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Libros sobre el tema "Image visible"

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Publicado: 29 de marzo de 2025

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1

Jones, Philippe. Image verbale, image visible. Châtelineau, Belgique: Le Taillis pré, 2013.

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2

Ahijado, Jorge Quijano. Autour du visible, l'image et la fuite. Paris: Editions L'Harmattan, 2014.

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3

Olins, Wally. Corporate identity: Making business strategy visible through design. Boston, Mass: Harvard Business School Press, 1990.

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4

Olins, Wally. Corporate identity: Making business strategy visible through design. London: Thames and Hudson, 1989.

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5

Vauday, Patrick. L'invention du visible: L'image à la lumière des arts. Paris: Hermann éditeurs, 2008.

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6

H, Roosen-Runge Peter, Roosen-Runge Anna P y Canadian Heritage Information Network, eds. The virtual display case: Making museum image assets safety visible. 3a ed. Ottawa, Ont: Canadian Heritage Information Network, 2003.

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7

Anne, Kerlan-Stephens y Sakai Cécile, eds. Du visible au lisible: Texte et image en Chine et au Japon. Arles: Picquier, 2006.

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8

Bernd-Rüdiger, Hüppauf y Wulf Christoph 1944-, eds. Dynamics and performativity of imagination: The image between the visible and the invisible. New York: Routledge, 2009.

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9

Francis M. Naumann Fine Art. The visible vagina: January 28 - March 20, 2010. New York: Francis M. Naumann Fine Art ; David Nolan Gallery, 2010.

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10

Center, Langley Research, ed. Modes of visual recognition and perceptually relevant sketch-based coding of images. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1991.

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11

Alexander, Tsiaras y Dowling Claudia Glenn, eds. A fantastic voyage through the human body: A 21st century look at how doctors will see us and heal us. New York: Time Inc., 1997.

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12

Roosen-Runge, P. H. The virtual display case: Making museum image assets safely visible : a report prepared for the Canadian Heritage Information Network. 2a ed. [Ottawa]: Canadian Heritage Information Network, 1998.

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13

1924-, Whitlock David G. y National Library of Medicine (U.S.), eds. Atlas of the visible human male: Reverse engineering of the human body. Sudbury, Mass: Jones and Bartlett, 1998.

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14

Li, Wu, ed. Ke shi de wen hua: Ying xiang wen hua chuan bo lun = A visible culture : transmission theory of the image culture. Kunming Shi: Yunnan da xue chu ban she, 2009.

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15

P, Cracknell Arthur, ed. Visible infrared imager radiometer suite. Boca Raton: Taylor & Francis, 2005.

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16

Robison, Michael J. Prototype Design for NPSAT Visible Imager. Monterey, Calif: Naval Postgraduate School, 2000.

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17

Dibazar, Pedram y Judith Naeff, eds. Visualizing the Street. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984356.

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From user-generated images of streets to professional architectural renderings, and from digital maps and drone footages to representations of invisible digital ecologies, this collection of essays analyses the emergent practices of visualizing the street. Today, advancements in digital technologies of the image have given rise to the production and dissemination of imagery of streets and urban realities in multiple forms. The ubiquitous presence of digital visualizations has in turn created new forms of urban practice and modes of spatial encounter. Everyone who carries a smartphone not only plays an increasingly significant role in the production, editing and circulation of images of the street, but also relies on those images to experience urban worlds and to navigate in them. Such entangled forms of image-making and image-sharing have constructed new imaginaries of the street and have had a significant impact on the ways in which contemporary and future streets are understood, imagined, documented, navigated, mediated and visualized. Visualizing the Street investigates the social and cultural significance of these new developments at the intersection of visual culture and urban space. The interdisciplinary essays provide new concepts, theories and research methods that combine close analyses of street images and imaginaries with the study of the practices of their production and circulation. The book covers a wide range of visible and invisible geographies — From Hong Kong’s streets to Rio’s favelas, from Sydney’s suburbs to London’s street markets, and from Damascus’ war-torn streets to Istanbul’s sidewalks — and engages with multiple ways in which visualizations of the street function to document street protests and urban change, to build imaginaries of urban communities and alternate worlds, and to help navigate streetscapes.
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18

Richard, Lansdown, ed. Visibly different: Coping with disfigurement. Oxford: Butterworth-Heinemann, 1997.

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19

Mons, Alain. La traversée du visible: Images et lieux du contemporain. Paris: Passion, 2002.

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20

Sánchez, Pedro A. Cruz. La muerte (in)visible: Verdad, ficción y posficción en la imagen contemporánea. Murcia: Tabvlarivm, 2005.

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21

Estradère, Hélène. Le Togo: Du visible à l'invisible : ou, à quoi rêvent les images? Paris: Complicités, 2010.

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22

Cavallini, Giuliana. Things visible and invisible: Images in the spirituality of St. Catherine of Siena. New York: Alba House, 1996.

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23

NDiaye, Marie y Verónica Gerber Bicecci. Visible: Text + Image. Two Lines Press, 2022.

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24

Partager le visible: Repenser Foucault. Paris: L'Harmattan, 2013.

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25

Favero, Paolo S. H. The Present Image: Visible Stories in a Digital Habitat. Palgrave Macmillan, 2017.

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26

Morrell, Elizabeth. Visible Minority: Image and Existence Amongst the Sa'Dan Toraja. Monash Asia Inst, 2001.

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27

Favero, Paolo S. H. The Present Image: Visible Stories in a Digital Habitat. Palgrave Macmillan, 2018.

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28

Vauday, B. L. Y. Invention of the Visible: The Ipb. Rowman & Littlefield Publishers, Incorporated, 2019.

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29

The image and the region: Making mega-city regions visible! Baden: Lars Müller Publishers, 2008.

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30

Hughes, Jim. Image receptors. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198813170.003.0003.

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The receptor head is the system that converts the X-ray beam into a visible image and allows it to be displayed. Modern systems accomplish this by using either an image intensifier (II) or a flat-panel detector (FPD). Both allow real-time fluoroscopy, as well as last-image hold, image storage and retrieval, and other features to assist in procedures or reduce radiation dose. This chapter covers the design and functions of image receptor heads used on C-arm systems that produce images from the incident X-ray beam. This includes the process of intensification and amplification of the image within an II system, as well as the function and the use of newer FPD systems.
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31

Invention of the Visible: The Image in Light of the Arts. Rowman & Littlefield Publishers, Incorporated, 2017.

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32

Vauday, Patrick y Jared Bly. Invention of the Visible: The Image in Light of the Arts. Rowman & Littlefield Publishers, Incorporated, 2017.

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33

Dire et voir: La parole visible du sophiste. Paris: J. Vrin, 2008.

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34

(Editor), Hazel A. Witte, ed. The Image of Writing (Visible Religion Annual for Religious Iconography Vol VI). Brill Academic Pub, 1988.

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35

Wulf, Christoph y Bernd Huppauf. Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Taylor & Francis Group, 2013.

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36

Sardella, Dennis J. Visible Image of the Invisible God: A Guide to Russian and Byzantine Icons. Paraclete Press, Incorporated, 2022.

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37

Wulf, Christoph y Bernd Huppauf. Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Taylor & Francis Group, 2013.

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38

Wulf, Christoph y Bernd Huppauf. Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Taylor & Francis Group, 2013.

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39

Wulf, Christoph y Bernd Huppauf. Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Taylor & Francis Group, 2013.

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40

Wulf, Christoph y Bernd Huppauf. Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Taylor & Francis Group, 2013.

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41

Wulf, Christoph y Bernd Huppauf. Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Taylor & Francis Group, 2013.

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42

Visible words and chromatic pulse: Virginia Woolf's writing, impressionist painting, Maurice Blanchot's image. Wien: Verlag Turia + Kant, 2014.

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43

Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Routledge, 2013.

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44

Clarke, Alex, Nichola Rumsey, Andrew R. Thompson, Robert Newell y Elizabeth Jenkinson. CBT for Appearance Anxiety: Psychosocial Interventions for Anxiety Due to Visible Difference. Wiley & Sons, Incorporated, John, 2013.

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45

Clarke, Alex, Nichola Rumsey, Andrew R. Thompson, Robert Newell y Elizabeth Jenkinson. CBT for Appearance Anxiety: Psychosocial Interventions for Anxiety Due to Visible Difference. Wiley & Sons, Limited, John, 2013.

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46

Clarke, Alex, Nichola Rumsey, Andrew R. Thompson, Robert Newell y Elizabeth Jenkinson. CBT for Appearance Anxiety: Psychosocial Interventions for Anxiety Due to Visible Difference. Wiley & Sons, Incorporated, John, 2013.

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47

Clarke, Alex, Nichola Rumsey, Andrew R. Thompson, Robert Newell y Elizabeth Jenkinson. CBT for Appearance Anxiety: Psychosocial Interventions for Anxiety Due to Visible Difference. Wiley & Sons, Incorporated, John, 2013.

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48

Cooper, Sarah. Film and the Imagined Image. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474452786.001.0001.

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Film and the Imagined Image explores the extraordinary ways in which film can stimulate and direct the image-making capacity of the imagination. From documentary to art house cinema, and from an abundance of onscreen images to their complete absence, films that experiment variously with narration, voice-over, and soundscapes do not only engage the thoughts and senses of spectators in a perceptually rich experience. They also make an appeal to visualise more than is visible on screen and they provide instruction on how to do so as spectators think and feel, listen and view. Bringing together philosophy, film theory, literary scholarship, and cognitive psychology with an international range of films from beyond the mainstream, Sarah Cooper charts the key processes that serve the imagining of images in the light of the mind. Through its navigation of a labile and vivid mental terrain, this innovative work makes a profound contribution to the study of spectatorship.
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49

Jews and Muslims Made Visible in Christian Iberia and Beyond, 14th to 18th Centuries: Another Image. BRILL, 2019.

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50

Image Synthesis Theory and Practice. Springer Verlag, 1988.

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