Artículos de revistas: "Imagining Japan"

1

Toby, Ronald P. "Imagining and Imaging "Anthropos" In Early-Modern Japan". Visual Anthropology Review 14, n.º 1 (marzo de 1998): 19–44. http://dx.doi.org/10.1525/var.1998.14.1.19.

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2

Meeks, Lori. "Imagining Rāhula in Medieval Japan". Japanese Journal of Religious Studies 43, n.º 1 (27 de junio de 2016): 131–51. http://dx.doi.org/10.18874/jjrs.43.1.2016.131-151.

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3

slavick, elin o–Hara. "Re-imagining Hiroshima in Japan". Critical Military Studies 1, n.º 2 (3 de junio de 2015): 175. http://dx.doi.org/10.1080/23337486.2015.1051825.

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4

Patessio, Mara. "Imagining Prostitution in Modern Japan, 1850-1913". Cultural and Social History 17, n.º 4 (7 de agosto de 2020): 577–79. http://dx.doi.org/10.1080/14780038.2020.1810953.

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5

Fujiwara, Kiichi. "Imagining the Past: Memory Wars in Japan". Policy and Society 25, n.º 4 (enero de 2006): 143–53. http://dx.doi.org/10.1016/s1449-4035(06)70096-0.

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6

Bierle, Isabel, Julia C. Becker, Gen Nakao y Steven J. Heine. "Shame and anger differentially predict disidentification between collectivistic and individualistic societies". PLOS ONE 18, n.º 9 (6 de septiembre de 2023): e0289918. http://dx.doi.org/10.1371/journal.pone.0289918.

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In the present research we tested the differential effects of anger versus shame as emotional predictors of ingroup disidentification in one rather collectivistic (Japan) and two rather individualistic societies (Germany, Canada). We tested the idea that individuals cope with socially undesired emotions by disidentifying from their group. Specifically, we predicted that after a group conflict, anger, an undesired emotion in Japan, would elicit disidentification in Japan, whereas shame, an undesired emotion in Canada and Germany, would elicit disidentification in Germany and Canada. Study 1 (N = 378) found that anger, but not shame, was related to disidentification in Japan, whereas shame, but not anger, was related to disidentification in Canada and Germany. Study 2 (N = 171) shows that, after group conflict, Japanese disidentified more when imagining to feel angry, whereas Germans disidentified more when imagining to feel ashamed. Implications for these findings are discussed.

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7

Flores, Linda M. "Re-imagining Japan after Fukushima by Tamaki Mihic". Journal of Japanese Studies 48, n.º 1 (2022): 199–202. http://dx.doi.org/10.1353/jjs.2022.0017.

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8

Tapia Silva, Nancy Alejandra. "Tamaki Mihic. 2020. <em>Re-imagining Japan after Fukushima</em>. Canberra: Australian National University Press. Ebook ISBN 9781760463540. https://doi.org/10.22459/RJF.2020". Estudios de Asia y África 57, n.º 3 (29 de julio de 2022): 695–700. http://dx.doi.org/10.24201/eaa.v57i3.2851.

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9

Nefsky, Marilyn F. y Robert N. Bellah. "Imagining Japan: The Japanese Tradition and Its Modern Interpretation". Sociology of Religion 66, n.º 1 (2005): 85. http://dx.doi.org/10.2307/4153118.

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10

Li, Jingyi. "The Master in the Clouds: Imagining Li Yu in Early Modern Japan". Japanese Language and Literature 56, n.º 1 (18 de marzo de 2022): 185–207. http://dx.doi.org/10.5195/jll.2022.213.

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The Chinese novelist and playwright Li Yu 李漁 (1610~1680) enjoyed great fame in Japan since the 1690s when he was introduced to Japanese readers of the Tokugawa period. Particularly important in the reception history of Li Yu in Japan was Jieziyuan huazhuan, the Mustard Seed Garden Manual of Painting. The reproduction and reinterpretation of Jieziyuan huazhuan in Tokugawa Japan shaped Li Yu’s reputation as a literatus ideal among his Japanese readers in spite of his obscure reputation among his Chinese contemporaries. Through a wide range of primary materials, this article examines the idolization of Li Yu in the middle and late Tokugawa period and argues that it was a result of the misrepresentation of Li Yu as a literati painting master, as well as a hermit fiction writer. The close connection established between him and Jieziyuan huazhuan led to the recognition of him in Tokugawa Japan as one of the greatest literati painting artists. Meanwhile, the imagination of him as a hermit further established his image as the ideal of literati spirit among his Japanese admirers. Such idolization in turn contributed to his reputation in early modern China when his works were re-introduced to Chinese readers in the 1930s.

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11

Coutts, Angela. "Imagining Radical Women in Interwar Japan: Leftist and Feminist Perspectives". Signs: Journal of Women in Culture and Society 37, n.º 2 (enero de 2012): 325–55. http://dx.doi.org/10.1086/661713.

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12

Brandenburg, Ulrich. "Imagining an Islamic Japan: pan-Asianism’s encounter with Muslim mission". Japan Forum 32, n.º 2 (26 de noviembre de 2018): 161–84. http://dx.doi.org/10.1080/09555803.2018.1516689.

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13

JACKSON, A. "Imagining Japan: The Victorian Perception and Acquisition of Japanese Culture". Journal of Design History 5, n.º 4 (1 de enero de 1992): 245–56. http://dx.doi.org/10.1093/jdh/5.4.245.

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14

Boulton, Frank. "Re-imagining Japan after Fukushima (Asian studies series monograph 13)". Medicine, Conflict and Survival 36, n.º 4 (1 de octubre de 2020): 391–93. http://dx.doi.org/10.1080/13623699.2020.1852654.

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15

Reader, Ian. "Imagining Japan: The Japanese Tradition and Its Modern Interpretation (review)". Philosophy East and West 56, n.º 2 (2006): 351–55. http://dx.doi.org/10.1353/pew.2006.0023.

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16

Barshay, Andrew E. "Imagining Democracy in Postwar Japan: Reflections on Maruyama Masao and Modernism". Journal of Japanese Studies 18, n.º 2 (1992): 365. http://dx.doi.org/10.2307/132825.

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17

Firpo, Christina. "Ann Marie L. Davis. Imagining Prostitution in Modern Japan, 1850–1913." American Historical Review 126, n.º 2 (1 de junio de 2021): 776–77. http://dx.doi.org/10.1093/ahr/rhab310.

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18

CROWLEY, DAVID. "Seeing Japan, Imagining Poland: Polish Art and the Russo-Japanese War". Russian Review 67, n.º 1 (10 de enero de 2008): 50–69. http://dx.doi.org/10.1111/j.1467-9434.2007.00473.x.

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19

WILLIAMSON, Piers R. y Miori NAGASHIMA. "Imagining Insurance in Japanese High Schools during the Era of Rapid Modernisation: From ‘Distrust’ to the Japanese ‘Spirit’". Social Science Japan Journal 22, n.º 2 (2019): 229–46. http://dx.doi.org/10.1093/ssjj/jyz012.

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AbstractIndividual private insurance is a risk-management practice that plays an important role in many people’s lives. Despite its prominence in industrialised countries, it remains an understudied area in Japan studies, where most work has focused on social insurance. Using insights from the governmentality literature, and in particular François Ewald’s concept of an ‘insurantial imaginary’, we examine the changing perceptions towards private non-life insurance during Japan’s period of high growth and rapid modernisation (1964–1992). While individual private insurance developed in Western Europe and the US over hundreds of years, it did not take off in Japan until the early postwar era. We argue that, like in Western Europe and the US, individual private insurance in Japan had to overcome normative resistance. The norms in Japan, however, were different. To illustrate this, we look at winning essays from an annual high school writing competition run by the Japanese insurance industry as part of a wide-ranging publicity campaign. We conclude that private insurance in Japan passed through four stages of moral understanding to successfully incorporate existing counter norms centred on ‘sincerity’ and ‘mutual aid’. What was initially viewed with ‘distrust’ ended up as a supposed manifestation of the Japanese ‘spirit’.

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20

Dahlberg-Dodd, Hannah E. "Script variation as audience design: Imagining readership and community in Japanese yuri comics". Language in Society 49, n.º 3 (26 de noviembre de 2019): 357–78. http://dx.doi.org/10.1017/s0047404519000794.

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AbstractBuilding on recent work supporting a sociolinguistic approach to orthographic choice, this study engages with paratextual language use in yuri, a subgenre of Japanese shōjo manga ‘girls’ comics’ that centers on same-sex romantic and/or erotic relationships between female characters. The comic magazine Comic Yuri Hime has been the dominant, if not only, yuri-oriented published magazine in Japan since its inception in 2005. Though both written and consumed by a primarily female audience, the magazine has undergone numerous attempts to rebrand and refocus the target audience as a means to broaden the magazine's readership. This change in target demographic is reflected in the stylistic representation of paratextual occurrences of the second-person pronoun anata, indicating the role of the textual landscape in reflecting, and reifying, an imagined target audience. (Script variation, manga, popular media, Japan, yuri manga)

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21

SUZUKI, Shin’ichi. "Imagining Japan in Post-War East Asia: Identity Politics, Schooling and Popular Culture". Educational Studies in Japan 11 (2017): 141–44. http://dx.doi.org/10.7571/esjkyoiku.11.141.

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22

D’Etcheverry, Charo. "Jonathan Stockdale, Imagining Exile in Heian Japan: Banishment in Law, Literature, and Cult". Japanese Studies 37, n.º 2 (4 de mayo de 2017): 280–82. http://dx.doi.org/10.1080/10371397.2017.1335169.

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23

Cave, Peter. "Imagining Japan in post-war East Asia: identity politics, schooling and popular culture". Comparative Education 51, n.º 3 (13 de mayo de 2015): 463–64. http://dx.doi.org/10.1080/03050068.2015.1040654.

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24

RODMAN, TARA. "A More Humane Mikado: Re-envisioning the Nation through Occupation-Era Productions of The Mikado in Japan". Theatre Research International 40, n.º 3 (9 de septiembre de 2015): 288–302. http://dx.doi.org/10.1017/s030788331500036x.

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The first authorized productions in Japan of Gilbert and Sullivan's The Mikado took place in the early years of the post-war American occupation. A group of Japanese theatre-makers whose international engagement had been circumscribed by the war were involved in these productions – first a 1946 American-led version for occupation personnel, and then an ‘all-Japanese’ version in 1947 and 1948. For these artists, The Mikado, a foreign operetta that was simultaneously ‘about Japan’ and not, offered a way of rebuilding post-war Japanese theatre, and, in doing so, imagining new possibilities for the nation. Through The Mikado they performed a ‘cosmopolitanism at home’, a mode of engagement with the international from within the borders of one's own nation.

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25

Wilson, Rob. ""Hiroshima Sublime": Trauma, Japan, and the US Asia/Pacific Imaginary". Southeast Asian Review of English 58, n.º 2 (15 de diciembre de 2021): 46–61. http://dx.doi.org/10.22452/sare.vol58no2.4.

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As an ethical and aesthetic mandate for the new millenium, the Cold War repression of Hiroshima within the American political imaginaryneeds to be symbolically confronted and undoneat national as well as global levels.As Americans and as Japanese citizens of the liberal global order, we must mutually move beyond the Cold War situation of historical repression that had obtained in 1965, when novelist Kenzaburo Ōelamented, “To put the matter plainly and bluntly, people everywhere on this earth are trying to forget Hiroshima and the unspeakable tragedy perpetrated there.” However traumatic, Americans and their allies must try to remember this Hiroshima sublimeas a trauma of geopolitical dominationand racialized hegemony across the Pacific Ocean. By thinking through and re-imagining the techno-euphoric grandeur of this Hiroshima sublime, as well as representing the ideological complicity of ordinary Americans in their own sublime (rapturedby these technological forces of sublimity as manifesting and globally installingPatriot missilesas signs of theirglobal supremacy) and ordinary Japanese (citizens of the Empire of the Sun fascinatedby self-sublation into zeros of solar force) in the production of this nuclear sublime, we can begin to mutually recognize that a ‘post-nuclear’era offers new possibilities and symbolic ties between America and Japan as Pacific powers. This post-nuclear era emerges out of World War II freighted with terror and wonder as a double possibility:at once urging the globe towards annihilation andyet also towards transactional and dialogical unityat the transnational border of national self-imagining. The phobic masochism of the sublime can no longer operate in a transnational world of global/local linkages, although the technological sublimity of the Persian Gulf War had suggested otherwise, withits “sublime Patriot”missiles and quasi-nuclear landscapes lingering in the world deserts from Iraq and Afganistan to Nevada and North Korea.

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26

JUNG, ji Hee. "National Identity, Wartime Japan, and the East Asian Regional Order : The National Defense State and an Imagining of “Ultramodern” Japan". Korean Journal of Japanese Dtudies 20 (15 de febrero de 2019): 278–307. http://dx.doi.org/10.29154/ilbi.2019.20.278.

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27

Wakabayashi, Bob Tadashi. "Imagining China in Tokugawa Japan: Legends, Classics, and Historical Terms by Wai-ming Ng". Monumenta Nipponica 75, n.º 2 (2020): 355–62. http://dx.doi.org/10.1353/mni.2020.0033.

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28

Yamashita, Samuel Hideo. "Before the Nation: Kokugaku and the Imagining of Community in Early Modern Japan (review)". Journal of Japanese Studies 32, n.º 1 (2006): 215–20. http://dx.doi.org/10.1353/jjs.2006.0037.

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29

Borgen, Robert. "Imagining Exile in Heian Japan: Banishment in Law, Literature, and Cult by Jonathan Stockdale". Journal of Japanese Studies 42, n.º 2 (2016): 398–402. http://dx.doi.org/10.1353/jjs.2016.0065.

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30

Clements, Rebekah. "Imagining China in Tokugawa Japan: Legends, Classics, and Historical Terms by Wai-Ming Ng". Journal of Japanese Studies 46, n.º 2 (2020): 467–71. http://dx.doi.org/10.1353/jjs.2020.0057.

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31

Oyler, Elizabeth. "Imagining Exile in Heian Japan: Banishment in Law, Literature, and Cult by Jonathan Stockdale". Monumenta Nipponica 71, n.º 1 (2016): 122–27. http://dx.doi.org/10.1353/mni.2016.0004.

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32

Van Compernolle, Timothy J. "A Utopia of Self-Help: Imagining Rural Japan in the Meiji-Era Novels of Ambition". Harvard Journal of Asiatic Studies 70, n.º 1 (2010): 61–103. http://dx.doi.org/10.1353/jas.0.0044.

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33

Hack, Brett. "Working Worlds in Neoliberal Japan: Precarity, Imagination, and the “Other-World” Trope". positions: asia critique 31, n.º 1 (1 de febrero de 2023): 171–202. http://dx.doi.org/10.1215/10679847-10122177.

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Abstract This article analyzes depictions of work in postmillennial Japanese media, particularly anime and manga, in order to theorize the function of imaginative responses to the social dislocations of neoliberalism. Critical studies of precarity in Japanese popular culture have tended to treat depictions of work as direct representations of actual socioeconomic conditions, overlooking the affective, experiential dimensions of mediated work images and their potential for imagining social relations beyond imposed precarity. The article explores this neglected potential by focusing on the anime and manga trope of isekai (other-world), which depicts life and work in a fantastic environment. These depictions are compared with analogues in live-action films and television during the period of Japan's neoliberalization. Invoking philosophical concepts of social imagination and drawing on autonomist theory for inspiration regarding the visualization of postcapitalist sociality, analysis will demonstrate how their imaginative responses can produce visions of collectivity amenable to postcapitalist projects without explicitly political content. The article hopes to draw out latent capacities within superficially escapist media forms and offer a possible counternarrative to pessimistic discourses about popular culture.

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Testa, Giuseppina Aurora. ""Mōko Shūrai Ekotoba" (Illustrated Account of the Mongol Invasions)". Eikon / Imago 9 (3 de julio de 2020): 35–57. http://dx.doi.org/10.5209/eiko.73275.

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This paper is a study of a Japanese illustrated handscroll produced in the late Kamakura period (1185-1333), the Mōko Shūrai Ekotoba, that provides an invaluable pictorial account of the two attempted Mongol invasions of Japan in the years 1274 and 1281. It was copied and restored, with some images significantly altered, during the Edo period (1615-1868). While in the original handscroll the appearances of the foreign Mongols were depicted as accurately as possible, the figures added later show exaggerated features and distortions that correspond to new modes of imagining and representing peoples reflecting a new language and the shifting cosmologies brought about by the Japanese encounter with more “different” Others (Europeans).

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35

Everett, William A. "Imagining China in London musical theatre during the 1890s: The Geisha and San Toy". Studia Musicologica 57, n.º 3-4 (septiembre de 2016): 417–26. http://dx.doi.org/10.1556/6.2016.57.3-4.9.

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For people living in London during the 1890s, China and the Chinese were largely mythical constructions. Attitudes towards China, as well as the Chinese themselves, were being imagined at the time through various media, including popular musical theatre. Two shows, both with music by Sidney Jones and produced by George Edwardes at Daly’s Theatre, were significant in this identity construction: The Geisha (1896) and San Toy (1899). Both musicals are set in East Asia and include Chinese and British characters. In The Geisha, which takes place in Japan, the sole Chinese character is Wun-Hi, the owner of a teahouse. He is less than honorable, and his music is in an ethnic-based music hall style, with nearly speech-sung melodies and unashamed Pidgin English. In Jones’s score for San Toy, which is set in China, characters who endorse Western views sing glorious melodic lines reminiscent of Gilbert and Sullivan while those who do not sound like Wun-Hi in The Geisha, with clipped articulations and non-standard English.

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36

Chen, Constance. "“Seeds for a New Life”: Modernity and the Pacific Turn in the Progressive Era". Journal of the Gilded Age and Progressive Era 19, n.º 3 (10 de junio de 2020): 447–72. http://dx.doi.org/10.1017/s1537781420000109.

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AbstractSince the colonial era, the ideological and cultural usefulness of Asia has changed with evolving American needs. This article argues that the Progressive Era turn toward the Pacific world marked a new epoch and mode of transnational interchange as a diverse array of Americans traveled to China and Japan. Encounters with Asianness in situ would lead to a reinvention of the U.S. worldview in the late nineteenth century. The question at hand for certain Americans was how to become “modern,” to germinate “seeds for a new life” that would ensure the prosperity and well-being of the United States amidst momentous global changes. Instead of being antimodernist, the fetishization of Asia served as a way to rein in and define modernity for American purposes. In the process, modernist Orientalism became a framework for imagining China and Japan and their cultural practices. Buddhism, in particular, was reconceptualized as a hybrid entity that seemed to be emblematic of the dawn of a new era. Ultimately, the flow of ideas and peoples between Asia and the United States enabled Americans to construct a global “modern” identity for themselves and to carve out a prominent role for the nation within the international community.

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37

Jie, Liu. "Imagining a common homeland: A study of Northeast landscape writing during the war of resistance against Japan". Chinese Studies in History 56, n.º 4 (2 de octubre de 2023): 409–23. http://dx.doi.org/10.1080/00094633.2024.2320066.

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38

Fujii, Jinshi. "Yanagita Kunio and the Culture Film: Discovering Everydayness and Creating/Imagining a National Community, 1935–1945". Arts 9, n.º 2 (26 de abril de 2020): 54. http://dx.doi.org/10.3390/arts9020054.

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In wartime Japan, folklore studies (minzokugaku) as an academic discipline emerged at the same time as the rise of the culture film (bunka eiga). Both helped mobilize peripheral areas and firmly created the image of a unitary nation. This paper focuses on Living by the Earth (Tsuchi ni ikiru, 1941), directed by Miki Shigeru, and its spinoff photo album titled People of the Snow Country (Yukiguni no minzoku, 1944). Miki filmed rural life and ordinary people in the Tohoku region under the strong influence of Yanagita Kunio, a founder of Japanese folklore studies, and published the photo album in collaboration with Yanagita. In this project, vanishing customs were paradoxically regarded as objects impossible to photograph. However, that paradox enhanced the value of the project and made it easier to construct an imagined national community through the discourse of folklore studies.

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39

Gösken, Urs. "Constitutionalism in Poetry, Poetry in Constitutionalism: Muḥammad Ḥāfiẓ Ibrāhīm’s Imagining of Contemporary Constitutional Movements". Die Welt des Islams 61, n.º 2 (7 de enero de 2021): 181–215. http://dx.doi.org/10.1163/15700607-61010012.

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Abstract This paper focuses on the sociocultural and historical context in which the Egyptian poet Muḥammad Ḥāfiẓ Ibrāhīm (c. 1872–1932) represented contemporary constitutional movements in the Muslim world, with special emphasis on developments in the Ottoman Empire and in late nineteenth- to early twentieth-century Egypt – back then, at least nominally, still a part of it – and extending to Iran’s Constitutional Revolution. References in Ḥāfiẓ Ibrāhīm’s poetry to constitutionalism in Japan will also be discussed in order to point out that the poet, while closely following constitutional movements in the Ottoman Empire and in Iran, in fact viewed constitutionalism as an historical process transcending geographical and cultural boundaries. Therefore, we shall also try to identify the general idea of history underlying Ḥāfiẓ Ibrāhīm’s portrayal of constitutionalism. Comparative references to constitutional poetry in Iran of that time are intended to point out the supra-regional dimension both of constitutionalism itself and of poetical modes of imagining it. Likewise, this approach is designed to make the point that constitutional poetry in the Muslim world at that time was more than just poetic commentary on constitutional movements; it was itself part of them.

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40

McNally, Mark. "Reviews of Books:Before the Nation: Kokugaku and the Imagining of Community in Early Modern Japan Susan L. Burns". American Historical Review 110, n.º 2 (abril de 2005): 455–56. http://dx.doi.org/10.1086/531344.

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41

Norma, Caroline. "Imagining Prostitution in Modern Japan, 1850–1913. By Ann Marie L. Davis (Lanham, Lexington Books, 2019) 237 pp. $95.00". Journal of Interdisciplinary History 51, n.º 1 (junio de 2020): 180–81. http://dx.doi.org/10.1162/jinh_r_01552.

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42

Risso, Patricia. "Renée Worringer. Ottomans Imagining Japan: East, Middle East, and Non-Western Modernity at the Turn of the Twentieth Century." American Historical Review 120, n.º 2 (abril de 2015): 583–84. http://dx.doi.org/10.1093/ahr/120.2.583.

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Iseki, Sayo, Kyoshiro Sasaki y Shinji Kitagami. "Development of a Japanese version of the Psychological Ownership Scale". PeerJ 10 (24 de marzo de 2022): e13063. http://dx.doi.org/10.7717/peerj.13063.

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The present study addresses the need for a valid instrument for measuring dimensions of psychological ownership, including that of owned and non-owned objects, for use in the language and culture of Japan. Although the theory of psychological ownership has expanded self-extension theory, the most widely used scale of psychological ownership does not measure the extent to which one feels that it (the owned object) is a part of them. Thus, the present study aimed to develop a Japanese version of the Psychological Ownership Scale (POS-J) and examine its reliability and validity. Study 1 measured the POS-J of an owned object, finding the POS-J to have a two-factor structure (possession-self link and feeling of ownership) and its internal consistency and reliability to be adequate. Moreover, POS-J scores were positively correlated with perceived control and self-extension tendency, but not monetary value, indicating that conceptual validity was generally supported. To confirm whether the POS-J could be used for a non-owned object, Study 2 rephrased the expressions of item descriptions and examined the effect of imagining touching a non-owned object on the POS-J scores, showing that doing so increased the POS-J scores for the object. Our findings suggest that the POS-J is a reliable and valid measure of the psychological ownership of owned and non-owned objects for use in Japan.

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44

Zhang, Lei. "Imagining Japan and China in Dark Princess: W. E. B. DuBois's Transpacific Imagination of World Revolution in the Late 1920s". American Studies 58, n.º 4 (2019): 75–95. http://dx.doi.org/10.1353/ams.2019.0048.

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45

Russell, Yves. "Paul Morris, Naoko Shimazu, and Edward Vickers (eds.), Imagining Japan in Post-war East Asia: Identity Politics, Schooling and Popular Culture",. China Perspectives 2015, n.º 4 (1 de diciembre de 2015): 77–78. http://dx.doi.org/10.4000/chinaperspectives.6880.

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46

Drifte, Reinhard. "Paul Morris, Naoko Shimazu & Edward Vickers (eds). Imagining Japan in Post-War East Asia: Identity Politics, Schooling and Popular Culture". Asian Affairs 45, n.º 3 (2 de septiembre de 2014): 559–61. http://dx.doi.org/10.1080/03068374.2014.954429.

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47

Bontje, Peter, Staffan Josephsson, Yumi Tamura, Yu Ishibashi, Yuki Sakane, Yasuyo Horibe y Eric Asaba. "Cocreation from Emerging Opportunities: Occupational Therapists’ Perspectives on Supporting Older Persons, in Japan". Occupational Therapy International 2022 (21 de julio de 2022): 1–10. http://dx.doi.org/10.1155/2022/5495055.

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Introduction. Practices of occupational therapists, particularly those supporting older persons with physical impairments, remain overly focused on remediating impairments, and implementation of occupation-centered practices remains fraught with difficulties. In Japan, this issue exists across the continuum from acute care to rehabilitation settings and into the community. This is despite the existence of international models and frameworks that place occupation at the core of the profession. Accordingly, there is a need to better understand how occupational therapists respond to the call for occupation-centered practices across the said continuum of care with this population. The aim of this study was at exploring and understanding occupational therapists’ experiences of supporting the resumption of occupations among older persons with physical impairments, in Japan. Methods. Embedded in a constructivist world view, this was a qualitative focus group study. Four focus groups (two in urban areas and one each in rural and semirural areas), consisting of seven or eight occupational therapists with at least three years of relevant practice experience, convened twice to narrate and explore their support of older persons. All were participating voluntarily with confidentiality of their participation being guaranteed by the researchers. They met for a third time to verify emerging analytic results. Data were analysed using a reflective thematic analysis. Results. Identified were three themes, namely, calling forth powers of occupations, imagining client’s future, and cocreating plots, which we synthesized into recurring cocreations from emerging opportunities. Discussion. Supporting the resumption of occupations among older persons with physical impairments hinges on repeated processes of identifying possibilities for occupation, followed by actions to bring these (e.g., images of clients’ future) into reality. Occupations’ healing properties (i.e., occupations’ powers) can be used to assist clients in experiencing health and well-being. The results suggest a reframing of occupational therapy practices as recurring processes of recognizing opportunities for occupation, followed by actions whereby these possibilities are turned into reality. Occupational therapy effectiveness might be enhanced when goals and methods are repeatedly and creatively aligned with the evolving plots cocreated between the client, therapist, and stakeholders.

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Brockey, Liam Matthew. "Jesuit Missionaries on the Carreira da Índia in the Sixteenth and Seventeenth Centuries: A Selection of Contemporary Sources". Itinerario 31, n.º 2 (julio de 2007): 111–32. http://dx.doi.org/10.1017/s0165115300000668.

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“It is extraordinary, and almost like a dream”, wrote a Jesuit priest in Macau in 1589, “that a man can be carried for six whole months in a ship, where the accommodations cannot in any way be sufficient and spacious, and many other difficulties must be endured.” Imagining a conversation with the group of Japanese youths who were sent to Europe as the representatives of the “Kings of Japan”, the author made a blunt assessment of the conditions of the passage to India aboard the carracks that plied the Carreira da Índia: Being trapped on ship for so long was tantamount “to being shut in a prison”. Yet, as he contended, “certainly no one who was offered a house, even a regally appointed one, to live shut inside for six months, could stay detained or locked in for so long; much less on a ship replete with so many different kinds of inconveniences”. Anxious lest his readers misunderstand this verdict on the Cape Route, the Jesuit author qualified his judgment in the fictional reply to this assertion: “Indeed, the inconveniences on ship surpass even those of prison.”

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Wei, Fangfang y Noriaki Endo. "Survey of the Behaviors and Willingness of Chinese Travelers in a Coastal Area to Visit Japan under the Zero Covid-19 Policy". WSEAS TRANSACTIONS ON ENVIRONMENT AND DEVELOPMENT 19 (10 de marzo de 2023): 245–53. http://dx.doi.org/10.37394/232015.2023.19.21.

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This research aimed to evaluate the current attitudes of Chinese travelers. We conducted a survey of Chinese tourists traveling in China’s coastal area under the national Zero Covid-19 Policy. The surveys were conducted during two periods: the first was from September 28-October 7, 2022; the second from October 29-November 16, 2022. Both took place before China announced national Covid-19 tolerance in December 2022. All participants were interviewed face-to-face using a questionnaire created by our research team. The results of correspondence analyses revealed the following. Chinese travelers were somewhat indifferent about traveling during the Covid-19 restrictions, especially groups 20–29 and 30–39 years old. On the other hand, the Covid-19 restrictions appeared to have less effect on those under 20 years old. In imagining the after-Covid-19 era, although those 30–39 were willing to travel to Japan, those 20–29 were neutral about the idea. Although familiarity with the Tohoku area, especially Iwate Prefecture, was very low among Chinese travelers according to the results, we assume their willingness to visit Miyako City in Iwate Prefecture is rather high. To promote Chinese interest in the tourist resources of Miyako City, we assume that it would be better to use popular Chinese SNS systems such as Weibo, WeChat, and TikTok, rather than popular Japanese SNS systems.

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Prochaska-Meyer, Isabelle. "Imagining Exile in Japan: Banishment in Law, Literature, and Cult By Jonathan Stockdale. Honolulu: University of Hawai'i Press, 2015. Pp. ix + 179. Cloth, $42.00." Religious Studies Review 42, n.º 4 (diciembre de 2016): 312–13. http://dx.doi.org/10.1111/rsr.12769.

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