Tesis sobre el tema "Illustrations collectionID"
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Pottmeyer, Ollie W. "Illustrations from the CD collection of Ollie W. Pottmeyer". Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1952.
Texto completoTitle from document title page. Document formatted into pages; contains iii, 17, [19] p. : col. ill. Includes abstract. Includes bibliographical references (p. 17).
Kerhoas, Marie-José. "Les dessins de costumes de scène de 1750 à 1790 dans les collections patrimoniales françaises". Tours, 2007. http://www.theses.fr/2007TOUR2042.
Texto completoThis dissertation aims to demonstrate that, meanwhile theatre's costumes are particularly studied, it appeared important to know its first gesture : the costumes drawing, which alone have subsisted. In the second half of the eighteenth century, the theatrical aesthetic has know a significant theoretical evolution. What is at stake, in this time, is the alternative between tradition's permanence and changing's attempt. Is such a change possible in the sceloresed institution of this period ? Are the theoreticians going to convince the costume's drawers to leave their habits ? Will the discussions around history's painting transform the theatre's costumes, and in the same time costumes drawing, to a neoclassic style ? Will fashion influence it ? These are the questions which will be discussed
Goëau, Hervé. "Structuration de collections d'images par apprentissage actif crédibiliste". Phd thesis, Grenoble 1, 2009. http://www.theses.fr/2009GRE10070.
Texto completoImage annotation is an essential task in professional archives exploitation. Archivsits must describe every image in order to make easier future retrieval tasks. The main difficulties are how to interpret the visual contents, how to bring together images whitch can be associated in same categories, and how to deal with the user's subjectivity. In this thesis, we use the principle of active learning in order to help a user who wants organize with accuracy image collections. From the visual content analysis, complementary active learning strategies are proposed to the user to help him to identify and put together images in relevant categories according to his oppinion. We choose to express this image classification problem with active learning by using the Transferable Belief Model (TBM), an elaboration on the Dempster-Shafer theory of evidence. The TBM allows the combination, the revision and the representation of the knowledge which can be extracted from the visual contents and the previously identified categories. Our method proposed in this theoritical framework gives a detailed modeling of the knowledge by representing explicitly cases of multi-labeling, while quantifying uncertainty (related to the semantic gap) and conflict induced by the analysis of the visual content in different modalities (colors, textures). A human-machine interface was developed in order to validate our approach on reference tests, personal images collections and professional photos from the National Audiovisual Institute. An evaluation was driven with professional users and showed very positive results in terms of utility, of usability and satisfaction
Pommaret, Sabine. "Traitement documentaire et valorisation des fonds iconographiques anciens dans les bibliothèques l'exemple de la collection d'estampes de la B.M. de Bourges /". [S.l.] : [s.n.], 2002. http://www.enssib.fr/bibliotheque/documents/dcb/pommaret.pdf.
Texto completoDavila, Victor. "THE ILLUSION OF ART: MY AMALGAMATION OF ILLUSTRATION AND CONTEMPORARY ART". Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3753.
Texto completoM.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
Pucci, Alicia Meredith. "Consuming Surrealism in Modern Mexican Advertising: Remedios Varo's Pharmaceutical Illustrations for Casa Bayer, S.A". Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/516897.
Texto completoM.A.
My thesis investigates an interdisciplinary narrative of the transatlantic migration of Surrealism to Mexico during the 1940s. I focus on the ways exiled European Surrealists approached notions of Mexican material culture in a hybrid society where local traditions coexisted with a global modernity. Looking to popular and print culture outlets, I concentrate on how Mexican material culture was perceived, promoted, and marketed through a Surrealist lens. Specifically, I consider the collaboration of the German pharmaceutical company Casa Bayer, S.A. and exiled Spanish-born Surrealist Remedios Varo, who produced a series of medical advertisements during her first decade in Mexico City from 1943 to 1949. Through an examination of Varo’s work, my thesis explores the changing boundaries of fine and commercial art that resulted from the efforts of artists who participated in modern mass culture and consumerism. I investigate the significance of her Surrealist advertisements for Casa Bayer as a material culture bound on one side with fine art and the other side with the development of Mexican advertising. This case study supports my argument that Surrealism, as a transnational aesthetic, was one alternative way of demonstrating the new cultural meanings of advertising in an ambiguous, modern Mexican society. Examining Varo’s illustrations in light of the movement of western Europeans to Mexico and the country’s commitment to modern progress explains why the artist negotiated her past avant-garde sensibilities with her Mexican present.
Temple University--Theses
Phillips, Catherine Victoria. "Art and politics in the Austrian Netherlands : Count Charles Cobenzl (1712-70) and his collection of drawings". Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4049/.
Texto completoGoëau, Hervé. "Structuration de collections d'images par apprentissage actif crédibiliste". Phd thesis, Université Joseph Fourier (Grenoble), 2009. http://tel.archives-ouvertes.fr/tel-00410380.
Texto completoYamada, Shigehito. "Graphic and movie illustrations of human prenatal development and their application to embryological education based on the human embryo specimens in the Kyoto collection". Kyoto University, 2006. http://hdl.handle.net/2433/143856.
Texto completo0048
新制・課程博士
博士(医学)
甲第12223号
医博第2976号
新制||医||922(附属図書館)
24059
UT51-2006-J216
京都大学大学院医学研究科外科系専攻
(主査)教授 篠原 隆司, 教授 影山 龍一郎, 教授 富樫 かおり, 教授 中辻 憲夫
学位規則第4条第1項該当
Wightman, Shaun. "PITIFUL CREATURES". Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4188.
Texto completoM.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
Rambaud, David. "L'insecte comme métaphore de l'assemblage : une recherche entomologique et historique sur les conditions d'apparition de l'objet manufacturé dans l'art". Paris 8, 2009. http://octaviana.fr/document/150986920#?c=0&m=0&s=0&cv=0.
Texto completoSeveral themes cross the seemingly so different aspects of this study : first the insect, which is the origin of this artistic research and then becomes the agent and the guide of our wandering through history. Tiny and trivial making made of junks picked up during walks in Paris are the reason for many questionings on the notion of assemblage. The institution of a few making rules allows us, in their image, to talk essentially about figurative assemblages made by the recycling of manufactured objects. Entomology, with its meticulous methodology, will also be used as a tool to validate some classification principles in order to study the cognitive process and the associative resorts which govern artistic creation. Every making, intellectual or tangible, is overdetermined by the materials it is made of. The precondition to this work consists in disentangling the semantic web of notions from which derive the main lines such as collection, classification, combination, or even similarity, to establish that there is a bundle of relation between the very possibility of the emergence of assemblage as a referenced genre and the realization by painting of its own issues, in a sort of self-reflexive turning back. The painted fly will become its emblematic forewarning
Andersén, Jenny. "En virtuell klädkollektion : En rapport om processen i att designa och illustrera en virtuell klädbutik till Stardoll.com". Thesis, Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-19504.
Texto completoBlettery, Emile. "Structuring heritage iconographic collections : from automatic interlinking to semi-automatic visual validation". Electronic Thesis or Diss., Université Gustave Eiffel, 2024. http://www.theses.fr/2024UEFL2001.
Texto completoThis thesis explores automatic and semi-automatic structuring approaches for iconographic heritage contents collections. Indeed, exploiting such contents could prove beneficial for numerous applications. From virtual tourism to increased access for both researchers and the general public, structuring the collections would increase their accessibility and their use. However, the inherent "in silo" organization of those collections, each with their unique organization system hinders automatic structuring approaches and all subsequent applications. The computer vision community has proposed numerous automatic methods for indexing (and structuring) image collections at large scale. Exploiting the visual aspect of the contents, they are not impacted by the differences in metadata structures that mainly organize heritage collections, thus appearing as a potential solution to the problem of linking together unique data structures. However, those methods are trained on large, recent datasets, that do not reflect the visual diversity of iconographic heritage contents. This thesis aims at evaluating and exploiting those automatic methods for iconographic heritage contents structuring.To this end, this thesis proposes three distinct contributions with the common goal of ensuring a certain level of interpretability for the methods that are both evaluated and proposed. This interpretability is necessary to justify their efficiency to deal with such complex data but also to understand how to adapt them to new and different content. The first contribution of this thesis is an evaluation of existing state-of-the-art automatic content-based image retrieval (CBIR) approaches when faced with the different types of data composing iconographic heritage. This evaluation focuses first on image descriptors paramount for the image retrieval step and second, on re-ranking methods that re-order similar images after a first retrieval step based on another criterion. The most relevant approaches can then be selected for further use while the non-relevant ones provide insights for our second contribution. The second contribution consists of three novel re-ranking methods exploiting a more or less global spatial information to re-evaluate the relevance of visual similarity links created by the CBIR step. The first one exploits the first retrieved images to create an approximate 3D scene of the scene in which retrieved images are positioned to evaluate their coherence in the scene. The second one simplifies the first while extending the classical geometric verification setting by performing geometric query expansion, that is aggregating 2D geometric information from retrieved images to encode more largely the scene's geometry without the costly step of 3D scene creation. Finally, the third one exploits a more global location information, at dataset-level, to estimate the coherence of the visual similarity between images with regard to their spatial proximity. The third and final contribution is a framework for semi-automatic visual validation and manual correction of a collection's structuring. This framework exploits on one side the most suited automatic approaches evaluated or proposed earlier, and on the other side a graph-based visualization platform. We exploit several visual clues to focus the expert's manual intervention on impacting areas. We show that this guided semi-automatic approach has merits in terms of performance as it solves mistakes in the structuring that automatic methods can not, these corrections being then largely diffused throughout the structure, improving it even more globally.We hope our work will provide some first insights on automatically structuring heritage iconographic content with content-based approaches but also encourage further research on guided semi-automatic structuring of image collections
Boldt, Frank [Verfasser], Karl Heinz [Akademischer Betreuer] Hoffmann, Karl Heinz [Gutachter] Hoffmann y Peter [Gutachter] Salamon. "A Framework for Modeling Irreversible Processes Based on the Casimir Companion : Time-Optimal Equilibration of a Collection of Harmonic Oscillators: A Geometrical Approach Illustrating the Framework / Frank Boldt ; Gutachter: Karl Heinz Hoffmann, Peter Salamon ; Betreuer: Karl Heinz Hoffmann". Chemnitz : Universitätsbibliothek Chemnitz, 2014. http://d-nb.info/1214302254/34.
Texto completoJones, Danielle. "Perceptions of Cuteness and Beauty". Master's thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4160.
Texto completoM.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
Le, Bris Anna-Maria. "Images et peurs : l'expérience de l'événement médiatisé". Thesis, Paris 1, 2019. https://ecm.univ-paris1.fr/nuxeo/site/esupversions/779ab5d5-468c-4bd9-8d53-f8ed0d525d3a.
Texto completoReconsidering event media pictures trough the prism of collective fears allows raising differently the political and social issues. The evolution of the news media with Internet as well as the frequent public debates on the news pictures reveal a new apprehension of event pictures. The ambiguous relation of belief and doubt inherent to any picture reinforce the virality of today's media images. Photographs and videos of terrorist attacks, disasters and various crises spread and redefine fears, bringing out the fear of pictures. Powers of media and pictures combine together creating a climate of anxiety which oscillates between reality and fiction. This fine arts doctoral research questions the practices and the positioning of artists who problematize these relationships between images, fears and events. The experience of the mediatised event, re-proposed and re-made by these artists, is built in the relationship between excess and lack of visibility (which pictures to diffuse or not) and can exorcise or amplify collective fears, like a call for vigilance. Articulating theoretical investigation and personal practice - which is based on the collection of media pictures - allows demonstrating the negative and positive aspects of the uses of pictures and fears today, simultaneously remedies and poisons of a worried society
Salas, Leslie. "Mirrors and Vanities". Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5697.
Texto completoM.F.A.
Masters
English
Arts and Humanities
Creative Writing
Mathis, Véronique. "Louis Lafitte : un peintre d'histoire de la Révolution à la Restauration". Thesis, Normandie, 2020. http://www.theses.fr/2020NORMR081.
Texto completoAll his life Louis Lafitte (1770-1828) insisted on introducing himself, with pride, as a history painter, a statement which his artistic training fully justified. After an apprenticeship with the engraver Gilles-Antoine Demarteau, he was the pupil of Jean-Baptiste Regnault, a competitor and rival of Jacques Louis David's in the 1780s. Introduced by his master, he was enrolled at the Royal Academy of Painting, Sculpture and Architecture in 1784; his studies there were honourable: first medal in October 1788, and above all the grand prize in painting, when he first took part in the competition in 1791. This course of excellence earned him a place at the Académie de France in Rome, but he could hardly take advantage of this privilege, as the political situation in France was not acceptable to the Roman authorities. The population could not stand the French presence and in January 1793, it was mayhem; the Mancini Palace, the seat of the Academy, was burnt down and the residents dispersed. All of them returned to France more or less quickly; some, like Lafitte, took refuge in Florence until the neutrality of Tuscany was ruptured in October 1793. On his return to France, a period of uncertainty began: an official resident of the Republic until September 1800, he received modest compensation. His desire to return to Rome was unfulfilled as was his aspiration to become a history painter, as he was unable to obtain a studio, despite repeated requests. Nor did he enter the cenacle of artists regularly solicited by successive governments, but he sometimes gave timid signs of assent to the regime in power, from the year II to the Empire, where he received more important official commissions, such as the simulacrum of the Arc de Triomphe de L'Etoile for the wedding of Napoleon and Marie-Louise. His enthusiastic rallying to the Restoration undoubtedly shows the true face of Lafitte's political affinity. The result was a very official position as draughtsman in the King's Cabinet, which concluded his artistic career which is often difficult to reconstruct. For most of his life, he was not in the limelight, lacking public clients, he very quickly turned to a private clientele, which he obtained by using his title of a history painter. He was mainly asked to paint works in line with the tastes of the time, Pompeian interior decorations, or portraits, which we have little trace of today. A skilled draughtsman, he worked for print engravers, producing famous pieces such as figures from the republican calendar, but also for publishers of refined illustrated editions, very appreciated by the readers of the time. One thinks, in particular, of the luxurious Didot edition of Paul and Virginie, directed from beginning to end by Bernardin de Saint Pierre himself. In the publishing field, he earned such a reputation that he remained a book illustrator for a large number of 19th-century authors. He was also interested in the applied arts and provided drawings for both the goldsmiths and wallpaper trade. These were luxury objects, produced in small numbers but mechanically manufactured. As an artist, Louis Lafitte accepted the demands of consumer society, his eclectic career showed his constant ability to adapt during the revolution and although he is not remembered as a history painter, he succeeded in making a living from his trade
Caudill, Cindy. "Technical Illustration: The Changes and Challenges Presented by Advancements in Technology". Master's thesis, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6072.
Texto completoM.A.
Masters
English
Arts and Humanities
English; Technical Communications Track
Lu, Chi-Ju y 呂季如. "Research on Woodcut Illustrations of Landscapes on Completed Collection of Graphs and Writings of Ancient and Modern Times Features on Mountains and Rivers". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/97833932778560363244.
Texto completo淡江大學
中國文學系碩士在職專班
99
There are not enough studies on woodcut illustrations of classified encyclopedia and landscapes . And there are not enough comprehensive studies on illustrations of Completed Collection of Graphs and Writings of Ancient and Modern Times. Therefore, that’s the motivation I choose the object of research. My research try to collect all illustrations of the landscapes from Completed Collection of Graphs and Writings of Ancient and Modern Times Features on Mountains and Rivers, the original imperial edition published in 1726 . Compare and analyze with other illustrations of of landscapes individually from relevant ancient rarebooks. Especially in the similar form of illustrations. Such as Assembled Illustrations of the Three Realms of Heaven, Earch and Man, Books Depository, Wonders of the world, Great Mountains Catalog, The Grand Occasion of the Southern Inspection, ect. The structure of my research : There are 3 main chapters besides the first chapter and last chapter, the introduction and conclusion. Chapter 2 : Overview of woodcut landscape illustrations before the early Qing Dynasty. Chapter 3 : Comment on the landscape illustrations of Completed Collection of Graphs and Writings of Ancient and Modern Times Features on Mountains and Rivers. The contents of Features on Mountains and Rivers can be separated into three more categories : 1. the illustrations of famous attractions, such as Five Mountains, Five Towns, and other religious attractions. 2. the illustrations of legendary characters or stories. 3. the illustrations of guidebooks. Chapter 4 : Characteristics of the landscape illustrations of Features on Mountains and Rivers, these can be considered into three directions : 1. the extension and simplicity among the inclusion of these illustrations. 2. the realism and art of the quality of these illustrations. 3. the sources and forms of these illustrations.And last chapter , conclusion. The success and value of these illustrations.
Mičková, Vendula. "Cestopisné ilustrace grafické sbírky knihovny Kinských". Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-305379.
Texto completo