Tesis sobre el tema "Huo jian jun"
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Lu, Yun. "Han Jin wen hua di li". Xi'an : Shanxi ren min jiao yu chu ban she, 1991.
Buscar texto completoChan, So Man. "Jin Yong wu xia xiao shuo lian zai ben (1962-1972) yu wen hua da ge ming /". View abstract or full-text, 2006. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202007%20CHAN.
Texto completoCheng, Hon-leung. "Narrative strategies in the first chapter of the legend of the Condor heroes "She diao ying xiong zhuan" shou hui xu shi ce lüe yan jiu /". Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43208642.
Texto completoYang, Guang. ""Ju jian" de shi jie : lun dang dai Hua yi li san xie zuo /". View abstract or full-text, 2008. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202008%20YANG.
Texto completoFu, Caiwu. "Jin dai hua jin cheng zhong de Hankou wen hua yu le ye, 1861-1949 yi han kou wei zhu ti de Zhongguo yu le ye jin dai hua dao lu de li shi kao cha /". Wuhan Shi : Hubei jiao yu chu ban she, 2005.
Buscar texto completoHuang, Ping. "Reformulating Buddhism and making a global social movement : a sociological study of the Tzu Chi Foundation in Taiwan and Hong Kong". HKBU Institutional Repository, 2011. http://repository.hkbu.edu.hk/etd_ra/1214.
Texto completoChen, Huizhu. "Zhong wen de ji xiang hua yu jin ji yu". [Taibei : Fu ren da xue], 1987. http://books.google.com/books?id=J0jUAAAAMAAJ.
Texto completoQian, Fang. "Zai xi shou yu chuang zao zhong chuang jian Zhongguo de shi si xing shi : jian lun shi si xing shi de Han yu hua jin cheng = A study of the sonnets by the Chinese poets : the sonnet development in China /". click here to view the abstract and table of contents, 2001. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17041466a.pdf.
Texto completoTan, Jianglin. "Jing ji zi you hua yi lai Taiwan jin rong gai ge yan jiu". Hefei Shi : Hefei gong ye da xue chu ban she, 2005. http://www.loc.gov/catdir/toc/chi0701/2006409279.html.
Texto completoLi, Ke. "Shi du cha ju yu xi tong you hua Zhongguo xian dai hua jin cheng zhong de qu yu jing ji /". Beijing : Zhongguo she hui ke xue chu ban she, 2000.
Buscar texto completoLiu, Yuxi. "Anti-melanoma effects and mechanisms of action of a Chinese medicine formula Huai-Hua-Jin-Yin-Jiu". HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/802.
Texto completoLi, Jiaju. "Shanghai shang wu yin shu guan yu jin dai zhi shi wen hua de chuan bo he su zao (1897 zhi 1949) cong shu ji chu ban shi jiao du kao cha /". online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3066579.
Texto completoTam, Man-yee County. "The interiorization of life nuturing skills and the medical culture in late imperial China Jin shi Zhongguo lian yang shu zhi nei hua yu yi liao wen hua /". Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43085817.
Texto completoChui, Wai-ngor. "The design of a Chinese culture subject aiming at enhancing cultural awareness and the evaluation of its effectiveness Yi wen hua jue xing wei jiao xue mu di zhi Zhongguo wen hua ke jiao xue she ji ji qi cheng xiao ping gu /". Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38787441.
Texto completoChui, Wai-ngor. "An evaluation of the effectiveness of the new teaching methods and learning approaches for "history of Chinese culture and arts" Zhongguo wen hua yi shu shi ke xin jiao xue fa ji xue xi jin lu de cheng xiao ping gu /". Click to view the E-thesis via HKUTO, 2000. http://sunzi.lib.hku.hk/hkuto/record/B31961575.
Texto completoJin, Qiu. "Xin wen kuang jia yu "fu hao zhi xu" : dui Zhongguo "lao gong xin wen" zhi kuang jia yan jin de ge an yan jiu, 1979-2003 = News frames and the "symbolic order" : a case study of the evolution of the framing of workers in China, 1979-2003 /". click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b20208303f.pdf.
Texto completoHe, Zhiyong. "Lun Weilian Debusiji de "zhi hui she ji lun" : dui dang dai "zhi hui she ji lun" yu "jin hua lun" de zheng lun de pi pan xing shen shi = On William Dembski's theory of "intelligent design" : a critical examination of the contemporary debate between "intelligent design" and "evolutionism" /". click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b19529417f.pdf.
Texto completoJhang, Jin-Hao [Verfasser], Marcus [Akademischer Betreuer] Bäumer y Jens [Akademischer Betreuer] Falta. "Model Studies on Rare Earth Oxide Thin Films : Surface Chemistry and Catalytic Properties / Jin-Hao Jhang. Betreuer: Marcus Bäumer. Gutachter: Marcus Bäumer ; Jens Falta". Bremen : Staats- und Universitätsbibliothek Bremen, 2016. http://d-nb.info/1082343323/34.
Texto completoXie, Shuxiang. "Dao jin zi ta shi xin wen bao dao de yu pian gui lü : yi Xianggang "Ming bao" she hui xin wen wei yu liao de tan tao = Discourse principles in inverted pyramid news reporting : study of the social news of Ming Pao /". click here to view the abstract and table of contents, 2001. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17041193a.pdf.
Texto completoHe, Jiahua. "Li yong shi xiang gong ju jin xing xie zuo qian gou si xun lian dui zuo wen cheng ji de ying xiang : kong zhi zu qian hou ce zhun shi yan she ji = The influence of prewriting training by using visual tools on achievement in Chinese composition : control group pre-test and post-test quasi experimental design /". click here to view the abstract and table of contents click here to view the fulltext, 2005. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b18517511a.pdf.
Texto completoYuchen, Liu y 劉育丞. "The Research of Marriage Stories Between Creature of Different Species Compare with 《Jin ao xin hua》 and 《Jian Deng xin hua》". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/31704728675183925728.
Texto completo中國文化大學
韓國語文學系
100
The thesis aims to compare Jin Ao Xin Hua and Jian Deng Xin Hua, two marriage love stories between different species, with narrative analysis by means of the parallel study, and we can discover the originality and uniqueness of Jin Ao Xin Hua. The thesis can be divided into four parts. Part I is about Jin Ao Xin Hua, the author’s entire life and creating background, and the abstract of his works related to marriage love stories between different species. Part II is about Qü You, the author of Jian Deng Xin Hua, his entire life and creating background, and the abstract of his novels associated with marriage love stories between different species. Part III concerns the main narrative themes of the two works by means of narrative analysis, attempting to find out the narrative characteristics, and the similarities and differences between the two works. Part IV, however, compares the differences between the two authors’ thoughts of literary creation, including their philosophy of life, love and marriage. Based on the above-mentioned points, I try to anaylse how Jin Shi Xi creatively embodied his thought of literary creation during his creating process, and in view of this, I attempt to think outside the box of the past studies. Jin Ao Xin Hua and Jian Deng Xin Hua were both written to insinuate the dark side of the society at that time, and express the authors’ own beliefs in a state of the unrealized aspirations. After comparing the two literary works, we can know that Jin Shi Xi had original ideas on not only the narrative style but also the thought of literary creation, and the works are imbued with strong Korean ethnic colours; therefore, we can say that Jin Ao Xin Hua is not a pure imitation of Jian Deng Xin Hua.
Li, Dezhu. "Xue dan shu de xi tong yu jin hua". 1993. http://catalog.hathitrust.org/api/volumes/oclc/30444164.html.
Texto completoTitle on added t.p.: Systematics and evolution of Hemsleya (Cucurbitaceae). In Chinese and summary in English. Description based on print version record. Includes bibliographical references (p. 110-116) and index.
Hung, Ching-Chih y 洪竟值. "The study of Shi Cheng-Jin〈Hsiao te hao 〉". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/hn4dsv.
Texto completo中國文化大學
中國文學系
103
〈Hsiao te hao〉is one of Qing Dynasty three jokes, It a joke set from the Shi Cheng-Jin book 〈Chuan Jia Bao〉, with first episode and second.episode. That 〈Chuan Jia Bao〉and〈Hsiao te hao〉has many different editions, included in all editions of the joke will increase or decrease. For the sake of a joke without depart from the author's intention to write record. Therefore, this study selected the final inscribe edition when Shi Cheng-Jin alive, Qianlong four years edition〈Chuan Jia Bao〉as research subjects. This edition of 〈Hsiao te hao〉included a total of one hundred fifty-one jokes,this study emendation Qianlong four years edition〈Hsiao te hao〉and analysis of Rhetoric. Statistics six rhetoric, appear most times and can be expressed in moral of the primary research. In addition supplemented by motif, analysis of the relationship between rhetoric, moral and motif.
Tsai, Wen-ting y 蔡文婷. "Art and Asceticism——The Work of Shi, Jin-hua". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/6fjs76.
Texto completo佛光大學
藝術學研究所
97
Abstract Since the 1990s, there has been no shortage among contemporary artists in Taiwan of those who create their works as commentary on the human condition and the artist's inner universe. Concept artist Shi Jin-hua uses his body as a measuring instrument and life as a laboratory, and under the influence of Buddhist thought, his body in fact becomes an altar of ascetic cultivation. Shi Jin-hua shows us how one artist from East Asia reaches outside Western theories of art, employing East Asian concepts of asceticism to make different uses of his body while progressing in his quest to achieve a "oneness of art and The Way" as spoken of in the Chinese art world. The present study is divided into five chapters. Chapter 1 is the preface, and sets forth the purpose of the study and its methods. Chapter 2 presents Shi Jin-hua's life history and introduces most of his unpublished works; from these we develop a feel for the developmental path of Shi's work and the different periods in his career. Chapter 3 addresses the topic of Shi's "measurement" methods, the differences between his measurement methods, scientific measurement methods, East Asian relativistic measurement, and a cultural figure's measurement of the content of his own soul. Chapter 4 zeroes in on the thing that sets Shi's art apart, i.e. the fact that he makes his body an altar of self-cultivation, a place where art, life, and asceticism converge nearly to the point of complete overlap. Then, with an eye to the special characteristics of Shi's work, the author compares him against three selected artists—Hsieh Teh-ching , Legend Hou, and Tsui Kuang-yu—to further identify what is unique in Shi's work. Chapter 5 points out some of the blind spots and contradictions that arise in contemporary art due to the pursuit of "oneness of art and The Way," and uses actual works by Shi to discuss how he manages, amidst his pursuit of art and The Way, to strike a harmonious balance between the two.
Zheng-Nan, Huang y 黃正南. "The study of Hou Wen-Yong’s book review, The place of no God-Jin Ping Mei". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/92087741546849408856.
Texto completo國立中正大學
台灣文學研究所
101
This study attempts to analyze the concepts of creative writing based on Hou Wen-Yong’s book review, The place of no God-Jin Ping Mei, as well as to explore the images of three characters, Pan Jin-Lian, Li Ping-Er and Pan Chun-Mei. According to Hou’s book, Pan Jin-lian has her own unique erotic desire. However, in the process of scrambling for power and profit, her humanity disappears due to excessive erotic desire and her own inferiority complex. This also leads to her own ruin. Living in a poor life, Li Ping-Er realized the importance of getting rich. She was more interested in marrying for money than for love. However, after getting married to Mr. Xi Men, Li gradually changed, and showed her love and affection to her family, which met the demands of traditional society . Seemingly born with lofty ambitions, the last figure Pan Chun-Mei did not want to be considered inferior to other people, so she often tried to raise her social status by belittling or scolding others. Relying on her master’s favor, she also tried to bully others. Both “ An eye for an eye,” and “Knowing precisely whom or what to love or hate” could be seen in her personality, which was similar to those of teenagers in society today. This study introduces Hou’s opinions from his novels to the public as well as observes if his opinions rational based on academic theory. In the end, in addition to summarizing Hou’s opinions about the distinguishing features of the three characters. Hope to provide our readers and researchers with another interpretation.
Wang, Yu-Wen y 王郁雯. "The Exploration of Taiwanese Writers'' "Ko-Min Literature" ( "Literature of Identification"): Illustrating with Huo-quan Chen''s and Jin-bo Zhou''s Novels". Thesis, 1999. http://ndltd.ncl.edu.tw/handle/52947051372887290060.
Texto completoLai, Kuo-Cheng y 賴國誠. "The development and operation of Jin-Hua-Sheng thirty-two shares in Sancha River Area, Miaoli County". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/40606648593405325531.
Texto completo國立交通大學
客家文化學院客家社會與文化學程
101
By analyzing the development and operation of Jinhuasheng thirty-two shares, this study intends to figure out how a religious organization reclaim lands from the end of Qing Dynasty, how it continue its celebration of Zhongyuan Festival and maintain its cooperation with local powers after the reign of Japanese people and the Nationalist Government of ROC, and how it be put in an operational predicament with the influence of national land policy. In 1843, during the reign of Daoguang Emperor in Qing Dynasty, Liu Jinxiang, Liu Ruihua, Zeng Asheng and other four people reclaimed the land beside Sancha River and set up a religious organization officially named as Jinhuasheng. They divided the land into thirty-three shares and let out the spare lands and tea houses to the tenants, whose rents could be used to hold the Zhongyuan Festival. Then Sun Defu, Li Tenghua and other people became the shareholders of the land, and utilized it for land investment. In 1904, the Japanese people in Taiwan implemented land lease policy, making the thirty-two shares become four lots. Every lot had a registrar responsible of carrying out sacrifices in Zhongyuan Festival and supervising each other. This system of registrar became vital for continuing Zhongyuan Festival and cooperating with local powers. In 1975, the thirty-two shares registered their land as Shenming Hui. During this period, the rent rised dramatically due to the urbanization plan, the land value tax and the progressive land tax system. Besides, most shareholders were not local people in Sancha River area. As a result, many long-lived tenants became resentful about this and started to doubt the validity of these shareholders. In recent years, the government implemented the Cadastral Clean-Up Act, which required Shenming Hui to be registered as legal persons for ancestor worship so as to utilize the land. This may be a solution for a religious organization like Jinhuasheng thirty-two shares; however, some old customs, such as the system of registrar, would be replaced by the new system and become annulled. As a result, there is a special significance for discussing specialized rules to protect these alike religious organizations.
Hua-ChunFeng y 馮華君. "Getting to know the intellectuals attitudes towards life in the Western Jin Dynasty by observing Chang Hua". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/66955966364691432413.
Texto completo國立成功大學
中國文學系碩博士班
100
Western Jin Dynasty, Wei short-reunification era, at a time when good and evil translocation of beauty and ugliness of hearing times, the diversity of the Western Jin Dynasty literati personality will show different from the ages of graceful appearance. By Chang in which the special historical background, the paper cut, Chang living in the Western Jin Dynasty generation, the first dynasty conduct is not correct, leading to political inaccurate, persons without a special operation, and then of Wudi Li entropy of contention, the DPRK party struggles Fun contingentdiscipline is bad, after the value of the dark main child, Chang was able to DPRK dedicated his assistant, and strive towards the Bureau of stability in their old age poetry reveals Shimu hidden the heart, but throughout his life as its heart, can appearbut Confucians giving attention to its righteous ambition to try to Kyosuke affairs of state. This thesis as the main political events, to explore the special space-time background of the Western Jin Dynasty. And Chang Huasheng Ping and works in literary history, as well as the positioning of the history of thought. And then explore Zhang thought: there is a deposit without the complexity and multiplicity, we can see that Confucianism, Taoism and Confucianism, Taoism and reconcile to the conflict transition. Coordinate their political activities, re-Thinking the faint thinking works, the metaphysical wisdom of the atmosphere of the times, Taoism is based on the Confucian intellectuals righteous affectionate heritage, a mixed Chang life set the tone will be set above the contemporary literati, to view a reflection of the Western Jin Dynasty of life typical of the generation of scholars.
Ting, Yu-Chiang y 丁昱強. "The Analysis of Aesthetic Style and Viewpoint of Video Clips：Take Taiwan Artist Jin-Hua Shi’s《Pencil Walker》for Instance". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/5t739q.
Texto completo靜宜大學
資訊傳播工程學系
103
The thesis use documentary analysis to probe different style of perspective analysis of image editing. Images styles can be multiplex through the montage editing. Taking “Pencil Walker” from the Taiwanese conceptual artist who called Shi Jin-Hua for example, he uses long take for image record in this work. Mr.Shi showing deferent styles of view by processing the record images of creative process through the montage editing techniques. He defined the style into three different versions which called: Artist version, Product version and My ersion. The image materials become three different styles by processing through the montage editing. The thesis analyzes that images can be create into three different styles through the montage editing. There are four chapters in this thesis. It is talking about the general background information, methods and my purpose in chapter 1, that I have a chance to combine the experience of studies and art. Chapter 2 is about image creation. It introduces the montage theory and the cutting technique, from the movie development to the video art of television and its history. The advance of technology makes art multiple. In this thesis, I take the artist Shi Jin-Hua and his artistic background to do introduction. Chapter 3 is a overview of the creation. It discusses the possibility of video reemerge and editor's participate in video cutting. Then it tells the technique of video reemerge and image creation. I analyze the result of image output individually and expatiate the style and the view from each images. Last are the review and conclusions, it’s make me more understanding the power of creative images in this thesis conferred.
Tsai, Tzungruei y 蔡宗叡. "The Research of Zhang Taiyan’s thoughts of “Qiwu”：as the core of “Ju Fen Jin Hua Lun” and “Qi Wu Lun Shi”". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/00395198288480305765.
Texto completo華梵大學
哲學系碩士班
100
The topics addressed in this paper is the Zhang Taiyan in the works“Ju Fen Jin Hua Lun”and“Qi Wu Lun Shi”reflected the thoughts of“Qiwu”. Of Taiyan the thoughts of“Qiwu”that reflecting his personal insights, showing him to think about equality and freedom of ideas of Zhuangzi, philosophical reform. This an attempt to not only lies in the metaphysical discussions, but more importantly is the Zhang Taiyan the creative motivation has always been the root of reality-based community. In this paper,“Ju Fen Jin Hua Lun”as a starting point for discussion, to explore the concept of binary opposition of good and evil, joy and misery.In the the Zhang Taiyan argument context, this concept is the synchronous parallel, and deny the possibility of trending unitary culture that Western evolutionism implied. Secondly, to discuss insights the Taiyan on the two concepts of equality and freedom in“Qi Wu Lun Shi”.Brief words, equality is established the premise of a multicultural society, freedom is the lifting of external values bound to produce the sense of equality as an important cognitive. Zhang Taiyan for equality and freedom of discussion and advocating, can be seen as a social thought transformation blueprint for the new social after the revolution. Finally, discussing the core of concern in the methodology and text by Zhang Taiyan usinginterpretation of Zhuangzi with Buddhism.This explain the purpose of their thoughts are consistent from early years to middle-aged.
Hsin-YuLin y 林欣愉. "Searching for the Exit of Love：Analysis and Discussion of Chen Ye's novels Ban lian nu er, Gu niang xiao ye ye, and Liu jin feng hua". Thesis, 2017. http://ndltd.ncl.edu.tw/handle/4my6j3.
Texto completo國立成功大學
中國文學系
105
Chen Ye (1959-2012), who was born in a distinguished family in Tainan, fused her intricate family background and life experience into her literary works, containing homeland history,local consciousness and gender issue, and thus made her works full of a unique feature, which specially have the empathy and the sympathy with the society. This thesis is divided into five chapters, which respectively examines Chen Ye’s works, including Ban lian nu er, Gu niang xiao ye ye and Liu jin feng hua, and further analyzes the following topics, such as: gender consciousness, sexual liberation, remodeling the story of life, the effect of literary narrative therapy presented in those works. In the first chapter, I explain my research motivation, main purpose, and how I define the scope of my research. From the following chapter to the fourth chapter, I respectively discuss the viewpoints in Ban lian nu er, Gu niang xiao ye ye and Liu jin feng hua, concerning how one can find the exit of “love” and build the self-worth through the way of accepting oneself, liberating one’s sexual and affective desire as well as dealing with the unfinished affairs of one’s life; meanwhile, I analyze the issues presenting in those works, which related to gender consciousness and rebuilding of social value, and also mention the effect and connotation of narrative therapy. In the final chapter, I conclude and integrate all the research results, and additionally indicate the value of Chen Ye’s works in the literary history.
"Born of the North Wind: Northern Chinese Poetry and the Eurasian Steppes, 1206–1260". Doctoral diss., 2020. http://hdl.handle.net/2286/R.I.62805.
Texto completoDissertation/Thesis
Doctoral Dissertation East Asian Languages and Civilizations 2020
Юньхань, Ден y Den Yunkhan. "Розвиток сучасної китайської популярної музики". Bachelor's thesis, 2021. http://repository.sspu.edu.ua/handle/123456789/10952.
Texto completoThe bachelor's thesis summarizes the formation and development of Chinese popular music in the cultural and artistic space, the creative contribution of famous artists in this process, as well as the development of modern Chinese popular music in the world art space and identifies the importance of popular music in modern mass culture. The qualification thesis concretizes the classification of genres of Chinese popular music, identified stages of development of Chinese popular music, analyzes the creative path and determines the artistic heritage of the most famous Chinese popular artists.
Wang, San-San y 王珊珊. "Discuss the bodies and the spaces of “new women” in late Qing Dynasty – based on the novels “hai shang ming ji si da jin gang qi shu”, “nu yu hua”, “nu was hi” and “huang xui qui”". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/uz4527.
Texto completo