Literatura académica sobre el tema "Hypotexts"
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Artículos de revistas sobre el tema "Hypotexts"
Barnaby, Paul. "Superuomini e no: Dannunzian hypotexts in Capuana’s Rassegnazione". Forum Italicum: A Journal of Italian Studies 51, n.º 2 (4 de abril de 2017): 432–51. http://dx.doi.org/10.1177/0014585817698402.
Texto completoGoodrich, Jaime. "Translation and Genettean Hypertextuality: Catherine Magdalen Evelyn, Catherine of Bologna, and English Franciscan Textual Production, 1618–40". Renaissance and Reformation 43, n.º 2 (28 de septiembre de 2020): 235–61. http://dx.doi.org/10.33137/rr.v43i2.34798.
Texto completoPotapova, Natalia Vadimovna y Veronica Alexandrovna Kameneva. "AGE OF ADDRESSEE AS A FACTOR DETERMINING STRUCTURAL, LINGUISTIC AND TEMPORAL FEATURES OF NEWS HYPOTEXTS". Политическая лингвистика, n.º 4 (2018): 130–36. http://dx.doi.org/10.26170/pl18-04-15.
Texto completoClemente, Frances. "‘Negletta prole’: Leopardi’s legacy in Morante’s Aracoeli". Cuadernos de Filología Italiana 28 (15 de julio de 2021): 323–46. http://dx.doi.org/10.5209/cfit.70476.
Texto completoPotapova, Natalia Vadimovna y Veronica Alexandrovna Kameneva. "THE ADDRESSEE OF AMERICAN NEWS HYPOTEXTS AS A FACTOR IN THE DECONSTRUCTION OF THE "NEWS" CONCEPT". Политическая лингвистика, n.º 3 (2018): 128–34. http://dx.doi.org/10.26170/pl18-03-17.
Texto completoSuppia, Alfredo y Ewa Mazierska. "Aliens in an Alien World: The Portrayal of the Aliens and Humans in the Man Who Fell to Earth by Nicholas Roeg and Under the Skin by Jonathan Glazer". Open Cultural Studies 2, n.º 1 (1 de octubre de 2018): 285–95. http://dx.doi.org/10.1515/culture-2018-0026.
Texto completoWeeden Sr., Theodore. "Polemics as a Case for Dissent: A Response to Richard Bauckham's Jesus and the Eyewitnesses". Journal for the Study of the Historical Jesus 6, n.º 2 (2008): 211–24. http://dx.doi.org/10.1163/174551908x349699.
Texto completoLallinger, Franziska. "Die ›Imitatio Christi-Kompilation von Natur und Gnade‹". Beiträge zur Geschichte der deutschen Sprache und Literatur 145, n.º 2 (1 de junio de 2023): 251–307. http://dx.doi.org/10.1515/bgsl-2023-0014.
Texto completoPotapova, Natal’ya y Veronika Kameneva. "Variability of the Structure of Electronic English-Language News Hypotexts Depending on the Age of the Target Audience". Vestnik of Northern (Arctic) Federal University. Series "Humanitarian and Social Sciences", n.º 2 (20 de abril de 2018): 113–20. http://dx.doi.org/10.17238/issn2227-6564.2018.2.113.
Texto completoKowalczyk-Cantoro, Daria. "Renesansowy poemat "Sarca" jako "aemulatio" z autorami antycznymi". Collectanea Philologica, n.º 24 (28 de diciembre de 2021): 141–53. http://dx.doi.org/10.18778/1733-0319.24.09.
Texto completoTesis sobre el tema "Hypotexts"
Bartolucci, Fabiola. "Alchimia e astrologia nei libri centrali del Baldus di Teofilo Folengo, tra le edizioni Toscolanense (1521) e Cipadense (1535?)". Electronic Thesis or Diss., Université Paris sciences et lettres, 2024. http://www.theses.fr/2024UPSLP016.
Texto completoUnder the pseudonym of Merlin Cocaio, a Liber macaronices, a heroic-comic poem in 17 books, narrating the adventures of Baldo, was published in Venice in 1517. The author hidden behind this pseudonym was the Benedictine monk Theophilus Folengo, who wrote in macaronic hexameters. The poem is inscribed in the sphere of literature in the Macaronic language, which at the time had operettas without great ambitions. The Macaronea folenghiana is, in contrast, a much more elegant and refined product with a whole apparatus of glosses attributed to a certain Aquario Lodola, in ironic-burlesque homage to tradition. Three other editions were published later: the Toscolanense in 1521, the Cipadense (undated, but probably issued between 1534 and 1536) and the Vigasio Cocaio, posthumous (1552). There are important variants between the four versions, prompting attention to the poem's character in fieri. Of particular interest, following the vein of variant studies, is the problem of the underlying motives behind the publication of the Cipadense. The present work focuses on the analysis of the classical and medieval hypotheses - of a scientific or poetic nature - found in the three central books of the Baldus, taking the Toscolanense and Cipadense editions as reference. The subject matter of these three books - which act as a hinge between the first part (which narrates the hero and his companions' terrestrial adventures) and the second (an adventurous sea voyage that will lead the brigade to fight witches and devils in Hell) - is represented by an alchemical episode and an astrological one. These two editions are the most interesting, from my point of view, both because of their formal diversity and because they show the burgeoning character of Folengo's Macaroni in two different moments of the author's life. Folengo was a Benedictine monk of the Congregation of Santa Giustina and from 1525 to 1534 he left the monastery due to unclear disagreements with the order. The Macaronic work was seen as subversive to traditional monastic culture, which is why the Cipadense edition was seen as a palinodia compared to the disruptive form of the earlier Toscolanense edition. But from the analysis performed in this work, a much more complex situation emerges, whereby the Macaronic comes to be configured as a language of art in which imitation, parody and interference of hypotheticals play the same role as linguistic mescidance. It is evident that the Folengo who writes the Cipadense is no longer the young monk of 1521, he has had other experiences, travelled and met people from other backgrounds. It is evident that the spirit of curiosity and desire for knowledge, which we can observe in the characters of the Baldus, is the same that animates the humanist Folengo. The encyclopaedic character of medieval works is present in both digressions, but in the Cipadense we can see that the interference between sources is more subtle and refined to the extent that it betrays more of the reader's horizon of expectation. Similarly, the ambivalence of the places described: the cavern protected by a fairy, where there is an alchemical planetarium; the sea voyage that turns into a voyage into the celestial spheres, are both the result of a creative imagination that relies on a vast written tradition. Moreover, both episodes are led by masks of dubious morality who occupy more space on the scene than the protagonist: a herbolical curator of glosses in the Toscolanense (who disappears in the Cipadense), an astrologer gypsy, a jester and a troubadour who acquire more and more space in the narrative structure of the Cipadense. What is certain is that the entire architecture of the poem rests on these uncertain foundations, so we cannot be sure what Folengo's true intention is: to reveal hidden knowledge to us, or simply, to make fun of the bookish models evoked
Mercati, Elena <1962>. "A COMPARISON BETWEEN JOHN WEBSTER’S THE DUCHESS OF MALFI AND LOPE DE VEGA’S EL MAYORDOMO DE LA DUQUESA DE AMALFI AS A RESULT OF THE VARIOUS HYPOTEXTS OF THE RENAISSANCE NOVELLA". Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17110.
Texto completoNgone, Dzene Delphine Dielle. "Les pastiches - Zola : poétique et critique". Thesis, Toulon, 2018. http://www.theses.fr/2018TOUL3003/document.
Texto completoZola-pastiches are a sign of reception of Zola’s literary works. More than a centuryafter his death, his style is still targeted by the authors of this type of rewriting. Our researchposes the problem of mimetic or differential appropriation of Zola-pastiches posterior to hisdeath. How the author of Les Rougon-Macquart is imitated in these pastiches is our mainresearch question. A pastiche is a writing that implies a textual repeat characterized by theexistence of two types of texts: the hypertext (derived text) and the hypotext (source text). Acomparative approach linked to the theories of intertextuality and hypertextuality has enabledus to discover that the imitators of Zola draw inspiration from his writings and also from thewritings of other authors. They thus produce pastiches with single, double or multiplehypotexts. The distinction between Zola-pastiches is also based on their internal (literary) orexternal (political, advertising) aim. The authors of pastiches with external aims documentthe social facts of their era just like Zola did in his novels. Some authors show a literaryengagement by attacking political leaders but indirectly. In addition to their aims, theirrepresentation of Zola’s style diversifies their writings. Each writer conforms to someimitation rules which are generally related to the principles of similarities and differences.Some pastiches are therefore move creative and/or more representative of Zola’s style thanothers. The study of the imitative ways of pastiches’ writers implies a reflection on theconcept of style whose definitions seem unclear. These writers no longer focus only onZola’s thematic which has been highly criticized during his life time and even after his death.They blend themes and stylistic devices, thus acknowledging the poetic quality of the literaryworks of the naturalism founder. The Zola-pastiches written during the 20th and at thebeginning of the 21st centuries therefore appear to be a critical analysis of these works as wellas the criticism of the partial or one-sided criticism that preceded the renewed interest in thereading of the author of Medan’s texts. The imbrication of stylistic devices and themesborrowed from Zola and adapted to new contexts shows that the literary style convokes theidiosyncratic and sociologic dimensions of an author’s specific way of writing, given that,style is not an abstract phenomenon but a series of formal and thematic choices which arehistorically located and whose imitation is highly determined by representations
Ngone, Dzene Delphine Dielle. "Les pastiches - Zola : poétique et critique". Electronic Thesis or Diss., Toulon, 2018. http://bu.univ-tln.fr/userfiles/file/intranet/travuniv/theses/lettres/2018/These_Ngone.pdf.
Texto completoZola-pastiches are a sign of reception of Zola’s literary works. More than a centuryafter his death, his style is still targeted by the authors of this type of rewriting. Our researchposes the problem of mimetic or differential appropriation of Zola-pastiches posterior to hisdeath. How the author of Les Rougon-Macquart is imitated in these pastiches is our mainresearch question. A pastiche is a writing that implies a textual repeat characterized by theexistence of two types of texts: the hypertext (derived text) and the hypotext (source text). Acomparative approach linked to the theories of intertextuality and hypertextuality has enabledus to discover that the imitators of Zola draw inspiration from his writings and also from thewritings of other authors. They thus produce pastiches with single, double or multiplehypotexts. The distinction between Zola-pastiches is also based on their internal (literary) orexternal (political, advertising) aim. The authors of pastiches with external aims documentthe social facts of their era just like Zola did in his novels. Some authors show a literaryengagement by attacking political leaders but indirectly. In addition to their aims, theirrepresentation of Zola’s style diversifies their writings. Each writer conforms to someimitation rules which are generally related to the principles of similarities and differences.Some pastiches are therefore move creative and/or more representative of Zola’s style thanothers. The study of the imitative ways of pastiches’ writers implies a reflection on theconcept of style whose definitions seem unclear. These writers no longer focus only onZola’s thematic which has been highly criticized during his life time and even after his death.They blend themes and stylistic devices, thus acknowledging the poetic quality of the literaryworks of the naturalism founder. The Zola-pastiches written during the 20th and at thebeginning of the 21st centuries therefore appear to be a critical analysis of these works as wellas the criticism of the partial or one-sided criticism that preceded the renewed interest in thereading of the author of Medan’s texts. The imbrication of stylistic devices and themesborrowed from Zola and adapted to new contexts shows that the literary style convokes theidiosyncratic and sociologic dimensions of an author’s specific way of writing, given that,style is not an abstract phenomenon but a series of formal and thematic choices which arehistorically located and whose imitation is highly determined by representations
Berggren, Elin. "En skarp version av Iliev-Sendovs hypotes". Thesis, Växjö University, School of Mathematics and Systems Engineering, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2563.
Texto completoIliev-Sendovs hypotes består av följande påstående: Då p(z)=(z-z1)(z-z2)•••(z-zn)är ett polynom av grad n≥2, vars alla nollställen ligger i enhetsskivan, ligger det åtminstone ett nollställe till derivatan p'(z) inom en längdenhet från varje nollställe till polynomet p(z). Hypotesen är bevisad för polynom av gradtal n≤8.
Syftet med denna uppsats är att studera Iliev-Sendovs hypotes. Utifrån ett givet nollställe a i enhetsskivan vill jag identifiera ett tillräckligt och eventuellt mindre område En(a) än det som begränsas inom en längdenhet från nollstället a, där varje punkt motsvaras av ett nollställe till derivatan p'(z). Jag vill också söka efter delar av En(a) för polynom av grad n≥3.
Redan för polynom av grad två gäller det att det ''optimala'' området E2(a)är betydligt mindre än det som begränsas av cirkeln med radien en längdenhet, nämligen
E2(a)={z:|z-(a/2)|≤(1/2)}.
För polynom av grad tre har jag visat att
{z:|z-(a/2)|≤√(12-3|a|2)/6lE3(a).
För alla polynom jag har studerat har jag börjat med att fixera ett nollställe i origo och har då funnit att En(0)={z:|z|≤(1/(n-1√n)) När jag fixerar ett nollställe till ett polynom av grad n i en punkt z=a, där 0≤a<1, finner jag att ellipsen som beskrivs av ekvationen
(x-(a/2))2+(1/(1-a2))y2=1/4
och dess innandöme är en delmängd av En(a).
Rosvall, Erica y Habiba Zamayeri. "Finansiell instabilitet i Sverige : Kan Minskys hypotes vara förklaringen?" Thesis, Södertörns högskola, Nationalekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-41609.
Texto completoGenom studiens analys med bakgrund till teorier och tidigare forskning visar det sig att finansiell instabilitet döljer sig i högkonjunktur och ekonomisk stabilitet. Där orsaker som ligger till grund är spekulation, optimism, risktagning och kreditexpansion. Minsky (1982a) pekade bland annat på att hög skuldkvot ökar risken för finansiell instabilitet, något som är en effekt av den frikostiga kreditgivningen, bland annat som en följd av den globala finansieringen. Syftet med denna studie är att undersöka om där funnits ett tillstånd av finansiell instabilitet innan Sveriges kriser, med fokus på Sveriges tre senaste kriser: finanskrisen 1990, it-bubblan 2000 och finanskrisen 2008. Studien åskådliggör hur Minskys finansiella instabilitetshypotes om att "stability breeds instability" även kan förklara uppkomsten av svenska kriser. Resultatet visar på att det finns ett tydligt samband mellan ökad skuldsättning innan kriser.
Arnqvist, Johan. "Strömningen i och över en skog : utvärdering av en 'mixing-layer' hypotes". Thesis, Uppsala University, LUVAL, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-105408.
Texto completoA new theory for predicting the windprofile over a canopy has been evaluated. The theory was first presented by Harman and Finnigan (2007). The theory relies on the forming of a mixing-layer above the canopy, due to different mean wind in and above the canopy. Characteristics from both mixing-layer and Monin Obukhov similarity theory have been used to develop the governingequations that give the wind profile. The theory has been used to calculate wind profiles for sixdifferent atmospheric stabilities. In order to evaluate the theory, profiles from the theory have beencompared to measurements from Jädraås forest, Sweden. Profiles from Monin Obukhov similarity theory were also used for comparison.In general the mixing-layer theory gives better results than Monin Obukhov similarity theory. Agreement with measurements is good in neutral conditions, but fails when the atmospheric stability is altered, especially in convective conditions. This is believed to be due to the canopy lacking in thickness. The mean wind speed is systematically underestimated and this is also believed to be caused by insufficient thickness of the canopy. A correction for this behaviour is proposed. The theory gives higher values of the mean wind speed in convective conditions with the correction and the calculated values of mean wind speed are closer to the measurements.
Westerblom, Linda. "Laborationer som en del av lärandet : -uppfattar eleverna lärarens syfte med laborationer". Thesis, Mälardalen University, School of Sustainable Development of Society and Technology, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-1128.
Texto completoLUNGU, CONSTANTINEANU Camil Stefan. "Holistic Survey of a Degraded Soilscape from Eastern Romania: Hypotesis of Reclamation and Social-Economical Development". Doctoral thesis, Università di Palermo, 2015. http://hdl.handle.net/10447/106243.
Texto completoHrvojevic, Helena. "Grammatikundervisning eller inte? : En studie i gymnasieelevers processning av grammatikövningar". Thesis, Mälardalen University, School of Education, Culture and Communication, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-10113.
Texto completoDet övergripande syftet med denna uppsats var att se vilka tendenser som finns i elevuppsatser som producerats kort efter att eleverna arbetat med grammatik. Hypotesen var att de elever som arbetat intensivt med vissa grammatiska moment också använder dessa oftare i fria uppsatser än elever som inte arbetat lika intensivt med grammatik. I studien jämförs en försöksgrupp som nyligen arbetat med tre grammatiska moment med en kontrollgrupp som inte gjort det. Resultaten relateras till nivåer i processbarhetshierarkin enligt Pienemanns modell. De processbarhetsnivåer som undersöks baseras på de grammatiska moment som eleverna tränat på: rak ordföljd, progressiv form och do-omskrivning. I studien redogörs också för andra faktorer än processbarhet som kan påverka elevernas förmåga att ta in grammatisk information. Input hypotesen utgör en viktig del i studien och resultaten visar att eleverna i försöksgruppen i hög grad påverkas av det affektiva filtret som gör att de inte är mottagliga för undervisning. Resultaten av jämförelsen mellan försöksgruppen och kontrollgruppen visar att intensiv träning i vissa grammatiska moment inte gör att samma konstruktion uppträder oftare i elevernas uppsatser.
Libros sobre el tema "Hypotexts"
Ceccarelli, Alba Pellegrino. Le " bon architecte" de Philibert de L'Orme: Hypotextes et anticipations. Fasano (Br-Italia): Schena, 1996.
Buscar texto completoPellegrini, Ernestina, Federico Fastelli y Diego Salvadori, eds. Firenze per Claudio Magris. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.
Texto completoDenis Diderots le Neveu de Rameau Als Hypotext Von Thomas Bernhards Wittgensteins Neffe. GRIN Verlag GmbH, 2011.
Buscar texto completoHattnher, Álvaro. Zombies Are Everywhere. Editado por Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.21.
Texto completoPilgrim Hypotesis: Exploring the Possible Connections Between the Restoration of the Gospel, the Gathering of Israel, and the Pilgrims Who Founded America. Covenant Communications, Incorporated, 2020.
Buscar texto completoDuo wei bo yi ren xing jia she: Li lun guan li xue qian yan ke ti yan jiu =Game man hypotesis newly research on the orical management. Guangzhou Shi: Guangdong jing ji chu ban she, 2003.
Buscar texto completoCapítulos de libros sobre el tema "Hypotexts"
Windleburn, Maurice. "The Hypotexts of Sound Blocks". En John Zorn’s File Card Works, 52–81. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003321361-3.
Texto completoVentura, Héliane. "The Question of Sources: Teaching Texts Versus Hypotexts". En Alice Munro, 117–22. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24061-9_10.
Texto completoEbrahim, Ranja. "Der Hypotext: Offenbarungsanlässe (asbāb an-nuzūl)". En Im Diskurs mit dem Qurʼān, 131–66. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-29596-7_5.
Texto completoUsula, Nicola. "«La forza del naturale tradotta dallo spagnolo»: su un’ignota riscrittura italiana de La fuerza del natural di Agustín Moreto e Jerónimo de Cáncer a Vienna". En Studi e saggi, 381–98. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.23.
Texto completoResta, Ilaria. "Le gare d’amicizia e d’amore de Arcangelo Spagna: una posible refundición de Duelo de honor y amistad". En Studi e saggi, 343–62. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.21.
Texto completoLombardi, Marco. "Dal Desdén di Moreto ai Plaisirs di Molière". En Studi e saggi, 59–76. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.6.
Texto completoTrecca, Simone. "Da La celosa de sí misma di Tirso a La gelosa di se stessa, melodramma di Arcangelo Spagna". En Studi e saggi, 327–42. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.20.
Texto completo"Biblical hypotexts in Prudentius’ Contra Symmachum". En Poetry, Bible and Theology from Late Antiquity to the Middle Ages, 321–36. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110687224-022.
Texto completo"3. Nymphomaniac: Digressionism, Collaboration, Hypotexts, Paratexts". En Lars von Trier Beyond Depression, 99–150. Columbia University Press, 2022. http://dx.doi.org/10.7312/badl19152-006.
Texto completoLAJOS, Katalin. "A transztextualitás alakzatai J-K. Rowling A karácsonyi malac című regényében. Átjárók a gyermekirodalom és a felnőttirodalom között". En Diskurzus, kultúra, reprezentáció / Discurs, cultură şi reprezentare, 139–53. Scientia, 2024. http://dx.doi.org/10.47745/sapvol.2024.09.
Texto completoActas de conferencias sobre el tema "Hypotexts"
Popovici, Doru vlad y Dorina Ardeleanu. "RESULTS FROM INTEGRATING THE "LOGOPEDIX" SOFTWARE PROGRAM IN THE SPEECH-LANGUAGE THERAPY". En eLSE 2014. Editura Universitatii Nationale de Aparare "Carol I", 2014. http://dx.doi.org/10.12753/2066-026x-14-240.
Texto completoInformes sobre el tema "Hypotexts"
Hansson, David y Sven-Erik Svensson. Effekten av rad- och plantavstånd på skörd och ogräskonkurrens vid ekologisk odling av vårkornsorterna Irina och Planet. Fakulteten för landskapsarkitektur, trädgårds- och växtproduktionsvetenskap, Sveriges lantbruksuniversitet, 2024. http://dx.doi.org/10.54612/a.3ca6ftc9d5.
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