Literatura académica sobre el tema "Image du mort"
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Artículos de revistas sobre el tema "Image du mort":
Poda, Evariste. "Image du mort, effigie de l'ancêtre". Systèmes de pensée en Afrique noire, n.º 11 (1 de diciembre de 1991): 91–102. http://dx.doi.org/10.4000/span.1236.
Bourion, Sylveline y Georges Forget. "Identité, création et mort contemporaines". Circuit 15, n.º 2 (9 de febrero de 2010): 37–54. http://dx.doi.org/10.7202/902355ar.
Ruellan, Jean. "Image des professionnels de la mort au cinéma". Etudes sur la mort 139, n.º 1 (2011): 119. http://dx.doi.org/10.3917/eslm.139.0119.
Zhu, Lichao. "image de la mort: approche contrastive chinois, français et anglais". Langues & Parole 6 (22 de diciembre de 2021): 233–48. http://dx.doi.org/10.5565/rev/languesparole.83.
Mavrikakis, Catherine. "L’iconophage mélancolique ou la digestion des images au début du troisième millénaire. Un cas : Timothy McVeigh". Protée 29, n.º 3 (12 de abril de 2005): 17–25. http://dx.doi.org/10.7202/030634ar.
Wunenburger, Jean-Jacques. "L’idole au regard de la philosophie des images". Protée 29, n.º 3 (12 de abril de 2005): 7–16. http://dx.doi.org/10.7202/030633ar.
Yu, Xiaohan, Yang Zhao, Yongsheng Gao, Shengwu Xiong y Xiaohui Yuan. "Patchy Image Structure Classification Using Multi-Orientation Region Transform". Proceedings of the AAAI Conference on Artificial Intelligence 34, n.º 07 (3 de abril de 2020): 12741–48. http://dx.doi.org/10.1609/aaai.v34i07.6968.
Żurawska, Anna. "L’image de la mort ou l’histoire d’une sensibilité. Charlotte de David Foenkinos". Quêtes littéraires, n.º 5 (30 de diciembre de 2015): 213–21. http://dx.doi.org/10.31743/ql.254.
Rozik, Eli. "Intertextualité et déconstruction". Protée 27, n.º 1 (12 de abril de 2005): 111–16. http://dx.doi.org/10.7202/030551ar.
Massonnaud, Dominique. "La Mise à mort ou les Mémoires d’un fou". Études littéraires 45, n.º 1 (15 de julio de 2014): 45–61. http://dx.doi.org/10.7202/1025939ar.
Tesis sobre el tema "Image du mort":
Essid, Kaouthar. "Imageries de la mort et art contemporain". Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010739.
Death is a fact that persues us inspite of our efforts to dissimulate it. The question seems accordingly to be : can this obsession be turned into an object of art which tends to reconsider the status of the human body in our epoch ? There is an essential opposition between the human body that is doomed to vanish and the contemporary vision of a beautiful and unaltered body. Threoughout this "memento mori", I tried to explore death as a plastic expression which raises the question of its legitimacy as a pictorial language. My confrontation with death allowed me to achieve several works that meditate upon existence, temporality, and the nature of the relationship between the human being and his body, and death in its various connotations
Roshem, Sarah Eva. "Prothesis : le corps, la mort et la céroplasticienne". Paris 1, 2003. http://www.theses.fr/2003PA010609.
Khalilnezhad, Ghavidel Neda. "La mort et son image : de la France à l'Iran. Une étude comparative de la conception de la mort dans les proverbes et sentences latins, français et persans". Thesis, Limoges, 2019. http://www.theses.fr/2019LIMO0127.
Death remains an essential mystery of human life and will stay so forever since it is an unreality that human cannot experience at all. Its idea, in other words, is something outside the notion of existence, if we believe in Sartre. Where as, a philosopher like Heidegger, has even gone beyond by putting in advance his famous thesis of being-for-death. However, death spreads its kingdom everywhere, from earth to heaven, and remains the reality of yesterday and today. These comprise the subject of this thesis. We have indeed tried to see the picture that death would find in the sentences or proverbs, according to whether it is expressed in Persian or French; hence the importance is equally attached to the cultural differences of the East and the West. Death changes the face; we will see it: following that it will be treated under the pen of a religious or an atheist. This is for the purpose of questioning the concept or vision of the world, of death in this case, which differ from one place to another and who will now, perhaps, be interested in the future research. This thesis is an analysis, if not a story, of death through a comparative study of proverbs and sentences in Latin, Persian and French languages
Kim, Mi-Jin. "Pour une image de l’homme, de la vie et de la mort, à partir d’une expérience spirituelle orientale". Paris 1, 1996. http://www.theses.fr/1995PA010627.
Metempsychosis, taoist and buddhist philosophy, calligraphy and landscape painting of far-est are the sources of my spiritual experience. On the other hand, beuys, arte povera, italian trans-avantgarde, and land art, which i have discovered in occident, have inspired my-representation modes the development consists of five chapters corresponding to the different steps of human life and of the work itself. In this thesis of plastic arts, each chapter includes two great parts in order to show better the coherence between theory and pratics in my work. The first chapter "dreame of conception" shows how dream announces the work to come. By this conception, dream and imagination, idea, spirit are the initial step of creation analogous to the desire of a child. The second chapter "for a soul and for the matter of a journey" makes clear the symbolic of the circular form recurrent in my work, and the cohabitation between oriental and occidental matter, made possible by the movement of the from ande combined utilization of different techniques of oriental as well as occidental origin. In the third chapter "transmission of space in tim", i show the relation existing in my paintings between space and time symbols. In the fourth chapter "crossed cultures in painting", i develop the reflexion on my belonging to both different cultures, oriental et occidental. In the fifth chapter, "humour(s), i approach the problem of the role of the artist today. I have indicated the future of my paintings in this last chapter. Humour guides me and brings me pleasure. I wish to mix every human emotion, every material, with humour, and thus create new myths and new dreams
Coulombe, Maxime. "Faire du corps une image". Doctoral thesis, Université Laval, 2006. http://hdl.handle.net/20.500.11794/18280.
Rinaldi, Riccardo. "Maurice Blanchot et la question de l'image". Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL029.
Most philosophical approaches to Maurice Blanchot's work have hitherto reserved a marginal place for the question of image. Since L'Espace littéraire (1955), however, image assumes a theoretical status that enables us to apprehend it as the matrix of his writing that, initially divided between fiction and criticism, finally achieves its most natural thriving in fragmentation.Far from embracing a sterile nihilism, Blanchot derives from Heidegger’s reflection on art the idea of an appearance as disappearance, of a form invalidating the distinction between matter and form; a presence which is not given: the presence of an absence. He draws from it a radically anti-humanist vision, much more coherent than the conception of the event defining the history of the epochs of the Being: coming before the thing, image condemns the consciousness of the metaphysical subject as the exclusive stage of all representation. The face of death becomes the paradigm of the blind gaze that things lay upon us. Hence, literature proves to be preliminary to a different vision, one that touches on what precedes man’s existence as a whole, his finitude being scattered in an endless approach of the end.Leaving aside the political texts of Blanchot, I have considered the œuvre as a priority in the author’s fate, which is overcome and determined by writing. Less structured than Heidegger's, Blanchot’s work proves finally more suited to be read through the perspective suggested in the Letter on Humanism: we cannot conceive an ethics, as a thought of humanism, if we have not previously redefine what the humanitas of man is
Pietri, Nicole. "La photographie comme sépulture". Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080049.
Since the beginning of mankind, man has been taking care of his dead ones, while the relationship between death and photography began in the middle of the 19th century with the invention of photography. Death supposes a dead body that one takes care of by giving it a burial. As we conceive it, burial is an intentional deposition which shows, by this act, the attention that one draws to the dead one that keeps its humanity in Death. Preservation of humanity is precisely what should be protected through burial. By proposing to question the relationship between Death and the image of the dead one, starting from photography and in the light of burial, the purpose of this research work would not be so much to know or to affirm that photography is or is not a burial, but how photography can question the very notion of burial. In return, we ask ourselves, starting from burial, how burial would be likely to induce a questioning towards the photography. Photography as a burial, supposes to bring photography closer to burial, and to consider how photography could respond to what one could expect from a burial. On a different scale, we question whether it would be possible to see what would be related to the burial in analogue photography from the work of Christian Boltanski which appears as the guiding thread of this thesis. Among all the artist-photographers who feed and guide this reflection, Boltanski, without being a photographer, has an artistic path that led him to turn to photography and create burials, funerary monuments. He offers a particular insight to approach both photography and burial. By crossing disciplines, points of view, what is seen and what is not seen, what is said and what is whispered, this thesis should be read as a weaving between implicit and explicit
Maillard, Benoît. "Clinique de la maladie létale : de l'effraction corporelle à la réponse du sujet". Phd thesis, Université Rennes 2, 2010. http://tel.archives-ouvertes.fr/tel-00599280.
Cappelaere, Charles-Henri. "Estimation du risque de mort subite par arrêt cardiaque à l'aide de méthodes d'apprentissage artificiel". Phd thesis, Université Pierre et Marie Curie - Paris VI, 2014. http://pastel.archives-ouvertes.fr/pastel-00939082.
Kim, Seonja. ""L'image fantôme" chez Hervé Guibert". Paris 12, 2004. https://athena.u-pec.fr/primo-explore/search?query=any,exact,990003948580204611&vid=upec.
We studied the concept of the "ghost image" in literary and photographic works of Hervé Guibert, a French journalist, writer and photographer (1955-1991). Our objective was to show that the ghost image, which is, according to the writer, a mental et literary representation, appears also in his photographies. We descrihed the ghost image as a backup of memory, making visible a photography however flot realized. The ghost image is situated in consequence hctween two systems of parallel representations, the literay and the photographic. It is what led us to the exploration of Guibert's photographie works where we observed the auhor's narcissistic split personality linking it to the image of the ghost. For the best comprehension of these works, where Guibert seems to succeed in representing the invisible, we interpreted them here under the category of the metaphysical sublime. In pursuit of a hereafter, Guibert seems to be transformed into a ghost image
Libros sobre el tema "Image du mort":
Debray, Régis. Vie et mort de l'image: Une histoire du regard en Occident. [Paris]: Gallimard, 1992.
Hubmann, Verena. L' image de la mort: Über die mort civile und ihre Abschaffung im französischen Recht und ihre Nachbildungen in den Kantonen Waadt und Wallis. Zürich: Schulthess, 1990.
Bertman, Sandra L. Facing death: Images, insights, and interventions : a handbook for educators, healthcare professionals, and counselors. New York: Hemisphere, 1991.
Smith, George Edmond. More than sex: Reinventing the black male image. New York: Kensington Books, 2000.
McDowell, Josh. His image, my image: Seeing yourself as God sees you - no more, no less. San Bernardino, Calif: Here's Life, 1989.
McDowell, Josh. His image, my image: Seeing yourself as God sees you - no more, no less. San Bernardino, Calif: Here's Life, 1989.
1947-, Nelson Robert S., Collins Kristen M y J. Paul Getty Museum, eds. Holy image, hallowed ground: Icons from Sinai. Los Angeles: J. Paul Getty Museum, 2006.
Cappai, Chiara De Filippis. Imago mortis: L'uomo romano e la morte. Napoli: Loffredo, 1997.
Druet, François-Xavier. Langage, images et visages de la mort chez Jean Chrysostome. Namur: Société des études classiques, 1990.
Great Britain. Audit Commission for Local Authorities and the National Health Service in England and Wales. Improving your image: How to manage radiology services more effectively. London: H.M.S.O., 1995.
Capítulos de libros sobre el tema "Image du mort":
Hobbs, Jim. "Nature Morte". En Sound and Image, 219–25. New York : Routledge, 2020. | Series: Sound design: Focal Press, 2020. http://dx.doi.org/10.4324/9780429295102-15.
Citton, Yves. "Image-représentation versus image-transaction". En Angles morts du numérique ubiquitaire, 225–26. Nanterre: Presses universitaires de Paris Nanterre, 2023. http://dx.doi.org/10.4000/11toq.
Blanc, N., P. Giffard, P. Seitz, P. Buchschacher, V. Nguyen y M. Hoheisel. "Semiconductor Image Sensing". En More than Moore, 239–78. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-75593-9_8.
Schnugg, Claudia. "Friction gains in art & science collaboration: more than noise". En Image, 176–90. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839465165-021.
Sharan, Kishori y Peter Späth. "Custom Runtime Images". En More Java 17, 893–909. Berkeley, CA: Apress, 2021. http://dx.doi.org/10.1007/978-1-4842-7135-3_13.
Chung, Youngsun, Daeyoung Gil y Ghang Lee. "Optimal Number of Cue Objects for Photo-Based Indoor Localization". En CONVR 2023 - Proceedings of the 23rd International Conference on Construction Applications of Virtual Reality, 977–87. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/10.36253/979-12-215-0289-3.98.
Chung, Youngsun, Daeyoung Gil y Ghang Lee. "Optimal Number of Cue Objects for Photo-Based Indoor Localization". En CONVR 2023 - Proceedings of the 23rd International Conference on Construction Applications of Virtual Reality, 977–87. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0289-3.98.
Winarnita, Monika Swasti, Petra Mahy y Nicholas Herriman. "Fate, Desire, and Shame: Janda in Indonesian Pop Culture". En Gender, Islam and Sexuality in Contemporary Indonesia, 125–43. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-5659-3_7.
Cupa, Dominique. "Le paradoxe du père mort". En Image du père dans la culture contemporaine, 157. Presses Universitaires de France, 2008. http://dx.doi.org/10.3917/puf.cupa.2008.01.0157.
Murphy, Cullen. "Mort Walker, Historian". En Comic Art in Museums, 152–54. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0014.
Actas de conferencias sobre el tema "Image du mort":
Hou, Kejun, Zuoan Zhao, Gensheng Ni, Gamal Sultan, Bo Liu y Tianhua Zhang. "Correlation of Borehole Images in Conductive and Non-Conductive Muds to Understand Carbonate Heterogeneity: Case Study from Sichuan Basin, China". En Middle East Oil, Gas and Geosciences Show. SPE, 2023. http://dx.doi.org/10.2118/213230-ms.
Mao, Yuzhao, Chang Zhou, Xiaojie Wang y Ruifan Li. "Show and Tell More: Topic-Oriented Multi-Sentence Image Captioning". En Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/592.
Mema, Laureta. "Les métaphores de l’eau dans Les Fleurs du Mal de Charles Baudelaire". En XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3798.
Manuaba, Ida Bagus Gede Hermawan, Mohammad Kadhem Aljishi, Nicklas Ritzmann y Mohamed Gouda. "Advanced Corrections of LWD High-Resolution Resistivity Images in Hostile Downhole Environments". En International Petroleum Technology Conference. IPTC, 2024. http://dx.doi.org/10.2523/iptc-23991-ms.
Xie, Ruobing, Zhiyuan Liu, Huanbo Luan y Maosong Sun. "Image-embodied Knowledge Representation Learning". En Twenty-Sixth International Joint Conference on Artificial Intelligence. California: International Joint Conferences on Artificial Intelligence Organization, 2017. http://dx.doi.org/10.24963/ijcai.2017/438.
Yang, S., Y. Wang y C. Shrivastava. "Sedimentary Analysis Via Automatic Image Segmentation and Clustering with the LWD OBM Resistivity Image: A Case Study from Gulf of Mexico". En SPE Annual Technical Conference and Exhibition. SPE, 2023. http://dx.doi.org/10.2118/214908-ms.
Cho, Soojin y Byunghyun Kim. "Image-driven Bridge Inspection Framework using Deep Learning and Image Registration". En IABSE Conference, Seoul 2020: Risk Intelligence of Infrastructures. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/seoul.2020.269.
Hoffmann, Rolf. "A High Quality Image Stitching Process for Industrial Image Processing and Quality Assurance". En OCM 2021 - 5th International Conference on Optical Characterization of Materials. KIT Scientific Publishin, 2021. http://dx.doi.org/10.58895/ksp/1000128686-18.
Bodoh, Dan J. "Making the Most of the Internet for Failure Analysis". En ISTFA 1998. ASM International, 1998. http://dx.doi.org/10.31399/asm.cp.istfa1998p0323.
Zhang, Guimei, Binbin Chen y YangQuan Chen. "Research on Image Matching Combining on Fractional Differential With Scale Invariant Feature Transform". En ASME 2015 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/detc2015-47015.
Informes sobre el tema "Image du mort":
Heger, Karl, Timm Schoening y Claas Faber. MariQT. GEOMAR, diciembre de 2022. http://dx.doi.org/10.3289/sw_4_2022.
Decroux, Agnes, Kassem Kalo y Keith Swinden. PR-393-205100-R01 IRIS X-Ray CT Qualification for Flexible Pipe Inspection (Phase 1). Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), marzo de 2021. http://dx.doi.org/10.55274/r0012068.
Rigotti, Christophe y Mohand-Saïd Hacid. Representing and Reasoning on Conceptual Queries Over Image Databases. Aachen University of Technology, 1999. http://dx.doi.org/10.25368/2022.89.
Rigotti, Christophe y Mohand-Saïd Hacid. Representing and Reasoning on Conceptual Queries Over Image Databases. Aachen University of Technology, 1999. http://dx.doi.org/10.25368/2022.89.
Olivier, Jason y Sally Shoop. Imagery classification for autonomous ground vehicle mobility in cold weather environments. Engineer Research and Development Center (U.S.), noviembre de 2021. http://dx.doi.org/10.21079/11681/42425.
Norquist, Donald C. y K. S. Balasubramaniam. More Diagnosis of Solar Flare Probability from Chromosphere Image Sequences. Fort Belvoir, VA: Defense Technical Information Center, septiembre de 2012. http://dx.doi.org/10.21236/ada566093.
Carin, Lawrence. FLIR Image Classification Using Hidden Markov Trees, with Comparisons to More-Traditional Algorithms. Fort Belvoir, VA: Defense Technical Information Center, enero de 2002. http://dx.doi.org/10.21236/ada407122.
Donaghey, S., S. Berman y N. Seja. More Than A War: Remembering 1914-1918. Unitec ePress, mayo de 2016. http://dx.doi.org/10.34074/emed.035.
Bragdon, Sophia, Vuong Truong y Jay Clausen. Environmentally informed buried object recognition. Engineer Research and Development Center (U.S.), noviembre de 2022. http://dx.doi.org/10.21079/11681/45902.
Alhasan, Ahmad, Brian Moon, Doug Steele, Hyung Lee y Abu Sufian. Chip Seal Quality Assurance Using Percent Embedment. Illinois Center for Transportation, diciembre de 2023. http://dx.doi.org/10.36501/0197-9191/23-029.