Libros sobre el tema "Indians movies"

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1

Making the white man's Indian: Native Americans and Hollywood movies. Westport, Conn: Praeger, 2005.

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2

Fontes, Ron. Squanto, A Warrior's Tale: A novel. Mahwah, N.J: Troll Associates, 1994.

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3

Darian, Adina. The Indian world and its movies. Bucharest: [publisher not identified], 2009.

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4

Understanding Indian movies: Culture, cognition, and cinematic imagination. Austin: University of Texas Press, 2008.

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5

Narwekar, Sanjit. Crafting movies: Exploring Hindi mainstream cinema. Mumbai: Mindscape, 2000.

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6

Body moves. New York: Aphrodisia/Kensington Pub., 2008.

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7

Bala Joban: The first Indian movie in Trinidad (1935). La Romaine, Trinidad: Caribbean Educational Publishers, 2014.

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8

Campbell, Black, Kahn James y MacGregor Rob, eds. The adventures of Indiana Jones. New York: Lucas Books, 2008.

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9

Thomas, Jane Resh. Courage at Indian Deep. New York: Clarion Books, 1993.

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10

Mitos y cuentos chiquitanos, guarayos, movimas y mosetenes. La Paz, Bolivia: Universidad Mayor de San Andrés, Facultad de Humanidades y Ciencias de la Educación, Carrera de Literatura, 2011.

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11

Burton, Bryan. Moving within the circle: Contemporary Native American music and dance. Danbury, Ct: World Music Press, 1993.

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12

1978-, Goswami Arti Grover, Kerr, William R. (William Robert) y Harvard Business School, eds. Is India's manufacturing sector moving away from cities? [Boston]: Harvard Business School, 2011.

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13

Henck, Maryann. White-Indian relations: Moving into the 21st century. Berlin: Galda Verlag, 2011.

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14

The moving image: A study of Indian cinema. Bombay: Orient Longman, 1988.

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15

1972-, Baldwin Anna E. y Umphrey Christabel 1976-, eds. Sherman Alexie in the classroom: "This is not a silent movie. Our voices will save our lives". Urbana, Ill: National Council of Teachers of English, 2008.

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16

Conference, Aboriginal Policy Research. Aboriginal policy research: Moving forward, making a difference. Toronto, ON: Thompson Educational Pub., 2007.

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17

Aboriginal policy research: Moving forward, making a difference. Toronto, ON: Thompson Educational Pub., 2007.

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18

ill, Popovici Danny, ed. Manjhi moves a mountain. Berkeley, CA: Creston Books, 2017.

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19

Rajagopalan, Sudha. Indian films in Soviet cinemas: The culture of movie-going after Stalin. Bloomington: Indiana Univ. Press, 2008.

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20

Rajagopalan, Sudha. Leave disco dancer alone!: Indian cinema and Soviet movie-going after Stalin. New Delhi: Yoda Press, 2008.

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21

Rajagopalan, Sudha. Indian films in Soviet cinemas: The culture of movie-going after Stalin. Bloomington: Indiana Univ. Press, 2008.

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22

Indian films in Soviet cinemas: The culture of movie-going after Stalin. Bloomington: Indiana Univ. Press, 2008.

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23

Making the White Man's Indian: Native Americans and Hollywood Movies. ABC-CLIO, LLC, 2005.

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24

Native Americans in the movies : portrayals from silent films to the present. Rowman & Littlefield, 2016.

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25

Rajadhyaksha, Ashish. 2. Late colonial India. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780198723097.003.0002.

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Between 1920 and 1931 India saw its first boom in indigenous film production. Indian cinema was clearly set to take-off, but where to? Both the boom in production, as well as the kind of money flowing into studios and into movie theatres, sent deeply conflicting messages. India’s movie economy found itself, not for the first time, speaking for a larger economic sector of which it would be both a symbol and an anomaly. ‘Late colonial India’ outlines colonial ambitions for Indian cinema; the Lahore Anarkali effect on the Mughal epic; the reform of the industry with the introduction of sound in 1931; and the impact of the Second World War on Indian film-making.
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26

Kamineni, Rajeev y Ruth Rentschler. Indian Movie Entrepreneurship. Routledge, 2020. http://dx.doi.org/10.4324/9780429401534.

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27

Fernando, Leonard. Jesuits and India. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935420.013.59.

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Jesuits have been a continuing presence in India since the sixteenth century. With the help of local people, they not only spread the Christian faith but also did a lot for the growth of the Indian nation, especially through education, scientific advancements, and betterment of the lives of underprivileged people. They attempted enculturation of the Christian faith in multicultural India; learnt of, discussed, and respected other religions; and mastered and contributed to the growth of Indian languages. Now about 4,000 Jesuits—mostly Indians—are working in eighteen Provinces/Regions in India. There are three major phases in the history of Jesuits in India—the beginning, suppression, and restoration. All along, true to the Ignatian charism, members of the Society of Jesus have kept their daring missionary zeal of moving to the frontiers—challenging, unknown, and unexplored.
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28

Jaffrelot, Christophe, Atul Kohli y Kanta Murali, eds. Business and Politics in India. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190912468.001.0001.

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Over the last few decades, politics in India has moved steadily in a probusiness direction. The probusiness shift in India has important implications for both how the world’s largest democracy is governed and for the life-chances of the citizens of that democracy. This volume analyzes the growing power of business groups in the Indian polity. It pursues four research issues aimed at focusing attention on the growing role of business in Indian politics. First, it assesses the power of business groups within India: has the power of business in India achieved a nearly hegemonic status? Second, whether business power is becoming hegemonic or not, how do business groups mold Indian politics? Third, the volume seeks to understand how the power of business groups in India varies along several critical issue areas such as land acquisition, labor, media, and urban governance. Fourth, given India’s regional diversity, it seeks to understand the varying political role of business groups in select Indian states.
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29

Luceno, James. Movie Novelization (Indiana Jones). Scholastic Inc., 2008.

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30

Rustomji-Kerns, Roshni. The great American movie script: A novella. Weavers Press, 2015.

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31

Fontes, Ron y Jean Little. Squanto: A Warrior's Tale. Troll Communications, 1994.

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32

Raghavan, Srinath. At the Cusp of Transformation. Editado por David M. Malone, C. Raja Mohan y Srinath Raghavan. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780198743538.013.9.

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This chapter examines Indian foreign policy under Prime Minister Rajiv Gandhi (1984–89). It argues that during these years, Indian foreign policy was significantly reoriented. Gandhi made important moves to recast India’s relations with the United States and China. Although no major breakthroughs were achieved, his engagement with them set the tone and pattern for the approach and policy of all subsequent governments. In India’s own neighbourhood, his policies had a more activist edge. But the outcomes were mixed. Perhaps the most fundamental shift in foreign policy was Gandhi’s recognition that India’s modernization and economic development required greater and more adroit engagement with the world and that foreign policy had to be geared towards securing these objectives.
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33

Hogan, Patrick Colm. Understanding Indian Movies: Culture, Cognition, and Cinematic Imagination. University of Texas Press, 2008.

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34

Hogan, Patrick Colm. Understanding Indian Movies: Culture, Cognition, and Cinematic Imagination. de Gruyter GmbH, Walter, 2009.

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35

Inc, infoUSA. Movers & Shakers: INDIANA 2004. Information USA, 2004.

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36

Joshi, Lalit Mohan. Moving Indian Images: Conversations with Indian Filmmakers. Flicks Books, 1998.

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37

Joshi, Lalit Mohan. Moving Indian Images: Conversations with Indian Filmmakers. Flicks Books, 1998.

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38

Aleiss, Angela. Making the White Man's Indian : Native Americans and Hollywood Movies: Native Americans and Hollywood Movies. ABC-CLIO, LLC, 2005.

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39

Rammesh. Lights Camera War!: Fifty Indian War Movies 1950 - 2020. Notion Press, 2021.

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40

Black Fox (TV Movie Tie in). St. Martin's Paperbacks, 1994.

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41

Jim Reese and Edmund Elfers (Editor) y Carlos Frey (Illustrator), eds. Still Life Moving. WSC Press, 2007.

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42

Ji, You. The Indian Ocean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199479337.003.0006.

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This chapter gives a compelling view from one of China’s leading naval analysts on China’s evolving naval strategy in the Indian Ocean. You Ji provides an unusually cogent analysis of the evolution of Chinese naval strategy over the last several decades, its concerns about US strategies to contain China within the First and Second Island Chains and the imperatives that are driving China into the Indian Ocean. You argues that China’s long term strategy in the Indian Ocean is to move from selective sea denial to a strategy of selective sea control. This will likely require a chain of logistical facilities across the Indian Ocean, although somewhat different from the ‘String of Pearls’ narrative. You argues that while China’s strategy is not intended to challenge India’s interests in the Indian Ocean, it also rejects the idea of the Indian Ocean being India’s.
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43

James, Howe. Dances With Wolves: The Movie Story. Newmarket Press, 2004.

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44

Bhatia, Sunil. Decolonizing Moves. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199964727.003.0001.

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This chapter discusses how globalization through the mechanism of neoliberalization shapes spaces, places, and identities. It is argued that a “decolonial perspective” on Euro-American psychology provides specific conceptual frameworks to excavate its cultural origins; allows the colonial and postcolonial structure of the discipline to be analyzed through the lens of history, identity, power, and culture; and highlights the ways in which the Euro-American version of psychology is exported, reiterated, and reproduced in the era of neoliberal and global capitalism. The chapter contextualizes and clarifies the larger aims of the book by embedding them within the interrelated theoretical frameworks of culture, narrative, and identity. It explains in detail how globalization as a discourse creates asymmetrical and hybrid narratives among urban Indian youth culture.
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45

Agrawal, Ravi. India Connected. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190858650.001.0001.

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Former chief CNN India correspondent and award-wining journalist Ravi Agrawal takes readers on a journey across the Subcontinent, through its remote rural villages and its massive metropolises, seeking out the nexuses of change created by smartphones, and with them connection to the internet. As always with India, the numbers are staggering: in 2000, 20 million Indians had access to the internet; by 2017, 465 million were online, with three Indians discovering the internet every second. By 2020, India's online community is projected to exceed 700 million, and more than a billion Indians are expected to be online by 2025. In the course of a single generation, access to the internet has progressed from dial-up connections on PCs, to broadband access, wireless, and now 4G data on phones. The rise of low-cost smartphones and cheap data plans has meant the country leapfrogged the baby steps their Western counterparts took toward digital fluency. The results can be felt in every sphere of life, upending traditions and customs and challenging conventions. Nothing is untouched, from arranged marriages to social status to business start-ups, as smartphones move the entire economy from cash-based to credit-based. Access to the internet is affecting the progress of progress itself. As Agrawal shows, while they offer immediate and sometimes mind-altering access to so much for so many, smartphones create no immediate utopia in a culture still driven by poverty, a caste system, gender inequality, illiteracy, and income disparity. Internet access has provided greater opportunities to women and changed the way in which India's many illiterate poor can interact with the world, but it has also meant that pornography has become more readily available. Under a government keen to control content, it has created tensions. And in a climate of hypernationalism, it has fomented violence and even terrorism. The influence of smartphones on "the world's largest democracy" is nonetheless pervasive and irreversible, and India Connected reveals both its dimensions and its implications.
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46

Lalic, Bogdan. New Moves in the Nimzo-Indian 4. Tournament Chess, 1999.

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47

Rajat, Ray. Filmography of 60 Eminent Indian Movie Makers. South Asia Books, 1985.

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48

Geraftaar. Geraftaar (Indian Movies/ Hindi Movies/ Bollywood Movies/ Prayagraj/ Bappi Lahiri/ Kamal Haasan/ Poonam Dhillon/ Madhavi/ Amitabh Bachchan/ Rajnikant/ Kader Khan/ Shakti Kapoor/ DVD). Eros international, 2007.

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49

Lucas, George. Movie Storybook. HarperCollins Publishers Limited, 2008.

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50

Kado, Brent. And Yet It Moves. BookSurge Publishing, 2001.

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