Havla, and Kant (Firm), eds. Super: Obrazy, fotografie, kresby, filmy, animace : jak se dotknout nebe = paintings, photographs, drawings, films, animations : how to reach the sky. Praha: Centrum současného umění DOX, 2022.

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11

Alexander G. Flor. Ethnovideography: Video-based indigenous knowledge systems. College, Los Baños, Laguna, Philippines: SEAMEO Regional Center for Graduate Study and Research in Agriculture, 2002.

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12

Williams, Deane. Mapping the imaginary: Ross Gibson's Camera natura. South Melbourne, Vic: Australian Film Institute, 1996.

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13

Electrical Research & Development Association (Vadodara, India) and India. Central Board of Irrigation and Power. Research Scheme on Power., eds. Studies on accelerated ageing of power capacitor dielectric system consisting of indigenous and imported polypropylene films and impregnants. New Delhi: Central Board of Irrigation and Power, 1996.

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14

Pearson, Wendy G., Ernie Blackmore, and Corina Wieser-Cox. Routledge Handbook of Indigenous Film. Routledge, 2024.

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15

Pearson, Wendy G., Ernie Blackmore, and Corina Wieser-Cox. Routledge Handbook of Indigenous Film. Routledge, 2024.

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16

Schweninger, Lee. Imagic Moments: Indigenous North American Film. University of Georgia Press, 2013.

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17

Imagic moments: Indigenous North American film. University of Georgia Press, 2013.

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18

Reverse Shots Film and Media Studies. Wilfrid Laurier University Press, 2012.

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19

Pearson, Wendy Gay, and Susan Knabe. Reverse Shots: Indigenous Film and Media in an International Context. Wilfrid Laurier University Press, 2015.

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20

Pearson, Wendy Gay, and Susan Knabe. Reverse Shots: Indigenous Film and Media in an International Context. Wilfrid Laurier University Press, 2015.

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21

Heider, Karl G. Supplement: Ethnographic Film Clips (DVD) - Seeing Anthropology: Cultural Anthropology Through Film. Allyn & Bacon, 2007.

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22

Dutto, Matteo. Legacies of Indigenous Resistance: Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature. Lang AG International Academic Publishers, Peter, 2019.

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23

Dutto, Matteo. Legacies of Indigenous Resistance: Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature. Lang AG International Academic Publishers, Peter, 2019.

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24

Dutto, Matteo. Legacies of Indigenous Resistance: Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature. Lang AG International Academic Publishers, Peter, 2019.

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25

Dutto, Matteo. Legacies of Indigenous Resistance: Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature. Lang AG International Academic Publishers, Peter, 2019.

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26

Unsettling sights: The fourth world on film. Carbondale: Southern Illinois University Press, 2010.

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27

Markussen, Birgitte. Advocacy and Indigenous Film-Making (Intervention : Nordic Papers in Critical Anthropology). Smyrna Pr, 1994.

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28

Sterk, Darryl. Indigenous Cultural Translation. Taylor & Francis Group, 2021.

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29

Indigenous Cultural Translation. Taylor & Francis Group, 2020.

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30

Damiens, Caroline. Siberian History of Soviet Film: Manufacturing Visions of the Indigenous Peoples of the North. Bloomsbury Publishing Plc, 2024.

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31

Damiens, Caroline, and Adrian Morfee. A Siberian History of Soviet Film. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350269910.

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This book delves into the representation of the indigenous "Peoples of the North" in Soviet cinema and TV from the 1920s to the 1980s. It traces their evolving depictions, which shifted between portraying them as backward and in harmony with nature, reflecting the Soviet Union's evolving perception of modernity. Caroline Damiens combines a detailed analysis of key works such asTymancha’s Friend(1969),The Most Beautiful Ships(1972),Tracking the Wolverine(1978) andWhen the Whales Leave(1981), with primary sources like press articles, archives, and interviews, to reveal how these cinematic portrayals were created and negotiated, providing insight into the concepts of progress and authenticity in the Soviet context. She emphasizes the role of indigenous individuals in shaping their cinematic image, both in front of and behind the camera, highlighting the works of lesser-known figures like Suntsai Geonka, Zinaida Pikounova, and Iurii Rytkheu. In doing so, Damiens emphasizes the multifaceted nature of film, where interpretations differ based on the perspectives of those involved. Using a de-colonial approach and drawing from extensive archival materials, Damiens prompts a re-evaluation of the Soviet cinematic past and present by centering indigenous voices in the narrative. In doing so, she provides a thorough exploration of the intricate relationship between culture, representation, and identity in Soviet cinema.
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32

Thornley, D. Cinema, Cross-Cultural Collaboration, and Criticism: Filming on an Uneven Field. Palgrave Macmillan Limited, 2014.

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33

Cinema, Cross-Cultural Collaboration, and Criticism: Filming on an Uneven Field. Palgrave Pivot, 2014.

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34

Marsh, Dawn G. Native American History Goes to the Movies: Indigenous Film and the Problem of American History. Taylor & Francis Group, 2016.

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35

Marsh, Dawn G. Native American History Goes to the Movies: Indigenous Film and the Problem of American History. Taylor & Francis Group, 2016.

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36

Heider, Karl G. Seeing Anthropology: Cultural Anthropology through Film. Allyn & Bacon, 1996.

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37

Heider, Karl G. Seeing Anthropology : Cultural Anthropology Through Film. Allyn & Bacon, Incorporated, 2000.

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38

Seeing anthropology: Cultural anthropology through film. 3rd ed. Boston: Allyn and Bacon, 2004.

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39

Pamela A. R. Blakely (Contributor) and Thomas D. Blakely (Contributor), eds. Seeing Anthropology: Cultural Anthropology Through Film. Allyn & Bacon, 2006.

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40

Heider, Karl G. Seeing Anthropology: Cultural Anthropology through Film (2nd Edition). 2nd ed. Allyn & Bacon, 2000.

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41

Heider, Karl G. Seeing Anthropology: Cultural Anthropology Through Film, Third Edition. Allyn & Bacon, 2003.

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42

Weaver-Hightower, Rebecca, and Janne Lahti. Cinematic Settlers: The Settler Colonial World in Film. Taylor & Francis Group, 2020.

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43

Weaver-Hightower, Rebecca, and Janne Lahti. Cinematic Settlers: The Settler Colonial World in Film. Taylor & Francis Group, 2020.

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44

Weaver-Hightower, Rebecca, and Janne Lahti. Cinematic Settlers: The Settler Colonial World in Film. Taylor & Francis Group, 2020.

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45

Weaver-Hightower, Rebecca, and Janne Lahti. Cinematic Settlers: The Settler Colonial World in Film. Taylor & Francis Group, 2020.

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46

Cinematic Settlers: The Settler Colonial World in Film. Taylor & Francis Group, 2020.

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47

Sterk, Darryl. Indigenous Cultural Translation: A Thick Description of Seediq Bale. Taylor & Francis Group, 2020.

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48

Sterk, Darryl. Indigenous Cultural Translation: A Thick Description of Seediq Bale. Taylor & Francis Group, 2020.

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49

Sterk, Darryl. Indigenous Cultural Translation: A Thick Description of Seediq Bale. Taylor & Francis Group, 2020.

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50

Sterk, Darryl. Indigenous Cultural Translation: A Thick Description of Seediq Bale. Taylor & Francis Group, 2020.

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