Acceder

Bibliografías temáticas / Humanities -> art -> art / Artículos de revistas

Siga este enlace para ver otros tipos de publicaciones sobre el tema: Humanities -> art -> art.

Artículos de revistas sobre el tema "Humanities -> art -> art"

Autor: Grafiati

Publicado: 25 de julio de 2024

Última modificación: 30 de julio de 2024

Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros

Elija tipo de fuente:

Consulte los 50 mejores artículos de revistas para su investigación sobre el tema "Humanities -> art -> art".

Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.

También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.

Explore artículos de revistas sobre una amplia variedad de disciplinas y organice su bibliografía correctamente.

1

Mizerkiewicz, Tomasz. "Art After Democracy, Art Before Democracy". Poznańskie Studia Slawistyczne, n.º 17 (6 de noviembre de 2019): 15–21. http://dx.doi.org/10.14746/pss.2019.17.1.

Texto completo

Resumen

The paper describes today’s new situation of art facing antidemocratic processes. The powerful metaphor of Parthenon of books is used, which once was the name of an installation by Marta Minujín presented just after the fall of Argentinian brutal regime in the early eighties and reinstalled again few years ago. The author points that popular “posts” of humanities (postmodernism, postsecularism etc.) need to be replaced by the philosophy of art being after some definite change. The new temporal and public condition of art being after is the result of its dramatic contemporary and future challenges.

Los estilos APA, Harvard, Vancouver, ISO, etc.

2

Carrier, David. "New York Art, Pittsburgh Art, Art". Journal of Aesthetic Education 37, n.º 3 (2003): 99–104. http://dx.doi.org/10.1353/jae.2003.0020.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

3

Berretta, Matthew. "Valuing Art and the Humanities". PMLA/Publications of the Modern Language Association of America 133, n.º 2 (marzo de 2018): 443–44. http://dx.doi.org/10.1632/pmla.2018.133.2.443.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

4

Blocker, H. Gene. "Is Primitive Art Art?" Journal of Aesthetic Education 25, n.º 4 (1991): 87. http://dx.doi.org/10.2307/3332906.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

5

Esrock, Ellen J. "Touching art". Consciousness & Emotion 2, n.º 2 (31 de diciembre de 2001): 233–53. http://dx.doi.org/10.1075/ce.2.2.04esr.

Texto completo

Resumen

Viewers have a way of using their somatosensory system to create temporary boundary changes that bring them into intimate relationships with art objects. Spectators experience this imaginary fusion when simultaneously attending to their own somatosensory sensations, which occur inside the body, and to qualities of the artwork, which exist in the external world. At such moments viewers reinterpret their somatosensory sensations as a quality of the artwork. When inside and outside are reinterpreted, viewers cross the conventional boundary between self and object. This effect can be illustrated in first person reports and supported by current research in the neurosciences and the humanities.

Los estilos APA, Harvard, Vancouver, ISO, etc.

6

Marmor, Max. "Art History and the Digital Humanities". Zeitschrift für Kunstgeschichte 79, n.º 2 (30 de diciembre de 2016): 155–58. http://dx.doi.org/10.1515/zkg-2016-0014.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

7

Lindberg, Christer. "Magical Art – Art as Magic". Anthropos 111, n.º 2 (2016): 601–7. http://dx.doi.org/10.5771/0257-9774-2016-2-601.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

8

Abadía, Oscar Moro. "Art, crafts and Paleolithic art". Journal of Social Archaeology 6, n.º 1 (febrero de 2006): 119–41. http://dx.doi.org/10.1177/1469605306060571.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

9

Vella, Mary Grace. "Art activism: Art of dissent". International Journal of Education Through Art 19, n.º 1 (1 de marzo de 2023): 11–27. http://dx.doi.org/10.1386/eta_00115_1.

Texto completo

Resumen

Moviment Graffitti has, for the last 25 years, been active against the oppression and exploitation of people, animals and the environment with a vision of freedom, justice and radical democracy. Traversing different media, genres and styles, Moviment Graffitti has a dynamic, symbiotic and powerful relationship with art. This article will look at Graffitti’s passionate use of art as a pedagogical tool to create awareness and bring forth social change through the aesthetics of activism and the art of dissent. It explores the role, meaning and paradox of political art through the movement’s artistic sub-groups and the main artistic initiatives embarked upon. Deliberately eschewing the elitism of the art establishment, the commodification of education and culture and depoliticized notions of sustainability and development through art edu/activism (eduvism), Graffitti reappropriates art to agitate educators in revolutionary pedagogy to become pivotal actors in the promotion of progressive social change.

Los estilos APA, Harvard, Vancouver, ISO, etc.

10

Battisti, Eugenio. "El significado antropológico de lo colosal: del "Land Art" al "Minimal Art"." Astrágalo. Cultura de la arquitectura y la ciudad, n.º 17 (2001): 17–30. http://dx.doi.org/10.12795/astragalo.2001.i17.03.

Texto completo

Resumen

El significado, para quienes contemplan urbanísticamente, y viven las consecuencias de lo colosal en la ciudad y en la arquitectura se percibe en términos de una exaltación estética; ante la pérdida de los valores funcional y social, la exaltación de la cualidad virtual de la urbanidad, la publicidad y la arquitectura escenográfica.

Los estilos APA, Harvard, Vancouver, ISO, etc.

11

Congdon, Kristin G., John Michael Vlach y Simon J. Bronner. "Folk Art and Art Worlds". Journal of American Folklore 100, n.º 397 (julio de 1987): 355. http://dx.doi.org/10.2307/540347.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

12

Ajayi, Joseph Babatunde. "Importance of Art Museum and its Influence on Behavioral Intention of Visitors". Advances in Multidisciplinary & Scientific Research Journal Publications 12 (2024): 2–30. http://dx.doi.org/10.22624/aims/humanities/v12n2p3x.

Texto completo

Resumen

This study aimed to investigate the importance of art museum and its influence on behavioural intention of visitors. Well-structured questionnaire directed at two hundred visitors who were willing to participate in the study was used to gather data for analysis. Data was analyzed descriptively through tables, charts and inferentially through Chi Square and Pearson correlation. Results revealed that “I gained new knowledge from my experience visiting art museum” had the highest mean value (4.21) of perception about art museums. Also, the visitors were willing to visit more art museums and they were satisfied with the art museum visited. Furthermore, hypothesis revealed that there is a significant relationship between satisfaction of the visitors and their behavioural intention towards art museums. Therefore, art museums should be promoted more since they serve as educative and entertaining means of promoting knowledge or art exhibits and local culture of the populace. Keywords: Art, Museum, Perception, Visitors, Satisfaction Journal Reference Format: Ajayi, J.B. (2024): Importance of Art Museum and its Influence on Behavioral Intention of Visitors. Humanities, Management, Arts, Education & the Social Sciences Journal. Vol. 12. No. 2, Pp 23-30. www.isteams.net/humanitiesjournal. dx.doi.org/10.22624/AIMS/HUMANITIES/V12N2P3x

Los estilos APA, Harvard, Vancouver, ISO, etc.

13

Ajayi, Joseph Babatunde. "Importance of Art Museum and its Influence on Behavioral Intention of Visitors". Advances in Multidisciplinary and scientific Research Journal Publication 12 (2024): 23–30. http://dx.doi.org/10.22624/aims/humanities/v12n2p3.

Texto completo

Resumen

This study aimed to investigate the importance of art museum and its influence on behavioural intention of visitors. Well-structured questionnaire directed at two hundred visitors who were willing to participate in the study was used to gather data for analysis. Data was analyzed descriptively through tables, charts and inferentially through Chi Square and Pearson correlation. Results revealed that “I gained new knowledge from my experience visiting art museum” had the highest mean value (4.21) of perception about art museums. Also, the visitors were willing to visit more art museums and they were satisfied with the art museum visited. Furthermore, hypothesis revealed that there is a significant relationship between satisfaction of the visitors and their behavioural intention towards art museums. Therefore, art museums should be promoted more since they serve as educative and entertaining means of promoting knowledge or art exhibits and local culture of the populace. Keywords: Art, Museum, Perception, Visitors, Satisfaction Journal Reference Format: Ajayi, J.B. (2024): Importance of Art Museum and its Influence on Behavioral Intention of Visitors. Humanities, Management, Arts, Education & the Social Sciences Journal. Vol. 12. No. 1, Pp 23-30. www.isteams.net/humanitiesjournal. dx.doi.org/10.22624/AIMS/HUMANITIES/V12N2P3

Los estilos APA, Harvard, Vancouver, ISO, etc.

14

Carrier, David. "New York Art, Pittsburgh Art, Art1". Journal of Aesthetic Education 37, n.º 3 (2003): 99. http://dx.doi.org/10.2307/3527306.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

15

Marner, Anders y Hans Örtegren. "Education through digital art about art". International Journal of Education Through Art 10, n.º 1 (1 de marzo de 2014): 41–54. http://dx.doi.org/10.1386/eta.10.1.41_1.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

16

Gibson, Robyn. "Primary-age children's attitudes to art, art making and art education". International Journal of Education Through Art 4, n.º 2 (1 de diciembre de 2008): 177–93. http://dx.doi.org/10.1386/eta.4.2.177_1.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

17

Macken, Megan E. "An overview of recent digital humanities initiatives in US art libraries". Art Libraries Journal 46, n.º 2 (abril de 2021): 51–56. http://dx.doi.org/10.1017/alj.2021.5.

Texto completo

Resumen

As producers and mediators of digital resources, art librarians frequently interact with the digital humanities in a broad sense. In the following brief overview of recent DH work undertaken in US art libraries, engagement with digital humanities is evidenced by the development of open access projects, the creation of linked data sets and the innovative sharing of art and archive collections to support digital pedagogy. Related activities of the Art Libraries Society of North America (ARLIS/NA), its Digital Humanities SIG and the ARLIS/NA in the Humanities Commons are also discussed.

Los estilos APA, Harvard, Vancouver, ISO, etc.

18

Pocius, Gerald L. "Art". Journal of American Folklore 108, n.º 430 (1995): 413. http://dx.doi.org/10.2307/541654.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

19

Griffith, Daniel A. "A Spatial Analysis of Selected Art: a GIScience-Humanities Interface". International Journal of Humanities and Arts Computing 14, n.º 1-2 (marzo de 2020): 154–75. http://dx.doi.org/10.3366/ijhac.2020.0250.

Texto completo

Resumen

This exposition presents little-known connections between geography, through geographic information systems (GISs), mathematics, through matrix algebra, and art, through paintings and images, adding to the geo-humanities, spatial humanities, and humanistic mathematics literature. To this end, findings summarized for spatial statistical analyses of selected Susie Rosmarin paintings (which are reminiscent of visualizations of certain mathematical quantities known as eigenvectors), remotely sensed images that have appeared in art exhibits, and selected famous paintings by historically renowned artists reveal that spatial autocorrelation constitutes a fundamental element of art. These analyses extend the tradition of visualizing fractals as art, and interfacing cartography with art. This paper promotes analytical art, and establishes additional commonalities for GIScience, mathematics, and art.

Los estilos APA, Harvard, Vancouver, ISO, etc.

20

Spica, Inese, Baiba Berzina, Ernests Spics, Rozite Katrina Spica y Peteris Ponnis. "Intellectual Capital of Humanities and Art Sciences and the Efficiency of its Formation at Scientific Institutions". European Conference on Knowledge Management 24, n.º 2 (5 de septiembre de 2023): 1246–54. http://dx.doi.org/10.34190/eckm.24.2.1695.

Texto completo

Resumen

In the present situation of the formation of intellectual capital (IC) of humanities and art sciences at scientific institutions (SIs) in Latvia, the theme of the research is highly topical. The object of the research is the formation of IC of humanities and art sciences at SIs while the subject of the research is the comparative analysis of the efficiency of the involvement of academic staff and students in the formation of IC of humanities and art sciences at SIs of Latvia. The objective of the research is to study the involvement of academic staff and students in the formation of IC of humanities and art sciences at SIs in Latvia in the period from 2013 to 2018. The followingtasks were determined to reach the objective: to study the formation of IC of humanities and art sciences at SIs; to identify the concept of the efficiency of the involvement of academic staff and students in the formation of IC of humanities and art sciences; to calculate main indicators thereof, and, to carry out the comparative analysis of indicators characterising the efficiency of the involvement of academic staff and students in the formation of IC of humanities and art sciences at SIs in Latvia. Research methods used in the paper are content analysis, economic analysis ,and economic experiment.

Los estilos APA, Harvard, Vancouver, ISO, etc.

21

Okhee Jeong. "Teaching Art as One of the Humanities". Journal of Research in Art Education 15, n.º 2 (junio de 2014): 71–98. http://dx.doi.org/10.20977/kkosea.2014.15.2.71.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

22

Castaneda, I. "Visual Culture, Art History and the Humanities". Arts and Humanities in Higher Education 8, n.º 1 (1 de febrero de 2009): 41–55. http://dx.doi.org/10.1177/1474022208098301.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

23

BATTAGLIA, DEBBORA. "The Art of Kula:The Art of Kula". Visual Anthropology Review 20, n.º 2 (septiembre de 2004): 98–99. http://dx.doi.org/10.1525/var.2004.20.2.98.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

24

Spratt, Frederick. "Art Production in Discipline-Based Art Education". Journal of Aesthetic Education 21, n.º 2 (1987): 197. http://dx.doi.org/10.2307/3332749.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

25

Stinespring, John A. "Discipline-Based Art Education and Art Criticism". Journal of Aesthetic Education 26, n.º 3 (1992): 106. http://dx.doi.org/10.2307/3333019.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

26

DUSSART, FRANÇOISE. "The Art of Narritjin:The Art of Narritjin". American Anthropologist 109, n.º 2 (junio de 2007): 363–64. http://dx.doi.org/10.1525/aa.2007.109.2.363.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

27

Lafrenz. "Art across Cultures and Art by Appropriation". Journal of Aesthetic Education 54, n.º 2 (2020): 1. http://dx.doi.org/10.5406/jaesteduc.54.2.0001.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

28

Tirohl, Blu. "@art electronic gallery http://gertrude.art.uiuc.edu/@art/gallery.html". Convergence: The International Journal of Research into New Media Technologies 1, n.º 1 (marzo de 1995): 133–34. http://dx.doi.org/10.1177/135485659500100114.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

29

Khrenov, Nicolai A. "Modern art history as a human science in a situation of cultural turn". Journal of Flm Arts and Film Studies 11, n.º 1 (15 de marzo de 2019): 82–98. http://dx.doi.org/10.17816/vgik11182-98.

Texto completo

Resumen

Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts self-protection against deviations from the established methodology. However, sometimes the artistic processes of modernity require different approaches. In addition, the emergence of new humanities shifts the already established methodology of art. This happened in the first decades of the 20th century, in the era of a linguistic turn in the humanities, indicating the invasion of natural sciences in the humanities; and this is happening today, at the turn of the 21st century, in a situation of a cultural turn, the emergence and intensive development of the science of culture. The current turn requires a deeper understanding of the structure and components of art history, i.e., its sub-disciplines: art history, art theory and art criticism. The essay argues that in the situation of cultural turn the theory of art can carry out functions which the other two sub-disciplines cannot. It propounds that art theory is able to make a decisive contribution to the elucidation of two problems: the relationship between art and cultural studies and the problem of historical time, which is important both for contemporary art and for art history.

Los estilos APA, Harvard, Vancouver, ISO, etc.

30

Khrenov, Nicolai A. "Modern art history as a human science in a situation of cultural turn". Journal of Flm Arts and Film Studies 11, n.º 2 (15 de junio de 2019): 102–15. http://dx.doi.org/10.17816/vgik112102-115.

Texto completo

Resumen

Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts self-protection against deviations from the established methodology. However, sometimes the artistic processes of modernity require different approaches. In addition, the emergence of new humanities shifts the already established methodology of art. This happened in the first decades of the 20th century, in the era of a linguistic turn in the humanities, indicating the invasion of natural sciences in the humanities; and this is happening today, at the turn of the 21st century, in a situation of a cultural turn, the emergence and intensive development of the science of culture. The current turn requires a deeper understanding of the structure and components of art history, i.e., its sub-disciplines: art history, art theory and art criticism. The essay argues that in the situation of cultural turn the theory of art can carry out functions which the other two sub-disciplines cannot. It propounds that art theory is able to make a decisive contribution to the elucidation of two problems: the relationship between art and cultural studies and the problem of historical time, which is important both for contemporary art and for art history.

Los estilos APA, Harvard, Vancouver, ISO, etc.

31

Khrenov, Nikolai A. "Modern art history as a human science in a situation of cultural turn". Journal of Flm Arts and Film Studies 11, n.º 3 (13 de noviembre de 2019): 94–106. http://dx.doi.org/10.17816/vgik11394-106.

Texto completo

Resumen

Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts self-protection against deviations from the established methodology. However, sometimes the artistic processes of modernity require different approaches. In addition, the emergence of new humanities shifts the already established methodology of art. This happened in the first decades of the 20th century, in the era of a linguistic turn in the humanities, indicating the invasion of natural sciences in the humanities; and this is happening today, at the turn of the 21st century, in a situation of a cultural turn, the emergence and intensive development of the science of culture. The current turn requires a deeper understanding of the structure and components of art history, i.e., its sub-disciplines: art history, art theory and art criticism. The essay argues that in the situation of cultural turn the theory of art can carry out functions which the other two sub-disciplines cannot. It propounds that art theory is able to make a decisive contribution to the elucidation of two problems: the relationship between art and cultural studies and the problem of historical time, which is important both for contemporary art and for art history.

Los estilos APA, Harvard, Vancouver, ISO, etc.

32

Khrenov, Nikolay. "Modern Art History As a Human Science in a Situation of Cultural Turn". Journal of Flm Arts and Film Studies 11, n.º 4 (30 de diciembre de 2019): 98–113. http://dx.doi.org/10.17816/vgik11498-113.

Texto completo

Resumen

Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts selfprotection against deviations from the established methodology. However, sometimes the artistic processes of modernity require different approaches. In addition, the emergence of new humanities shifts the already established methodology of art. This happened in the first decades of the 20th century, in the era of a linguistic turn in the humanities, indicating the invasion of natural sciences in the humanities; and this is happening today, at the turn of the 21st century, in a situation of a cultural turn, the emergence and intensive development of the science of culture. The current turn requiresa deeper understanding of the structure and components of art history, i.e., its sub-disciplines: art history, art theory and art criticism. The essay argues that in the situation of cultural turn the theory of art can carry out functions which the other two sub-disciplines cannot. It propounds that art theory is able to make a decisive contribution to the elucidation of two problems: the relationship between art and cultural studies and the problem of historical time, which is important both for contemporary art and for art history.

Los estilos APA, Harvard, Vancouver, ISO, etc.

33

Wolford, John B., Deborah Bailey y Lisa Higgins. "Work Is Art and Art Is Work: The Art of Handcrafted Instruments". Journal of American Folklore 122, n.º 483 (1 de enero de 2009): 97. http://dx.doi.org/10.2307/20487655.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

34

Roldan, Joaquin, Rocio Lara‐Osuna y Antonio Gonzalez‐Torre. "The Project ‘Art for Learning Art’ in Contemporary Art Museums". International Journal of Art & Design Education 38, n.º 3 (agosto de 2019): 572–82. http://dx.doi.org/10.1111/jade.12245.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

35

Azatyan, Vardan, Frederic J. Schwartz, T. J. Clark, Sami Khatib, Miško Šuvaković y Ursula Frohne. "Art and Scholarship in Moments of Historical Danger". ARTMargins 10, n.º 3 (octubre de 2021): 159–90. http://dx.doi.org/10.1162/artm_a_00304.

Texto completo

Resumen

Abstract Consider the nature and function of art and art historical scholarship in the present: Is there still a line—even fine or porous—securing the fragile autonomy of the arts and humanities from commodification in late capitalism? Can art still serve as a negative and critical mirror for reality under the seemingly complete commodification and technological mediation of social life? Is there any real need for art and art historical scholarship even to exist today? Can the arts and humanities serve an emancipatory social agenda, and, if so, how? What role might the humanist ideals once shared by liberals and communists play in the reformulation of art and scholarship today?

Los estilos APA, Harvard, Vancouver, ISO, etc.

36

Förster, Yvonne. "Art and Technology". Yearbook for Eastern and Western Philosophy 2018, n.º 3 (27 de mayo de 2019): 122–34. http://dx.doi.org/10.1515/yewph-2018-0009.

Texto completo

Resumen

AbstractThe world we live in is shaped by technology and its development. This process is observed and debated in the humanities as well as in computer science and cognitive sciences. Narratives of human life being merged with and transcended by technology not only belong to science fiction but also to science: Theorists like Katherine Hayles or Mark B. N. Hansen speak of a technogenesis of consciousness. These accounts hold that our cognitive abilities are deeply influenced by technology and digital media. The digitalization of the lifeworld is a global phenomenon, which unfolds regardless of local cultures. It is art which seeks to explore the experiential aspects of technologically shaped life-worlds. In my contribution I will present examples of artworks which focus on the possibility of aesthetic experiences with new technologies and getting in touch with the so-called technological unconscious. I attempt to investigate the potential of art to unfold experiential aspects of human rapport with technology and thereby develop aisthetic practices for understanding the cultural and political dimensions of digitalized life-worlds.

Los estilos APA, Harvard, Vancouver, ISO, etc.

37

Farrer, Claire R. y Nancy J. Parezo. "Navajo Sandpainting: From Religious Act to Commercial Art". Journal of American Folklore 98, n.º 388 (abril de 1985): 218. http://dx.doi.org/10.2307/540448.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

38

Roscoe, Paul y Nicholas Thomas. "Oceanic Art". Journal of the Royal Anthropological Institute 2, n.º 4 (diciembre de 1996): 731. http://dx.doi.org/10.2307/3034316.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

39

Blocker, H. Gene. "Interpreting Art". Journal of Aesthetic Education 24, n.º 3 (1990): 29. http://dx.doi.org/10.2307/3332797.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

40

Noël Carroll. "Art Appreciation". Journal of Aesthetic Education 50, n.º 4 (2016): 1. http://dx.doi.org/10.5406/jaesteduc.50.4.0001.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

41

Clark, Gilbert A., Michael D. Day y W. Dwaine Greer. "Discipline-Based Art Education: Becoming Students of Art". Journal of Aesthetic Education 21, n.º 2 (1987): 129. http://dx.doi.org/10.2307/3332748.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

42

Stone, Denise Lauzier. "Preservice Art Education and Learning in Art Museums". Journal of Aesthetic Education 30, n.º 3 (1996): 83. http://dx.doi.org/10.2307/3333323.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

43

McKeon, Penny. "The Sense of Art History in Art Education". Journal of Aesthetic Education 36, n.º 2 (2002): 98. http://dx.doi.org/10.2307/3333760.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

44

Tapley, Erin. "Art Apart: A Colony Model For Art Education". Teaching Artist Journal 2, n.º 1 (enero de 2004): 20–24. http://dx.doi.org/10.1207/s1541180xtaj0201_4.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

45

Sparkes, B. "Review. Etruscan art. World of art. Nigel Spivey". Greece and Rome 45, n.º 2 (1 de octubre de 1998): 229. http://dx.doi.org/10.1093/gr/45.2.229.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

46

Martland, T. R. "Not Art and Play, Mind You, nor Art and Games, but Art and Sports". Journal of Aesthetic Education 19, n.º 3 (1985): 65. http://dx.doi.org/10.2307/3332644.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

47

Rosetti, Leah Natalie. "Medicine and the Art of Seeing". University of Ottawa Journal of Medicine 6, n.º 1 (11 de mayo de 2016): 56–57. http://dx.doi.org/10.18192/uojm.v6i1.1309.

Texto completo

Resumen

This Humanities in Medicine article is an examination of the use of formal fine arts training in medical curricula to enhance diagnostic skills. A great amount can be discerned about pathology and pathophysiology using visual cues. Conventional medical education stresses the importance of physical diagnostic skills but often omits explicit teaching on how to methodically observe for information that could be useful for diagnosis. The current curriculum could be greatly complimented by the study of fine arts, which deals directly with the careful observation, description, and interpretation of the visual world. Cet article sur la médecine et les humanités est un aperçu sur la pertinence d’incorporer une formation formelle des beaux-arts dans le curriculum médical afin d’optimiser l’habileté des cliniciens à poser un bon diagnostic. L’utilisation de repères visuels est d’une grande utilité pour discerner la pathologie et la physiopathologie de différentes maladies. L’éducation médicale conventionnelle souligne l’importance de l’examen physique lorsqu’on doit poser un diagnostic, mais néglige parfois l’enseignement d’une approche méthodique qui utilise activement l’observation afin de repérer des informations qui pourraient être très utiles dans le diagnostic d’un patient. Le curriculum actuel pourrait très bien incorporer l’étude des beaux-arts, car celle-ci implique une observation, une description et une interprétation du monde visuel qui nous entoure.

Los estilos APA, Harvard, Vancouver, ISO, etc.

48

Burns, Janet M. C. "Engagement and Art: Luis Merino and Art as Praxis". International Journal of the Humanities: Annual Review 3, n.º 5 (2006): 196–221. http://dx.doi.org/10.18848/1447-9508/cgp/v03i05/41678.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

49

Hirsch, Callie Danae. "Art Essay". Feminist Studies 31, n.º 3 (1 de octubre de 2005): 604. http://dx.doi.org/10.2307/20459052.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

50

Lutfi, Huda. "Art Essay". Feminist Studies 27, n.º 1 (2001): 114. http://dx.doi.org/10.2307/3178452.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

Ofrecemos descuentos en todos los planes premium para autores cuyas obras están incluidas en selecciones literarias temáticas. ¡Contáctenos para obtener un código promocional único!