Literatura académica sobre el tema "Human-animal communication – Juvenile fiction"
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Artículos de revistas sobre el tema "Human-animal communication – Juvenile fiction"
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Seol, Kyeong-hee. "Aesthetic Consideration of Hyangpa Lee Juhong’s Calligraphy and Painting". Korean Society of Calligraphy 43 (28 de septiembre de 2023): 159–96. http://dx.doi.org/10.19077/tsoc.2023.43.7.
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Lee Juhong(1906-1987) was a writer, educator, and artist, born in Hapcheon, Gyeongsangnam-do, and worked in Busan. This paper is a study of his calligraphy, poetry, and painting. He experienced various hardships during his life of 80 years, including Japanese rule and the Korean War. Therefore, he expressed human agony and the fundamental essence of his difficult life through various genres of art, including literature. He led students to culture and art during his entire life as a professor of the Department of Korean Language and Literature at the National Fisheries University of Busan, integrated by Pukyong National University in Busan afterward. In addition, he was a comprehensive artist who engaged in artistic activities in a variety of genres, including poetry, novels, essays, plays, and criticism, as well as children's poems, fairy tales, juvenile fiction, calligraphy and painting, folk paintings, comics, book designing and binding, and theater directing. He also wrote collections of literary works and translations that amount to about 300 volumes.
I analyzed and examined Hyangpa Lee Juhong’s calligraphy and painting by classifying them into literary communication aesthetics of calligraphy and painting and authentic East Asian aesthetics of calligraphy. The simple beauty, humorous beauty, and natural beauty abstracted from the literary communication aesthetics of calligraphy and painting help the aesthetic emotions organically linked in Hyangpa’s poetry, painting, and calligraphy to communicate through the integrated empathy of creation and appreciation. Therefore, I confirmed that simple, humorous, and nature-friendly works become communication aesthetics that heals complex minds.
I summarized the authentic East Asian aesthetics of calligraphy into five beauties.: The first is the simple and gentle beauty that looks smiling. The second is the beauty that to have and to lack generate each other, and the third is the beauty that expresses a neat yet majestic aura with flowing strokes. The next is the beauty that is plain but not sick of, and the last is the magnanimous beauty while remaining faithful to nature without restraint. He used diverse genres of literature and various fields of art. He attempted many experimental things in calligraphy, so we could evaluate that he created a new style and method of calligraphy. In addition, the humanistic, literary, and aesthetic sentiments accompanying Confucius's humanism and Zhuangzi's vital freedom at the bottom of Hyangpa art formed his view of literature, art, and life. Thus, they elaborately emerged in Hyangpa’s calligraphy and painting.
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Leatherland, Douglas. "The Capacities and Limitations of Language in Animal Fantasies". Humanimalia 11, n.º 2 (20 de marzo de 2020): 101–30. http://dx.doi.org/10.52537/humanimalia.9455.
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Drawing on the field of zoosemiotics, this paper explores the representation of language and other forms of communication in animal fantasy fiction, citing Richard Adams’s Watership Down (1972) as a key example of a text which depicts a wide spectrum of communication channels. Zoosemiotics provides a useful lens through which to conceptualize the spectrum of animal communication depicted in Adams’s novel and other notable texts, such as the short stories of Franz Kafka and Ursula Le Guin’s “Author of the Acacia Seeds” (1974). While examples of animal languages in such fiction seem more anthropomorphic than examples of sensory, non-vocal forms of communication, fictional languages such as Lapine actually reveal the limitations of human language as well as the conceptual abilities of nonhuman animals. The texts discussed in this paper attempt to imagine how the ways in which nonhuman animals communicate might be understood, or translated, in human language terms.
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Tierney, David. "“The Poetry of a Dingo’s Bite”". Extrapolation 65, n.º 1 (14 de abril de 2024): 5–22. http://dx.doi.org/10.3828/extr.2024.3.
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Science fiction has an extensive history of attempting to breach the communication boundary between humans and nonhuman animals by giving nonhuman animals some semblance of human language, with many uplift stories having them speak near-perfect English, their minds being filtered through a human linguistic framework, partly or wholly erasing their voice. Building on the examination of nonhuman animal gestural communication in Brian Massumi’s What Animals Teach Us about Politics (2014), this paper analyses how two works, Ursula K. Le Guin’s “‘The Author of the Acacia Seeds’ and Other Extracts from the Journal of the Association of Therolinguistics” (1974) and Laura Jean McKay’s The Animals in That Country (2020) depict animal behavior in itself as being creative and language-like. Neither story offers a straightforward translation from nonhuman to human, each showing how human linguistic frameworks leave gaps for the untranslatable complexities in nonhuman animal gestures. This I suggest shows that further exploration of nonhuman animal communication in science fiction can allow us to move beyond ideas of human exceptionalism and logocentrism and can turn the hierarchical scale of communication into more of a spectrum with various communication types.
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Koirala, Saroj. "Inclusion and Repression of Animal Figures in the Short Fiction of Chekhov and Bangdel". Literary Studies 33 (31 de marzo de 2020): 102–8. http://dx.doi.org/10.3126/litstud.v33i0.38065.
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Fiction is largely a domain of human beings having anthropocentrism as its organizing principle. However, the genre sometimes employs non-human animals too as characters which can be viewed as an innovative tool of modern narratology. Through the use of de-anthropomorphized characters such works provide space for an interpretation of animal behavior and their consciousness.
Universally, human beings have kept companion pets as domestic animals are believed to be sentient beings compared to wild ones. For instance, archeological records of 15 millenniums have reported that dogs used to live together with humans because of their faithful companionship. Animals, therefore, abound in literature across all ages and cultures, but only rarely have they been the focal point of systematic literary study (McHugh 487). As a result, more recent literary criticism has focused on the ethics and the politics of human-animal bonds (HAB), animal communication, animal emotion and so on.
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Moreno Redondo, Rosa María. "Animal Representation in Recent Anglophone Science Fiction: Uplifting and Anthropomorphism in Nnedi Okorafor’s "Lagoon" and Adam Roberts’s "Bête"". Oceánide 12 (9 de febrero de 2020): 78–83. http://dx.doi.org/10.37668/oceanide.v12i.28.
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Science fiction in the last decades has often empowered machines and provided humans with enhanced characteristics through the use of technology (the limits of artificial intelligence and transhumanism are frequent themes in recent narratives), but animal empowerment has also been present through the concept of uplifting, understood as the augmentation of animal intelligence through technology. Uplifting implies providing animals with the capacity to speak and reason like humans. However, it could be argued that such implementation fails to acknowledge animal cognition in favour of anthropomorphized schemes of thought. Humankind’s lack of recognition of different animal types of communication has been portrayed in fiction and often implies the adaptation of the animal Other to human needs and expectations, creating a post-animal that communicates its needs to the reader through borrowed words. The main objective of this article is to analyze the use of uplifting as a strategy to give voice to animals in two science fiction novels written in English, both published in the twenty-first century: Lagoon (2014) by Nigerian-American Nnedi Okorafor and Bête (2014) by British author Adam Roberts. This article examines, from ecocritical and human-animal studies (HAS) perspectives, the differencesand similarities in the exploration of the theme in both novels, which are often related to humankind’s willingness or refusal to regard the Other as equal.
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D’Amato, Anthony y Sudhir K. Chopra. "Whales: Their Emerging Right to Life". American Journal of International Law 85, n.º 1 (enero de 1991): 21–62. http://dx.doi.org/10.2307/2203067.
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Writers of science fiction have often speculated about what it would be like to discover, on a planet in outer space, a much higher form of intelligence. How would we react to those creatures? Would we be so fearful of them that we would try to kill them? Or would we welcome the opportunity to attempt to understand their language and culture? Stranger than fiction is the fact that there already exists a species of animal life on earth that scientists speculate has higher than human intelligence. The whale has a brain that in some instances is six times bigger than the human brain and its neocortex is more convoluted. Discussing the creative processes of whales, Dr. John Lilly says that a researcher “is struck with the fact that one’s current basic assumptions and even one’s current expectations determine, within certain limits, the results attained with a particular animal at that particular time.” Whales speak to other whales in a language that appears to include abstruse mathematical poetry. They have also developed interspecies communication with dolphins. Whales are the most specialized of all mammals.
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Sasne, Ajinkya, Ashutosh Banait, Apurva Raut y Vishal Raut. "Brain Machine Interface". International Journal for Research in Applied Science and Engineering Technology 10, n.º 5 (31 de mayo de 2022): 3641–42. http://dx.doi.org/10.22214/ijraset.2022.43218.
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Abstract— Brain Machine Interface is also known as ‘A brain-computer inteface’.A brain-computer interface (BCI), sometimes called a direct neural interface or a brain-machine interface, is a direct communication pathway between a human or animal brain and an external device. In one-way BCIs, computers either accept commands from the brain or send signals to it (for example, to restore vision) but not both. Two-way BCIs would allow brains and external devices to exchange information in both directions but have yet to be successfully implanted in animals or humans. In this definition, the word brain means the brain or nervous system of an organic life form rather than the mind. Computer means any processing or computational device, from simple circuits to silicon chips. Research on BCIs began in the 1970s, but it wasn't until the mid1990s that the first working experimental implants in humans appeared. Following years of animal experimentation, early working implants in humans now exist, designed to restore damaged hearing, sight and movement. With recent advances in technology and knowledge, pioneering researchers could now conceivably attempt to produce BCIs that augment human functions rather than simply restoring them, previously only a possibility in science fiction.
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Schwartz, Jay W. y Harold Gouzoules. "Humans read emotional arousal in monkey vocalizations: evidence for evolutionary continuities in communication". PeerJ 10 (1 de diciembre de 2022): e14471. http://dx.doi.org/10.7717/peerj.14471.
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Humans and other mammalian species communicate emotions in ways that reflect evolutionary conservation and continuity, an observation first made by Darwin. One approach to testing this hypothesis has been to assess the capacity to perceive the emotional content of the vocalizations of other species. Using a binary forced choice task, we tested perception of the emotional intensity represented in coos and screams of infant and juvenile female rhesus macaques (Macaca mulatta) by 113 human listeners without, and 12 listeners with, experience (as researchers or care technicians) with this species. Each stimulus pair contained one high- and one low-arousal vocalization, as measured at the time of recording by stress hormone levels for coos and the degree of intensity of aggression for screams. For coos as well as screams, both inexperienced and experienced participants accurately identified the high-arousal vocalization at significantly above-chance rates. Experience was associated with significantly greater accuracy with scream stimuli but not coo stimuli, and with a tendency to indicate screams as reflecting greater emotional intensity than coos. Neither measures of empathy, human emotion recognition, nor attitudes toward animal welfare showed any relationship with responses. Participants were sensitive to the fundamental frequency, noisiness, and duration of vocalizations; some of these tendencies likely facilitated accurate perceptions, perhaps due to evolutionary homologies in the physiology of arousal and vocal production between humans and macaques. Overall, our findings support a view of evolutionary continuity in emotional vocal communication. We discuss hypotheses about how distinctive dimensions of human nonverbal communication, like the expansion of scream usage across a range of contexts, might influence perceptions of other species’ vocalizations.
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Araújo, Diana, Carla Lima, João R. Mesquita, Irina Amorim y Cristina Ochôa. "Characterization of Suspected Crimes against Companion Animals in Portugal". Animals 11, n.º 9 (20 de septiembre de 2021): 2744. http://dx.doi.org/10.3390/ani11092744.
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Animal crimes are a widespread phenomenon with serious implications for animal welfare, individual well-being and for society in general. These crimes are universal and represent a major problem in human/animal interaction. In Portugal, current law 69/2014 criminalizes the mistreatment and abandonment of companion animals. This study characterizes forensic cases received at the Laboratory of Pathology of the National Institute of Agrarian and Veterinary Investigation (Vairão) since the enforcement of the aforementioned legislation. A retrospective study was carried out based on the consult of 160 data files of forensic necropsies from 127 dogs and 33 cats. Necropsies confirmed prior crime suspicion in 38 cases (24%), from which 33 were dogs and five were cats. Among confirmed cases, most of assaulted animals were medium-size (57%), crossbreed (55%) male (58%) dogs (87%), which were the victims of blunt force trauma (31%), firearms (27%), poisoning (27%) and asphyxiation (15%). In cats, most of the assaulted animals were juvenile (60%) females (60%) of unknown breed (40%), which suffered blunt force trauma (100%) as the only cause of death. The present study shows that violence against animals is a reality, and complaints about these crimes are gradually increasing due to the population’s raising awareness about animal rights. Greater communication and coordination between clinicians, veterinary pathologists, and law enforcement officers are essential to validate and legally support these cases and subject them to trial.
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Dories, Jeff. "Decentring Anthropocentric Narcissism: The Novum and the EcoGothic in Cixin Liu’s The Three-Body Problem and Ball Lightning". Southeast Asian Review of English 59, n.º 1 (25 de julio de 2022): 110–27. http://dx.doi.org/10.22452/sare.vol59no1.8.
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Abstract: This article examines Cixin Liu’s The Three-Body Problem and Ball Lightning using the framework of Liu’s essay “Beyond Narcissism: What Science Fiction Can Offer Literature,” as well as the idea of the ecogothic, as outlined by William Hughes, Andrew Smith, David Del Principe, and Emily Carr. Liu discusses the idea that literature primarily focuses on human relationships. He then explains that the universe is vast, and in the 13.2 billion years of history, humans have only been present for a small percentage of that time. Because of this, he calls for literature to experiment with challenging anthropocentric thought. This article focuses on how Liu uses ecological horror, feelings of dislocation, disorientation, fragmentation, and the uncanny to challenge anthropocentric ideology. It relies on close reading and an examination of intertextuality, especially focusing on Rachel Carson’s Silent Spring and Peter Singer’s Animal Liberation.
Libros sobre el tema "Human-animal communication – Juvenile fiction"
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Greenburg, Dan. How to speak dolphin in three easy lessons. New York: Scholastic Inc., 2003.
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Allen, Isabella. Through the barbed wire. Dallas, Texas: Brown Books Publishing Group, 2018.
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Kimpton, Diana. The secret necklace. [Tulsa, Okla.]: [EDC], 2012.
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Skinner, Sharon. The healer's legacy. Mesa, Ariz: Brick Cave Media Books, 2012.
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Bevis, Mary Elizabeth. Wolf song. Ely, Minn: Raven Productions, 2007.
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Greenburg, Dan. How to speak dolphin in three easy lessons. New York: Grosset & Dunlap, 1997.
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Gates, Susan. Killer spiders. London: Usborne, 2008.
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Namm, Diane. The story of Doctor Dolittle: Doctor Dolittle goes home. New York: Sterling Pub. Co., 2010.
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Verrillo, Erica F. World's End. New York: Random House, 2009.
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Verrillo, Erica F. World's End. New York: Random House Children's Books, 2009.
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